Masonite Abstract Prints
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Medium: Masonite
Richard Anusziewicz Annual Edition. Limited Ed. Op Art silkscreen on masonite
Located in New York, NY
Richard Anuszkiewicz
Annual Edition, 1987-1988
Limited edition silkscreen on masonite
Signed and dated by the artist lower right in pencil
Frame Included (floated within a box frame)...
Category
1980s Abstract Geometric Masonite Abstract Prints
Materials
Masonite, Screen
Richard Pettibone The Appropriation Warhol, Stella, Lichtenstein, Unique Signed
Located in New York, NY
Richard Pettibone
The Appropriation Print Andy Warhol, Frank Stella, Roy Lichtenstein, 1970
Silkscreen in colors on masonite board (unique variant on sculpted board)
Hand-signed by artist, Signed and dated on the front (see close up image)
Bespoke frame Included
This example of Pettibone's iconic Appropriation Print is silkscreened on masonite board rather than paper, giving it a different background hue, and enabling it work to be framed so uniquely.
The Appropriation print is one of the most coveted prints Pettibone ever created ; the regular edition is on a full sheet with white background; the present example was silkscreened on board, allowing it to be framed in 3-D. While we do not know how many examples of this graphic work Pettibone created, so far the present work is the only one example we have ever seen on the public market since 1970. (Other editions of The Appropriation Print have been printed on vellum, wove paper and pink and yellow paper.)
This 1970 homage to Andy Warhol, Frank Stella and Roy Lichtenstein exemplifies the type of artistic appropriation he was engaging in early on during the height of the Pop Art movement - long before more contemporary artists like Deborah Kass, Louise Lawler, etc. followed suit.
This silkscreen was in its original 1970 vintage period frame; a bespoke custom hand cut black wood outer frame was subsequently created especially to house the work, giving it a distinctive sculptural aesthetic.
Measurements:
Framed 14.5 inches vertical by 18 inches horizontal by 2 inches
Work
13 inches vertical by 16.5 inches horizontal
Richard Pettibone biography:
Richard Pettibone (American, b.1938) is one of the pioneering artists to use appropriation techniques. Pettibone was born in Los Angeles, and first worked with shadow boxes and assemblages, illustrating his interest in craft, construction, and working in miniature scales. In 1964, he created the first of his appropriated pieces, two tiny painted “replicas” of the iconic Campbell’s soup cans by Andy Warhol (American, 1928–1987). By 1965, he had created several “replicas” of paintings by American artists, such as Warhol, Roy Lichtenstein (1923–1997), Ed Ruscha (b.1937), and others, among them some of the biggest names in Pop Art. Pettibone chose to recreate the work of leading avant-garde artists whose careers were often centered on themes of replication themselves, further lending irony to his work. Pettibone also created both miniature and life-sized sculptural works, including an exact copy of Bicycle Wheel by Marcel Duchamp (French, 1887–1968), and in the 1980s, an entire series of sculptures of varying sizes replicating the most famous works of Constantin Brancusi (Romanian, 1876–1957). In more recent years, Pettibone has created paintings based on the covers of poetry books by Ezra Pound, as well as sculptures drawn from the grid compositions of Piet Mondrian (Dutch, 1872–1944). Pettibone straddles the lines of appropriation, Pop, and Conceptual Art, and has received critical attention for decades for the important questions his work raises about authorship, craftsmanship, and the original in art. His work has been exhibited at the Institute for Contemporary Art in Philadelphia, the Museum of Modern Art in New York, the Museum of Contemporary Art in Miami, and the Laguna Art Museum in Laguna Beach, CA. Pettibone is currently based in New York.
"I wished I had stuck with the idea of just painting the same
painting like the soup can and never painting another painting.
When someone wanted one, you would just do another one.
Does anybody do that now?"
Andy Warhol, 1981
Since the mid-1960s, Richard Pettibone has been making
hand-painted, small-scale copies of works by other artists — a
practice due to which he is best known as a precursor of appropriation art — and for a decade now, he has been revisiting subjects from across his career. In his latest exhibitions at
Castelli Gallery, Pettibone has been showing more of the “same”
paintings that had already been part of his 2005–6 museum retrospective,1
and also including “new” subject matter drawn from
his usual roster of European modernists and American postwar
artists. Art critic Kim Levin laid out some phases of the intricate spectrum from copies to repetitions in her review of the
Warhol-de Chirico showdown, a joint exhibition at the heyday
of appropriation art in the mid-1980s when Warhol’s appropriations of de Chirico’s work effectively revaluated “the grand
old auto-appropriator”.
Upon having counted well over a dozen
Disquieting Muses by de Chirico, Levin speculated: “Maybe he
kept doing them because no one got the point. Maybe he needed the money. Maybe he meant it when he said his technique
had improved, and traditional skills were what mattered.”
On
the other side, Warhol, in her eyes, was the “latter-day exemplar
of museless creativity”.
To Pettibone, traditional skills certainly
still matter, as he practices his contemporary version of museless creativity. He paints the same painting again and again,
no matter whether anybody shows an interest in it or not. His
work, of course, takes place well outside the historical framework of what Levin aptly referred to as the “modern/postmodern wrestling match”,
but neither was this exactly his match
to begin with.
Pettibone is one of appropriation art’s trailblazers, but his diverse
selection of sources removes from his work the critique of the
modernist myth of originality most commonly associated with
appropriation art in a narrow sense, as we see, for example, in
Sherrie Levine’s practice of re-photographing the work of Walker
Evans and Edward Weston. In particular, during his photorealist
phase of the 1970s, Pettibone’s sources ranged widely across
several art-historical periods. His appropriations of the 1980s
and 1990s spanned from Picasso etchings and Brancusi sculptures to Shaker furniture and even included Ezra Pound’s poetry.
Pettibone has professed outright admiration for his source artists, whose work he shrinks and tweaks to comic effect but, nevertheless, always treats with reverence and care. His response
to these artists is primarily on an aesthetic level, owing much
to the fact that his process relies on photographs. By the same
token, the aesthetic that attracts him is a graphic one that lends
itself to reproduction. Painstakingly copying other artists’ work by hand has been a way of making
it his own, yet each source is acknowledged in
his titles and, occasionally, in captions on white
margins that he leaves around the image as an
indication that the actual source is a photographic image. The enjoyment he receives in copying
is part of the motivation behind doing it, as is
the pleasure he receives from actually being with
the finished painting — a considerable private
dimension of his work. His copies are “handmade
readymades” that he meticulously paints in great quantities in his studio upstate in New York; the commitment
to manual labor and the time spent at material production has
become an increasingly important dimension of his recent work.
Pettibone operates at some remove from the contemporary art
scene, not only by staying put geographically, but also by refusing to recoup the simulated lack of originality through the
creation of a public persona.
In so doing, Pettibone takes a real
risk. He places himself in opposition to conceptualism, and he is
apprehensive of an understanding of art as the mere illustration
of an idea. His reading of Marcel Duchamp’s works as beautiful
is revealing about Pettibone’s priorities in this respect.
When
Pettibone, for aesthetic pleasure, paints Duchamp’s Poster for
the Third French Chess...
Category
1970s Pop Art Masonite Abstract Prints
Materials
Masonite, Pencil, Screen
Untitled by Enzio Wenk, 2017 - Acrylic Paint on Masonite, Abstract Expressionism
By Enzio Wenk
Located in Bresso, IT
Acrylic paint on masonite.
The frame was painted by the artist.
Category
2010s Abstract Expressionist Masonite Abstract Prints
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Untitled by Enzio Wenk, 2017 - Acrylic Paint on Masonite, Neo-Expressionism
By Enzio Wenk
Located in Bresso, IT
Acrylic paint on masonite.
Category
2010s Neo-Expressionist Masonite Abstract Prints
Materials
Masonite, Acrylic
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Located in San Francisco, CA
Artist: Jean-Marie Haessle - French/American (1939-)
Title: To and Fro
Year: 1980
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This bold abstract geometric print is by the well-known French/American artist, Jean-Marie Haessle (1939- ). It is in very good, never-framed condition with no flaws to note.
Jean Marie Haessle was born in Buhl, Haut-Rhin, France. After living for a few years in Paris, he moved to New York City in 1967 where he still works and lives in his studio on Spring Street in Soho. Over the years, he had numerous shows in the US, New York, Miami, Texas and California, France and Italy (see the resume). In the mid-80’s he worked for a period in France (Paris, Lyon, and Cannes). In the late 90’s he worked in Mexico (San Miguel de Allende) where he had a one person show in 1997 in the Museo de Art in Queretaro. He had a survey exhibition of the last 30 years of his work at the Korean University Museum, Seoul, Korea in spring 2014 and a major one person show in the Namu Modern &Contemporary gallery in Seoul in September of the same year. In September 2016 he had a sold out show at the Wada Garou gallery in Tokyo, Japan. In recent years, he had numerous shows in Korea, Seoul and Busan as well as in Japan, Tokyo, Kyoto, and Osaka.
One-Person Exhibitions
2021 Mizuma, Kips Gallery New York, USA
2020 Shijimi Gallery and Wada Garou, Tokyo, Japan
Mizuma, Kips Gallery New York, USA
Keumsan Gallery, Seoul, Korea
2019 Mizuma, Kips & Wada Art, New York, USA
2018 Wada Garou, Tokyo, Japan
Superior Gallery, Gangnam Seoul Korea
2017 Foley Gallery, New York, USA
KOUDOURAN, Kyoto, Japan
2016 Wada Garou Gallery, Tokyo, Japan
2015 Soohoh Gallery, Korea
Kips Gallery New York, USA
2014 Paintings 1983 – 2013, Korea University Museum, Seoul, Korea
NaMu Modern & Contemporary, Seoul, Korea
2013 Wada Garou Gallery Tokyo, Japan
Keumsan Gallery, Seoul, Korea
2012 Hillwood Art Museum, LIU Post, NU USA
Gallery Wooduk. Seoul Korea
SOOHOH Gallery, Seoul, Korea
bcs Gallery, Long Island City, NY, USA
2011 Chantal Bamberger Galerie, Strasbourg, France
Whitelabs Gallery, Milan, Italy
Kips Gallery New York, NY USA
2010 David Richard Contemporary, Santa Fe NM, USA
Gallery AKA Space, Seoul Korea
Gallery One Tokyo, Japan
2009 Kips Gallery New York, NY USA
La Minoterie Penze, France
2008 Galerie Claire Gastaud, Clermont-Ferrand, France
Kips Gallery, New York, NY USA
2007 Kips Gallery, New York, NY USA
2000 Gallery Yvonamor Palix, Mexico DF Mexico
1997 Galerie Gastaud & Caillard, Paris France
Galerie Prebet, Roanne France
Galerie de la Tour, Altkirch France
Ecole des Beaux Arts de Metz, Metz France
Kunsthous Santa Fe, San Miguel de Allende Mexico
Museo de Art, Queretaro Mexico
Museo Regional de Tlaxcala, Tlaxcala Mexico
1996 Kim Foster Gallery, New York NY USA
Galerie Gastaud, Clermont-Ferrand France
1995 Kim Foster Gallery, New York NY USA
Galerie Gastaud & Caillard, Paris France
Center Europeen d'action Artistiques Contemporaines, Strasbourg France
Galerie Athisma, Lyon France
1994 Chateau du Grand Jardin, Joinville France
1993 Galerie Catherine Fletcher, Paris France
1991 Galerie Gastaud, Clermont-Ferrand France
Galerie Athisma, Lyon France
1989 FCI Institut, New York NY USA
Galerie Jade, Colmar France
Galerie Laurentienne, Bordeaux France
1988 Galerie Lucien Durand, Paris France
1987 Galerie Lucien Durand, Paris France
Guggenheim Gallery, Miami Florida USA
1986 LittleJohn-Smith Gallery, New York NY USA
1985 Reynold Kerr Gallery, New York NY USA
Taylor Hudson Gallery, Boca Raton Florida USA
1981 Gabrielle Bryers Gallery, New York NY USA
1980 RR Gallery, New York NY USA
1979 National Academy of Sciences, Washington DC USA
The Atlantic Gallery, Washington DC USA
1973 Westbroadway Gallery, New York NY USA
1972 Westbeth Gallery, New York NY USA
1968 Panoras Gallery, New York NY USA
Selected Group Exhibitions
2021 KIAF art fair Seoul, Korea
Busan Art Fair, Kips gallery, Busan, Korea
Miami art fair, Miami, USA
2019 Busan Art Fair, Kips gallery, Busan, Korea
Kiaf Art Fair, Mizuma, Kips & Wada Art, Seoul, Korea
Osaka art fair, Wada Garou, Tokyo, Japan
2018 Mizuma, Kips & Wada Art, New York, NY USA
Busan Art Fair, Kips gallery, Busan, Korea
Wada Garou, Tokyo, Japan
2017 Busan Art fair, Kips Gallery, Busan, Korea
2016 Busan Art fair, Kips Gallery, Busan, Korea
Art Hamptons, Kips Gallery, NY USA
Busan Museum of Art, Busan, Korea
“Master Works” Galerie Claire Gastaud, Clermont-Ferrand France
“Diaspora in Contemporary Art” Permanent Mission of the
Republic of Korea to the United Nation , NY USA
Corps Accords Pôle Culturel, Drusenheim, France
Salon Zurcher, Zurcher Gallery, New York, NY USA
2015 Palm Springs Art Fair, Kips Gallery, CA USA
Houston Art Fair, Kips Gallery, Houston TX, USA
Art Hamptons, Kips Gallery, NY USA
KIAF Art Fair, Kips Gallery, Seoul, Korea
Busan Art fair, Kips gallery, Busan Korea
2014 CIGEE China International Gallery Exposition, Kips Gallery, Beijing, China
Palm Springs Art Fair, Kips gallery, CA USA
Houston Art Fair, Kips Gallery, Houston TX, USA
Art Hamptons, Kips Gallery, NY USA
KIAF Art Fair, Kips Gallery, Seoul, Korea
David Richard Contemporary, Santa Fe NM USA
2013 Art Hamptons, Kips gallery, NY USA
Houston Art Fair, Kips gallery, Houston, TX USA
KIAF Art Fair, Keumsan Gallery, Seoul, Korea
2012 Art Karlsruhe Germany, Galerie Chantal Bamberger
Kips Gallery, New York, NY USA
Lee C gallery, Seoul Korea
2011 KIAF Art Fair, Kips Gallery, Seoul Korea
St-Art, Galerie Chantal Bamberger, Strasbourg France
Houston Art Fair, DavidRichard Conremporary, TX, USA
Red Dot Art Fair, Kips Gallery, New York, NY, USA
Red Dot Art Fair, Miami, FL, USA
Art Chicago, Kips Gallery, New York, NY, USA
Wada Garou, Tokyo Japan
San Francisco Art Fair, Kips Gallery NY, USA
Dallas Art Fair, DavidRichard Contemporary Santa Fe, NM, USA
2010 David Richard Contemporary, Santa Fe, NM, USA
Claire Gastaud Galerie, Clermont-Ferrand, France
KIAF Art Fair, Kips Gallery, Seoul Korea
Korean Art Fair, New York, NY
Hong Kong Art Fair, Kips gallery
Hamptons Art Fair, USA Kips gallery
2009 Kips Gallery, New York NY 10012
Scope Art Fair Miami, Kips Gallery NY, USA
2008 Bridge Art Fair Miami, Kips Gallery, Fl. USA
2007 Kips Gallery, New York NY, USA
2004 Mexico Arte Contemperano, Gallery Yvonamor Palix, Mexico DF
2003 Galerie Kahn, Strasbourg, France
2002 Art Chicago, Yvonamor Palix Gallery, Chicago USA
St-Art, Galerie Khan, Strasbourg France
Art Paris, Galerie Claire Gastaud, Paris France
2001 Art Chicago, Yvonamor Palix Gallery, Chicago USA
2000 Art Chicago, Yvonamor Palix Gallery, Chicago USA
En construccion, Universidad de Guanajuato, Guanajuato, Gto Mexico
Nomad Territories, DFN Gallery, New York NY USA
1999 Gallery Yvonamor Palix, Mexico DF Mexico
1998 Albright-Knox Galleries, Buffalo NY USA
Galerie Gastaud, Clermont-Ferrand France
1997 Kim Foster Gallery, New York NY USA
Galerie Gastaud, Clermont-Ferrand France
Eric Linard Galerie, La Garde Adhemar France
Museo de Arte, Queretaro Mexico
1996 Art Chicago, Kim Foster gallery, Chicago USA
"Blue" Broadway Gallery, New York NY USA
1995 Galerie Cocotier, St Etienne France
Centre Europeen d'Action Artistiques Contemp., Strasbourg France
1994 Kim Foster Gallery, New York NY USA
Galerie Catherine Fletcher, Paris France
Foster-Peet Gallery, New York NY USA
1993 Andover-White Gallery, New York NY USA
Galerie Athisma, Lyon France
Cavaliero/Navarra Fine Arts, New York NY USA
1992 Cavaliero/Navarra Fine Arts, New York NY USA
"Contemporary Works on Paper" Gallery Standhal, New York NY USA
Foster-Peet Gallery, New York NY USA
1991 Cavaliero Fine Arts, New York NY USA
Salon de Montrouge, Paris France
Galerie Lucien Durand, Paris France
1990 Galerie Lucien Durand, Paris France
Galerie Jade Colmar, France, Chicago International
Art Fair, Chicago, USA
1989 Galerie Lucien Durand, Paris France
1988 Salon de Montrouge, Paris France
Galerie Lucien Durand, Paris France
1987 Art Barn Association, Washington DC USA
LittleJohn-Smith Gallery, New York NY USA
Galerie Jade Colmar France
1986 LittleJohn-Smith Gallery, New York USA
1985 Reynold Kerr Gallery, New York NY USA
1984 Reynold Kerr Gallery, New York NY USA
1983 Cavaliero Fine Arts, Kunstmess, Basel Switzerland
Galerie Bertin, Lyon France
1982 Cavaliero Fine Arts, Kunstmess, Basel Switzerland
1981 Gabrielle Bryers Gallery, New York NY USA
1980 Gabrielle Bryers Gallery, New York NY USA
1979 Katheryn Markel Gallery, New York NY USA
Haber-Theodore Gallery, New York NY USA
1977 The Aldrich Museum of Contemporary Art, Ridgefield, CT USA
Contemporary Reflexions. Untitled, acrylic and pencil on wall.
1977 Robert Friedus Gallery, New York NY USA
OIA, New York NY USA
1976 Fine Art Gallery, New York NY USA
1975 "Young Talent Festival" "75"Union Carbide, New York NY USA
1974 "Young Talent Festival" Pace Editions, New York NY USA
"59th Annual Juried Exhibition" Hudson River Museum, Yonkers NY
1973 Springfield Art Association, Springfield CT USA
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"Young Artists 73" Union carbide, New York NY USA
New York Contemporary Graphic Exhibition, Taiwan Museum, Taipei
1972 Palace of Fine Arts, Mexico DF Mexico
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1971 Martha Jackson Gallery, New York NY USA
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Publications
1985 Renold Kerr Gallery, New York, NY USA Text by David Shaff
1989 Galerie Jade, Colmar France. The primary paintings of Haessle by
Frederick Ted Castle. Introduction by Jean-Yves Bainier
1994 Chateau du Grand Jardin, Joinville France. In memory of the body
Text by David Shapiro. Interview by Marc Vaudey. In French/English . ISBN 2-910695 -026
1994 Chateau du Grand Jardin, Joinville France. Edition of 200 exemplary
1995 Centre Europeen d’Action Artistiques Contemp., Strasbourg , France
Text by Gilbert Lascault. Interview by Jean-Yves Bainier. ISBN -2-910036-12 X
Hard cover. In French and English.
1995 HAESSLE 30 ans de peinture. Monograph 145 pages with 70 pages
Full color reproductions. Editions Alternatives ISBN : 2 86227 095 4
Text by David Shaff, David Shapiro, Jean-Yves Bainier.
Interview by Catherine Ulmer.
2008 Haessle, Selected works, M magazine, 15 pages all colors reproductions
2012 Haessle, paintings, Hillwood Art Museum, LIU Post NY. Text by Jonathan
Goodman (English), Bernard Zurcher (French) 52 pages, 35, color reproductions
2014 Haessle Paintings, 1983-2013, Korea University Art Museum. Text
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Materials
Enamel
Masonite abstract prints for sale on 1stDibs.
Find a wide variety of authentic Masonite abstract prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add Abstract prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of pink and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Enzio Wenk, Richard Anuszkiewicz, and Richard Pettibone. Frequently made by artists working in the Abstract, Pop Art, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Masonite abstract prints, so small editions measuring 0.02 inches across are also available
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