Offset Abstract Prints

Jean Dubuffet Dubuffet: The Museum of Modern Art vintage poster, 1962 Offset lithograph poster 19 1/2 × 15 inches Unframed with original folds (it was de...

Ansel Adams and the West, 1979 Offset Lithograph Poster 23 × 36 inches Unframed This offset lithograph poster was created on the occasion of the Ansel Adams exhibition, Ansel Adams and the West, at the Museum of Modern Art in New York from September 8 - October 28, 1979. The photograph featured in this poster is Old Faithful...

Shusaku Arakawa Historic Dwan Gallery Poster: Presence or the Third Person, 1967 Offset lithograph poster 30 x 22 inches Unframed Rarely found, coveted 19...

Pat Steir (Hand signed and inscribed by Pat Steir), 2014 Limited Edition clothbound hardback monograph with no dust jacket as issued (hand signed and inscribed to Nadine) Hand signed...

Bruce Nauman Bruce Nauman at Leo Castelli, 1978 Offset Lithograph Poster 18 1/4 × 36 inches Unframed This Bruce Nauman poster was created on the occasion of his exhibition at the Leo Castelli Gallery in New York from February 4 - 25, 1978. The poster has some minor overall creasing and natural folds but is otherwise in good vintage condition. Please note: This is the original 1978 Leo Castelli poster...

Fletcher Benton Large hardback monograph (hand signed twice by Fletcher Benton), 1990 Hardback monograph with cloth boards and dust jacket (hand signed twice and inscribed to Ernie) ...

Marco Tirelli - Poster is a vintage offset poster realized for the exhibition by Marco Tirelli at Galerie Di Meo in 2006. The artwork is represented in a well-balanced composition.

Jennifer Losch Bartlett Rhapsody (hand signed and inscribed), 1985 Hardback monograph with dust jacket (hand signed and inscribed to Nadine) Hand signed and inscribed in black marker "for Nadine" by Jennifer Bartlett on the half title page 12 × 12 × 1 inches Provenance signed for the present owner at Paula Cooper Gallery on January 21, 2016 This substantial, lavishly illustrated hardback monograph with dust jacket, was hand signed by Jennifer Bartlett for the present owner at Paula Cooper Gallery on January 21, 2016. Makes an excellent gift Book information: Publisher‏: ‎ Harry N Abrams (November 1, 1985) English; Hardcover; 108 pages with color illustrations Editorial Review: Rhapsody'' is Bartlett's multi-part, multi-theme epic, a statement of the coming of age of an artist. A portable mural extended over 987 one-foot steel plates requiring 153 running feet of wall space, it is an enormous and infrequently mastered challenge to install and exhibit. In 1985-86, however, it will be on view in Minneapolis, Kansas City, Brooklyn, La Jolla, and Pittsburgh, and well worth a trip. In book form it becomes more available, with Smith's guided tour through sections, with Bartlett's notes giving conceptual coherence, and the opportunity to move from close-up to long view by turning a page. Rhapsody'' and this book afford a glimpse of a mind and art in action, a discovering and ordering process, an exciting demonstration of ways of growing and expressing the self and the world. Highly recommended. About Jennifer Bartlett: By the mid-1970s, Jennifer Bartlett (1941-2022, b. Long Beach, California) had emerged as a leading American artist of her time—particularly following the landmark presentation at Paula Cooper Gallery of Rhapsody (1976), Bartlett’s magnum opus, now in the collection of the Museum of Modern Art, New York. Bartlett’s first survey exhibition was held in 1985 at the Walker Art Center, Minneapolis, and traveled to the Brooklyn Museum, New York, and the Carnegie Museum of Art, Philadelphia, among others. In 2006, the Addison Gallery of American Art surveyed Bartlett’s early enameled steel plate paintings in the period from 1968–76. In 2013-14, Klaus Ottmann curated her second traveling survey, which visited the Pennsylvania Academy of the Fine Arts and the Parrish Art Museum, New York. In 2014, the Cleveland Museum of Art united her three monumental plate...

Sean Scully Different Places (hand signed and inscribed by Sean Scully), 2015 Limited Edition hardback monograph (hand signed and inscribed to Nadine in felt tip pen on the title pag...

Mark Tobey Tribute to Mark Tobey Poster, 1974 Offset lithograph poster 21 1/2 × 17 1/2 inches Unframed This was published on the occasion of the exhibition "Tribute to Mark Tobey" at...

Victor Vasarely Anthea Galleria D'arte Poster, ca. 1971 Offset lithograph poster Limited edition of 400 (unnumbered) 28 1/2 × 22 1/2 inches Unframed This historic offset lithograph p...

Hans Haacke Working Conditions (Hand signed by Hans Haacke), 2016 Hardback monograph with dust jacket (Hand signed by Hans Haacke) Hand signed by Hans Haacke on the half title page 9 1/2 × 8 × 1 inches Makes a superb gift! He didn't sign too many. This lavishly illustrated hardback monograph with dust jacket signed by Hans Haacke for the present owner at a special event at 192 Books in New York City. (owned by The Paula Cooper...

Anish Kapoor Anish Kapoor (Hand signed and inscribed to Nadine by Anish Kapoor), 1998 Hardback monograph (Hand signed and inscribed to Nadine by Anish Kapoor) Hand signed and inscri...

Artist: after Robert Rauschenberg Title: Art Institue of Chicago Year: 1977 Medium: Offset Lithograph Poster Paper Size: 44 x 28 inches Frame Size: 54 x 37.5 inches

Dennis Oppenheim Directed Seeding -Wheat, Historic Yvon Lambert Gallery Poster (Hand Signed and Addressed by Dennis Oppenheim), 1969 Offset lithograph poster. Hand signed, inscribed. Postmarked and addressed to Oppenheim's dealer, John Gibson 23 × 16 inches Hand Signed and inscribed by Dennis Oppenheim lower right in blue marker in 2006, hand addressed by Dennis Oppenheim in 1969 in red marker Unframed This is an extremely uncommon vintage poster/mailer announcing the May 20th, 1969 opening reception (Vernissage) for the exhibition of works by American conceptual art pioneer Dennis Oppenheim at the Yvon Lambert Gallery in Paris. The poster is historic in that it was originally mailed to John Gibson, the East 67th Street dealer, who famously gave Dennis Oppenheim his first New York exhibition in 1968, and it is hand addressed to Gibson, bearing the original Paris, France postmark of 1969. It is, exceptionally, hand signed and dedicated by Dennis Oppenheim to a collector who acquired the poster from John Gibson's collection, and then secured Dennis Oppenheim's autograph in 2006, making this an especially valuable collectors item. More information about the project from the Tate Gallery archives, which acquired the work: This work brings together two interventions Oppenheim created on a field owned by farmer Albert Waalken in Finsterwolde, north-eastern Holland, in 1969. It comprises four distinct elements mounted on board: a colour photograph of a wheatfield being sowed by a tractor in parallel curving lines seen from high up; a negative image in black and white of a map of the area of Finsterwolde onto which two sections of text have been collaged; and two black and white aerial photographs of the same field being traversed by a tractor cutting an X into the wheat. The first two elements relate to the action Directed Seeding. For this the field was seeded according to a line plotted by following the road from the village of Finsterwolde, the location of the field, to Nieuweschans, another village where the farmer’s storage silo for wheat was located. Oppenheim reduced this curved line by a factor of six in order to direct the trajectory of seeding. The tractor then carved a series of curved parallel lines on the surface of the field as it dug up earth and scattered seed. From an aerial perspective the patterning of parallel lines may be viewed as a form of line drawing on the landscape. The precise location of the field and the silo are indicated on the map, showing the trajectory of the road. The two sections of text collaged onto the upper portion of the map briefly describe the two interventions. Explaining the action Cancelled Crop, the artist wrote: In September the field was harvested in the form of an X. The grain was isolated in its raw state, further processing was withheld. This project poses an interaction upon media during the early stages of processing. Planting and cultivating my own material is like mining ones own pigment (for paint) – I can direct the later stages of development at will. In this case the material is planted and cultivated for the sole purpose of withholding it from a product-oriented system. Isolating this grain from further processing (production of food stuffs) becomes like stopping raw pigment from becoming an illusionistic force on canvas. The esthetic is in the raw material prior to refinement, and since no organization is imposed through refinement, the material’s destiny is bred with its origin. (Quoted from artist’s statement in Tate acquisition file.) Directed Seeding and Cancelled Crop are two separate works, brought together in several different versions of which Tate’s is one. The collage presents three ways in which human action may marks the land. For the first two, agricultural machinery is used to create straight lines, in the process of harvesting as in the X of Cancelled Crop, or curved lines, during the process of planting seed in the contours photographed for Directed Seeding. The map shows a third (and more ancient) way of marking the land, through the construction of roads. The use of the landscape – natural, industrial or urban – as a canvas on which to act is typical of Oppenheim’s work in the late 1960s and early 1970s. In a related action, Directed Harvest, 1966 (Tate T07590) and Directed Harvest 1968 (Kröller-Müller Museum, Otterlo, Netherlands), the artist caused a field to be harvested in linear patterns which he then had photographed in its progressive stages. In Reverse Processing: Cement Transplant, East River, NY, 1970, 1978 (Tate T07591) Oppenheim drew large crosses on the roofs of barges transporting raw cement that he found moored on the New York East River banks. All these works centre on process as an agent of change and utilise materials, elements and locations on which the artist can have no permanent claim, making them deliberately ephemeral. Such actions as seeding a crop and harvesting it several months later operate within time parameters dependent on the cycles of the seasons rather than the will of man, mixing human processes with those of nature. Oppenheim’s analogy between the prevention of a crop from entering the food chain and the halting of the expressive, ‘illusionistic’ force of paint deconstructs the sophisticated processes of art-making and the food industry to the elemental notion of making simple marks on the environment. In this way, the artist highlights contemporary man’s dependency on complex chains...

Lucio Saffaro - vintage poster is an offset advertising of 1976. The state of preservation of the artwork is good. The artwork represents the Artist's exhibition "La Quinta degli I...

Pierre ALECHINSKY The Wheel (Maeght), 1982 Lithograph and offset Printed signature in the plate On paper 88 x 60 cm (c. 35 x 24 inch) Created for Maeght / Derriere le Miroir in 1982...

Giuseppe Uncini - Exhibition Poster is an original poster print realized in 1976. The artwork was realized on the occasion of the artist's exhibition. Good conditions but aged with...

Artist: After Joan Miro (1893-1983) Title: Untitled (Guggenheim Museum) Year: 1966 Medium: Offset lithograph exhibition poster on premium paper Size: 33.75 x 24 inches Condition: Exc...

Giuseppe Uncini - Drawings and Projects  is an offset on paper realized by the Italian artist Giuseppe Uncini in 1976, for the Exhibition in the Rondanini Art Gallery. Giuseppe Unci...

Peter Halley Heterotopia 2 (Hand Signed by Peter Halley), 2019 Offset lithograph poster (Hand signed by Peter Halley) 23 × 16 1/2 inches. Signed in black marker on the front Published by Greene Naftali, New York Unframed Alpha 137 Gallery is honored to offer this historic offset lithograph of American artist Peter Halley's 2019 exhibition Heterotopia 2, at Greene Naftali Gallery in New York City which the artist hand signed in black marker. Scroll images for a photograph of our director Nadine Witkin with the artist. Below is Peter Halley's official biography. What it doesn't mention is that Andy Warhol famously painted his portrait in 1986! Peter Halley is that legendary. According to Halley, he didn't realize until after Warhol's death that the polaroids Warhol took of him with his famous "big shot" camera were made into an original painting. Warhol's painting of Peter Halley was included in the recent Andy Warhol retrospective...

Released as part of a portfolio in a limited edition of 400 on the occasion of George Condo's exhibition "Drawing Paintings" at Skarsketdt Gallery in 2011. Unsigned and unnumbered S...

Jean Degottex, Vintage Poster Exhibition is an offset print realized in the occasion of the exhibition held in Meo Gallery in 2010. Good conditions.

Artist: After Joan Miro (1893-1983) Title: Miro Oeuvres Graphiques Year: 1965 Medium: Lithograph exhibition poster on wove paper Size: 22.25 x 19.25 inches Condition: Excellent Notes...

Black Fan is a vintage offset print after Antoni Tàpies, printed on handmade paper and part of a deluxe edition of reproductions published in 1982 and limited to 2.000 specimens. Sig...

Myron Stout Untitled (from Rubber Stamp Portfolio), 1976 Rubber Stamp Print on Buckeye Paper 8 × 8 inches Limited Edition of 1000 Stamped with a...

Vintage Exhibition Pace/Columbus is an original rare Contemporary Poster realized in occasion of Alexander Calder's exhibition at Pace/Columbus Ohio in 1971. Original Lithograph and...

Artist: Charles Arnoldi (American, born 1931) Title: Untitled Year: 2001 Medium: Off set lithograph Edition: Numbered XXIX 54/115 in pencil Image size: 17 x 17 inches Signat...

Peter Halley Paintings (Hand Signed), 1995 Offset lithograph poster (hand signed by Peter Halley) 28 1/2 × 18 3/4 inches Hand signed in black marker on the front Unframed Alpha 137 G...

This artwork "Untitled #5" c.1980 is an original offset lithograph on wove paper by Canadian artist Terry Leftrook, born 1948. It is hand signed in pencil by the artist. The artwork...

Emilio Tadini Poster Exhibition is an original offset and lithograph poster realized in 1976. The artwork was realized in the occasion of the exhibition "Museo dell'uomo" held in Ron...

Sunday for Women I is offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1952. The print suite was realized in 1985 in a limited edition ...

Vintage Exhibition Poster is a vintage Offset print realized for the exhibition of Jean Fautrier in 2006. Good condition, no signature. The exhibition is in Galerie Di Meo in Paris...

Yaacov Agam, Israeli (b. 1928) Offset Print Poster: Birth of a Flag: An American Portrait 1776-1976 Biographical info: The son of a rabbi, Yaacov Agam can trace his ancestry back s...

After Brueghel (Spoleto ) is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1969. Signed o the plate on the lower. The print sui...

Kimber Smith (Hand signed and inscribed), ca. 1974 Offset Lithograph Poster. Hand Signed. Inscribed. Hand signed and inscribed on lower recto (front). Inscription reads: "Greetings ...

Horizon is a vintage poster realized in 1970 by James Rosenquist. Mixed colored offset and lithograph. Hand signed by the artist. The poster was realized in the occasion of the ar...

Sam Francis, American (1923 - 1994) - Untitled (P-5), Year: 1980, Medium: Poster, Edition: 1200, Size: 27.5 x 19.5 in. (69.85 x 49.53 cm), Printer: Bob Blair and George Page at Blair Litho, Los Angeles, Publisher: Centre International de Creation Artistique, Abbaye de Senanquem Gordes, Grance, Reference: Lembark P-5, Description: Poster for a Sam Francis exhibition...

Spoleto is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1970. The print suite was realized in 1985 in a limited edition of 2500,...

Artist: Charles Arnoldi (American, born 1931) Title: Untitled Year: 2001 Medium: Off set lithograph Edition: Numbered XXVIII 65/115 in pencil Image size: 17 x 17 inches Sign...

Sam Francis, American (1923 - 1994) - Colors of Sam Francis, Year: 2018, Medium: Poster, Size: 28.75 x 20.25 in. (73.03 x 51.44 cm)

This artwork "Untitled" c.1980 is an original offset lithograph on wove paper by Canadian artist Terry Leftrook, born 1948. It is hand signed in pencil by the artist. The size is 13...

Jasper Jones: Within Gray Exhibit Poster Chicago Institute of art and the Metropolitan Museum of Art. Exhibition poster Unsigned Excellent condition

Arte Povera 2 Exhibition - Galerie Di Meo, Paris is an offset realized for the exhibition in 2010. Good condition, no signature. The exhibition is in Galerie Di Meo in Paris from October to November 2010. The Arte Povera Artists are: Giovanni Anselmo, Michelangelo Pistoletto, Alighiero Boetti, Luciano Fabro, Jannis Kounellis, Pier Paolo Calzolari, Giuseppe Penone, Giulio Paolini, Gilberto Zorio, Pino...

Untitled is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1980. The print suite was realized in 1985 in a limited edition of 2500...

Vintage Exhibition Poster is a vintage Offset print realized for the exhibition of Jean Fautrier held in 2006. Good condition, no signature. The exhibition was held in Galerie Di M...

Studio Marconi is an exhibition poster realized after Hsiao Chin in 1984. Offset print realized in the occasion of the exhibition held at Studio Marconi, Milano, in 1984. Good cond...

Giuseppe Uncini - Drawings and Projects is an offset on paper realized by the Italian artist Giuseppe Uncini in 1976, for the Exhibition in the Rondanini Art Gallery. Giuseppe Unci...

Territorial Identity Documents - Poster is an original poster print realized in 1978. The artwork was realized on the occasion of the photographic exhibition at the Rondanini galler...

Portrait is vintage offset print on paper realized after Franco Sarnari. Hand-signed in pencil. Good conditions. Realized with precise strokes, the work represents a Portrait and...

Sam Francis, American (1923 - 1994) - Galerie Pudeklo, Year: 1972, Medium: Poster, Size: 27.5 x 19.75 in. (69.85 x 50.17 cm)

Alexander Calder - Poster Exhibition is a rare mixed colored offset and lithograph print realized in 1971 This print was realized on the occasion of the exhibition dedicated to the ...

Gothic Stained Glass is an original print on paper realized by an Anonymous artist in the early 20th Century. Passepartout included: 49x 34 cm. ...

Untitled is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning 1950. The print suite was realized in 1985 in a limited edition of 2500, a...

This one is titled "Walk in a Broken Lake" and depicts a surreal figure of a robed woman walking in an abstract landscape in yellow, green, red and blue with a Salvador Dali esque quality about it. Published by Edition Hansjörg Mayer, Stuttgart They published concrete poetry and art books by Mark Boyle, Richard Hamilton, Dorothy Iannone, John Latham, Tom Phillips, Dieter Roth, André Thompkins and Emmett Williams, to name just a few. André Thomkins (1930 - 1985) was a Swiss painter, illustrator, and poet. He attended art-school, taught by Max von Moos, 1947 – 1949 and the Académie de la Grande Chaumière, Paris, France, 1950. From 1952, he lived in Germany and taught at the Kunstakademie Düsseldorf between 1971 and 1973. Thomkins painted and drew ironic and fantastic pictures influenced by surrealism and dadaism. Together with Dieter Roth and Daniel Spoerri he prepared works of Eat Art. He also was a writer of palindromes. His friends and collaborators included Daniel Spoerri, Dieter Roth, George Brecht, Richard Hamilton and Karl Gerstner, Thomkins gained a reputation as an ‘artist’s artist’, and is considered one of the most important Swiss artists of the second half of the twentieth century.He died in 1985. His work is currently represented by Hauser & Wirth Zurich, Switzerland. Select group exhibitions: 2018 Kunsthalle Krems, 'Pablo Picasso. Arshile Gorky, Andy Warhol. Sculptures and Works on Paper. Hubert Looser Collection', Krems, Austria 2017 Kunsthandel Wolfgang Werner, 'Martin Barré, Karl Otto Götz, Ernst Wilhelm Nay, André Thomkins', Berlin, Germany 2013 Fabian & Claude Walter Galerie, 'Schweizer Avantgarde Kunst nach 1940', Zurich, Switzerland 2009 The Modern Institute, 'Thomas Houseago, Dieter Roth, Andre Thomkins', Glasgow, England Museum of Modern Art, 'Compass in Hand: Selections from the Judith Rothschild Collection', NYC 2004 Kunsthandel Wolfgang Werner, 'Arman, Baumeister, Götz, Graubner, Tàpies, Thomkins', Berlin, Germany 1994 Kunstmuseum Solothurn, 'Eine Schenkung. Grafik von Eduardo Chillida, Antoni Tàpies, Alexander Calder, Jean Dubuffet, Ben Nicholson, Giacometti, Tinguely, Thomkins', Solothurn, Switzerland 1992 Galerie Littmann, Tinguely zu Ehren. A Tribute to Jean Tinguely. Hommage à Tinguely, Basel, 1988 Museum Ludwig, 'Uebrigens sterben immer die anderen. Marcel Duchamp und die Avantgarde seit 1950', Cologne, Germany 1987 Aargauer Kunsthaus, 'Otto Grimm. Marc-Antoine Fehr. Christoph Gredinger', Aarau, Switzerland Cercle Municipal, 'Art contemporain suisse. Collection de la Banque du Gothard', Luxembourg, 1985 Centre national d'art et de culture Georges Pompidou, 'Livres d'artistes', Paris, France Rathaus, 'Claude Sandoz – Hans Schärer...

This artwork "Untitled" 1987 is an original offset lithograph, with gold and silver leaf addition on wove paper by Canadian artist Terry Leftrook, born 1948. It is hand signed, date...

Trembling Womanis an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1964. The print suite was realized in 1985 a limited edition of 2...

Untitled is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1975. Signed o the plate on the lower. The print suite was realized i...

A print from the CCA folio of Herbert Bayer published in 1965. Nicely framed. 12. Untitled Herbert Bayer, Austrian (1900–1985) Date: 1965 Offset Lithograph Image Size: 10.5 x 13.5 i...

Two Women's Torses is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1952. Signed o the plate on the lower. The print suite was ...