Screen Abstract Prints

Carlos Cruz Diez Induction chromatique a double frequence Madris B 2008 Pigment chromatography on canvas Ed 2 of 8 28 x 79 in Signed on verso

Artist: Clayton Pond, American (1941 - ) Title: Column Study from Capital Ideas Portfolio Year: 1974 Medium: Serigraph on Museum Board, signed and numbered in pencil Edition: 150 Ima...

This striking vintage original serigraph by celebrated Aspen artist Thomas Whelan Benton showcases a bold, graphic composition featuring a bright white snowflake set against a deep b...

Thomas W. Benton, American (1930 - 2007) - Blue Knight, Year: 1981, Medium: Screenprint, signed and numbered in pencil, Edition: 250, Image Size: 32 x 32 inches, Size: 35 in. x ...

Untitled From: Gates to Times Square (20 screenprints, two with additional lithography) Silkscreen, c. 1978 Signed in pencil (see photo) Edition 100 (90/100) (see photo) Publisher: P...

Abstract Green Composition is a Screen Print on Paper realized by Victor Debach in 1970s. Limited edition of 100 copies numbered and signed by the artist with pencil on the lower ma...

Artist: Jose Maria Yturralde, Spanish (1942 - ) Title: Cube within Cube (Red and Blue) Year: 1971 Medium: Screenprint, signed and numbered in pencil Edition: 61/125 Size: 19 x 19 in....

Eastern Forms George Chemeche, Israeli/American (1934) Date: 1979 Screenprint, signed and numbered in pencil Edition of 250, AP 15 Size: 22 in. x 30 in. (55.88 c...

Artist: Peter Max Title: Flowering Angel Medium: Screen print in colors Date: 1976 Edition: 27/100 Sheet Size: 30" x 23" Frame Size: 37" x 30" Signature: Hand signed in pencil Price ...

John Baldessari (American, 1931-2020) Two Assemblages (with R, O, Y, G, B, V Opaque), 2003 Medium: Lithograph and screen print on vellum Dimensions: 61.6 x 91.5 cm Edition of 50: Han...

Donald Sultan's 'Seven Silvers Jan. 24, 2024' is a masterful color silkscreen featuring enamel inks, flocking, and tar-like textures, limited to an edition of 30. Donald Sułtan Seve...

Artist: Kikuo Saito, Japanese (1939 - 2016) Title: Onion Train Year: 1979 Medium: Silkscreen, signed and numbered in pencil Edition Size: 225 Size: 42 x 29.5 inches [106.68 x 74.93 cm]

Artist: Lennart Nyström, Swedish (1944 - ) Title: One Sheet (Green) Year: circa 1975 Medium: Screenprint, signed and numbered in pencil Edition: 70/95 Size: ...

Kenneth Noland Untitled, 1987 Monotype with hand painting on wove paper Signed and dated in pencil on the reverse, with the artist's initials blind stamped lower right Unique Frame i...

This incredible work comes with a COA. The work is currently framed in a new acid free mat and the original 1969 silver metal frame, but new framing is available included in the pric...

Artist: Jim Bruss, American (1944 - ) Title: Reflection III Year: 1975 Medium: Serigraph, signed and numbered in pencil Edition: 16/30 Image: 23 x 19.5 inches Size: 30.5 x 24 inches

Bolotowsky, Ilya (American, born Russia, 1907-1981). From PORTFOLIO III Silkscreen (serigraph) printed in two shades of red and in blue on white wove paper, 1965. Published by Paraso...

The Seven Days of Bardo Thodol 4 is an original litograph and screen print realized by Michele Canzoneri (1977). The artwork is part of a collection...

The 50th Anniversary of the League of Women Voters Screenprint Poster from 1970, designed by Richard Anuszkiewicz (1930 - 2020) printed in 1969,...

Artist: Hiroshi Murata Title: Circles Year: circa 1979 Medium: Screenprint, signed and numbered in pencil Edition: 57/77 Paper Size: 19.5 x 27 inches

14th New York Film Festival Allan D’Arcangelo, American (1930–1998) Date: 1976 Screenprint, signed and numbered in pencil Edition of 107/144 Size: 40 x 59 in. (101.6 x 149.86 cm)

"Mickey" is of a matching set with "Mickey" and "Minnie." Set against a vivid blue background and encrusted in glitter, Damien Hirst’s “Mickey” is a playful reimagining of the belo...

Date: 1969 Screenprint, signed, titled, numbered and dated in pencil Edition of 8/100 Image Size: 17 x 17 inches Size: 20 x 20 in. (50.8 x 50.8 cm)

Artist: Deborah Kass (American, 19452-) Title: Sense and Sensibility Year: 1987 Medium: Two Screenprints (diptych), signed and numbered in pencil...

Hand signed by the artist on the back. Artist's proof. Good conditions. Image Dimensions: 49x69 cm.

Artist: Nicholas Krushenick, American (1929 - 1999) Title: Big Sky Year: 1980 Medium: Silkscreen, signed and numbered in pencil Edition: 200; AP 30 Size: 40 x 34 inches (101.6 x 86...

Abstract Green Composition is a Screen Print on Paper realized by Victor Debach in 1970s. Limited edition of 100 copies numbered and signed by the artist with pencil on the lower ma...

Artist: Knox Martin, American (1923 - ) Title: Diamond Year: circa 1979 Medium: Screenprint, Signed and numbered in pencil Edition: AP Size: 22 in. x...

1982-84 Hunter College, New York (M.F.A.) 1978-80 School of Visual Arts, New York 1973-77 Bezalel Academy of Art, Jerusalem (B.F.A.) American, born in Romania Lives and works in New York City Solo Exhibitions 2008 Michael Steinberg Fine Art, New York 2006 Galeria Joan Prats, Barcelona 2005 Karpio + Facchini Gallery, Miami Jacob Karpio Galeria, San Jose (Costa Rica) 2004 Michael Steinberg Fine Art, New York 2001 Marella Arte Contemporanea, Milan 2000 Von Lintel & Nusser, New York Galerie Von Lintel & Nusser, Munich 1998 Galerie Thomas von Lintel, Munich 1997 Galerie des Archives, Paris 1995 Galerie Samuel Lallouz, Montreal L.A. Louver, Los Angeles 1994 Marc Jancou Gallery, London Galerie des Archives, Paris 1993 Galerie Barbara Farber, Amsterdam Real Art Ways, Hartford (Connecticut) 1992 Tom Cugliani Gallery, New York Galerie Marc Jancou, Zurich Galerie des Archives, Paris 1989 Tom Cugliani Gallery, New York Galerie Barbara Farber, Amsterdam Studied at bezalel from 1973 to 1977. And it was a very fascinating time because it was a highly conceptually based school. Very much influenced by Joseph Beuys, and European Conceptualism, I didn’t really like the atmosphere there that much, because it was dominated by male painters like Jörg Immendorf, Marcus Lupertz, and a few others. then came to New York to study at SVA for two years. New York in 1978 was exciting. I was very lucky to be in a class that was full of very bubbly and very energetic artists like Keith Haring, Kenny Scharf, Tim Rollins, Moira Dryer, Frank Holliday, and Tom Cugliani (who later became one of my dealers).The eighties were dominated largely by Neo-Expressionist paintings. There were Germans, such as Baselitz, Kiefer, Richter, Penck, and the Italians, Clemente, Chia, Cucchi, Palladino as well as Schnabel, Fischl, Basquiat, Salle, and many others, but all of their paintings were figuratively based. But below the popular consent, there was a group of painters who were working more in the vein of what Stephen Westfall referred to as “Neo-Surrealism,” including George Condo, Jeffrey Wasserman, Kenneth Scharf, David Humphrey. However, I felt that Carroll Dunham and you were the only two painters who seemed to be less interested in the kind of narrative, lyrical, or let’s say, stationary composition. He belongs to the generation of Terry Winters, Elizabeth Murray, David Reed and Jonathan Lasker but in some strange way, if we’re looking back to the mid-eighties, we have to include New Image painters like Susan Rothenberg, Neil Jenney, and Robert Moskowitz who were working in between the figure and abstraction with a kind of condensation and compression, in relationship, lets say, to cartoon imagery. There are artists like Jeff Koons, or even Damien Hirst who took the Duchampian aspect and brought it into the continuity of his readymade. But for me, I see no difference between the crack in “Large Glass” and the drips in Jackson Pollock’s paintings. There was something that I felt in my own equation of the continuity between Paul Klee, Duchamp, Picabia, and, oddly enough, Clyfford Still. What essentially is important is how different artists carry on a dialogue among themselves so that they can all keep their work vital. Whether from the abstract paintings of Richmond Burton, Fabian Marcaccio extending the borders of his paintings on to the wall, or Cady Noland’s early scattered installation, my own pre-occupation with machinery, urban environment, and the Duchampian models has always materialized in relationship to other forms of art making. Selected Group Exhibitions: 2014 Drawing on Difference: An Ambition by Saul Ostrow and Lidija Slavkovic, Studio Vendome Gallery, New York. 2013 Drawing on Habit: An Ambition by Saul Ostrow and Lidija Slavkovic, South Carlton Beach and The Betsy-South Beach Exhibition Programs, Art Basel, Miami Beach. 2013 Imprinted Pictures: Lydia Dona...

Heavily textured abstract print in a serigraph and terragraph technique. It has a raised texture to the surface, A beautiful piece. This listing is for the one print, the cover justification sheet and the photograph are just included for provenance. This is from the limited edition of 100. Hand signed and numbered on colophon page. (They are not signed and numbered on each print) Arches paper. Dimensions: 15.75 X 15.25 These have a texture that feels like a painting. Done in Jaffa Israel based on the Hebrew Bible. Jewish, Judaica interest. Emil Schumacher is among the best-known exponents of Art Informel in Germany. His painting style, which he initially developed in the 1950s under the influence of Wols, is marked by dark, brownish black or brilliant thick red colours and a graffiti like sign language that endow the pictures the expressive character of old cracked masonry. Emil Schumacher (29 August 1912 in Hagen, Westfalen – 4 October 1999 in San José, Ibiza) was a German artist and painter. He was an important representative of abstract expressionism in post-war Germany. As an 18-year-old, Emil Schumacher undertakes a four-week-long bicycle tour to Paris, France. 1932–1935: Studies graphic design at the School of Applied Arts in Dortmund intending to become a graphic designer in advertising. 1935–1939: Independent artist without participating in exhibits. He undertakes study trips by bicycle to the Netherlands and Belgium. 1939–1945: Service obligation as draftsman in an arms factory, the Akkumulatoren–Werke of Hagen. Since 1945: Immediately after end of war, new start as independent artist. 1947: First solo exhibit in the Studio für neue Kunst. Co-founder of the artist group Junger Westen. 1954: Participates in the Willem Sandberg...

Carnivalesque Composition is a colored screen print on paper, realized in the 1970s by the Italian artist Wladimiro Tulli. Hand-signed on the lower right. Numbered, edition of 11/1...

Artist: Karel Appel (1921-2006) Title: Stalking Cat Year: 1980 Medium: Silkscreen on Arches paper Edition: 80/125, plus proofs Size: 24.75 x 32.25 inches Condition: Good Inscription:...

This unsigned and unnumbered poster is an overrun from the limited edition of 144 signed and numbered pieces created by Friedel Dzubas for the Community Holiday Festival in 1973. In ...

A colorful OP Art silkscreen by Poland-born American OP Artist, Julian Stanczak. Artist: Julian Stanczak, American (1928 - 2017) Title: Compounded Red Year: 1981 Medium: Screenpri...

19 x 15.5 with backing 12 x 12 image Ushio Shinohara (born 1932, Tokyo), nicknamed “Gyu-chan”, is a Japanese Neo-Dadaist artist. His bright, large work has been exhibited internationally at institutions including the Hara Museum of Contemporary Art, Centre Georges Pompidou, the Guggenheim Museum SoHo, National Museum of Modern Art, Tokyo, Leo Castelli Gallery, New York, Museum of Contemporary Art, Los Angeles and The Metropolitan Museum of Art, Seoul and others. Shinohara and his wife, Noriko, are the subjects of a documentary film by Zachary Heinzerling called Cutie and the Boxer (2013). Shinohara's parents instilled in him a love for painters such as Paul Cézanne, Vincent Van Gogh and Paul Gauguin. His father was a tanka poet who was taught by Wakayama Bokusui. Shinohara’s mother was a painter who went to the Woman’s Art University (Joshibijutsu Daigaku) in Tokyo. In 1952 Shinohara entered the Tokyo Art University (later renamed to Tokyo University of the Arts), majoring in oil painting, however he left before graduation in 1957. In 1960 Shinohara participated in a group called "Neo-Dada Organizers". (Masunobu Yoshimura, Genpei Akasegawa, Shusaku Arakawa, Ushio Shinohara, Sho Kazakura, Tomio Miki, Tetsumi Kudo...

This screenprint was created by American artist David Roth. Roth's images are proportioned according to a strict mathematical formula - the pictures are composed according to horizon...

Mate is a color silk-screen and copperplate engraving print on heavy paper, realized in 1973 by the Japanese artist Shu Takahashi. Not signed and not numbered. Good condition, ex...

This porcelain/ceramic plate makes a gorgeous gift - in a bright blue bespoke box, ready to be gifted. Any fan of Helen Frankenthaler or Abstract Expressionist art would be thrilled!...

Untitled 7 Chryssa, Greek (1933–2013) Date: circa 1975 Screenprint Size: 33 in. x 20 in. (83.82 cm x 50.8 cm)

Firebird, 1971 Bridget Riley Screenprint in colours, on wove paper Signed, dated and numbered from the edition of 75 (plus 15 artist's proofs) Printed by Kelpra Studio, London Image...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Screen print in colors on wove paper. Hand signed and dated lower right by Robert Indiana. Hand numbered MP 3/6 lower left (there is also a main edition of 108). Sheet size: 32 x ...

Lee Adler, American (1926 - 2003) - Pocket Watch I, Year: circa 1970, Medium: Screenprint, signed, titled and numbered in pencil, Edition: 8/40, Image Size: 17.5 x 24 inches, Size:...

Image dimensions: 18 x 18 cm. "Composition" is an original colored serigraph on paper, realized by the Italian artist Antonio Calderara (1903-1978) and published in 1978 by La Nuov...

Artist: Anne Youkeles, Austrian (1920 - ) Title: Kaleidoscope Year: 1969 Medium: 3-D Silkscreen on plastic, signed, numbered, dated, and titled in pencil Size: 23 x 22 in. (58.42 x ...

Artist: Larry Zox Title: Green Card Sound II Year: 1980 Medium: Screenprint, Signed in Pencil l.r. Edition: 185 Size: 40 x 30 in. (101.6 x 76.2 cm)

Artist: Roy Ahlgren, American (1927 - 2011) Title: Energia I Year: 1969 Medium: Silkscreen, Signed and numbered in pencil Edition: 100, AP Image Size: 17 x 17 inches Size: 20 x 20 in...

Color screenprint on white wove paper, 1972. Signed by the artist dated in pencil lower left. Numbered 67/150 in pencil lower right. Printed by Kelpra Studio, London, with the ink ...

Artist: Larry Zox Medium: Serigraph Title: Niagara Series I Year: 1980 Edition: 75/175 Sheet Size: 26" x 35" Signed: Hand signed in pencil

Artist/Designer; Manufacturer: Mel Bochner (American, 1940-2025) Marking(s); notes: signed; ed. 12/30; 2022 Materials: silkscreen on Lanaquarelle paper with diamond dust Dimensions (...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Aztec Year: 1983 Medium: Screenprint, signed and numbered in pencil Edition: 150 Image Size: 18 x 26 inches Size: 22.5 x 30 in. (57...

Artist: Kyohei Inukai, American (1913 - 1985) Title: Force Field (Purple) Year: circa 1970 Medium: Silkscreen, signed and numbered in pencil Edition: 50 Image Size: 21 x 25 inches S...

Abstract Composition is a screen print on paper realized by Antonio Sanfilippo in 1971. Hand-signed and dated in pencil on the lower right. Numbered on the lower, Edition 61/100 pr...

Artist: Al Held, American (1928 - 2005) Title: Scholes I Year: 1991 Medium: Screenprint, signed and numbered in pencil Edition: 80 Image Size: 23 x 29 inches Size: 29 x 34 in. (73.66...

8 color screen print on Mohawk Supreme 130lb paper. Hand signed lower right by Sean Gannon. Hand numbered 22/50 lower left. Sheet size: 22 x 32.9 inches. Frame size: 23.5 x 34 in...

Abstract Turquoise Composition is a Screen Print on Paper realized by Victor Debach in 1970s. Limited edition of 100 copies numbered and signed by the artist with pencil on the lowe...

A colourful, limited edition, geometric screen print by Stephen Bartlett (b.1924). A variation of shapes, lines and angles have been layered and printed to create this abstract arran...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original screenprints that are a definitive survey of the artis...

Red composition is a contemporary artwork realized by Otto Hofmann in 1989. Mixed colored screen print. Hand signed on the lower right margin. Numbered on the lower left. Edition ...

Shepard Fairey Screen-prints: collection of 60 works: 2009-2022: A rare assemblage of 60 hand-signed Shepard Fairey screen-prints; collected over a near 15 year period (2009-2022). Notable imagery includes: Bob Marley, Keith Haring, Ruth Bader Ginsburg, Kurt Cobain, as well as a series of vivid anti-war pieces defining the artist's practice (title list found further below). Each very well-preserved. Medium: Screen-prints on heavy paper. 2009-2022 (see below for a list of titles & years). Dimensions ranging from: 19.5 x 16 inches to 24x36 inches. Each work is hand-signed; works are either numbered from their respective main editions or notated 'AP' (see last listing image); a few or several works are signed, but not numbered. Excellent overall condition with the exception of perhaps some minor signs of handling on a few examples. Provenance: Private collection New York via Shepard Fairey. Listing images beginning with image 2 represent the actual works. These works will be shipped flat using protective materials. Please feel free to contact us with any additional questions. Titles & Years: OCEAN TODAY...