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Maurice EstèveMaurice Esteve, Alalito, from Memories and Portraits of Artists, 19721972
1972
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About the Item
This exquisite lithograph by Maurice Esteve (1904–2001), titled Alalito, originates from the 1972 edition published by Editions A. C. Mazo et Cie., Paris, in collaboration with Leon Amiel, editeurs, New York, and printed by Mourlot Freres, Paris, April 5, 1972. This luminous and rhythmically balanced composition exemplifies Esteve’s mastery of color and form within lyrical abstraction. Alalito reveals his poetic command of chromatic harmony and geometric structure—interwoven planes of radiant color that pulse with musical intensity and meditative calm. The composition reflects Esteve’s lifelong pursuit of equilibrium between intellect and emotion, transforming abstraction into a deeply human, spiritual experience of light and rhythm.
Executed as a lithograph on velin d’Arches paper, this work measures 12.81 x 9.81 inches (32.54 x 24.92 cm). Unsigned and unnumbered as issued. The edition exemplifies the exceptional craftsmanship of the Mourlot Freres atelier, renowned for its technical mastery and collaboration with leading artists of the 20th century.
Artwork Details:
Artist: Maurice Esteve (1904–2001)
Title: Alalito, 1972
Medium: Lithograph on velin d’Arches paper
Dimensions: 12.81 x 9.81 inches (32.54 x 24.92 cm)
Inscription: Unsigned and unnumbered as issued
Date: 1972
Publisher: Editions A. C. Mazo et Cie., Paris, in collaboration with Leon Amiel, editeurs, New York
Printer: Mourlot Freres, Paris
Condition: Well preserved, consistent with age and medium
Provenance: From the edition published by Editions A. C. Mazo et Cie., Paris, in collaboration with Leon Amiel, editeurs, New York, 1972
Notes:
Excerpted from the album (translated from French), This album is the album of friendship, and I want to thank all the artists who wanted to participate. Some lithographs presented here, and whose authors have left us for too long, were made at my request for an album "Adieu a la rue de Chabrol" that I intended to publish ten years ago. So it was at this time that I was able to get the lithos of Braque, Cocteau, Derain, Giacometti and Villon. Mrs. Duthuit-Matisse and her brothers authorized me to print the composition of Henri Matisse, an unused original lithograph of the album by Teriade "La Religieuse portugaise". I am happy to have brought together so many works by contemporary artists, it is a great honor for me and I am infinitely grateful to them. Finished printing in Paris on April 5, 1972, this album was printed on velin d’Arches, in DCCC numbered examples. In addition, a number of copies were printed for artists, friends and collaborators of this album. The original lithographs were printed by Mourlot, and the typography is from Fequet and Baudier. Alain A.C. Mazo, Paris, and Leon Amiel, New York, publishers.
About the Publication:
Souvenirs et Portraits d'Artistes (Memories and Portraits of Artists), published in 1972 by Editions A. C. Mazo et Cie., Paris, and Leon Amiel, New York, stands as one of the most important collaborative printmaking projects of the postwar period. Conceived as a celebration of artistic camaraderie, the album unites original lithographs by some of the foremost modern masters, capturing the poetic and visual dialogue between artist and printer. Alalito by Maurice Esteve embodies this creative spirit, expressing through its color harmonies and balanced abstraction the meditative lyricism that defines both the artist’s work and the golden age of Atelier Mourlot lithography.
About the Artist:
Maurice Esteve (1904–2001) was a French painter, draftsman, and lithographer whose lifelong devotion to color, form, and harmony established him as one of the great masters of postwar abstraction and a central figure of 20th-century French modernism. Born in Culan, France, Esteve was largely self-taught, moving to Paris in the 1920s where he immersed himself in the avant-garde circles of Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists whose innovations in abstraction, surrealism, and modern form profoundly shaped his artistic vision. Drawing from the Cubist structure of Picasso and Braque, the lyrical freedom of Miro and Kandinsky, and the humanist warmth of Bonnard and Matisse, Esteve forged a uniquely personal visual language that merged geometric precision with emotional resonance. His mature works—composed of radiant interlocking forms and glowing chromatic harmonies—embody a sense of balance and rhythm that feels both musical and architectural, transforming color into an expressive force of light, energy, and emotion. A leading figure of the Ecole de Paris, alongside Jean Bazaine, Alfred Manessier, and Serge Poliakoff, Esteve helped define the lyrical abstraction movement that bridged the gap between European modernism and American color field painting. His art, celebrated for its refined craftsmanship and spiritual intensity, rejects rigid formalism in favor of a meditative balance between intellect and intuition, order and improvisation. Over his six-decade career, Esteve’s paintings and lithographs were exhibited worldwide, including at the Venice Biennale, the Musee National d’Art Moderne, and the Fondation Maeght, and his work is represented in major collections such as the Centre Pompidou in Paris, the Tate Modern in London, and the Museum of Modern Art in New York. His influence extends to later generations of lyrical abstractionists, color field painters, and contemporary designers who continue to draw inspiration from his synthesis of color and emotion. Collectors prize his work for its timeless elegance, chromatic vitality, and spiritual depth—qualities that link him to the great innovators of his century, including Picasso, Miro, Dali, Kandinsky, Calder, Duchamp, Giacometti, and Man Ray. His highest auction record was achieved by Composition 1955, which sold for $1.6 million at Sotheby’s, Paris, on June 6, 2018, confirming Maurice Esteve’s enduring legacy as one of the most poetic, harmonious, and collectible abstract painters of the modern era.
Maurice Esteve Alalito, Esteve Mourlot Freres, Esteve Editions A. C. Mazo, Esteve Leon Amiel, Esteve 1972 lithograph, Esteve velin d’Arches, Esteve collectible print, Esteve modernist lithograph.
- Creator:Maurice Estève (1904 - 2001, French)
- Creation Year:1972
- Dimensions:Height: 12.81 in (32.54 cm)Width: 9.81 in (24.92 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Southampton, NY
- Reference Number:1stDibs: LU1465216982022
Maurice Estève
Maurice Estève was born May 2, 1904 in Culan in the Cher where he spent his childhood with his grandparents. He joined them in 1913 in Paris, where he discovered the Louvre Museum (he is particularly impressed by the Battle of San Romano by Paolo Ucello). Returning to Culan for the summer, he stayed there during the war years, began painting as early as 1915. He lived in Paris again from 1918. Apprentice to a typographer then to a modern furniture design studio, he followed Drawing evening class, discovers in 1919 the painting of Cézanne. Back in Paris he attended Montparnasse the free workshop of the Academy Colarossi. Marked until then by the painting of the Primitives and the work of Cézanne, it passed temporarily in 1927 the influence of surrealism, including Giorgio de Chirico. He presents his first solo exhibition in 1930 before becoming interested in film and directing. On the advice of Braque who participates, he is asked in 1936 to exhibit in Stockholm with Matisse, Picasso, Juan Gris and Fernand Léger. He participated the following year in the realization of the wall decorations of Robert and Sonia Delaunay for the pavilions of the Aviation and Railways at the Universal Exhibition of Paris. Estève, who works regularly during the summer in Culan, makes lithographs, regularly practices watercolor but also charcoal, monotype, collage. In 1970, he received the Grand Prix National des Arts. From 1981 are organized several retrospectives of his work. The City of Bourges decided to present all the works (more than a hundred) which the painter donated to him in 1985 in the Hotel des Echevins, restored with the assistance of the Historic Monuments and the Direction of the Museums of France to become the "Estève Museum", inaugurated in 1987. Estève moved permanently to Culan in 1995. He died on June 27, 2001.
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