Items Similar to Nancy Graves - 5745, Jewish Museum, Signed/n Abstract Expressionist screenprint
Want more images or videos?
Request additional images or videos from the seller
1 of 6
Nancy GravesNancy Graves - 5745, Jewish Museum, Signed/n Abstract Expressionist screenprint1984
1984
$5,500
£4,178.64
€4,802.14
CA$7,725.42
A$8,408.93
CHF 4,455.59
MX$101,130.11
NOK 56,651.70
SEK 51,915.02
DKK 35,871.68
About the Item
Nancy Graves
5745, for the Jewish Museum, 1984
Silkscreen on paper
Signed, numbered 5/90 and dated in graphite pencil on the front; bears publishers' blind stamp front left corner
30 1/4 × 40 1/2 inches
Unframed
Commissioned by the Mr. and Mrs. Albert A. List Graphic Fund for The Jewish Museum, New York
Signed, numbered and dated in graphite pencil on the front; bears publishers' blind stamp front left corner. Commissioned by the Mr. and Mrs. Albert A. List New Year's Graphic Fund for The Jewish Museum, New York. During the 1980s, various artists were commissioned to create a print celebrating the Jewish New Year. This is the silkscreen renowned sculptor Nancy Graves created to celebrate the year 5745 of the Jewish Calendar, beginning in September 1984 (Rosh Hashanah). This work was published in a limited edition of 90. The number 90 has special significance in Jewish gamatria (numerology) for several reasons, including the fact that it equals five times life - or Chai. The number for Chai, meaning "Life " s 18, and 18 x 5 = 90. This is a magical number in Judaism. All of the works were published in editions that were multiples of 18, or the Life. In her lifetime, Nancy Graves did not receive the renown or acknowledgement that her ex-husband and former Yale School of Art classmate Richard Serra did, but she is finally getting the recognition she richly deserves.
Biography: Nancy Graves (1939 – 1995) is an American artist of international renown. A prolific cross-disciplinary artist, Graves developed a sustained body of sculptures, paintings, drawings, watercolors, and prints. She also produced five avant-garde films and created innovative set designs.
Born in Pittsfield Massachusetts, Graves graduated from Vassar College in 1961. She then earned an MFA in painting at Yale University in 1964, where her classmates included Robert Mangold, Rackstraw Downes, Brice Marden, Chuck Close, as well as Richard Serra with whom she was married from 1964 to 1970. Five years after graduating, her career was launched in 1969 when she was the youngest artist — and only the fifth woman — to be selected for a solo presentation at the Whitney Museum of Art. Graves’ work was subsequently featured in hundreds of museum and gallery exhibitions worldwide, including several solo museum exhibitions. She was awarded commissions for large-scale site-specific sculptures and her work is in the permanent collections of major art museums. A frequent lecturer and guest artist, her work was widely documented during her lifetime. In 1991 she married veterinarian Dr. Avery Smith. Graves travelled extensively and was fully engaged with the cultural and intellectual issues of her times. Her brilliant career and life were cut short by her untimely death from cancer at age 54.
From a point of view that she described as “objective,” Graves transformed scientific sources, such as maps and diagrams, into artworks by re-producing their complex visual information in detailed paintings and drawings. Investigating the intersections between art and scientific disciplines, Graves created compelling, formally rigorous, yet ultimately expressive works of art that examine concepts of repetition, variation, verisimilitude, and the presentation and perception of visual information.
Based in SoHo, New York, Graves gained prominence in the late 1960s as a post-Minimalist artist for innovative camel, fossil, totem, and bone sculptures that were hand formed and assembled from unusual materials such as fur, burlap, canvas, plaster, latex, wax, steel, fiberglass and wood. Made in reaction to Pop and Minimalism, these works reference archaeological sites, anthropology, and natural science displays. Suspended from the ceiling or clustered directly on the floor, these early sculptures also engage with Conceptualist ideas of display. For her Whitney Museum presentation Graves exhibited three seemingly realistic sculptures of camels in an installation that evoked taxidermy specimens and questioned issues of verisimilitude in art and science, particularly in light of their hand patched and painted fur surfaces. The exhibition elicited wide spread critical responses and established her artistic significance.
After intensely engaging with sculpture in the early 1970s, Graves returned to painting. Her detailed pointillist canvasses re-produced — in paint — images culled from documentary nature photographs, NASA satellite recordings, and Lunar maps, commingling scientific exactitude with abstraction. Resuming sculpture in the late 1970s, Graves was among the first contemporary artists to experiment with bronze casting. She re-invigorated the traditional lost wax technique by assembling cast found objects into unique improbably balanced sculptures, with bright polychrome surfaces and distinctive patinas.
Throughout the 1980s Graves became widely recognized for her increasingly large and graceful open-form sculpture commissions. At the same time, she also expanded her drawing, painting, and printmaking practice and made large gestural watercolors. Then, in the late 1980s she created wall-mounted works that combined her explorations of sculpture, painting, form and color. In these large-scale pieces, she mounted high relief polychrome sculptural elements to the surfaces and edges of painted shaped canvases so that patterned shadows were cast onto the paintings and surrounding wall.
By the 1990s Graves was casting in glass, resin, paper, aluminum, and bronze, combining these varied materials and colors into daring sculptures with moving parts. As she proceeded in all the media she mastered, Graves increasingly re interpreted and transmuted forms sourced from her own earlier artwork — rather than from outside research — creating elaborate compositions that form a layered a-temporal archaeology of her own visual production.
Nancy Graves’ pioneering art anticipated ideas being explored by artists today such as data mining, multi disciplinarity, technology, and research-based art. Her work addresses philosophical, perceptual, aesthetic and technological issues that are especially relevant to making art in the digital age. - Courtesy Nancy Graves Foundation
- Creator:Nancy Graves (1940-1995, American)
- Creation Year:1984
- Dimensions:Height: 30.25 in (76.84 cm)Width: 40.5 in (102.87 cm)
- Medium:
- Movement Style:
- Period:
- Condition:Very good condition with no apparent issues; a bright impression.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745217441182
Nancy Graves
A sculptor of animals and American Indian shamanistic objects, filmmaker, and painter, Nancy Graves had a highly successful and varied career, primarily in New York City. In her abstract work, she united her interest in anthropology, totemic objects, cartography, and biomorphic shapes. She was born in Pittsfield, Massachusetts, and became a graduate of Vassar College in 1961 and then Yale University's School of Art and Architecture. Graves won a Fulbright-Hayes Fellowship for painting, allowing her to spend a year in Paris in 1964-65. In the next few years, she traveled in North Africa and the Near East and lived and worked in Florence, Italy where she did her first signature work, which was sculptures of life-size Bactrian camels.
In 1966, she moved to New York City and further experimented with ways to produced these sculptures by building wood and steel armatures, covering them with skins of animal embryos, stuffing the skins with polyurethane to form humps, and tinting the skins with oil paints.
In 1968, she had her first New York one-woman show at the Graham Gallery followed by her second one-woman show at the Whitney Museum in 1969. Both exhibitions featured her camels.
In 1972 at the Philadelphia Institute of Contemporary Art, she made sculpture suggestive of Indian objects such as bones, skins, and feathers and added also steel rods to this motif for other exhibitions.
As a filmmaker, she has had showings in film festivals in London, New York, and Boston. Source: Charlotte Rubinstein, "American Women Artists"
About the Seller
5.0
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 2007
1stDibs seller since 2022
478 sales on 1stDibs
Typical response time: 2 hours
- ShippingRetrieving quote...Shipping from: New York, NY
- Return Policy
More From This Seller
View AllNancy Graves, Calibrate, 16 color Etching/Aquatint/Engraving, Signed/N, Framed
By Nancy Graves
Located in New York, NY
Nancy Graves
Calibrate, 1981
16 color etching, aquatint, engraving and lithograph. Printed from 5 copper plates, 1 zinc plate and 1 stone
Hand signed, numbered 12/30 dated on the fro...
Category
1980s Abstract Expressionist Abstract Prints
Materials
Etching, Aquatint, Lithograph
Kimber Smith, Abstract Expressionist Geometric Abstraction signed/n lithograph
By Kimber Smith
Located in New York, NY
KIMBER SMITH
Untitled Abstract Expressionist Geometric Abstraction, 1967
Lithograph on Rives paper
25 × 19 3/5 inches
Signed in silver...
Category
1960s Abstract Geometric Abstract Prints
Materials
Lithograph
Squash scarce Abstract Expressionist woodcut print, Signed/N, top female artist
By Judy Pfaff
Located in New York, NY
Judy Pfaff
Squash, 1985
Woodcut on wove paper
Signed, numbered 78/85, dated and titled on the front with artist's and publisher's blind stamps.
21 3/4 × 29 3/4 inches
Publisher
Cente...
Category
1980s Abstract Expressionist Abstract Prints
Materials
Woodcut
Description Without Place, abstract expressionist lithograph + silkscreen signed
By Claire Seidl
Located in New York, NY
Claire Seidl
Description Without Place (Hand Signed), 1986
Lithograph and silkscreen.
Hand signed, dated and numbered 17/65 by the artist.
28 × 38 1/2 inches
Unframed
Gorgeous Abstr...
Category
1980s Abstract Abstract Prints
Materials
Lithograph, Screen
Abstract Expressionist monotype (unique), signed and inscribed with heart Framed
By Robert Natkin
Located in New York, NY
Robert Natkin
monotype (unique) on paper
signed in marker on the front
Pencil signed, and inscribed with heart doodle:
"For Dorothy and Arthur with my Love Natkin"
Provenance: collec...
Category
1970s Abstract Abstract Prints
Materials
Monotype
Untitled, expressionistic woodcut print, from the Art Against AIDS Portfolio
By James Bettison
Located in New York, NY
James Bettison
Untitled, from the Art Against AIDS Portfolio, 1988
Woodcut on paper with deckled edges. Hand signed. Numbered 38/50. Dated. Printer's and Publisher's Blind Stamp.
20...
Category
1980s Contemporary Abstract Prints
Materials
Woodcut, Pencil
You May Also Like
"Untitled" by Nancy Graves (Abstract, Colorful, Pink, Pattern, Nature, Brick)
By Nancy Graves
Located in New York, NY
This edition was commissioned in 1980 by Lincoln Center to commemorate its 10th Annual Community Festival. The signed and numbered edition is 144 was printed at Fine Creations.
Born in 1940 (Pittsfield, MA), Nancy Graves explored the interplay between the replication of nature and the formal values of abstract art in her wide variety of works throughout her life. Thought she first gained attention with her realistic, life-sized camel sculptures, she was later inspired to draw, paint and print by visual representations of natural phenomena, like weather and moon maps...
Category
1980s Abstract Prints
Materials
Screen
Sky Tower, Abstract Lithograph and Screenprint by Deborah Kass
By Deborah Kass
Located in Long Island City, NY
Artist: Deborah Kass
Title: Untitled - I
Year: 1987
Medium: Screenprint and Lithograph, signed and numbered in pencil, verso
Edition: 22
Paper Size: 15.5 x 44 inches
Category
1980s Abstract Abstract Prints
Materials
Lithograph, Screen
Signed Abstract Silkscreen by Amos Yaskil
By Amos Yaskil
Located in Long Island City, NY
Untitled - Abstract
Amos Yaskil
Israeli (1935)
Date: circa 2000
Screenprint, signed and numbered in pencil
Edition of 79/150
Size: 18 in. x 16.5 in. (45.72 cm x 41.91 cm)
Category
Early 2000s Abstract Abstract Prints
Materials
Screen
Abstract Composition, Abstract Expressionist Lithograph by Dana Gordon
By Dana Gordon
Located in Long Island City, NY
Dana Gordon, American (1944 - ) - Abstract Composition, Year: 1994, Medium: Lithograph, signed, numbered and dated in pencil, Edition: 50, Size: 30 x 22 in. (76.2 x 55.88 cm)
Category
1990s Abstract Expressionist Abstract Prints
Materials
Lithograph
Abstract Composition II, Abstract Expressionist Lithograph by Dana Gordon
By Dana Gordon
Located in Long Island City, NY
Dana Gordon, American (1944 - ) - Abstract Composition II, Year: 1994, Medium: Lithograph, signed, numbered and dated in pencil, Edition: 100, Size: 30 x 22 in. (76.2 x 55.88 cm)
Category
1990s Abstract Expressionist Abstract Prints
Materials
Lithograph
Untitled VIII, Colorful Geometric Abstract Screenprint by Robert Natkin
By Robert Natkin
Located in Long Island City, NY
Artist: Robert Natkin, American (1930 - 2010)
Title: Untitled
Year: 1985
Medium: Screenprint, signed and numbered in pencil
Edition: 22/26
Image Size: 30 x 42 inches
Size: 36 x 48 in...
Category
1980s Abstract Expressionist Abstract Prints
Materials
Screen











