Pablo Picasso

Femme Assise En Pyjama De Plage, II (Seated Woman in Beach Pajames)

1961

Art Print on heavy Paper Original from 1961

Kunstdruck, entstanden anläßlich Leo Castelli exhibition in New York Zustand; Darstellung im guten Zustand, leichte Randmängel

Engraving, 2007 24.00 cm. x 18.00 cm. 9.45 in. x 7.09 in. (paper) 18.00 cm. x 13.00 cm. 7.09 in. x 5.12 in. (image) Piza's gouge etching offers a bird's-eye view of an abstract ...

Engraving, 2000 23.00 cm. x 17.50 cm. 9.06 in. x 6.89 in. (paper) 19.50 cm. x 14.50 cm. 7.68 in. x 5.71 in. (image) A beautiful etching by the Brazilian artist built on a gradient...

Image size : 12x12 1/4 Paper size: 18x18 3/4 Hide and Seek Series Photopolymer Etchings on Hanamule paper My current work is inspired by the maze. A symbol that initially represen...

An important abstract expressionist color aquatint etching by the celebrated African American artist (1921-2018), titled "An Anatomy of Aphrodite", signed & dated 1959. Colescott was...

Image size : 12x12 1/4 Paper size: 18x18 3/4 Hide and Seek Series Photopolymer Etchings on Hanamule paper My current work is inspired by the maze. A symbol that initially represen...

Image size : 12x12 1/4 Paper size: 18x18 3/4 Hide and Seek Series Photopolymer Etchings on Hanamule paper My current work is inspired by the maze. A symbol that initially represen...

From: Happy Pentagone (6 plates) Signed and numbered in pencil Edition: 100 (37/100) Printer: Lacouriere et Frelaut Imprimeur, Paris Paper: BFK RIVES watermark on some sheets from th...

Dan Flavin Dan Flavin at Albright Knox Gallery (hand signed and inscribed to renowned curator) Offset Lithograph. Hand signed and inscribed by Dan Flavin 18 × 22 inches Provenance: Estate of artist and collector Rick Collar Unframed Uniquely inscribed and hand signed 1972 Dan Flavin exhibition poster from his Albright Knox exhibition. Dan Flavin hand signs and inscribes it to Paulus Hendrik Hefting, the curator of the Neue Nationalgalerie in Berlin. The inscription reads: "Best regards and best wishes to you especially in "diagrams and drawings". What Flavin is referring to is the important exhibition also in 1972, "Diagrams & Drawings" curated by Hefting, at the Rijksmuseum Kröller-Müller (Netherlands), which featured Carl Andre, Christo, Walter De Maria, Dan Flavin, Michael Heizer, Don Judd, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Richard Serra, Robert Smithson. An extremely rare signed poster with a unique inscription to a major European curator referencing an historic Minimalist exhibition in the early 1970s. We may not see the likes of something like this anytime soon! Dan Flavin Biography From 1963, when he conceived the diagonal of May 25, 1963 (to Constantin Brancusi), a single gold fluorescent lamp installed diagonally on the wall, until his death in 1996, Dan Flavin (1933-1996) produced a singularly consistent and prodigious body of work that utilized commercially available fluorescent lamps to create installations (or “situations,” as he preferred to call them) of light and color. Through these light constructions, Flavin was able to establish and redefine space. Flavin’s first solo exhibitions were held at the Judson Gallery in 1961 and the Green Gallery in 1964, both in New York. His first European exhibition was in 1966 at Galerie Rudolf Zwirner in Cologne, Germany; and in 1969, the National Gallery of Canada, Ottawa, organized his first major museum retrospective. His work was included in a number of key early exhibitions of Minimal art in the 1960s, among them Black, White, and Gray (Wadsworth Atheneum Museum of Art, Hartford, Connecticut, 1964); Primary Structures (The Jewish Museum, New York, 1966); and Minimal Art (Gemeentemuseum, The Hague, 1968). Flavin’s work would continue to be presented internationally over the course of the pursuant decades at venues including the St. Louis Art Museum, Missouri (1973); Kunsthalle Basel (1975); Museum Boymans-van Beuningen, Rotterdam (1975); Stedelijk Museum, Amsterdam (1986); and the Solomon R. Guggenheim Museum, New York (1992), among others. A major museum retrospective devoted to Flavin’s work was organized, in cooperation with the Estate of Dan Flavin, by the Dia Art Foundation in association with the National Gallery of Art, Washington, DC, where it was first on view in 2004. The exhibition traveled from 2005 to 2007 to the Modern Art Museum of Fort Worth, Texas; Museum of Contemporary Art, Chicago; Hayward Gallery, London; Musée d’Art Moderne de la Ville de Paris...