Want more images or videos?

Request additional images or videos from the seller

1 of 10

Peter Halley
Peter Halley, Nobody, geometric abstraction Neo Geo silkscreen signed/N Framed
1997

Name: Peter Halley, Nobody, geometric abstraction Neo Geo silkscreen signed/N Framed
Brand: Peter Halley
Rating: 5 (65 reviews)

$2,800List Price

About the Item

PETER HALLEY Nobody, 1997 Silkscreen with Embossing on Arches Cover Paper (Framed) Signed dated and numbered in pencil by Peter Halley from the edition of 60 on the front Published by Schellmann, Munich Frame included: floated in original vintage wood frame Provenance: Bears Bliss Fine Art Services label on the back of frame. This poignant signed and numbered vintage Peter Halley print is held in its original vintage frame with Bliss Fine Art Services, NYC label on verso of frame. Especially uncommon stateside. Peter Halley Biography Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day was installed in the Palazzo Bembo in Venice as a part of the exhibition Personal Structures during the Venice Biennale. Halley has taught at the School of Visual Arts, New York; the University of California, Los Angeles; and Columbia University. He subsequently served as the Director of Graduate Studies in Painting and Printmaking at the Yale University School of Art from 2002 to 2011. From 1996 to 2006 he also published index magazine. Halley lives and works in New York. -Courtesy Guggenheim Museum

Creator:
Peter Halley (1953, American)
Creation Year:
1997
Dimensions:
Height: 19 in (48.26 cm)Width: 15 in (38.1 cm)Depth: 0.4 in (1.02 cm)
Medium:
Screen
Movement Style:
Abstract Geometric
Period:
1990-1999
Condition:
not examined outside of the original vintage frame but appears fine.
Gallery Location:
New York, NY
Reference Number:
1stDibs: LU1745215718382

21st Century and Contemporary Abstract Geometric Abstract Prints

Materials

Canvas, Screen

DOT
"KVTNO7_02" Abstract Print 23" x 23" Edition of 50 by DOT, 2021

$1,150

H 23 in W 23 in

Black Watch II, signed and numbered 39/150 screen print

By Gene Davis

Located in Brooklyn, NY

This is a signature color-field composition with multiple thin colored stripes created by Gene Davis. Gene Davis (American, 1920-1985) Screenprint Black Watch I, II and III, 1974 ...

Category

2010s Abstract Geometric Abstract Prints

Materials

Archival Paper, Screen

Gene Davis
Black Watch II, signed and numbered 39/150 screen print, 1974

$9,000

H 72 in W 46 in D 2 in

Abstract Collage by Pedro Oraa, Serigraph

Located in Oklahoma City, OK

This 18" x 22" framed, geometric abstract serigraph was created by Cuban artist, Pedro Oraa, in 2007. The composition is of geometric shapes, predominantly in shades of gray, white, ...

Category

Early 2000s Abstract Geometric Abstract Prints

Materials

Screen

Pedro Oraa
Abstract Collage by Pedro Oraa, Serigraph, 2007

$1,400 Sale Price

$850

H 19 in W 19 in

More From This Seller

View All

Relation Couleur, Silkscreen on velincarton, hand signed numbered 62/100 Op Art

By Hugo Demarco

Located in New York, NY

Hugo Demarco Relation Couleur, 1973 Silkscreen on velincarton Hand signed and numbered 62/200 on lower front. Bears the publisher's blind stamp on the fro...

Category

1970s Abstract Geometric Abstract Prints

Materials

Screen

Hugo Demarco
Relation Couleur, Silkscreen on velincarton, hand signed numbered 62/100 Op Art, 1973

$1,500

Alfred Jensen, Duality Triumphant I, 1963 Signed/N, GE Art Collection, Framed

By Alfred Jensen

Located in New York, NY

Alfred Jensen Duality Triumphant I (Mid Century Modern Geometric Abstraction), 1963 Color Silkscreen on wove paper Pencil signed, dated, named and number 19/52 by Alfred Jensen on th...

Category

1960s Abstract Geometric Abstract Prints

Materials

Screen

Alfred Jensen
Alfred Jensen, Duality Triumphant I, 1963 Signed/N, GE Art Collection, Framed, 1963

$5,000

Second Emergence, Perfect Pattern Of Life, geometric abstraction silkscreen s/N

Located in New York, NY

Tony Jannetti Second Emergence, Perfect Pattern Of Life, 1971 Silkscreen on wove paper with deckled edges Pencil signed, titled, dated and numbered 22/35 on...

Category

1970s Abstract Geometric Abstract Prints

Materials

Screen

Tony Jannetti
Second Emergence, Perfect Pattern Of Life, geometric abstraction silkscreen s/N, 1971

$1,500

Geometric Abstraction Color field silkscreen signed Artists Proof, Museum Frame

By Ludwig Sander

Located in New York, NY

LUDWIG SANDER Untitled geometric abstraction Artists Proof, aside from the regular edition of 90 Hand signed and annotated AP on the front Elegantly matted and framed in white wood m...

Category

1970s Abstract Geometric Abstract Prints

Materials

Screen

Ludwig Sander
Geometric Abstraction Color field silkscreen signed Artists Proof, Museum Frame, 1970

$2,400 Sale Price

20% Off

Untitled Mid-Century Modern Geometric Abstraction

By Arnaldo Pomodoro

Located in New York, NY

Arnaldo Pomodoro Untitled Mid-Century Modern Geometric Abstraction, 1968 Silkscreen with colors on rag paper with deckled edges Hand signed, numbered 44 from the edition of 80 and da...

Category

1960s Abstract Geometric Abstract Prints

Materials

Rag Paper, Screen

Arnaldo Pomodoro
Untitled Mid-Century Modern Geometric Abstraction, 1968

$2,500

Untitled Whitney Museum Scarf Color Field Geometric Abstraction Limited Edition

By Kenneth Noland

Located in New York, NY

Kenneth Noland Untitled Whitney Museum Limited Edition Silk Scarf, 1999 Artist designed scarf in colors on 100% Silk in original Whitney Museum packaging with artist's printed name a...

Category

1990s Abstract Geometric Mixed Media

Materials

Silk, Screen

Untitled Whitney Museum Scarf Color Field Geometric Abstraction Limited Edition, 1999

$1,500

More Ways To Browse

Picasso Signed Linocut

Pierre Schneider

Rene Carcan

Robert Motherwell Paris Suite

Robert Motherwell Poster

Robert Motherwell Samurai

Rrose Selavy

Salvador Dali Tristan And Isolde

San Lazaro

Shoichi Hasegawa

Peter HalleyPeter Halley, Nobody, geometric abstraction Neo Geo silkscreen signed/N Framed1997

About the Item

Peter Halley

You May Also Like

21st Century and Contemporary Abstract Geometric Abstract Prints

DOT"KVTNO7_02" Abstract Print 23" x 23" Edition of 50 by DOT, 2021

2010s Abstract Geometric Abstract Prints

Gene DavisBlack Watch II, signed and numbered 39/150 screen print, 1974

Early 2000s Abstract Geometric Abstract Prints

Pedro Oraa Abstract Collage by Pedro Oraa, Serigraph, 2007

1980s Abstract Geometric Abstract Prints

Frank StellaThen Came a Fire and Burnt the Stick (AXSOM 275), 1984

Early 2000s Abstract Geometric Abstract Prints

Damien HirstLepidine, 2008

2010s Abstract Geometric Abstract Prints

Matti Havens 1Matti Havens, Pattern Variation 4, 2018, screenprint, 19x19 in, Meditative Field, 2018

2010s Abstract Geometric Abstract Prints

Matti Havens 1Matti Havens, Stellar Spectrum 1, 2019, Screenprint, 22x39, frame size 30x48 in, 2019

2010s Abstract Geometric Abstract Prints

Matti Havens 1Matti Havens, Striations, 2019, Screenprint, 39 x 22, frame size 48 x 30 inches, 2019

2010s Abstract Geometric Abstract Prints

Matti Havens 1Matti Havens, Pattern Variation 5, 2018, screenprint, 19x19 in, Meditative Field, 2018

2010s Abstract Geometric Abstract Prints

Matti Havens 1Matti Havens, Pattern Variation 6, 2018, screenprint, 19x19 in, Meditative Field, 2018

More From This Seller

1970s Abstract Geometric Abstract Prints

Hugo DemarcoRelation Couleur, Silkscreen on velincarton, hand signed numbered 62/100 Op Art, 1973

1960s Abstract Geometric Abstract Prints

Alfred JensenAlfred Jensen, Duality Triumphant I, 1963 Signed/N, GE Art Collection, Framed, 1963

1970s Abstract Geometric Abstract Prints

Tony JannettiSecond Emergence, Perfect Pattern Of Life, geometric abstraction silkscreen s/N, 1971

1970s Abstract Geometric Abstract Prints

Ludwig SanderGeometric Abstraction Color field silkscreen signed Artists Proof, Museum Frame, 1970

1960s Abstract Geometric Abstract Prints

Arnaldo PomodoroUntitled Mid-Century Modern Geometric Abstraction, 1968

1990s Abstract Geometric Mixed Media

Untitled Whitney Museum Scarf Color Field Geometric Abstraction Limited Edition, 1999

Recently Viewed

Read More

Welcome (Back) to the Wild, Wonderful World of Walasse Ting

More Ways To Browse

Peter Halley
Peter Halley, Nobody, geometric abstraction Neo Geo silkscreen signed/N Framed
1997

DOT
"KVTNO7_02" Abstract Print 23" x 23" Edition of 50 by DOT, 2021

Gene Davis
Black Watch II, signed and numbered 39/150 screen print, 1974

Pedro Oraa
Abstract Collage by Pedro Oraa, Serigraph, 2007

Frank Stella
Then Came a Fire and Burnt the Stick (AXSOM 275), 1984

Damien Hirst
Lepidine, 2008

Matti Havens 1
Matti Havens, Pattern Variation 4, 2018, screenprint, 19x19 in, Meditative Field, 2018

Matti Havens 1
Matti Havens, Stellar Spectrum 1, 2019, Screenprint, 22x39, frame size 30x48 in, 2019

Matti Havens 1
Matti Havens, Striations, 2019, Screenprint, 39 x 22, frame size 48 x 30 inches, 2019

Matti Havens 1
Matti Havens, Pattern Variation 5, 2018, screenprint, 19x19 in, Meditative Field, 2018

Matti Havens 1
Matti Havens, Pattern Variation 6, 2018, screenprint, 19x19 in, Meditative Field, 2018

Hugo Demarco
Relation Couleur, Silkscreen on velincarton, hand signed numbered 62/100 Op Art, 1973

Alfred Jensen
Alfred Jensen, Duality Triumphant I, 1963 Signed/N, GE Art Collection, Framed, 1963

Tony Jannetti
Second Emergence, Perfect Pattern Of Life, geometric abstraction silkscreen s/N, 1971

Ludwig Sander
Geometric Abstraction Color field silkscreen signed Artists Proof, Museum Frame, 1970

Arnaldo Pomodoro
Untitled Mid-Century Modern Geometric Abstraction, 1968