Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 11

Sam Francis
Blue-Violet, Lithograph, Stanford University Art Museum, Signed Ed. of 9, Framed

1963

$16,000
£12,233.88
€14,014
CA$22,566.48
A$24,560.98
CHF 13,124.51
MX$296,602.94
NOK 164,942.98
SEK 153,416.16
DKK 104,691.17

About the Item

Sam Francis Blue-Violet (Lembark, L, 32), exhibited at Stanford University Art Museum, 1963 Color lithograph on Rives BFK paper with deckled edges Lithograph in blue-violet on Rives BFK paper with deckled edges one of 9 Tamarind Impressions, aside from the regular numbered edition of 20 Signed, annotated "Tam. Imp. in pencil, with their blind stamp (1 Bon à Tirer, 1 PP II, 2 TP, 3 AP, 9 Tamarind Impressions.) Printer/Publisher: Robert Gardner,, printer, Tamarind Lithography Workshop, Inc., Los Angeles, CA, pub., with both the printer's and publisher's blind stamps in the lower sheet edge This work is elegantly framed in a hand made gold leaf wood museum frame under UV plexiglass. Measurements: Framed: 29 inches (vertical) x 36.5 inches (horizontal) x 1.5 inches Artwork: 22 1/4 (vertical) x 30 1/16 in.(horizontal) Provenance: Exhibited at Stanford University Art Museum, 1996 (with label) SAM FRANCIS BIOGRAPHY Samuel Lewis Francis was born on June 25, 1923, in San Mateo, California. He began painting in 1944 after being diagnosed with spinal tuberculosis, resulting from a U.S. Army Air Corps accident. In 1947 he studied privately with painter David Park, and soon gave up his intended medical studies, earning a BA in 1949 and an MA in 1950 at the University of California, Berkeley. He experimented with the dominant and emerging styles of the late 1940s, particularly Abstract Expressionism and Surrealism, eventually developing a personal style of abstraction focused on dripping, cell-like forms, an allover instability, and sensitivity to color and light, as in Opposites (1950). In 1950 Francis moved to Paris and attended the Atelier Fernand Léger, where he was exposed to the work of Pierre Bonnard and Henri Matisse, which reinvigorated his interest in light and vibrant color, visible in his 1953 painting Big Red. Producing such work led to his association with Art Informel, although Francis never fully associated with any movement. A visit to Japan in 1957 coincided with an opening up of expanses of white space in much of his work, and his subsequent move to a larger studio in Paris resulted in the production of large-scale paintings and mural commissions, including a 1959 painting for the Chase Manhattan Bank, New York. Francis returned to California in 1962 and resumed painting with combinations of bright colors. Clement Greenberg's landmark exhibition Post Painterly Abstraction (1964) at the Los Angeles County Museum of Art, which focused on paintings emphasizing color over gesture, included works by Francis. In the late 1960s, however, color increasingly vanished from his canvases. In 1973 he formed a lithography production company, which published his own prints. Over the next decades, Francis's style in painting and print production evolved from the depiction of bright, centrally placed shapes evocative of Tibetan mandalas (influenced by Jungian psychology) to his late-1970s exploration of more severe grid structures to a 1980s fascination with snakelike forms and colorful drips. His final decades of artistic production paralleled a succession of publishing, nonprofit, and visionary enterprises: in addition to his lithography studio, Francis formed a wind harvesting and alternative energy company in 1975; helped organize the Museum of Contemporary Art, Los Angeles, in 1980; formed the Lapis Press, which focused on eclectic scholarship, in 1984; created a naturopathy-based medical research center in 1987; and founded the Sam Francis Art Museum in 1990 to perpetuate his artistic legacy and support charitable donations. Galerie Nina Dausset, Paris, gave Francis his first solo exhibition in 1952, and he has been the subject of dozens more at institutions that include the Pasadena Art Museum (1959); Museum of Fine Arts, Houston (1967); Centre national d'art contemporain, Fondation Rothschild, Paris (1968); Whitney Museum of American Art, New York (1972); Institute of Contemporary Art, Boston (1979); and Museum of Modern Art, Toyama, Japan (1988). He was included in 12 Americans at the Museum of Modern Art, New York (1956), and in Documenta, Kassel, West Germany (1964). In the last year of his life, Francis, suffering from cancer and unable to use his right hand because of a fall, painted 150 small works with his left hand. Francis died on November 4, 1994, in Santa Monica, California. -Courtesy Guggenheim Bibliography: Connie W. Lembark, The prints of Sam Francis, A Catalog Raisonné 1960–1990, New York, Hudson Hills Press, 1992, Bd. I, S. 86/87, Nr. L32, mit Abb.
  • Creator:
    Sam Francis (1923–1994, American)
  • Creation Year:
    1963
  • Dimensions:
    Height: 22.25 in (56.52 cm)Width: 30.1 in (76.46 cm)
  • Medium:
  • Movement Style:
  • Period:
  • Condition:
    Ships framed.
  • Gallery Location:
    New York, NY
  • Reference Number:
    1stDibs: LU1745217082892

More From This Seller

View All
Deluxe Hand Signed Numbered 25/30 Cat: Lembark 155 Carnegie Museum lithograph
By Sam Francis
Located in New York, NY
Sam Francis Untitled Abstract Expressionist lithograph (Hand Signed from the Carnegie Museum Deluxe Edition), 1972 Catalogue Raisonné: 155, Lembark Hand signed and numbered 25/30 on...
Category

1970s Abstract Expressionist Abstract Prints

Materials

Lithograph

Sam Francis, Karel Appel Walasse Ting, lithographs, hand signed, 85/100 Framed
By Sam Francis
Located in New York, NY
From the rare, fully signed edition of One Cent Life - only 100 examples were hand signed by the artists. Exceptional provenance from Robert Indiana's estate. Sam Francis, Karel App...
Category

1960s Abstract Expressionist Abstract Prints

Materials

Lithograph

Sam Francis McGovern 72 Poster (Hand signed by Sam Francis) Abstract lithograph
By Sam Francis
Located in New York, NY
Sam Francis McGovern '72 Poster (Hand signed by Sam Francis), 1972 Photo offset poster (hand signed by Sam Francis) Signed in blue ink on the front by Sam Francis with Sam Francis co...
Category

1970s Abstract Expressionist Abstract Prints

Materials

Offset, Lithograph

Lt Ed. Lithograph from the Deluxe (Hand Signed) 1984 Olympic Committee portfolio
By Sam Francis
Located in New York, NY
Sam Francis Untitled Abstract Expressionist print for the 1984 Olympics, 1982 Offset Lithograph on Parsons Diploma Parchment paper, hand signed with COA from publisher for Olympic Co...
Category

1980s Abstract Expressionist Abstract Prints

Materials

Pencil, Lithograph, Offset

Jules Olitski, Mozart Night, color field silkscreen for Lincoln Center, Signed/N
By Jules Olitski
Located in New York, NY
Jules Olitski Mozart Night, 1992 Silkscreen on wove paper Signed, dated, titled and numbered 71/108 in graphite pencil on the front Edition 71/108 47 × 36 inches Unframed Silkscreen ...
Category

1990s Abstract Expressionist Abstract Prints

Materials

Screen

Rare Abstract Expressionist flower lithograph, 1969 Top Chinese-US artist Signed
By Walasse Ting
Located in New York, NY
Walasse Ting 丁雄泉 Abstract Expressionist Flower, 1969 Color lithograph with publisher's blindstamp Pencil signed, dated, and numbered IV/XV by Walasse Ting on the front 23 × 30 inche...
Category

1960s Abstract Expressionist Abstract Prints

Materials

Pencil, Lithograph

You May Also Like

Untitled (SF-260), Framed Abstract Lithograph by Sam Francis
By Sam Francis
Located in Long Island City, NY
Untitled (SF-260) by Sam Francis, American (1923–1994) Date: 1986 Lithograph on Rives BFK, signed and numbered in pencil Edition: 39/150 Size: 24 x 18 in. (60.96 x 45.72 cm) Frame Si...
Category

1980s Abstract Expressionist Abstract Prints

Materials

Lithograph

Untitled (SFE-118), Abstract Expressionist Aquatint by Sam Francis
By Sam Francis
Located in Long Island City, NY
Sam Francis, American (1923 - 1994) - Untitled (SFE-118), Year: 1993-94, Medium: Aquatint, numbered in pencil and signature embossed, Edition: 4/20, Image Size: 35.75 x 18 inch...
Category

1990s Abstract Expressionist Abstract Prints

Materials

Aquatint

"Colors in Space II" (SF-95) Signed Printer s Proof Lithograph on Archival Paper
By Sam Francis
Located in Soquel, CA
"Colors in Space II" (SF-95) Signed Printer's Proof Lithograph on Archival Paper Bright and playful abstract composition by Sam Francis (American, 1923-1994). Splashes of yellow, or...
Category

1960s American Modern Abstract Prints

Materials

Archival Paper, Lithograph

Mercury
By Sam Francis
Located in London, GB
Sam Francis Mercury 1963 Lithograph on BFK Rives paper, Edition of 20 60 .3 x 47.6 cms (23 3/4 x 18 3/4 ins) SF16664 Literature: The Prints of Sam Francis: A Catalogue Raisonne 196...
Category

1960s Abstract Abstract Prints

Materials

Lithograph

Untitled - Lithograph by Sam Francis - 1986
By Sam Francis
Located in Roma, IT
Untitled is an original contemporary artwork realized by Sam Francis in 1986 Lithograph on BFK Rives. Hand signed on the lower right margin. Numbered on the lower left margin. Edition of 23/55. Dryp stamp of the Editor The Litho Shops Inc Santa Monica. George Page...
Category

1980s Abstract Abstract Prints

Materials

Lithograph

Sam Francis Original Color Lithograph, 1965 - “Variant of Fifty”
By Sam Francis
Located in Phoenix, AZ
This bright colorful lithograph is by California abstract artist Sam Francis (1923-1995). The work is in excellent condition and archivally framed in a period minimalist metal frame....
Category

Mid-20th Century Abstract Prints

Materials

Paper