Shelly Fink

Hot Dog Man ( Edition 67/150)

Late 20th Century

Harvey Konigsberg ( American b. 1940 ) "One on One" (Artist Proof), Figurative Abstract Lithograph, 30 x 21, Late 20th Century Colors: Black and White Harvey Konigsberg was born in...

Andre Costa, PR 17, Abstract Acrylic Painting on Vinyl, 19.75 x 19.75, 2015 Colors: White, Black Andre Costa is Brazilian visual artist and author of the "The Art with Environmental...

Unknown/ Unidentified Artist, "Untitled" Edition 181/200, Abstract Serigraph Screen Print, 24 x 18, Late 20th Century Colors: Black, White, Red *Unidentified artist signature on bo...

Unidentified/ Unknown Artist, " D.O.B." Edition 68/100, Figurative Abstract Lithograph signed and numbered in Pencil, 13.50 x 18, Late 20th Century, 1968 Colors: Blue, Black, Orange...

Abstract (Edition 48/100) By Bram van Velde (1895-1981) Without Frame: 37" x 24" With Frame: 37.75" x 24.75" Signed and Numbered Bottom Left Bram (Abraham Gerardus) van Velde was a Dutch painter known for an intensely colored and geometric semi-representational painting style related to Tachisme*, and Lyrical Abstraction*. He is often seen as member of the School of Paris* but his work resides somewhere between expressionism* and surrealism*, and evolved in the 1960s into an expressive abstract art. His paintings from the 1950s are similar to the contemporary work of Matisse, Picasso and the abstract expressionist Adolph Gottlieb. He was championed by a number of French-speaking writers, including Samuel Beckett and the poet André du...

Hommage by Johnny Friedlaenderm German (1912–1992) Date: circa 1965 Aquatint, signed in pencil Edition of EA Size: 30 in. x 22 in. (76.2 cm x 55.88 cm) Frame Size: 36 x 28.5 inches

Medium: pochoir (after the watercolor). Printed in Paris in 1957 by Jacomet and published by the Galerie Berggruen for a rare catalogue. Image size: 6 3/4 x 3 3/4 inches (173 x 97 mm...

Nora Speyer Untitled, from the Long Point Gallery Portfolio, 1988 Lithograph on paper with deckled edges Hand signed, numbered 22/30 and dated on lower front 22 × 15 inches Unframed Hand signed, numbered 22/30 and dated on lower front Publisher: Long Point Gallery, Inc., Provincetown, Massachusetts; Printer: Bruce Porter from Trestle Editions Limited, New York Rarely to market, this stunning 1988 woodcut was created by Nora Speyer as part of a portfolio produced for sale by Long Point Gallery, an artist's cooperative in Provincetown, Massachusetts. Superb provenance as it is was acquired from the original Long Point Portfolio. This will be the first time the work will be removed from the portfolio. It is hand signed and numbered from a very small edition of only 30; it is in fine condition, unframed and never framed, and housed in the original portfolio box, with the original colophon page, which also included works by 11 other artists. For reference and provenance we have included an image of the colophon page from the complete portfolio. About Nora Speyer: The most exciting place to me is where I can communicate with the greatest number of artists. I can't live without some artists around. I'm not saying artists are likable. They can be very objectionable, but they are still my world. Nora Speyer Born in Pittsburgh, Speyer enrolled at Temple University's Tyler School of Art when she was sixteen. It was there she became roommates with Lillian Lent...