Abstract Expressionist Abstract Prints

A very good impression of this scarce color lithograph on Arches. Artist's proof, aside from the edition of 65. Signed and dated in pencil. Published by the Martha Jackson Gallery...

Heavily textured abstract print in a serigraph and terragraph technique. It has a raised texture to the surface, A beautiful piece. This listing is for the one print, the cover justification sheet and the photograph are just included for provenance. This is from the limited edition of 100. Hand signed and numbered on colophon page. (They are not signed and numbered on each print) Arches paper. Dimensions: 15.75 X 15.25 These have a texture that feels like a painting. Done in Jaffa Israel based on the Hebrew Bible. Jewish, Judaica interest. Emil Schumacher is among the best-known exponents of Art Informel in Germany. His painting style, which he initially developed in the 1950s under the influence of Wols, is marked by dark, brownish black or brilliant thick red colours and a graffiti like sign language that endow the pictures the expressive character of old cracked masonry. Emil Schumacher (29 August 1912 in Hagen, Westfalen – 4 October 1999 in San José, Ibiza) was a German artist and painter. He was an important representative of abstract expressionism in post-war Germany. As an 18-year-old, Emil Schumacher undertakes a four-week-long bicycle tour to Paris, France. 1932–1935: Studies graphic design at the School of Applied Arts in Dortmund intending to become a graphic designer in advertising. 1935–1939: Independent artist without participating in exhibits. He undertakes study trips by bicycle to the Netherlands and Belgium. 1939–1945: Service obligation as draftsman in an arms factory, the Akkumulatoren–Werke of Hagen. Since 1945: Immediately after end of war, new start as independent artist. 1947: First solo exhibit in the Studio für neue Kunst. Co-founder of the artist group Junger Westen. 1954: Participates in the Willem Sandberg...

Zao Wou-ki - Original Lithograph 1962 From La tentation de l’Occident Dimensions: 39 x 28.5 cm Publisher: Les Bibliophiles Comtois Edition of 170 Reference: Jørgen Ågerup 137 - 146...

Pierre Andre Obando creates process oriented abstract paintings. He was born in Belize City, Belize and grew up in the Caribbean, the U.S. Virgin Islands, Miami, Fl and Jackson, MS. ...

S.O.C. #1 2014 Etching 76.5 x 91cm Yang Chihung (Chinese: 楊識宏; pinyin: Yang Chihung; born 1947) Taiwanese-American artist. Yang Chi-hung was born on 25 October 1947, in Chungli, Taiwan. He developed an interest in art in early childhood, and found inspirations to pursue an artist career after reading Lust for Life – The Life of Vincent van Gogh, translated by poet Yu Kuang-chung, in junior high school. Between 1965 and 1968, he attended the National Taiwan College of Art, developing a sound foundation in oil painting under the tutelage of famous Taiwanese artists of the Japanese Colonial period, such as Liao Chi-chun, Li Mei-shu and Yang San-lang. Meanwhile, he actively attended events organized by the modern art groups of Taiwan, namely the Fifth Moon Group and Ton Fan Group, only to find himself both intimidated and dissatisfied with the then relatively conservative art environment in Taiwan. In 1979, he emigrated to the United States of America with his wife, Jane, and their son, Daniel. His pioneering works soon landed him the “Outstanding Asian-American Artist” award. The concept and style of abstract expressionism as represented by the works of Jackson Pollock in the 1950s had great impact on Yang’s work. With the sense of nihilism that gave rise to abstract expressionism in the post-war period, artists no longer clamored to depict the external environment, but rather chose to focus on their own inner experience. Yang Chihung embraced this spirit about the early 1990s when his style turned abstract. In 1984–85 and again in 1985–86, he was twice awarded a year's residency at The Clocktower Studio in New York City by MoMA P.S.1. In 2013, Yang, along with Xu Bing, Zhang Huan, and Li Chen, were the four artists featured in the Discovery Channel Asia documentary series, Chineseness, a multi-series production that focused on postwar Chinese contemporary artists. He is of the generation of artists such as Chen Tingshi, Liang Yifeng, Yang Yuyu, Pang Jiun, Yinhui Chen, Jui-Ling Hung, De-Jinn Shiy, Yong-ik Cho, Wan Chuan Chang, Kuosung Liu, Sanlang Yang, Chetsai Shen, Fu-sheng Ku, Chunxiang Zhao, Ming Ju, Ming-Che Huang, Jiutong Liu, In-Ting Ran, George Chann, Yi Hong, Tzu-Chi Yeh, Max Liu, Yi-Hsiung Chang, Che Chuang Awards and recognition 1989, Outstanding Asian American Artist Award, by Governor of New York 1984–1986, MoMA P.S.1 National Studio Program, Residency at Clocktower Studio, New York SELECTED GROUP EXHIBITIONS 1969 Contemporary Young Artists Exhibition, U. S. I. S. Lincoln Center, Taipei, Taiwan 1974 Asian Contemporary Art Exhibition, Ueno Museum of Art, Tokyo, Japan 1977 10 Chinese Leading Artists, Metropolitan Museum of Art, Tokyo, Japan 1978 Contemporary Chinese Art from Taiwan, Hong Kong Arts Centre, Hong Kong 1978 International Exhibition of Prints, National Museum of Modern Art, Seoul, South Korea 1979 6th British International Print Biennial, Bradford Art Galleries and Museum, England 1980 4th Miami International Print Biennial, Metropolitan Museum Coral Gables, Florida 1982 Summer Invitational, Susan Caldwell Inc, New York City 1982 Four Artists, SoHo Center for Visual Artists, New York City 1983 New Acquisitions and Trustee's Choice, The Aldrich Museum of Contemporary Art, 1983 Cleveland (UK) 6th International Drawing Biennale, Middlesbrough Art Gallery, England 1983 Dreams Demons Madness, Alternative Museum, New York City 1984 Rambunctious, Siegel Contemporary Art, New York City 1984 Invitational Painting Exhibition, Part II: Eight Imagist Painters, Siegel Contemporary Art, NYC 1984 Salvo, Ruth Siegel Ltd, New York 1984 Modern Art, Ted Greenwald Gallery, New York City 1985 Exotica, Paintings and Works on Paper, Stephen Rosenberg Gallery, New York City 1985 The Art of the 1970s and 1980s, Aldrich Museum of Contemporary Art, Ridgefield, CT 1985 Large Figurative Drawings, Virginia Museum of Fine Arts, Richmond, Virginia 1985 Studio Programs, 1984 -1985, The Institute for Art and Urban Resources, Inc, The Clocktower, New York City 1985 Surplus, Exit Art, New York City 1985 Four Painters From New York, Janet Steinberg Gallery, San Francisco, California 1985 Harvest, Ruth Siegel Ltd, New York City 1986 The Object Revitalized, The Paine Art Center and Arboretum, Oshkosh, Wisconsin 1986 Annual Juried Exhibition '86, The Queens Museum, New York City 1986 Summer Group Show, Galleri Mustad, Sweden 1987 New Work - New York, Helander Gallery, Palm Beach, Florida 1988 The Shell: Design Spirit, Bergen Museum of Art and Science, Paramus, New Jersey 1988 Works on Paper, Nina Freudenheim Gallery, Buffalo, New York 1988 The Flower Show, Betsy Rosenfield Gallery, Chicago, Illinois 1988 Classical Myth and Imagery in Contemporary Art, The Queens Museum, Flushing, NY 1988 Continuity and Change; Five Contemporary Chinese Artists, Yale University Art Gallery 1988 First Anniversary Exhibition, Michael Walls Gallery, New York City 1989 Second Anniversary Exhibition, Michael Walls Gallery, New York City 1990 The Matter At Hand; Contemporary Drawings, UWM Art Museum, University of Wisconsin, 1991 Entr'acte, Michael Walls Gallery, New York City 1991 Taipei - New York: Confrontation of Modernism, The Taipei Fine Arts Museum. Taiwan 1991 Past Becoming Future, The Contemporary Art Gallery, Seibu, Tokyo, Japan 1992 Intimate Universe; Small-Scale Paintings By Twenty-five American Artists, Michael Walls 1993 Paper Trails; The Eidetic Image, Krannert Art Museum, University of Illinois, Champaign, 1993 Intimate Universe, Nina Freudenheim Gallery, Buffalo, New York 1994 Isn't It Romantic? On Crosby Street, New York City 1994 To enchant (blue), Cynthia McCallister Gallery/Bixler Gallery, New York City 1994 Singapore International Art Fair, Sarina Tang Fine Art, Singapore 1994 Taipei Modem Art Exhibition, The National Gallery, Bangkok, Thailand 1995 A Romantic Impulse: Seventeen American Artists, O'Hara Gallery, New York City 1995 Chinese Artists in the United States, Hong Kong Land Limited, The Rotunda, Hong Kong 1996 Taipei Modern Art Exhibition, Shanghai Museum, Shanghai, China 1996 In Full Bloom: Flower and Garden Paintings, Lizan-Tops Gallery, East Hampton, New York 1997 Intimate Universe [Revisited], Robert Steele Gallery, New York City 1997 A Thought Intercepted, California Museum of Art, Santa Rosa, California 1997 Forces of Nature, Taipei Gallery, New York City, 1997 Lizan-Tops Gallery, East Hampton, New York 1998 Asian Aesthetic, Takara/Yukiko Lunday Gallery, Houston, Texas 1998 Contemporary Art from the Overseas Chinese, Galerie Pierre, Taichung, Taiwan 1999 Looking for the Light, The Gallery on the Hudson, Irvington, New York 1999 Visions of Pluralism, National Art Museum of China, Beijing, China; Mountain Art Museum, Kaohsiung, Taiwan 2001 Fifteen Asian American Artists, Staller Center For the Arts, University at Stony Brook, Stony Brook, New York (Artists: Arai, Tomie; Byun, Chong Gon; Huang, Wennie; Jo, Sook Jin; Kawata, Tamiko; Le, Dinh; Lee, Bing; Li, lan; Ng, Chee Wang; Rahman, Ram; Shin, Jean; Snyder, Kit-Yin; Wong, Paul; Yamaoka, Carrie; Yang, Chihung) 2001 Rain Forest/Contemporary Paintings Kaohsiung Museum of Fine Arts, Taiwan 2001 Taipei Contemporary Art Exhibition, Shanghai Art Museum, Shanghai, China 2001 Rain Forest, Taipei Gallery, Chinese Information and Culture Center, New York 2002 Rain Forest, Las Vegas Art Museum, Las Vegas 2002 Contemporary Chinese Abstraction, Guangdong Museum of Art, Guangzhou, China 2002 Contemporary Chinese Abstraction, SenJuing Museum of Art , Guangdong, China 2003 Vision, 456 Gallery and Cork Gallery / Lincoln Center, New York 2003 World Artist's Calligraphy Biennale, Son Arts Center of Jeollabuk-do, Korea 2003 Fifty Years of Post War Taiwanese Art, Chan Liu Art Museum, Taoyuan, Taiwan 2004 Salon Comparaisons, Espace Auteuil, Paris, France 2005 Kuandu Extravaganza, Kuandu Museum of Fine Arts, Taipei, Taiwan 2005 China-Korea Modern...

David Morris Need Your Funk Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref....

David Morris Magnetar Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: 9248...

NEVELSON, LOUISE (1899-1988) "Dusk in August" Lithograph in colors, 1967 Signed, dated, titled, and numbered in pencil lower margin This impression is XVIII/XX Sheet Size: 17” x 22” Published by Hollander’s Workshop with their blindstamp This lithograph by Louise Nevelson was made in collaboration with eight other artists in 1967. The other artists included in this portfolio collaboration are Roy Lichtenstein, Louise Nevelson, Willem de Kooning, Robert Motherwell, Henry Pearson, Sam Francis, Richard Lindner, and Saul Steinberg. Louise Nevelson is one of American’s foremost artists, Nevelson’s sculpted wood assemblages transcended space and transformed the viewer’s perception of art. She was an American sculptor best known for her monochromatic wooden assemblages. During the 1950s, she began to create unique arrangements contained in wooden frames amassed from a range of found objects—usually woodcuts or bits of furniture—that were then painted a uniform black, white, or gold, as seen in her seminal work Royal Tide I (1960). Louise Nevelson emerged in the art world amidst the dominance of the Abstract Expressionist movement. In her most iconic works, she utilized wooden objects that she gathered from urban debris piles to create her monumental installations - a process clearly influenced by the precedent of Marcel Duchamp's found object sculptures and "readymades." Nevelson’s prints share with her sculpture an interest in silhouetted forms and the layering of elements, but distinguish themselves by their vivid color, depth and movement.. Louise Nevelson experimented in several different print mediums. A 1963 Ford Foundation grant enabled June Wayne of the Tamarind Lithography Workshop, Los Angeles, to extend an invitation to Nevelson. This initial collaboration led to twenty six lithographs, mostly black with dark blue or red, which combined hand-drawn elements with printed lace. Nevelson returned to Tamarind in 1967 to complete sixteen large scale lithographs know as Double Imagery. In these lithographs Nevelson played with landscapes of shadows and reflections using irregular shaped papers and a limited palette of black, red, grey and blue. For her brilliant compositions in varied mediums critics hailed her as the leading sculptor of the twentieth century. A pioneering grand dame of the art works, Nevelson’s iconic persona was characterized by her skilled mixing and matching of ethnic clothing...

David Morris Shofukan Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: 9248...

David Morris Out on the Coast Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Re...

David Morris Morning Dance Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.:...

David Morris Mirage Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: 924802...

David Morris Freddie Freeloader Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided ...

This artwork "untitled" c.1990, is an original woodcut with embossing on thick Wove paper by noted American artist Ruth Leaf, 1923-2015. It is unsigned, inscribed (not signed) "Ruth...

This artwork titled "Carnival 2" c.2000, is an original woodcut on thick Wove paper by noted American artist Ruth Leaf, 1923-2015. It is hand signed, titled and numbered 20/20 in pen...

This artwork titled "Secrets Series" c.1980, is an original woodcut monoprint with embossing on thick Wove paper by noted American artist Ruth Leaf, 1923-2015. It is hand signed, tit...

This artwork titled "Secrets Series" c.1980, is an original woodcut monoprint with embossing on thick Wove paper by noted American artist Ruth Leaf, 1923-2015. It is hand signed, tit...

This artwork titled "Beyond the Sun Series" c.1970, is an original woodblock monoprint with embossing on artisanal hand made paper by noted American artist Ruth Leaf, 1923-2015. It i...

Hand signed and numbered by the artist. Etching on paper. Published by Francois Bénichou, Paris. Galfetti 1215-1217. Frame size approx 28 x 34 inches. Artwork is in excellent condit...

A very good impression of this color lithograph on Rives BFK. Signed and numbered 30/40 in pencil. Printed by Mourlot, Paris. Published by Galerie Karl Flinker, Paris. From the same-...

Stockton by Tom Holland, American (1936 - ) Date: 1971 Lithograph, embossing and collage on Rives, signed, titled, numbered and dated in pencil Edition: 25/50 Image Size: 18 x 24 inc...

The lithograph, entitled "Laocoön and His Sons," depicts a modern and minimalist interpretation of the tragic mythological story of Laocoön. The artwork is done in black and white, and was created in 1953, showcasing a unique blend of classical themes and contemporary art styles. The image shows the high priest...

Heavily textured abstract print in a serigraph and terragraph technique. It has a raised texture to the surface, A beautiful piece. This listing is for the one print, the cover justification sheet and the photograph are just included for provenance. This is from the limited edition of 100. Hand signed and numbered on colophon page. (They are not signed and numbered on each print) Arches paper. Dimensions: 15.75 X 15.25 These have a texture that feels like a painting. Done in Jaffa Israel based on the Hebrew Bible. Jewish, Judaica interest. Emil Schumacher is among the best-known exponents of Art Informel in Germany. His painting style, which he initially developed in the 1950s under the influence of Wols, is marked by dark, brownish black or brilliant thick red colours and a graffiti like sign language that endow the pictures the expressive character of old cracked masonry. Emil Schumacher (29 August 1912 in Hagen, Westfalen – 4 October 1999 in San José, Ibiza) was a German artist and painter. He was an important representative of abstract expressionism in post-war Germany. As an 18-year-old, Emil Schumacher undertakes a four-week-long bicycle tour to Paris, France. 1932–1935: Studies graphic design at the School of Applied Arts in Dortmund intending to become a graphic designer in advertising. 1935–1939: Independent artist without participating in exhibits. He undertakes study trips by bicycle to the Netherlands and Belgium. 1939–1945: Service obligation as draftsman in an arms factory, the Akkumulatoren–Werke of Hagen. Since 1945: Immediately after end of war, new start as independent artist. 1947: First solo exhibit in the Studio für neue Kunst. Co-founder of the artist group Junger Westen. 1954: Participates in the Willem Sandberg...

André Lanskoy - Composition - Original Etching From Dédale Edition: 190 Dimensions: 32 x 18 cm This etching is from the first series of etching Lanskoy m...

A very good impression of this scarce color screenprint on Arches with strong colors. Signed and numbered 9/75 in pencil. Printed by Ives-Sillman, New Haven, with the blind stamp low...

Cities and Signs IV Ruth Eckstein, German (1916–2012) Date: circa 1975 Lithograph, signed and numbered in pencil Edition of 20/40 Image Size: 19.5 x 17 inches Size: 29.5 x 22 in. (74...

Evergreen Lane (Abstract print) Etching - Unframed. This print is last in edition. This etching refers to a Steamboat Springs, Colorado street. It...

Johannes Heisig (*1953 Leipzig), "Threatening to defeat me once and for all" - To the Christmas Oratorio by Johann Sebastian Bach. Lithograph on strong yellowish laid paper with wate...

CR 168 Paper:Auvergne à la Main Richard de Bas handmade paper; offset-printed Roth Händle cigarette label Signature:Signed "RM" in pencil upper right Inscriptions:Numbered in pencil ...

Georg Baselitz (German, b. 1938) Grüner Hase, 1989 Medium: Woodcut in colors, on wove paper Dimensions: 86 x 61.2 cm (33.85 x 24 in) Edition of 15: Hand-signed and numbered

Small Abstract (Abstract print) Silkscreen - Unframed Melissa Meyer has created a diverse oeuvre that includes oil paintings, drawings, watercolors, prints and large-scale public c...

Henri Michaux - Beach - Original Lithograph 1956 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. From the art review XXème siècle Unsigned and unumbered as issued

Mark di Suvero Venice Art Walk (Hand Signed), 2001 Offset Lithograph Poster (Hand Signed) Boldly signed by Mark di Suvero in marker on the front 36 × 24 inches Unframed Very rare whe...

Small Abstract (Abstract print) Silkscreen - Unframed Melissa Meyer has created a diverse oeuvre that includes oil paintings, drawings, watercolors, prints and large-scale public c...

Color monotype on Arches paper. Signed in pencil and with the artist's signature black ink stamp in lower right. Titled in pencil in lower margin. Published by Novak Graphics, Tor...

A very good impression of this color lithograph on cream laid Japan paper. Signed and numbered 48/250 in pencil by de Kooning. Published by Brand X Editions, Ltd., New York, with the...

Henri Michaux - Original Lithograph 1952 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. From the art review XXème siècle Unsigned and unumbered as issued

Acrylic paint on masonite. The frame was painted by the artist.

Evergreen Lane (Abstract print) Etching - Unframed. This print is last in edition. This etching refers to a Steamboat Springs, Colorado street. It...

Artwork size : 72 × 102 cm Frame size : 92 x 121 x 3 cm Signed and numbered AP (Artist proof) Edition of 40 + Proofs 8 Artists Proof, 6 Trial Proof, 6 State Proof. Sam Francis Archive Number: SF-106A. Literature: Lembark L108. Museum glass anti-reflective. Free shipment worldwide. Sam Francis’s paintings are a journey into a dream, a voyage into the landscapes of the soul where colours are lights on fire. Alongside names such as Jackson Pollock, Willem de Kooning and Franz Kline, Sam Francis is an artist who has succeeded in demonstrating a total mastery of abstract expressionism’s impassioned and spontaneous genre. The explosions of colour – red, blue, green and yellow – the streaks, strokes and bold lines of his pictures are the physical synthesis of the deepest crevices of the soul. His colours create rhythmical motifs that, characteristically enough, can be called the “musicality” of his paintings. The work of Sam Francis provides a visible meeting place for the conscious and the unconscious. His pictures are the cross-fertilisation of what has already been experienced with what exists still only as desire, a struggle between melancholy and merrymaking. Influenced by C.G. Jung, the father of psychoanalysis, Sam Francis spent a large portion of his life exploring the premise that dreams, instincts and intuition provide, the keys which unlock the mysteries and meaning of our inner lives. He was also fascinated by the four ancient elements – earth, water, air and fire – which developed into a leitmotif in his work. Sam Francis was born in San Mateo in California, USA in 1923. After starting to paint at the age of around twenty, he soon found himself increasingly consumed by the power of art. He spent much of the 1950s in Paris, from where he not only made frequent excursions to a number of European cities, but also embarked on many journeys to South America and Asia. He continued to move from place to place, primarily in the USA and Japan, right up until his death in 1994. Sam Francis’s first...

Ed Moses has been a prominent figure in the Los Angeles art scene for almost six decades.

The present unique collagraph is an excellent example of Joseph Rozman's pictographic style. The composition is organized like a tiled floor, each square containing an abstracted ima...

'Stabiles' is a lithograph poster after Alexander Calder and published by Galerie Maeght in 1971. Calder had produced the stones for this lithograph a year earlier in 1970 for a prin...

Robert Motherwell The Poet's Eye 1990 Aquatint and carborundum in black and blue, on J. Whatman paper, Edition of 35 Image size: 45.1 x 60.3 cms (17 3/4 x 23 3/4 ins) Sheet size: 64....

Zao Wou-ki - Original Lithograph 1962 From La tentation de l’Occident Dimensions: 39 x 28.5 cm Publisher: Les Bibliophiles Comtois Edition of 170 Reference: Jørgen Ågerup 137 - 146...

This artwork titled "Midnight Reach" c.1990 is in an original color monoprint on Wove paper by noted American artist Pia Stern, b. 1953. It is hand signed, t...

Screenprint on wove paper Edition of 50 Published by Gemini G.E.L., Los Angeles Signed and numbered in pencil with studio blindstamp

This artwork titled "Night Passage" 1994 is in an original color monoprint on paper by noted American artist Pia Stern, b. 1953. It is hand signed, dated and...

This artwork titled "Acropolis Dream I" 1994 is in an original color monoprint on paper by noted American artist Pia Stern, b. 1953. It is hand signed, dated...

Abstract W/Woman Carrying a Young Child Finely Detailed Collotype on paper Finely detailed etching or collotype of a complicated fine line drawing o...

Robert Motherwell (1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up the quartet of American abstract painters that radically defined abstraction and...

Zao Wou-ki - Original Lithograph 1962 From La tentation de l’Occident Dimensions: 39 x 28.5 cm Publisher: Les Bibliophiles Comtois Edition of 170 Reference: Jørgen Ågerup 137 - 146...

This artwork "Untitled" is a monotype on paper by noted artist Tracey Adams, born 1954. It is hand signed and dated 98 in pencil at the lower right corner by the artist. The image si...

This artwork "Untitled V" is a monotype on paper by noted artist Tracey Adams, born 1954. It is hand signed, dated 1995 in pencil at the lower right corner by the artist and numbered...

44.5 x 44.5 cms (17.5 x 17.5 ins) Edition of 70 Signature:Signed "Motherwell" in pencil lower right Inscriptions:Numbered in pencil lower right; artist's chop mark lower right ...

Zao Wou-ki - Original Lithograph from XXe Siecle magazine 1958 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. Zao Wou Ki (1921 - 2013) At the tender age of fourteen Zao Wou-Ki...

Cellular 1 13, 2015 Print on archival paper 80 X 80 centimeters, 31 X 31 inches Edition of 10 New York based, Antonia Papatzanaki is a renowned international artist from Greec...

Sam Francis, American (1923 - 1994) - Taiaisha, Year: 1986, Medium: Poster, Size: 14.25 x 20.25 in. (36.2 x 51.44 cm)

Sam Francis, American (1923 - 1994) - Festival of Japanese Poetry, Year: 1985, Medium: Poster, Size: 30.5 x 21.5 in. (77.47 x 54.61 cm)

Statement-The emphasis in the work is on color ,motion and emotion. I make paintings that are inspired by aspects of life thus transforming color and movement into their own visual ...