Abstract Abstract Prints

Louise Bourgeois 'Inner Life' Limited Edition Lithograph, 1985 - Signed Acquire a rare and captivating piece of contemporary art with this limited edition lithograph titled 'Inner Li...

" Jazz 187" This unique mono print is from my Jazz series, where each individual image is composed from shapes of found objects. My process of printing is one of improvising, much li...

Original India Feasts of Fairs & Festivals vintage travel poster. Conservation linen backed in very fine condition. Ready to frame. A slight lower fold mark was professionall...

Dan Christensen, American (1942 - 2007) - Kansas City II, Year: circa 1980, Medium: Screenprint, signed, titled and numbered in pencil, Edition: 53/200, Image Size: 28 x 38 inche...

Original 1971 Exhibition Poster by Salvador Dalí – "Hommage à Albrecht Dürer," Galería Louis Moufflet Artist: Salvador Dalí Exhibition: "Hommage à Albrecht Dürer," Galería Louis Mouf...

Philip Guston Monograph: Philip Guston (Hand signed and inscribed to major collector by Philip Guston), 1980 Softback monograph (hand signed, inscribed and dated by Philip Guston to Mary Keesling) Warmly signed and inscribed by Philip Guston to Mary Keesling on the title page 10 1/4 × 9 × 3/4 inches If you're reading this description, then we hardly need to tell you, dear collector and Guston enthusiast, that autographed books...

Peter Halley Museum of Folkwang, Essen, Germany (Hand Signed by Peter Halley), 1998 Offset lithograph poster (hand signed by Peter Halley) 33 × 24 inches Unframed Alpha 137 Gallery is honored to offer this historic offset lithograph of legendary American artist Peter Halley's 1998- exhibition at the Museum of Folkwang, Essen, Germany,which the artist hand signed in black marker. Shown here is a photograph of our director Nadine Witkin with the artist. Below is Peter Halley's official biography. What it doesn't mention is that Andy Warhol famously painted his portrait in 1986! Peter Halley is that legendary. According to Halley, he didn't realize until after Warhol's death that the polaroids Warhol took of him with his famous "big shot" camera were made into an original painting. Warhol's painting of Peter Halley was included in the recent Andy Warhol retrospective...

Optical N.9 is a colored serigraph realized in 1976 by the Argentinian artist Julio Le Parc. Hand-signed in pencil by the artist on the lower right. Numbered on the lower left. E...

**ANNUAL SUPER SALE UNTIL JUNE 15TH ONLY** *This Price Won't Be Repeated Again This Year -Take Advantage Of It* Limited edition of 30 museum quality Giclee prints on ...

Wood engraving, 1966 Handsigned by the artist in pencil Publisher : Louis Broder (Paris) LCD3943

Gorgeous abstract landscape lithograph of an outdoor picnic scene with kite by Katherine Chang Liu, (American, 20th century). Hand signed lower right. N...

Limited edition of 30 museum quality Giclee prints on PAPER, signed and numbered by the artist. Print lead time 1 week. A "Certificate of Authenticity" issued by the artist is incl...

Nicholas Krushenick, American (1929 - 1999) - Big Moose Lake, Year: 1980, Medium: Screenprint on Somerset, signed, numbered and dated in pencil, Edition: 83/100, Image Size: 35 x...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Robert Motherwell (1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up the quartet of American abstract painters that radically defined abstraction and...

Armando 18.09.1929 Amsterdam Seestück Giclee on heavy, hand-made cotton paper Year: 2016 Hand-signed and numbered Edition: 30 Condition: good Dimensions: 41.0 x 50.0 / 54.0 x 61.0 cm ARMANDO (Amsterdam 1929 - Potsdam 2018) Sculptor, Writer, Film and documentary maker, Violinist Education: Armando studied art history in Amsterdam for a number of years. He lived in Amstelveen and worked in Amsterdam. Armando (Amsterdam 1929) is one of the most important post-war Dutch artists and he is appreciated nationally and internationally. His work, based on his personal experience of the Second World War in Amersfoort, deals with existential and universal themes that he describes in terms of power and powerlessness, perpetrators and victims, memory, transience and melancholy. Fascination for violence and evil determines his work from the outset. Amazed by the treacherous beauty of this violence, Armando uniquely elaborates his theme in every discipline that he practices. Driven by the desire for insight into evil and for the mastery of the techniques to shape his theme, he explores the possibilities of every medium to the extreme. Armando's work comprises series of monumental paintings, pasty and worked through in black and white with here and there traces of color, subtle, poetic drawings and graphics. From 1989 onwards sculptures appear that seem to be shaped and bent by forces of nature. Armando's prose and poetry have their own place. In a very specific language, the unspeakable, surrounded by a lot of white, is expressed. Documentaries in which both perpetrators and victims have the floor, films, theater and theater performances complete an oeuvre of which both visual and literary work have been awarded several times. As a violinist of the Armando Quartet, Armando expresses the feeling of melancholy and melancholy that has a place in all his work, in music. Exhibitions and prices: 1984 - The Multatuli Prize for those in power, reports from Berlin and Tuscany. 1985 - The first Jacobus van Looy...

ANTONI TÀPIES PUIG (Barcelona, 1923 - 2012). "Als mestres de Catalunya", 1974. Litografía, ejemplar P/A. Firmada y justificada a lápiz. Medidas: 90 x 65 cm. Tàpies se inicia en el a...

Eduardo Chillida (Spain, 1924-2002) 'Korapillo I', 1982 chine colle, dry point on japanese paper 25.6 x 19.7 in. (65 x 50 cm.) Edition of 50. Original 62 of which 50 belong to the regular edition. P/A: 7, H.C.: 5 Unframed ID: CHI1038-012 Hand-signed by author It is documented in Chillida, E. (1999). Eduardo Chillida – Opus P. II 1973-1985. Chorus – Verlag, pp 288 – 289. Nr 82002. ____________________________________________________ He began his career in 1943 studying architecture at the University of Madrid, but in 1947 he dedicated himself to drawing and sculpture, and in 1948 he moved to Paris, then the world capital of the arts. Although he abandoned his studies, his work betrays his architectural training, showing an underlying sense of structural organization, as well as discipline in materials, planning of spatial relationships, and scale of elements. Over the years, the artist turned to materials that showed his investigations into conceptual questions and metaphysical concerns. Chillida's first stone and plaster creations oscillated between the human world and the natural world using figures and images of landscapes. Consistently guided by the quality of space, density and rhythm, his works consider ways in which mass and volume contain space. His public works, which exist on a more massive scale, not only inhabit the space but also determine a qualifying space of their own. His monumental sculptures, designed for both urban and more secluded spaces, are permanently installed internationally and constitute an important facet of his artistic production. The main retrospectives of Chillida's graphic and sculptural work have been mounted by the Museum of Fine Arts in Houston (1966); Carnegie Institute, Pittsburgh (1979); National Gallery of Art, Washington, DC (1979); Guggenheim Museum (1980); Miramar Palace, San Sebastián (1992); and Museo Nacional Centro de Arte Reina Sofía, Madrid (1999). Chillida received numerous awards, including the Grand International Prize for Sculpture at the Venice Biennale (1958), the Kandinsky Prize (1960), the Carnegie Prize for Sculpture (1964), the Andrew Mellon...

Pablo Picasso 1881–1973 "Peintre et modèle avec un noeud dans les cheveux" 1964 etching and aquatint on BFK Rives image: 10¾ h × 15 w in (27 × 38 cm)...

Terence La Noue New Monuments of Quetzalcoatl, 1976 Lithograph and offset lithograph on wove paper Signed, dated and numbered 1/500 by the artist on the lower right front (although t...

Karel Appel Clown Cat Animals and monsters series Print - Lithograph 22.0'' x 30'' inches Edition: signed in pencil and marked 1/175

Sam Francis McGovern '72 Poster (Hand signed by Sam Francis), 1972 Photo offset poster (hand signed by Sam Francis) Signed in blue ink on the front by Sam Francis with Sam Francis co...

This artwork "Untitled #2" 1970 is an original silkscreen on Wove paper by noted British artist Ian Tyson, born 1933. It is hand signed, dated and numbered 59/75 in pencil by the art...

"Jazz 183" This unique mono print is from my Jazz series, where each individual image is composed from shapes of found objects. My process of printing is one of improvising, much lik...

Ossip Zadkine Tate Gallery Exhibition poster (hand signed by Ossip Zadkine), 1961 Off-set Lithograph Poster (Hand Signed by Ossip Zadkine) Signed lower right front 30 × 20 inches Unf...

Dimitri Petrov, American (1919 - 1986) - Peace Array, Year: circa 1975, Medium: Lithograph, signed and numbered in pencil, Edition: 200, Size: 22 x 29.5 in. (55.88 x 74.93 cm)

Dimitri Petrov, American (1919 - 1986) - Untitled - Abstract in Primary Colors, Year: circa 1975, Medium: Lithograph, signed and numbered in pencil, Edition: AP 48, Size: 22 x 3...

Original Olympische Spiele Munchen 1972 vintage Olympic poster. Printed in 1969 for the 1972 Munich Olympics, this antique poster is archival...

Dimitri Petrov, American (1919 - 1986) - Untitled - Futuristic Cityscape II, Year: circa 1975, Medium: Lithograph, signed and numbered in pencil, Edition: AP 31, Size: 22 x 30 i...

Dimitri Petrov, American (1919 - 1986) - Untitled - Futuristic Cityscape III, Year: circa 1975, Medium: Lithograph, signed and numbered in pencil, Edition: AP 49, Size: 22 x 30 ...

Dimitri Petrov, American (1919 - 1986) - Untitled - Walking Figure, Year: circa 1975, Medium: Lithograph, signed and numbered in pencil, Edition: 250, L, Size: 30 x 22 in. (76.2...

Dimitri Petrov, American (1919 - 1986) - Untitled - Futuristic Cityscape I, Year: circa 1975, Medium: Lithograph, signed and numbered in pencil, Edition: 250, Size: 21.5 x 30 in...

Dimitri Petrov, American (1919 - 1986) - Cubist Nude, Year: circa 1975, Medium: Lithograph, signed and numbered in pencil, Edition: 200, Size: 22 x 30 in. (55.88 x 76.2 cm)

Dimitri Petrov, American (1919 - 1986) - Untitled - Green Abstract, Year: circa 1975, Medium: Lithograph, signed and numbered in pencil, Edition: 175, Size: 22 x 30 in. (55.88 ...

Joan MIRO (after) Constellations : People with Stars Lithograph Unsigned Edited by Cahiers d'art in 1949 On vellum 24.5 x 32 cm (c. 10 x 13 inch) Excellent condition

" Jazz 184" This unique mono print is from my Jazz series, where each individual image is composed from shapes of found objects. My process of printing is one of improvising, much li...

Bianchi e Neri II (Acetates) - Plate E  is a wonderful Contemporary artwork realized by Alberto Burri in 1969. Hand-signed in pencil on the lower right margin Hand-numbered in penc...

Original vintage movie poster "PlayTime," directed by Jacques Tati. The artwork is notable for its minimalist and modern design, featuring a stylized depiction of a cityscape with pl...

George Dannatt (1915-2009) Line Drawing No.1 1996 Etching Editions available: 13/16, 14/16 , 16/16 signed by George Dannatt Image measures: 12.5 x 16.5 cm George Dannatt’s long car...

George Dannatt (1915-2009) Line Drawing No.1 1996 Etching Editions available: A/P, 8/16, 9/16, 12/16 signed by George Dannatt Image measures: 12.5 x 16.5 cm George Dannatt’s long ...

Kurason Lila, is part of the artist's "The Curacao Pictures" Series. This one-of-a- kind, archival pigment print is printed on Hahnemuhle Photo Rag bright paper with a deckled edge....

Putu by Al Held, American (1928–2005) Date: 1988 Aquatint Etching, signed, numbered and dated in pencil verso Edition of 16/25 Image Size: 35.5 x 44.5 inches Size: 41 in. x 53.5 in. ...

Romare Bearden Louisiana Serenade (from Jazz Series) - 1979 Print - Lithograph Framed - 33 x 42 inches Edition: Signed in pencil and marked 159/175 Romare Bearden is among the pree...

Artist: Robert Natkin, American (1930 - 2010) Title: Untitled - III Year: circa 1977 Medium: Lithograph, Signed in Pencil Size: 31 in. x 24 in. (78.74 cm x 60.96 cm)

McGovern for McGovernment is a contemporary artwork realized by Alexander Calder. Color lithograph on paper, ed. EA., aside of an Edition of 200 Hand Signed on the lower right marg...

Beautiful 1994 monotype painting by American artist, David Chamberlain (b.1950). Summer Blues. Oil on Arches paper, image measures 9.75 x 11.75 inches; sheet measures 22 x 30 inches. The subtle variations of the oil application are quite lovely. Titled and signed by the artist in pencil, lower margin and on reverse. Excellent, clean condition with no damage or restoration. Unframed: sheet is loose with no backing. SHIPS ROLLED IN TUBE David Chamberlain (American, b Canton, Ohio 1949) has been a full-time artist since 1977, and has created more than 2000 original works in both two and three dimensions. Over 100 of his works appear in the collections of recognized arts institutions and museums, worldwide. A serious and passionate musician (a cappella jazz singer with three recording albums and over 700 concerts in this avocation), Chamberlain's artistic approach and imagery is inspired by studies of musical patterns and relationships. Other influences include topology, poetry, design and flying. His sculptures are noted for their playful explorations of lyrical, melodic edges and harmonious spaces. The surfaces are all one continuous form; the insides become the outsides and vice-versa; the edges are all one line. Mediums include mahogany, bronze, titanium, gold, and ceramic/porcelain. His paintings reflect an enthusiasm for composition and improvisation. Chamberlain has developed a way to create original oil paintings using methods adapted from monotype processes incorporating a light table and mirrors, an etching press, and a variety of hands-on tools (including fingers, rollers, static electricity and blowing)... but no brushes. This method, sometimes called the Chamberlain Method, makes possible the intense collaborations he is known for, where he and another artist work on the same painting at the same time. Called Duett Painting, this mutual and simultaneous way for two artists to paint together attempts to involve the backgrounds of each, directly and profoundly. There are no rules, and there is no place to hide whoever the artists are appears in the composition. As each artist's marks influence the other's, the painting takes on a momentum of its own, compelling the artists toward a new direction neither would have pursued on their own. Chamberlain has worked with over 100 artists, musicians, dancers, poets and creative people from the USA, Asia, Europe, South America and Africa. About half of his paintings are collaborative duetts; half are conventional solo works using these techniques. His studio is based near Boulder, Colorado. He is married, with two children, a dog and three cats. EDUCATION MLA University of Colorado 2002 Landscape Architecture MFA University of Pennsylvania 1977 Sculpture & Printmaking BA Princeton University 1971 Architecture & Design SELECTED EXHIBITIONS Consulate of Japan, San Francisco, CA 1999, 1998 Major Shows Muse a Muse' Gallery, Tokyo, Japan 1997, 1999 Retrospective: "Solos, Duets & Concertos" Muskegon Mus. of Art, MI 1996 "Duets" Delaware Museum of Art, Wilmington, DE 1995 MacLaren/Markowitz Gallery, Boulder, CO 1991 Retrospective: McKissick Museum of Art, Columbia, SC 1990 Retrospective: The Art Complex Museum, Duxbury, MA 1988 Pucker Gallery, Boston, MA 1981, 1984, 1988 Gibson Gallery, SUNY at Potsdam, NY 1987 Arlene McDaniel Galleries, Simsbury, CT 1986 Lyme Academy of Fine Arts, Old Lyme, CT 1985, 1986 Gallerie Obussier, Nantucket, MA 1985 New Acquisitions Gallery, Syracuse, NY 1983 Everson Museum of Art, Syracuse, NY 1983 COMMISSIONS: Operhall Suite; [Series of 6 original works] Muskegon Museum of Art 1994 Symphony Suite; Gibbes Museum & Charleston Symphony Orchestra 1994 Gospel Suite in F; New England Conservatory of Music, Boston, MA 1994 Eroica; Morgridge Auditorium, University of Wisconsin, Madison, WI 1992 Balletté; Southworth Library, Canton College, Canton, NY 1991 A Une Passante; M. C. Wallace Library, Wheaton College, Norton, MA 1991 Festivale; K. B. K. Foundation, Boston, MA 1990 A Une Passante; SUNY Potsdam, Potsdam, NY 1989 Balletté; Ensign-Bickford Corp., Simsbury, CT 1987 Torus; Stratus Computer, Inc., Marlboro, MA 1986 Rondella; BNWC, Brandeis University, Waltham, MA 1985 Viole, Ayre; Asset Management, Inc., Essex, CT 1983 Cantata; Horne Library, Babson College, Wellesley, MA 1981 COLLECTIONS Museums Art Complex Museum, Duxbury, MA Ashmolean Museum, Oxford University, England Asian Art Museum, San Francisco, CA British Museum, London, England Columbia Museum of Art, Columbia, SC Currier Gallery & Museum, Manchester, NH Danforth Museum, Framingham, MA Davis Museum of Art, Wellesley, MA DeCordova Museum, Linclon, MA Delaware Museum of Art, Wilmington, DE Denver Art Museum, Denver, CO Detroit Institute of Arts, Detroit, MI Everson Museum of Art, Syracuse, NY Farnsworth Museum of Art, Rockland, ME Fine Arts Center at Cheekwood, Nashville,TN Fitzwilliam Museum, Cambridge University, England Gibbes Museum of Art, Charleston, SC Gibson Gallery & Museum, SUNY Potsdam, NY Greenville County Art Msueum, Greenville, SC Hara Museum of Contemporary Art, Tokyo, Japan Johnson Museum of Art, Ithaca, NY McKissick Museum of Art, Columbia, SC Minneapolis Institute of Art, Minneapolis, MN Munson-Williams-Proctor Institute of Art, Utica, NY Museum of Fine Arts, Boston, MA Museum of Fine Arts, Springfield, MA Muskegon Museum of Art, Muskegon, MI National Museum of American Art, Washington, DC Nelson Museum of Art, Kansas City, MO New Britain Museum of American Art, New Britain, CT Portland Museum of Art, Portland, ME Portland Art Museum, Portland, OR Princeton University Art Museum, Princeton, NJ Rose Art Museum, Waltham, MA San Diego Museum, San Diego, CA Smith College Museum of Art, Northampton, MA Taylor Museum/CSFAC, Colorado Springs, CO University of Michigan Museum of Art, Ann Arbor, MI Victoria & Albert Museum, London, England Wadsworth Athenaeum, Hartford, CT Williams College Museum of Art, Williamstown, MA Yale University Art Gallery, New Haven, CT Institutions American Embassy, Tokyo, Japan [selected] Arjo Wiggins/Arches S.A., Annonay, France Bank of America, Boston, MA Boso Yusi Company, Tokyo, Japan Boston Ballet, Boston, MA Canadian Foreign Ministry, Ottawa, Canada Chase Manhattan Bank, Vietnam Embassy of Japan, Abu Dhabi, United Arab Emirates FIA Institute, Tokyo, Japan Fidelity Ventures & Associates, Boston, MA Frederik Meijer Sculpture Gardens, Grand Rapids, MI Gauteng Legislature, Gauteng, South Africa German Embassy to Vietnam, Hanoi, Vietnam Helix Technology Corporation, Longmont, CO Ito-En Company, Tokyo, Japan JAFCO America Ventures, Boston, Palo Alto, Tokyo Japanese Consulates: Boston, MA; Atlanta, GA; San Francisco, CA Japanese Foreign Ministry, Tokyo, Japan Japan External Trade Organization, New York, Tokyo Kepner-Tregoe Company, Princeton, NJ Kobe Steel, Ltd Tokyo, Kobe Mochida Medicines, Inc., Tokyo Monsanto, European Division, Brussels, Belgium New England Conservatory of Music, Boston, MA Nueva Set-Kei, Inc. Tokyo, Japan Opinion Research Company, Princeton, NJ PAR Associates, Inc., Boston, MA Price, Waterhouse & Company, Greenwich, CT Princeton Club of Japan, Tokyo, Japan Saint Joseph's Heart Hospital, Lexington, KY Spencer, Fane & Browne; Shugert & Thomson, Kansas City, MO Temple Society of Concord, Syracuse, NY T. Rowe Price, Inc., Colorado Springs, CO University of Wisconsin School of Business, Madison, WI Vietnam Embassy to Canada, Ottawa, Canada Yankelovich, Skelly & White, Stamford, CT COLLABORATIONS Johannesburg, South Africa (& Artist Proof Studio) 1997 Duetts with: Kagiso Pat Mautloa, Durant Sihlali, Mmakgabo Sebidi, Dumisane Mabaso, Nhlanhla Xaba, Pepe Abela, Vincent Baloyi, Ntepe Osiah Masekwameng, Gordon Gabashane, Sokhaya Nkosi Vietnam (& Indochina Arts Project) 1995 Fine Arts Associations, Saigon, Hue and Hanoi; Ecole des Beaux Arts, Hanoi Duetts with: Do Minh Tam, Hoc Hai, Huy Oanh, Le Anh Van, Le Thong, Le Van Suu, Manh Tuan, Mai Khanh, Nghia Duyen, Thuc Ban, Tran Khan Chuong, Tran Luong Studio Duetts 1995-2001 With: Yuji Kishimoto (Architect -- Japan/USA), Emi Tajima (Japanese master caligrapher), Nguyen Quynh Nhu (Vietnam), Eduardo Chavez & Arturo Miranda (Mexico), Kyi May Kaung (Burmese Poet), Patrick Moraz (Swiss/American composer/performer), Jingalu (Aboriginal Australian artist), Rungsak Dokbua (Thailand), and Americans Don Grusin (Composer/performer), Dave Grusin (Composer/performer), Harry Skoler (Composer/performer), Sarah Schneider (Dancer/choreographer), Sally Ranney (artist/humanist), Cleo Parker Robinson (Dancer/choreographer) China (PRC) 2001-2004 Proposal for an Artistic Collaboration with China, 2001-2004 (38 pages). Involving ten Chinese Artists, streaming on the internet, development of 160 museum-quality Duett paintings for world-wide exhibition; budget 1.6 million USD. HIGHER EDUCATION Visiting Artist [Associate Professor One-year appointment] 1990/1991 Art Department, University of South Carolina Adjunct Professor 1991-1994 Art Department, Rivier College, Nashua, NH Fellow/Panelist The Aspen Institute Aspen, CO 2000 Conference on World Affairs [Univ of Colo, Boulder] 1990-1998 Visiting Artist Haverford School, Bryn Mawr, PA 1999 Clemson University, Clemson, SC 1997, 1998 African Institute of Art, FUNDA Soweto, South Africa 1997 Princeton University 1996 Williams College 1995 Bradford College 1994, 1998 College of Charleston 1994 University of Pennsylvania 1993 University of South Carolina 1990, 1994 SUNY Albany 1992, 1993 Pine Manor College 1987, 1989 Bentley College 1988 Simon's Rock/Bard College 1988 Brandeis University 1986 Lyme Academy of Fine Arts 1985, 1986 Emerson College 1985 Harvard University 1984, 1985 Mount Holyoke College 1984 Syracuse University 1983 Colorado College 1977 Director; Artist in Residence 1974-1977 Arts College House, University of Pennsylvania Taught Drawing (figure & still-life) and Photography Initiated Interdisciplinary Program: Dance, Music, Poetry, Theatre, Film, Architecture, Art SCHOOLS & PROGRAMS Instructor, Photography & Visual Arts 1974-1976 Adirondack Lakes Center for the Arts Chair, Performing Arts Department 1971-1974 Purnell School Instructor, Visual Arts Department 1970-1974 Purnell School [Taught (& developed syllabi for) 21 Studio arts courses] Juror, College Entrance Examination Board Area: Fine Arts 1972 AWARDS Selection Who's Who: in American Art; in the East; in the World Grants Krasner-Pollack Foundation Emergency Grant, 1999 Indochina Arts Project (Ford Foundation) 1994 Individual Artist Grant, South Carolina Arts Commission 1991 K. B. K. Foundation, 1991, 1994 High Meadow Foundation, 1990 Ford Venture Fund Grant [Univ. of Pennsylvania] 1975-1977 Haas Memorial Fund Fellowship, 1976 GRANTS IN KIND Kodak, Rochester, NY Papeteries Canson & Montgolfier, Annonay, France; Royal Talens BV Oil Paints, Apeldoorn, Holland Takach Etching Press Corp., Albuquerque, NM South African Airlines; American Airlines Korean Airline; Trans World Airlines PUBLICATIONS Film segmant Video Jukebox DeCordova Museum of Art, Linclon, MA 1999 Film David Chamberlain: Artistry in Motion {30 minutes} SC-ETV/PBS 1992 Book Melodic Forms: The Sculpture of David Chamberlain {75 pages, color} 1990 David Godine, Publisher Boston, MA Videotape Search for Perfection; {16 minutes} FIS/Pucker Safrai 1982 Award: Red Ribbon Category: The Arts American Film Festival, New York INTERVIEWS All Things Considered, National Public Radio Weekend Edition, Monitor Radio & Public Radio International CNN Headline News, Atlanta, GA International News Scene, Reuters Press International, New York/Hong Kong Terra Infirma, Corp. for Public Broadcasting BBC World, London Art Scene, S. Carolina Public Radio Jazz Times, Blue Lakes Public Radio, Grand Rapids, MI Conversations with Jean Feraca, Wisc. Public Radio, Madison, WI WBZ-TV Boston, MA WCNY-TV Syracuse, NY WNPE-TV Watertown, NY WSBK-TV Boston, MA WERS-Radio Boston, MA RELATED EXPERIENCE Designs Arts College House (Program) ; University of Pennsylvania, Philadelphia, PA 1975 Performing Arts Center (Architectural); Purnell School, Pottersville, NJ 1973 Fine Arts Center (Architectural); Purnell School, Pottersville, NJ 1971 Diplome Centre Audio Visuel Langues Modernes, Vichy, France 1973 School for International Training, Experiment in International Living, Putney, VT 1973 Graduate Credits Teaching Studio Art Institute, Colorado College, 1972 Consultant Sculpture Walk Project Univ. of South Carolina, Architectural Facilities Planning 1990/91 "How to create, fund and impliment a self-sufficient world-class sculpture collection" Speaker "[Man] In The Arena" , Haverford School, Haverford, PA 2000 "Architecture & Painting" Clemson University Dept of Art & Architecture, AIA Lecture 1997 Reflections on Creativity" Am. Inst. of Architects Convention, Highlands, NC 1994 "Neurons, Notes & Sketches", Conference on Art & Mathematics Albany, NY 1993 "Music into Sculpture", Conference on Art & Mathematics Albany, NY 1992 "On the Creative Process", Empire State Plaza Art Collection Albany, NY 1993 "Creativity and Fullfillment", Conference on Health & Spirituality Boston, MA 1991 Vocalist & Cahoots (jazz a cappella quartet) 1974-present Album Recordings: "Released" (1993) ; Arranger "Haven't We Met" (1991); All Good Children (octet) 1972-74 Album: "All Good Children" (1980); Canto Ergo Sum (sextet) 1971-72; The Footnotes (double sextet) 1967-1971 Album: "Another Summer...

This abstract landscape limited edition print by Elwood Howell features a warm, yellow and orange-hued landscape with a high horizon line and warm undertones. What appears to be a sm...

Composition is a graphic work on paper realized by Vedan in 1970s. Beautiful black and white lithograph on paper. Numbered on the lower margin. Hand-signed on the lower right margi...

Untitled, 2020 by Chin Chih Yang is a signed limited edition print on archival paper: 28/75 - edition number, date of creation, and artist's signature on recto (front of work) - in m...

Damien Hirst (B. 1965) Blizzard, 2023 From the series 'From Where the Land Meets the Sea' Laminated Giclée print on aluminum composite panel Edition: 244/500 Signed and numbered on t...

Sol LeWitt Untitled geometric abstraction for Ugo Ferranti Gallery Exhibition Invitation, Rome, Italy, 1980 Rare vintage silkscreen poster for Ugo Ferranti in Rome. Signed by Sol LeW...

Gustave SINGIER Abstract composition in Orange, 1959 Original lithograph Handsigned in pencil Numbered / 200 On vellum 32 x 25 cm (c. 13 x 10 inch) Excellent condition

Untitled (SFE-072) is an original contemporary artwork realized by Sam Francis in 1989. Etching and Aquatint Monotype with color variant on Rives BFK. Editor The Litho Shop santa Monica Jacob...

Mary Heilmann To Be Someone (hand signed and inscribed "Love from Mary Heilmann"), 2007 Hardback monograph with dust jacket (hand signed and inscribed by Mary Heilmann) Warmly signed...

David Shapiro, American (1944 - ) - Birnham Wood V, Year: 1981, Medium: Monoprint with embossing on handmade paper, signed, titled, and numbered and dated in pencil, Edition: 30/3...

Barbara Kohl-Spiro, American (1941 - ) - Mensch, Year: 1980, Medium: Screenprint on Arches, signed, titled and numbered in pencil, Edition: 100, Image Size: 29 x 21 inches, Size:...

Hand Signed. Edition of 150 pieces numbered and signed. Very good conditions. Antonio Scordia (Santa Fè, Argentina, 1918 - Rome, 1988) was an Italian painter. In 1921, he moved to Rome with his family where he attended the School of the Academy of France...

Silkscreen Handsigned by the artist in pencil 70.00 cm. x 50.00 cm. 27.56 in. x 19.69 in. (paper) 60.00 cm. x 40.00 cm. 23.62 in. x 15.75 in. (image) The Nanas series was born i...

Silkscreen on handmade Hahnemühle paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Salute, 1960. Published and printed by Tiber Press, New York under...

Artist: Tom Marioni – American (1937- ) Title: Process Landscape 1998 Year: 1998 Medium: Color spit bite aquatint Image size: 15.75 x 10 inches. Paper size: 20 x 16 inches Framed size: 21.75 x 17.75 inches Signature: Signed, dated lower right Edition: 50. This one: 24/50. Published by: Crown Point Press Printed by: Paul Mullowney Condition: Excellent Frame: Framed in maple frame and plexiglas. Frame in fair to good condition with some small scratches. Tom Marioni was born in 1937 in Cincinnati, Ohio, attended the Cincinnati Art Academy, and in 1959 moved to San Francisco, where he still lives. His first sound work, One Second Sculpture, 1969, was celebrated in the 2005 Lyon Biennial as presaging the work of many artists today who use sound and duration as subjects. His first museum show was in 1970 at the Oakland Museum of California. Titled “The Act of Drinking Beer with Friends is the Highest Form of Art,” it was an early example of social art as a sculpture action. Over the years, Marioni was invited to repeat the work in various contexts around the world. In 1970 Marioni founded the Museum of Conceptual Art (MOCA), which he described at the time as “a large-scale social work of art.” Until the museum closed in 1984, he organized many groundbreaking shows, including “Sound Sculpture As” in 1970. MOCA has entered history as one of the first alternative art spaces. Marioni had one-person shows in several significant venues for early conceptual art, among them the Richard Demarco Gallery in Edinburgh in 1972 and Gallery Foksal in Warsaw in 1975. In 1977 he had a solo show, “The Sound of Flight,” at the de Young Museum in San Francisco. He has done installation/performance works at the Whitechapel Gallery in London (1972), the Institute of Contemporary Art in London (1973), the Centre Georges Pompidou in Paris (1980), and the Folkwang Museum in Essen, Germany (1982), among other museums. He has produced sound works for radio stations KPFA in Berkeley and WDR in Cologne, Germany. In 1996 he organized The Art Orchestra and the group performed at the Legion of Honor Museum in San Francisco. Marioni was included in “For Eyes and Ears” (1980) at the Academy of Fine Arts in Berlin, “Live to Air” (1982) at the Tate Gallery in London, and “From Sound to Image” (1985) at the Stuttgart Staatsgalerie in Germany. His work was shown in “Out of Actions: Between Performance and the Object” (1998) at the Museum of Contemporary Art in Los Angeles, and “The Third Mind: American Artists Contemplate Asia,” (2009) at the Guggenheim Museum in New York City. Drawing is central to Marioni’s art, and in 1999 he had a drawing retrospective, with a catalog, at the Mills College Art Museum in Oakland. In 2006 the Contemporary Art Center in Cincinnati presented a survey of his work and published a catalog. Marioni is the author of Beer, Art and Philosophy, 2003, a memoir, also Writings on Art 1969-1999, and Fabliaux Tom Marioni Fairy Tales. He was editor/designer of VISION magazine published by Crown Point Press, 1975-1981. Issues were titled “California,” “Eastern Europe,” “New York City,” “Word Of Mouth,” (phonograph records) and “Artist’s Photographs,” and published prints, since 1974. Tom Marioni received a Guggenheim Fellowship in 1981 and three grants from the National Endowment for the Arts during the 1970s. His work is in the collections of the San Francisco Museum of Modern Art, the Museum of Modern Art in New York, the Stadtische Kunsthalle in Mannheim, Germany, the Pompidou Center in Paris, and other museums. He is represented by the Anglim Gilbert Gallery...