Men Abstract Prints

David Hockney David Hockney - 60 Years of Work - Tate Britain original poster, 2017 Offset lithograph and digital print 24 × 16 1/2 inches Unframed, unsigned and unnumbered Provenanc...

Nelson Dominguez (Cuba, 1947) 'Personajes del circo', 2001 engraving on paper Deponte 300 g. 29.2 x 22.1 in. (74 x 56 cm.) Edition of 40 ID: DOM-103 Unframed

Christo and Jeanne-Claude, Christo, Javacheff Christo Wrapped Trees, Switzerland (Hand Signed by Christo and Jeanne-Claude), 1998 Offset lithograph poster (Hand Signed) Signed Christ...

Mr. Brainwash Secret Admirer (Red), 2013 4-color screenprint on hand-torn archival art paper 22 1/2 × 22 1/2 in 57.2 × 57.2 cm Edition of 70 Hand-signed by the artist on the fromt,...

This exquisite four color process archival pigment print after George Condo (born 1957), titled Comic Relief, from the folio George Condo, Drawing Paintings, originates from the 2011...

"Juggler on a Tightrope" Etching in Ink on Paper Playful etching of a performer by Dick Swift (American, 1918-2010). A juggler is show in a cubist style, w...

Walter Helbig (1878 Falkenstein - 1968 Ascona), Adoration of the Magi, 1918. Hand-colored linocut, 30 cm x 22.5 cm (depiction), 50 cm x 35 cm (sheet size), signed “W.[alter] Helbig” in pencil lower right, inscribed “Adoration of the Magi” lower left and dated “1918”. Below this a handwritten dedication “with heartfelt Christmas greetings”. - Paper somewhat darkened and with slight creases, thumbtack holes in the corners - The Rider of the Sun - The 'apocalypse' of World War I brought about a return to sacred art. Walter Helbig belonged to the circle of the 'Brücke' and the 'Blauer Reiter'. With his reinterpretation of religious themes in an expressionist formal language, Helbig shaped an avant-garde neo-sacred art. This is symbolically expressed in the silhouette of the rider against the sun-like yellow background. It refers to the awakening initiated by the Blue Riding, which is now linked back to the sacred. The rider and horse "look" at Mary and the Christ Child, who occupy the entire field. Opposite them are the three kings, the eldest of whom kneels before Christ and offers him a gold-filled casket. The expressionist lines give rise to a tower that rises into the "sun", so that the gift has become a Gothic church, expressing the hope that the fallen world will be resurrected in the name of Christ. This dimension of meaning is emphasized by the magical effect of the color scheme. About the artist In 1895, Walter Helbig began studying at the Dresden Academy of Art, where he became friends with the future Brücke artist Otto Müller, with whom he lived in Dresden from 1903 to 1905. While studying in Italy from 1897 to 1899, he met Arnold Böcklin and Adolf von Hildebrand. After completing his studies, he first worked for Otto Gussmann, painting churches. From 1905 to 1909 he worked as a freelance painter in Hamburg. In 1909, through the mediation of Otto Müller, Helbig made the acquaintance of artists from the 'Brücke'. In 1910 he exhibited at the founding exhibition of the Berlin 'Neue Sezession'. In the same year, he moved to Switzerland, where, together with Hans Arp and Oscar Lüthy, he founded the 'Moderne Bund' in Weggis, to which Cuno Amiet and Giovanni Giacometti also belonged. At the second exhibition of the 'Moderne Bund' in Zurich in 1911, Henri Matisse and Robert Delaunay were represented alongside artists from the 'Blauer Reiter'. In 1913, Helbig traveled to Paris with Arp and Lüthy. After the dissolution of the 'Moderne Bund', Helbig was represented at the first Dada exhibition in Zurich in 1914. In 1919, he joined the Berlin 'Novembergruppe'. After the devastation of World War I, Helbig turned increasingly to religious themes in his work. In 1924, like many other artists of his time, he moved to Ascona for financial reasons, where he became a naturalized citizen in 1938. There he founded the artists' association "The Great Bear", to which Marianne von Werefkin...

A very good impression of this lithograph with embossing on Arches. One of 4 numbered printer's proofs, aside from the edition of 30. Signed and dated in pencil, lower right, and ins...

Vintage Saul Steinberg Lithograph c. 1970 from Derrière le miroir: Medium & Dimensions: Lithograph in colors. 15 x 22 inches. Condition: Fold-li...

A very good impression of this early lithograph on Arches. Initialed, dated and numbered 5/100 in pen and black ink. Printed and published by Original Press, San Francisco, with the ...

THÉO TOBIASSE – "CANTATE 51 DE BACH POUR LES JOURS DE LUMIÈRE" ⚜ Lithograph on paper ⚜ Hand signed and numbered ⚜ Conservation framed SYMPHONIC FIGURATION FROM TOBIASSE’S FEMME SERI...

Klaus Fußmann (*1938 Velbert), Gladiolen, 1983. Color etching, WVZ 116.5, 14.5 cm x 18.5 cm (depiction), 20 cm x 21 cm (sheet size), signed “Fuß[mann]” in pencil lower right and insc...

Luis Rey Polo (Spain, 1924-2000) 'Rehén', N/A silkscreen on paper 17.8 x 17.4 in. (45 x 44 cm.) Edition of 300 ID: POL1362-001-300 Unframed Hand-signed by author

Monotype Dramatic imagery from Tom Bennett’s series of black and white monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom...

This brand new 2025 print is limited to only 15 impressions. It features a stylized image of a WW2 FM-2 Wildcat plane in front of 9 versions of Ceravolo's original Aviatrix image. Printed on 100% rag paper with archival inks. Framed print measures approximately 21"x29". Unframed 16"x24" With private collectors like, Elton John, Rod Stewart, Pete Davidson...

This exquisite lithograph and pochoir after Andre Derain (1880–1954), titled Nature morte avec des pommes (Still Life with Apples), from the folio Andre Derain 1880 - 1954, 1961, ori...

Manfred Schwartz (American, b. Poland, 1909-1970), "Flowering Moon", Lithograph on Paper, mid 20th century, reclining figure in blue, numbered edition "9/70" lower left, signed in pe...

"The Plain" Figurative Aquatint and Etching on Archival Paper Bold aquatint by Jack Zajac (American, b. 1929). Seen from above, a figure stands outside at night, with arms outstretc...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Les Coteaux de Chatou (The Hills of Chatou), from the album Vlaminck, originates from the 1958 edition publish...

Please be aware that all prints are produced to order. Lead times expected between 15-20 days. Prices may change due to currency fluctuations. Giclée print on Archival Matte Paper ...

Gerry Mulligan, Baritone Sax - Rare Signed Figurative Lithograph in Ink on Paper Bold lithograph by Eugene Hawkins (American, b. 1933). Gerry Mulligan sits on a stool holding his ba...

Nam June Paik Do You Know...?, from the New York Collection for Stockholm portfolio, 1973 Silkscreen on paper, in original portfolio sleeve Signed and dated '73 and numbered 36/300 i...

This is an exhibition poster titled "Family Group" by renowned artist Henry Moore, published in 1992 by Shorewood Press in Connecticut. It features Moore's iconic depiction of a fami...

Roberto Marfil (Mexico, 1958) 'Ritmos I', 1998 silkscreen on canvas 21.3 x 28.8 in. (54 x 73 cm.) Edition of 75 ID: MAR1213-001-075 Unframed Hand-signed by author

This is a true collectible! The regular edition of only 100 is hand signed and numbered by Larry Rivers; but the present work is ALSO hand signed and inscribed by George McGovern- a ...

Horst Antes Untitled, from the Swiss Society of Arts Portfolio (Lutze 629), 1975 Lithograph on paper with Deckled Edges. Hand signed and numbered 26/200 by the artist on the front 2...

Öyvind Fahlström One Hundred and Eight Inflated Dollars, from the Collection of Ileana Sonnabend and the Estate of Nina Castelli, 1973 Lithograph on rag paper. Signed. Numbered. in o...

Crow and Man - Abstracted Etching in Ink on Paper Bold, slightly abstracted etching of a crow and a man by Claudette M. McElroy (American, b. 1943). A man stands to the right side o...

1970s Alexander Calder Lithograph from Derriere le Miroir: Medium: Lithograph in colors. 1975. Dimensions: 15 x 22 inches. Center fold-line as issued; v...

NOTE: Shown framed for inspiration only; this edition is unframed and in mint condition (never framed): Thelma Appel The Magician, 2018 18 Color Silkscreen on 320 gram Coventry Rag ...

Bicycle Shop by Julian Trevelyan, 1937 Additional information: Medium: etching with hand colouring 28.5 x 38.5 cm 11 1/4 x 15 1/8 in signed, titled, dated and numbered 19/25 in penc...

"Pour Daniel-Henry Kahnweiler Figure in Landscape" is an original lithograph by Yves Rouvre. The artist signed the piece lower right. It features an abstracted figure in fields of co...

The Bather is a lithograph on checked cloth backed with chiffon de Mandeure, image size 34 x 23.5 inches, signed Miró lower left and annotated lower center. The Bather is the first ...

Justin Pollmann "It's a Beach Boys Song About Growing Up" 2021 Inkjet Transfer Collage, Monotype 36"x28" inches The inkjet transfer images are made by collaging transfers of inkje...

Manfred Schwartz (American, b. Poland, 1909-1970), The Ring in Plum, Abstract Figural Composition, Lithograph on Paper, mid 20th century, two nude figures in dangling hoop on purple ...

Manfred Schwartz (American, b. Poland, 1909-1970), "Flowering Moon", Lithograph on Paper, mid 20th century, reclining figure in blue, numbered edition "44/70" lower left, signed in p...

Julian Trevelyan (English, 1910-1988), "Piazza Signoria", Etching and Aquatint, signed in pencil lower right, titled lower center, and numbered "64 /100" lower left, inscribed and st...

William Tillyer The Ruswarp Suite 1 2023 Etching, aquatint on paper, Edition of 35, Set of 6 Plate size: 39.4 x 39.4 cms (15 1/2 x 15 1/2 ins) Paper size: 57.2 x 57.8 cms (22 1/2 x 2...

Justin Pollmann "Thistle Weeds and Prickly Needs" 2021 Inkjet Transfer Collage, Monotype 33"x26" Inches The inkjet transfer images are made by collaging transfers of inkjet prints...

Created in 1974, this color lithograph on Richard de Bas paper is hand-signed by Jasper Johns (Augusta, 1930 - ) in pencil in the lower right margin. Numbered from the edition of 47 ...