Tomma Abts

Untitled (small circles)

2015

Etching and aquatint, 1973 Edition : 121/200 76.00 cm. x 56.50 cm. 29.92 in. x 22.24 in. (paper) 49.00 cm. x 39.00 cm. 19.29 in. x 15.35 in. (image) Arches paper Dry stamp “Cercl...

Roberto Antonio (Echaurren) Matta (1911 - 2002) "Driote Liberees" Etching & Aquatint on Japon Nacré Paper. Signed in pencil and numbered 73/100. Published and printed by Georges Visat...

"L'arque rouge" (red arc) is an original lithograph with aquatint an iconoclastic work by renown Spanish Informel artist Antoni Tàpies. It is an originally signed and numbered etchi...

"Matiére et Graffiti" is an original etching with aquatintin black adn whtie from 1969 by renowned Spanish artist Antoni Tàpies. It is an edition of 75 (67/75) on Guarro handmade pa...

This aquatint is hand-signed by Sam Francis (California, 1923- California, 1994) in pencil in the lower right and is a unique color trial proof aside from the edition of 30. Francis...

Miro showcases his skilled handling of carborundum in this marvelous work. This particular piece features more of the rich and beautiful texture than any of his other prints, evident...

Frank Stella’s Guifà e la Beretta Rossa, (Guifà and the Red Cap), 1989, is a captivating etching made of bold colors and large-scale geometric forms. This artwork was made in collaboration with well-known print maker Kenneth Tyler. In the upper left of the image, rainbow hues of violet, blue, green and yellow decorate the paper. These colors contrast beautifully against the bold, inky strokes which color the background. Additionally, columns, pillars and cones are layered on top of one another as if in a collage. The shapes vary from perfect circles to abstract forms. Viewed in combination, the imagery dances before the viewer, inviting the imagination to construct its own interpretations. This series of mechanical shapes and 3-D composition are reminiscent of Stella’s relief paintings from the early 1980s. For an artist like Stella, experimenting with color, form and dimension is key. He proves to viewers he cannot be confined to a specific artistic genre or movement. Therefore, Stella's abstract works retain a timelessness which will transcend expectations of abstract art. Above all, this large-scale work is an exceptional example of Stella’s later period and his iconic artistic style. The artist is a master of both painting and print. Oftentimes, Stella’s prints...

Chuck Close Self Portrait, 2012 is hand-signed by Chuck Close (Washington, 1940 - New York, 2021) in pencil in the lower right margin and is ...

A 18"x 18" etching, made by the Artist in a limited edition of 6 About the Series: Gilliam began the series Life Lines in 2017 after recently coming into possession of MRI scans of ...

Frank Stella challenges the narrative possibilities of abstraction in this tribute to the literary work “Moby-Dick”. Rather than plainly depicting scenes of the novel, Stella instead...