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Yves KleinAnthropometrie ANT 1482001
2001
$2,800
£2,124.93
€2,448.37
CA$3,955.95
A$4,238.74
CHF 2,273.79
MX$50,208.48
NOK 28,682.56
SEK 26,240.11
DKK 18,289.64
About the Item
Color screenprint on heavy white wove archival paper. Edition of 200. Printed by l'Atelier Eric Linard, Paris. Published by Editions T.A.T Arts, Paris, with the printed justification label verso.
Based on one of Klein's "Anthropometry" paintings from 1960, for which the artist used nude women as human paintbrushes, applying blue paint to their bodies and putting them in contact with canvas, paper, gallery walls and other materials.
- Creator:Yves Klein (1928 - 1962, French)
- Creation Year:2001
- Dimensions:Height: 38.5 in (97.79 cm)Width: 26.5 in (67.31 cm)
- Medium:
- Movement Style:
- Period:
- Condition:Very good printing with vibrant colors.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1477216968372
Yves Klein
French artist Yves Klein is best known for his trademark ultramarine pigment, which he patented as International Klein Blue in 1961. “Blue … is beyond dimensions, whereas the other colors are not,” he said.
“All colors arouse specific ideas, while blue suggests at most the sea and the sky; and they, after all, are in actual, visible nature what is most abstract.”
Starting in the mid-1950s, Klein made retinal blue monochrome paintings (which would prove cornerstones of Minimalism) and the pigment would also feature prominently in his Anthropometry paintings, for which Klein smeared nude women with blue pigment and used them as human brushes on canvas, sometimes in elaborate public performances. Klein's work anticipated Conceptual art, performance art and environmental art, as in his selling of portions of empty space to collectors. For The Void (1958), he presented an empty gallery as an artwork, wearing a white tie and tails to show visitors around the blank walls.
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