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Woman with a Hat
Plate Signed from Portraits
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(after) Henri MatisseHenri Matisse -
Woman with a Hat
Plate Signed from Portraits1954
1954
$325
£247.48
€284.97
CA$460.55
A$495.39
CHF 264.75
MX$5,839.25
NOK 3,337.90
SEK 3,051.47
DKK 2,129.19
About the Item
(After) Henri Matisse
Woman with a Hat
Plate Signed
Original offset lithograph on paper
Portraits Suite
- Creator:(after) Henri Matisse (French)
- Creation Year:1954
- Dimensions:Height: 10 in (25.4 cm)Width: 7.5 in (19.05 cm)
- More Editions Sizes:From the rare limited editionPrice: $325
- Medium:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Philadelphia, PA
- Reference Number:1stDibs: LU1523216506002
(after) Henri Matisse
Henri Matisse was born on December 31, 1869, in Le Cateau-Cambrésis, France. At 22, he had given up studying law in Paris to pursue painting. He had briefly studied art at the Académie Julian and Ecole des Beaux-Arts with Gustave Moreau. At 32, Matisse exhibited at the Salon des Indépendants in Paris, where he met Maurice de Vlaminck, who with Matisse would eventually lead the Fauve art movement. Matisse's work was included in the 1913 Armory Show in New York, and throughout the 1910s and into the 1920s, his work began to find collectors around the world. Throughout the 1920s and 1930s, he divided his time between Paris and southern France, producing paintings, sculpture, lithographs, and etchings. Like many avant-garde artists in Paris, Matisse was receptive to a broad range of influences, particularly 'primitive' art, Near Eastern decorative art, African masks and sculpture, impressionist color, cubism, and the paintings of Paul Cezanne. The artist's images of the human face and figure -rendered in fluid lines and flat fields of color- typify these influences. Matisse argued for the prominence of instinct in art production, believing that an artist should not have complete control over color and form. He died on November 3, 1954, in Nice.
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Henri Matisse came from a family who were of Flemish origin and lived near the Belgian border. At eight o'clock on the evening of December 31, 1869, he was born in his grandparents' home in the town of Le Cateau in the cheerless far north of France. His father was a self-made seed merchant who was a mixture of determination and tightly coiled tension.
Henri had no clear idea of what he wanted to do with his life. He was a twenty-year-old law clerk convalescing from appendicitis when he first began to paint, using a box of colors given to him by his mother. Little more than a year later, in 1890, he had abandoned law and was studying art in Paris. The classes consisted of drawing from plaster casts and nude models and of copying paintings in the Louvre. He soon rebelled against the school's conservative atmosphere; he replaced the dark tones of his earliest works with brighter colors that reflected his awareness of Impressionism. Matisse was also a violinist; he took an odd pride in the notion that if his painting eye failed, he could support his family by fiddling on the streets of Paris.
Henri found a girlfriend while studying art, and he fathered a daughter, Marguerite, by her in 1894. In 1898 he married another woman, Amelie Parayre. She adopted the beloved Marguerite; they eventually had two sons, Jean, a sculptor and Pierre who became an eminent art dealer. Relations between Matisse and his wife were often strained. He often dallied with other women, and they finally separated in 1939 over a model who had been hired as a companion for Mme. Matisse. She was Madame Lydia, and after Mme. Matisse left, she remained with Matisse until he died.
Matisse spent the summer of 1905 working with Andre Derain in the small Mediterranean seaport of Collioure. They began using bright and dissonant colors. When they and their colleagues exhibited together, they caused a sensation. The critics and the public considered their paintings to be so crude and so roughly crafted that the group became known as Les Fauves (the wild beasts).
By 1907, Matisse moved on from the concerns of Fauvism and turned his attention to studies of the human figure. He had begun to sculpt a few years earlier. In 1910, when he saw an exhibition of Islamic art, he was fascinated with the multiple patterned areas and adapted the decorative universe of the miniatures to his interiors. As a continuation of his interest in the "exotic", Matisse made extended trips to Morocco in 1912 and 1913.
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