Jean Cocteau et son temps (after) Pablo Picasso, 1965

1965

1983 Japanese pearlescent paper 27 × 20 in 68.6 × 50.8 cm Edition of 1000 2 colors printed matter on Japanese Kirabiki Paper

DETAILS: 27 x 17 inches 2020 Offset lithograph 80# Classic Linen Solar White Cover

1983 Japanese pearlescent paper 27 × 20 in 68.6 × 50.8 cm Edition of 1000 2 colors printed matter on Japanese Kirabiki Paper

Stamped on the Verso of the print and in Mint Condition. From the David Kordansky Gallery show in 2017. Very rare poster that has been stored flat since purchase. One of his most ...

Centre Noeuds (Centre Knots) Portfolio, 1974 Hand-Signed Etching, aquatint in colors/Arches paper, with title page, colophon and poem by Antonin Artaud. In-portfolio 14 x 10 1/2 in E...

This is a rare print, #46 in an edition of 96 that Gwendolyn (Gwen) Knight created while visiting Philadelphia's Brandywine Workshop with her late husband, the artist Jacob Lawrence. It is signed, titled, and dated along the lower edge. The print itself measures 22" x 30" and is professionally framed in a contemporary dark wood frame with muted green and gold double mats under UV protective glass. Framed measurements are 29.5" x 38". This print can also be found in the permanent collections of: - Washington State Arts Commission - Telfair Museums - David Driskell Center, University of Maryland - Seattle Art Museum and many private collectors. Gwendolyn Knight was born in Barbados in 1913. When she was seven, her widowed mother entrusted her to close friends who brought her with them to the United States. In 1926, Knight moved with her foster family from their first home in St. Louis to Harlem, where her developing interest in the arts flowered in the creative atmosphere of the Harlem Renaissance. In Harlem, Knight became a daily participant in the workshop of sculptor Augusta Savage, in whom Knight found a mentor, and Savage's studio became a second home. Through Savage, Knight first came into contact with Claude McKay...

This 26" x 21.75" lithograph was produced by Georges Braque in 1960. The work presents a minimalist portrait rendered in a fluid contour line drawing style, emblematic of early 20th-...

"Fuori il giallo" is a 1973 original color lithograph by Italian artist Giuseppe Santomaso. It is a typical work of his in his informel style showing black and white and a little bi...

"Turkish Bath" from Pablo Picasso's Suite Vollard, signed in the plate, comes in a high-end pass-partout with gold lining and nicely framed in a handmade wood frame. Picasso created ...

"L'arque rouge" (red arc) is an original lithograph with aquatint an iconoclastic work by renown Spanish Informel artist Antoni Tàpies. It is an originally signed and numbered etchi...