(after) Piet Mondrian

"L arbre bleu" serigraph

1957

Medium: original lithograph. Printed in 1952 for the art revue Verve (Volume 7, Number 27-28) and published in Paris by Teriade. Size: 13 7/8 x 10 3/8 inches (352 x 263 mm). There is...

Medium: lithograph (after the painting). Printed in 1968 by L'Imprimerie Arte and published by the atelier Maeght for the Varengeville portfolio. Size: 9 3/8 x 13 3/4 inches (240 x 3...

Medium: lithograph (after the 1925 Dunoyer de Segonzac painting). Printed in Paris on Arches paper at the Mourlot studio in 1967 in an edition of 600 for the Collection Pierre Lévy d...

Medium: lithograph (after the drawing). Printed on Arches paper in 1956 at the atelier Daniel Jacomet for the Vins, fleurs et flammes portfolio, and issued in a limited edition of 38...

The Spring Tree is an original Lithograph realized by Robert Savary in 1976. Signed on the plate on the lower and dated inside with notes. Good conditions. The artwork is realized...

The tree on the sea is an original modern artwork realized by Andre Roland Brudieux. Original etching on ivory paper. Image Dimensions: 40 x 31 CM Hand-signed on the lower right. ...

"Trees in Ranchitos II" is a striking 1975 color lithograph by acclaimed modernist artist Andrew Michael Dasburg (1887–1979). This collectible artwork, initialed in the lower right, beautifully captures the serene landscapes of New Mexico, reflecting Dasburg’s signature fusion of Post-Impressionism and Cubist influences. The composition conveys the tranquil rhythm of trees and desert terrain, combining geometric abstraction with lyrical naturalism. The lithograph is presented in a custom frame measuring 30 ½ x 36 ¼ inches, with an image size of 16 ½ x 23 ¼ inches, making it a sophisticated and visually compelling addition to any collection of Taos Modernist art, American modernism, or Southwestern landscape prints. About Andrew Michael Dasburg (1887–1979): Born in Paris, France, Dasburg immigrated to New York City in 1892, where his early talent was recognized. He trained at the Art Students League of New York under notable instructors including Robert Henri, Kenyon Cox, and Birge Harrison. In 1908, he returned to Paris and encountered the works of Henri Matisse and Paul Cézanne, experiences that ignited his lifelong commitment to modernism. After settling in Woodstock, NY, Dasburg immersed himself in the avant-garde scene, collaborating with Morgan Russell...

Andre Derain, After, French (1880 - 1954) - Paysage de l'Arbre Bleu from Douze Contemporains, Year: 1959, Medium: Lithograph with Pochoir on Wove paper, signed in the plate, Editio...