Miniature Animal Prints

Artist : Léonard Foujita (Tsuguharu) Title: Woman with Felines Engraving Edition of 315 Dimensions: 38 x 28 cm From La Rivière enchantée Unsigned and unumbered as issued

Eagle Fisherman is an etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, published by...

This artwork titled "The Owl that calls upon the Night speaks the Unbeliever's" 1968 is an original woodcut on Makuroko paper by noted American artist Leonard Baskin, 1922-2000. It i...

This artwork titled "Stag" 1957 is an original woodcut on laid paper by noted American artist Leonard Baskin, 1922-2000. It is hand signed and inscribed A.P. (Artist Proof) pencil by...

This is an original 19th century John James Audubon hand-colored lithograph entitled "Nine-banded Armadillo", No. 30, Plate CXLVI, from Audubon's "Viviparous Quadrupeds of North Amer...

Joseph Hecht, 'Asie (Asia) from the series Atlas', engraving, 1928, edition c. 50, Tonneau-Ryckelynck & Plumart 162. Signed and annotated 'epreuve definitive' (final proof) in pencil...

Paul Jouve (after) - Tiger - Engraving 19 x 14 cm Editions Rombaldi, Paris, 1950. Copy on velin creme de Rives Copper engraving heightened with pochoir.

4 1/4" x 6" Unframed Limited Edition Etching + Aqua Tint + Chine colle,Hand coloured Hand signed by Mariko Ando 2021

Artist: John James Audubon (American, 1785-1851) Title: "Great White Heron" (Plate 368, No. 74) Portfolio: The Birds of America, First Royal Octavo Edition Year: 1840-1844 Medium: Or...

Strange Animals Engraving, 1949 Signed, dated, and titled in pencil by the artist The composition was created at the Univerisity of Iowa while the artist was enrolled in the famous M...

Salvador Dalí (Spanish, 1904–1989) Tristan and the Dragon Drypoint etching in colour From the 1970 Tristan and Iseult series, British book edition, printed on Mandeure paper, with ‘A...

Genevieve Hamel Pig Digital Print after Colored Pencil on Wood Panel Year: 2021 Image Size: 7x5in Size: 14x11in Edition: 25 Signed, inscribed and numbe...

Art Sz: 9 1/2"H x 12 1/2"W 1933 Proof Plate for 'Spills and Thrills' Published by Charles Scribner's Sons New York 1933

This is an original 19th century John James Audubon hand-colored lithograph entitled "Yellow-belied Marmot", No. 27, Plate CXXXIV, from Audubon's "Viviparous Quadrupeds of North Amer...

Includes a Certificate of Authenticity

Colour aquatint after Samuel Howitt (1756/7-1822). From Samuel Howitt's 'Foreign Field Sports' Samuel Howitt was an English painter, illustrator and etch...

Manduro (March 9, 2002 – June 27, 2020) was a World Champion Thoroughbred racehorse. He was a multiple Group One winner in Germany. 'Manduro' by John Reardon...

Damien Hirst Butterfly Heart (H7-4) (small), 2020 Laminated Giclée print on aluminium composite panel 35.0 x 36.4 cm Edition of 3510

This Blue Dog work consists of a rich dark blue background with a bright moon. There are 3 dogs in the foreground: One red, one black & white and one blue. All the dogs have soulfu...

Artist: Pablo Picasso (after) Medium: lithograph, Arches paper Portfolio: Le Goût de Bonheur Year: 1970 Edition: Total of 1998 copies (666 each in German, French and English), reprod...

Original Lithograph by Jean Cocteau Title: The Elegant Toreador 1961 Dimensions: 28 x 38 cm Lithograph made for the portfolio "Gitans et Corridas" published by Société de D...

Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985, Printed Signature (LF). Conditions: excellent Edition: 100 Support: Arches paper. Dimensions: Paper dimensions: 44 x 28 cm Editions: Moret, Paris. Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery. Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau. A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...

A Family Scene is an original lithographs by J.J. Grandville from "Scènes de la vie privée et publique des animaux, 1852. Published by Manesq & Harvard, Paris. Good Conditions. Th...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

MARGUERITE KIRMSE (English/American 1885-1954) THREE’S A CROWD, c 1930 Etching, signed and titled in pencil. Plate 6 3/8 x 9 ¾ inches. Full sheet with edges on all sides. Sheet 10 5/8 x 13 5/8 inches. In good condition, save for old tape on sheet edges verso, showing through to recto. A hint of a mat line below the signature Kirmse is considered to be one of the most important etchers of Dogs. Sheet with even white tone - photos show oblique shadows From Wikipedia: Marguerite first trained as a harpist at the Royal Academy of Music but spent much of her spare time drawing animals. She went to the United States in 1910 on holiday with friends but stayed there.[4] She was not successful in advancing her musical career and focused her attention increasingly on her animal drawing, which she developed by frequent sketching trips to the Bronx Zoo.[5] In 1921 she started producing etchings of dogs...

Gustave Singier - Abstract Fish - Original Lithograph Conditions: excellent 32 x 24 cm 1955 From XXe siècle, San Lazzaro Unsigned and unumbered as issued

This is an original John James Audubon hand-colored lithograph entitled "Buff-breasted Merganser Goosander, 1. Male 2. Female", No. 83, Plate 411 from Audubon's "Birds of America, li...

ABOUT THIS PIECE: Amanda Pratt is known and admired for the energetic, inspiring brand of whimsy she brings to photography. Countless clients have benefitted from her technical preci...

(after) Alexander Calder "Calder's Circus" offset lithograph on wove paper after drawings by the artist Published by Art in America and Perls gallery in 1964 (from drawings done in t...

Etching with aquatint in colors on white wove paper with a deckle edge, 18 x 15 inches (457 x 381 mm); sheet 30 x 22 1/2 inches (762 x 571 mm), full margins. Signed and numbered 123/...

Artist: John James Audubon (American, 1785-1851) Title: "Long-billed Curlew (City of Charleston)" (Plate 355, No. 71) Portfolio: The Birds of America, First Royal Octavo Edition Year...

untitled woodcut by Kjell Otterness from the early 2000s printed in an edition of 6. Pickachu Pokémon

Elephant is a lithograph (2 colours on BFK Rives 270 g paper) by contemporary artist Marcelo Martin Burgos, dimensions are 40 × 30 cm (15.7 × 11.8 in). The lithograph is signed and ...

Lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was published in 1854. Good condition...

Etching realized by Jean Charles Baquoy in 1771. It belongs to the first edition of the suite "Histoire Naturelle de Buffon". Good conditions with slight foxing.

Framed 24.50 x 21 in No. 366 in the Catalogue Raisonne of Chagall's lithographs Framed with museum-quality archival materials, including museum glass which filters out 99% of harmf...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance: from...

Artist: François-Nicolas Martinet (French, 1731-1800) Title: "Le Millouinan" (Plate 1002) Portfolio: Histoire Naturelle Des Oiseaux *Signed by Martinet in the plate (printed signatur...

Lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was published in 1854. Good condition...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance: from...

This is a fine aquatint etching by British artist Percival Gaskell. The title is: The Lonely Tower, Roman Campagna, it was created and printed in 1924 in an edition of 150. The ima...

Original Giclee Print (Edition of 30) by Patricia Traub. Patricia Traub (b. 1947, Allentown, PA) is a graduate of the Pennsylvania Academy of the Fine Arts and the York Academy of t...

This is a rare 18th Century hand-colored copperplate engraving entitled "Der Storch Ciconia" (White Stork) by Johann Leonhard Frisch is plate 19...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance: from...

Procede by Georges Manzana Pissarro (1871-1961) Coloured monotype with gold, silver and pencil 24 x 30 cm (9¹/₂ x 11³/₄ inches) Signed lower right, Manzana Artist biogaphy Like all ...

SOLD UNFRAMED Mare and Foal by Orovida Pissarro (1893 - 1968) Etching 15.6 x 20.7 cm (6 ¹/₈ x 8 ¹/₈ inches) Artist's Biography Orovida Camille Pissarro, Lucien and Esther Pissarr...

This is an original 19th century John James Audubon hand colored lithograph entitled "Townsend's Rocky Mountain Hare", No. 1, Plate III, from Audubon's "Quadrupeds of North America",...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance: from...

Etching realized by Jean Charles Baquoy in 1771. It belongs to the first edition of the suite "Histoire Naturelle de Buffon". Good conditions with slight foxing.

Includes a Certificate of Authenticity

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper Condition: very good Provenance: from...

Signed, titled and numbered from the edition of 25. One from a series of six pet portraits. Viramontes was the subject of a 1-hour documentary "Xavier Viramontes, A Life in Print" w...

This Blue Dog work consists of 3 dogs; one blue, one black & white and one red on a black background with Earth behind the blue dog. All the dogs have soulful yellow eyes. This pop...

Marc CHAGALL (1887-1985) Bible : The Lion of Judah and the Tablets of the Law, 1962 Original lithograph (Mourlot workshop) Unsigned On Vellum 32.5 x 24 cm REFERENCE: Mourlot catalo...

Wonderful Vintage Archibald Thorburn colored chromolithograph. The colors are amazing, giving the painting a really great appearance . Printed circa 1919, the picture is inscribed ...

Honoré Broutelle The Untamed Bull, 1922 Original woodcut Handsigned in pencil Numbered /154 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of the editor 'Imagier de ...

Artist: Pablo Picasso Title: Head of a Bull (Plate XXXII) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Sheet Size: 13" x 10 3/16" Signed: No (signe...

Classical bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance: from...

Théodore Géricault and Eugène Lami, 'Mazeppa' from the series 'Oeuvres de Lord Byron', lithograph, 1823, 2nd state of 3, Delteil 94. Rendered by Thé...

'Neartktische Fauna' (Neartic Fauna) German chromolithograph, circa 1895. Key to animals in German below the image. 245mm by 305mm (sheet). Central vertical fold as issued.