Items Similar to Georges Braque, The Bird and Its Nest, from Derriere le Miroir, 1964 (after)
Want more images or videos?
Request additional images or videos from the seller
1 of 10
Georges Braque, The Bird and Its Nest, from Derriere le Miroir, 1964 (after)1964
1964
$716
$89520% Off
£547.43
£684.2820% Off
€627.21
€784.0120% Off
CA$1,009.92
CA$1,262.4020% Off
A$1,099.55
A$1,374.4420% Off
CHF 587.12
CHF 733.9020% Off
MX$13,273.27
MX$16,591.5920% Off
NOK 7,381.20
NOK 9,226.5020% Off
SEK 6,865.37
SEK 8,581.7220% Off
DKK 4,684.93
DKK 5,856.1620% Off
About the Item
This exquisite lithograph after Georges Braque (1882–1963), titled L’Oiseau et son nid (The Bird and Its Nest), originates from the 1964 folio Derriere le Miroir, Nos. 144–145–146, L’Hommage a Georges Braque (Tribute to Georges Braque). Published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris, this composition exemplifies Braque’s late mastery of poetic abstraction. In L’Oiseau et son nid, the artist’s recurring motif of the bird emerges as a lyrical symbol of freedom and spiritual elevation, rendered with dynamic color harmonies and delicate spatial balance. The image captures Braque’s enduring dialogue between nature and abstraction, reflecting his profound sensitivity to form, rhythm, and atmosphere.
Executed on velin paper, this lithograph measures 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued. Signed in the plate and unnumbered, as issued. The edition exemplifies the refined balance between color and composition that characterized Braque’s late work and his lifelong pursuit of pictorial unity.
Artwork Details:
Artist: After Georges Braque (1882–1963)
Title: L’Oiseau et son nid (The Bird and Its Nest), from Derriere le Miroir, Nos. 144–145–146, L’Hommage a Georges Braque (Tribute to Georges Braque), 1964
Medium: Lithograph on velin paper
Dimensions: 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued
Inscription: Signed in the plate and unnumbered, as issued
Date: 1964
Publisher: Maeght Editeur, Paris
Printer: Mourlot Freres, Paris
Condition: Well preserved, consistent with age and medium
Provenance: From the 1964 folio Derriere le Miroir, Nos. 144–145–146, published by Maeght Editeur, Paris
Notes:
Excerpted from the folio (translated from French): Taken from this special issue of “Behind the Mirror,” CCCL examples on velin de Rives were numbered, constituting the original edition of L’Hommage a Georges Braque. These deluxe examples also included an etching based on Trois oiseaux sur fond violet. The lithographs for this issue were printed in the ateliers of Maeght Editeur, Levallois. The text was printed by Fequet et Baudier, typographers. Finished printing May 13, 1964.
About the Publication:
Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists' stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Paul Rebeyrolle, Claude Garache, Antoni Tapies, Bram van Velde, Pierre Alechinsky, Pol Bury, Shusaku Arakawa, and Gerard Titus-Carmel. Printed in the ateliers of Mourlot, Arte, and Imprimerie Moderne du Lion, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir's enduring place in the history of modern art and fine art publishing.
About the Artist:
Georges Braque (1882–1963) was a French painter, sculptor, and printmaker whose groundbreaking exploration of form and perspective helped define the course of modern art. Alongside Pablo Picasso, Braque co-founded Cubism, revolutionizing the visual language of painting through the deconstruction and reassembly of objects into abstract, geometric planes. His work evolved from Fauvism to analytical and synthetic Cubism, blending structure, color, and texture into a refined harmony that profoundly influenced generations of artists. In his later years, Braque expanded into still life, sculpture, and printmaking, maintaining a lyrical sensitivity that distinguished his mature style. His artistic legacy is closely linked to the great innovators of his time—Henri Matisse, Alexander Calder, Marc Chagall, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—whose collective genius redefined 20th-century art. Braque’s works are represented in major museums worldwide, including the Centre Pompidou, MoMA, the Guggenheim, and the Tate. The highest price ever paid for a Georges Braque artwork is approximately $15 million USD, achieved in 2013 at Christie’s New York for Paysage a la Ciotat (1907).
Georges Braque L’Oiseau et son nid, Georges Braque lithograph, Braque Derriere le Miroir, Braque Maeght Editeur Paris, Braque Mourlot Freres, Braque 1964 edition, Braque color lithograph, Braque abstraction, Braque collectible lithograph, Braque modernist, Braque Maeght Paris publication.
- Creation Year:1964
- Dimensions:Height: 15 in (38.1 cm)Width: 22 in (55.88 cm)
- Medium:
- Movement Style:
- After:Georges Braque (1882 - 1963, French)
- Period:
- Condition:
- Gallery Location:Southampton, NY
- Reference Number:1stDibs: LU1465216850932
About the Seller
4.9
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 1978
1stDibs seller since 2021
1,237 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Shipping from: Southampton, NY
- Return Policy
More From This Seller
View AllBraque, L
oiseau et son nid, Derrière le miroir (after)
By Georges Braque
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 85-86, 1956. Published by A...
Category
1950s Modern Abstract Prints
Materials
Lithograph
Georges Braque, The Studio, from Derriere le Miroir, 1964 (after)
By Georges Braque
Located in Southampton, NY
This exquisite lithograph after Georges Braque (1882–1963), titled L’Atelier (The Studio), originates from the 1964 folio Derriere le Miroir, Nos. 144–145–146, L’Hommage a Georges Br...
Category
1960s Cubist Abstract Prints
Materials
Lithograph
$716 Sale Price
20% Off
Free Shipping
Braque, Composition, Derrière le miroir (after)
By Georges Braque
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 117, 1959. Published by Aimé Maeght, Éditeur, Paris; pr...
Category
1950s Modern Abstract Prints
Materials
Lithograph
Braque, Composition, Derrière le miroir (after)
By Georges Braque
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Derrière le miroir, N° 155, 1965. Published by Aimé Maeght, Éditeu...
Category
1960s Modern Abstract Prints
Materials
Lithograph
Braque, Composition, Derrière le miroir (after)
By Georges Braque
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 166, 1967. Published by Aim...
Category
1960s Modern Abstract Prints
Materials
Lithograph
Georges Braque, The Flying Bird, from Carnets intimes, 1955 (after)
By Georges Braque
Located in Southampton, NY
This exquisite lithograph after Georges Braque (1882–1963), titled L’Oiseau volant (The Flying Bird), from Carnets intimes (Private Sketchbooks), Verve, Vol. VIII, No. 31–32, origina...
Category
1950s Modern Landscape Prints
Materials
Lithograph
$716 Sale Price
44% Off
Free Shipping
You May Also Like
Braque, Les falaises, Varengeville (after)
By Georges Braque
Located in Fairfield, CT
Medium: Lithograph on vélin paper, hinged on archival support sheet, as issued
Year: 1968
Paper Size: 13 x 16 inches; image size: 10.5 x 13.75 inches
Inscription: Signed in the plate...
Category
1960s Cubist Landscape Prints
Materials
Lithograph
$716 Sale Price
20% Off
After Georges Braque - Oiseaux - Pochoir
By Georges Braque
Located in Collonge Bellerive, Geneve, CH
after Georges Braque
Oiseaux
Color Pochoir on Paper
Published in the deluxe art review, XXe Siecle (issue number 11 "Les nouveaux rapports de l'art et de la nature")
1958
Dimensions:...
Category
1950s Modern Figurative Prints
Materials
Stencil
Braque, La charrue, Varengeville (after)
By Georges Braque
Located in Fairfield, CT
Medium: Lithograph on vélin paper, hinged on archival support sheet, as issued
Year: 1968
Paper Size: 13 x 16 inches; image size: 9.375 x 13.75 inches
Inscription: Signed in the plat...
Category
1960s Cubist Landscape Prints
Materials
Lithograph
$716 Sale Price
20% Off
Si je mourais là-bas
By Georges Braque
Located in Paris, FR
Wood engraving, 1962
Handsigned by the artist in pencil and numbered 60/70
Publisher : Louis Broder (Paris)
Printer : Fréquet et Braudier (Paris)
Catalog : [Vallier 181, p.250]
47.50...
Category
1960s Abstract Abstract Prints
Materials
Wood, Engraving
Abstract and Fractured, Biomorphic and Geometric Forms
By Agnes Hart
Located in Saratoga Springs, NY
Signed lower left.
“Abstract and Fractured Biomorphic and Geometric Forms” which was painted in the mid to late 1950’s is a nod to Picasso’s famous painting Guernica, which Hart may have seen when it was given to the Museum of Modern Art in New York in 1958. Several elements in the painting clearly reference Guernica: the black geometric and cut-out shapes, the biomorphic shapes, the abstracted horse’s head and body, with a district reference to the bull’s tail, along with the black and white pallet choice and various details throughout-all hallmarks of Picasso’s Guernica. The abstracted reality Hart presents in these references go beyond a simple nod and reflect a personal interpretation reflected in the splintered abstraction and her bespoke interpretation.
Agnes Hart’s first began her career as a social realist artist in the 1930’s. She was also WPA artist. Her longtime friend Milton Avery encouraged her, and she exhibited in the same gallery in the late 1940’s, the RoKo Gallery. Her instinctive and personalized modernist periods often reflected a similar path of her compatriot artists during the first half of the 20th century. Her early works were influenced by her teachers Josef Presser, Paul Burlin and Lucile Blanch, and Reginald Neal, and reflected historical modern trends-at times showing the influence of Avery and other modernist. Like Elaine DeKooning, Lee Kraser, Michael Corrine West...
Category
1950s Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil
Derniers Messages, Cubist Lithograph by Georges Braque
By Georges Braque
Located in Long Island City, NY
Georges Braque, French (1882 - 1963) - Derniers Messages, Year: circa 1965, Medium: Lithograph, Image Size: 23.5 x 17 inches, Frame Size: 28 x 19.5 inches
Category
1960s Cubist Animal Prints
Materials
Lithograph













