Kurt Meyer-Eberhardt

Kurt Meyer-Eberhardt (1895-1977) - Early 20th Century Etching, Curious Fox Cub

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Born in Greenwich, Connecticut, Jack Coughlin studied at the Rhode Island School of Design in Providence and the Art Students League of New York. He is b...

Etching on chamois-colored laid paper, realized in 1968/69. Plate from "Faust (La Nuit de Walpurgis), published by Argillet, Paris. Edition of 49/150, hand colored. Hand signed an...

Please note the price is for the unframed original etching . Libby and Bumblebee is an original etching, engraved onto a copper plate, from which Guy Allen creates an impression of ink onto paper. To create his pieces, Guy Allen marries the traditional technique of etching with timeless subject matter and print making processes, for a more contemporary twist. Guy has adopted a unique approach to etching by using a stippling effect on the plate, a labour intensive pointillist technique which gives the images a detailed finish and highlights his skill in freeform drawing and etching. Image size: 29cm x 40cm Approximate size when framed: 45cm x 65cm Medium: Etching and gold leaf Edition size: 75 Year completed: 2017 Size: H:40 cm x W:29 cm Accomplished print maker Guy Allen (b.1987) grew up surrounded by Norfolk’s natural beauty. The theme of the animal world is central to Guy’s work and inspiration. His limited edition original etchings showcase his brilliant draftsmanship in a contemporary way. Guy graduated from Central Saint Martins School of Art in 2011, but discovered his passion for the traditional etching process while studying at the École Nationale Supérieure Des Beaux-Arts in Paris in 2010. In 2012 Guy trained as an assistant print maker at the highly respected Curwen Studios, Cambridge, under Mary Dalton and Stanley Jones, where he mastered other types of printmaking. Today Guy works as a full time artist, splitting his week between his London and Norfolk studios, accompanied by trusty wire haired...

This is a one of a kind aquatint printed in rich blacks. The image is 12 x 12 and is printed on a 20 x 20 piece of paper. The image depicts large trumpet flowers in a garden with d...

Bull is an Etching realized by Enotrio Pugliese in 1963. Limited edition of 18 copies numbered and signed by the artist. Good condition on a white cardboard. Enotrio Pugliese (May...

Signed lower right, 'Arthur B. Davies' for Arthur Bowen Davies (American, 1862-1928) and created circa 1915. An early twentieth-century sugar-lift aquatint showing Zeus in the guise...

Signed, titled and numbered by the artist from an edition of 60. Nostalgic scene of a lakeshore cabin with boat. Trevor Southey was born in Rhodesia, Africa (now Zimbabwe) in 1940....

Artist: Le Corbusier (Charles-Édouard Jeanneret) (Swiss-French, 1887-1965) Title: "Unité, Planche 19" (Set of 2) Portfolio: Unité *Signed in pencil lower right. It is also monogram s...

The Vulture is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...

Artist: Enrico Baj, Italian (1924 - 2003) Title: Baj Chez Picasso 2 Year: 1969 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 86/100 Image Size: 15 x 22 inches...