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Style: Modern
Medium: Etching
L once - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
L'once is an etching realized by Jean Charles Baquoy in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". ...
Category

1770s Modern Etching Animal Prints

Materials

Etching

Le Chameau - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Le Chameau is an etching realized by Jean Charles Baquoy in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engrav...
Category

1770s Modern Etching Animal Prints

Materials

Etching

The Pigeon, 1942 (Histoire Naturelle - Textes de Buffon, B.347)
Located in Greenwich, CT
The Pigeon is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.75x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category

20th Century Modern Etching Animal Prints

Materials

Drypoint, Aquatint

The Donkey in the Roman Countryside - Etching After Charles Coleman-1992
Located in Roma, IT
The donkey in the Roman Countryside is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate, the rare edition of on...
Category

1990s Modern Etching Animal Prints

Materials

Etching

Composition with Angels - Etching by Louis Legrand - 1771
Located in Roma, IT
Composition with Angels is an etching realized in 1771 by Louis Legrand (1723-1807). The Artwork is depicted through confident strokes in aa well balanced composition. Good conditi...
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1770s Modern Etching Animal Prints

Materials

Etching

Cat and Mouse : Original etching, Handsigned
Located in Paris, IDF
Mordecai MOREH Cat and Mouse, 1982 Original etching Handsigned in pencil Numbered / 300 On vellum 9 x 21 cm (c. 4 x 8 inch) INFORMATION : This etching was created for the Greeting ...
Category

1980s Modern Etching Animal Prints

Materials

Etching

L Axis Femelle - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
L'Axis Femelle is an etching realized by Jean Charles Baquoy in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet d...
Category

1770s Modern Etching Animal Prints

Materials

Etching

Le Serval - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Le Serval is an etching realized by Jean Charles Baquoy in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi...
Category

1770s Modern Etching Animal Prints

Materials

Etching

Skeleton - Etching by Louis Legrand - 1771
Located in Roma, IT
Anatomy of Animals is an etching realized in 1771 by Louis Legrand (1723-1807). It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet ...
Category

1770s Modern Etching Animal Prints

Materials

Etching

Composition with Angels - Etching by Louis Legrand - 1771
Located in Roma, IT
Composition with Animals is an etching realized in 1771 by Louis Legrand (1723-1807). The Artwork is depicted through confident strokes in aa well balanced composition. Good condit...
Category

1770s Modern Etching Animal Prints

Materials

Etching

Skeleton - Etching by Jean Moitte - 1771
Located in Roma, IT
Skeleton is an etching realized by Jean Gullaume Moitte in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi...
Category

1770s Modern Etching Animal Prints

Materials

Etching

Papion - Etching by Louis Legrand - 1771
Located in Roma, IT
Papion is an etching realized in 1771 by Louis Legrand (1723-1807). Titled and Signed on the plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière a...
Category

1770s Modern Etching Animal Prints

Materials

Etching

Composition with Angels - Etching by Louis Legrand - 1771
Located in Roma, IT
Composition with Angels is an etching realized in 1771 by Louis Legrand (1723-1807). The Artwork is depicted through confident strokes in aa well balanced composition. Good conditi...
Category

1770s Modern Etching Animal Prints

Materials

Etching

The Sparrow Hawk, 1942 (Histoire Naturelle - Textes de Buffon, B.342)
Located in Greenwich, CT
The Sparrow Hawk is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category

20th Century Modern Etching Animal Prints

Materials

Drypoint, Aquatint

Duck on the Lake - Original Etching on Paper - 19th Century
Located in Roma, IT
Duck on the Lake is an original modern artwork realized in the 19th Century. Original Etching on paper. Mint condition. Duck on the Lake is an excellent artwork realized in the...
Category

Late 19th Century Modern Etching Animal Prints

Materials

Etching

The Physiognomy - The Bats - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
The Physiognomy - The Bats is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Lo...
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1810s Modern Etching Animal Prints

Materials

Etching

Le Furet - Etching by Louis Legrand - 1771
Located in Roma, IT
Le Furet is an etching realized in 1771 by Louis Legrand (1723-1807). Titled and Signed on the plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière...
Category

1770s Modern Etching Animal Prints

Materials

Etching

Nightingale - Etching by Johann Friedrich Naumann - 1840
Located in Roma, IT
Nightingale is a Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, published by Stut...
Category

1840s Modern Etching Animal Prints

Materials

Etching

The Cat - Etching and Drypoint by Giselle Halff- 1950s
Located in Roma, IT
The Cat is an Original etching and drypoint print on paper realized by an Anonymous artist in 1950 ca. Good conditions with some foxing.
Category

1950s Modern Etching Animal Prints

Materials

Drypoint, Etching

Composition with Monkeys - Etching by Thomas Landseer - 19th Century
By Thomas Landseer
Located in Roma, IT
Composition with Monkeys is an original artwork realized by Thomas Landseer (1795-1880) in the middle of the 19th century. Original etching. Good condition. Draughtsman and printmaker, chiefly of animal and satirical subjects. Eldest son of the engraver John George Landseer. Studied with his brothers Charles and Edwin under Benjamin Robert Haydon, alongside Thomas Bewick...
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19th Century Modern Etching Animal Prints

Materials

Etching

Animal Kingdom (Magnificent Jungle Cats)
Located in Fairlawn, OH
Animal Kingdom (Magnificent Jungle Cats) Etching, 1953-1955 Signed and titled in pencil by the artist (see photos) Annotated: "First Proof" (see photo) Estate stamp verso (see photo)...
Category

1950s American Modern Etching Animal Prints

Materials

Etching

Horse
Located in San Francisco, CA
This artwork "Horse" 1971, is an original etching on Wove paper by Japanese artist Akio Yamao, b.1933. It is hand signed, dated and numbered 13/50 in pencil by the artist. The artwor...
Category

Late 20th Century Modern Etching Animal Prints

Materials

Etching

The Physiognomy - The Owl and the Peacock - Etching by Thomas Holloway - 1810
Located in Roma, IT
The Physiognomy - The owl and peacock is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge...
Category

1810s Modern Etching Animal Prints

Materials

Etching

La Mort du Chat Murr - Etching by Jean François Raffaëlli - 1875
Located in Roma, IT
Etching on laid paper Inscribed in pencil: Épreuve tirée de la planche donnée personnellement par l’artiste pour la Société des Aquafortistes Published by Cadart Luquet, Éditeu...
Category

1870s Modern Etching Animal Prints

Materials

Drypoint, Etching

Le Lapin D Angora - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Le Lapin D'angora is an etching realized by Jean Charles Baquoy in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec ...
Category

1770s Modern Etching Animal Prints

Materials

Etching

Le Moufflon - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Le Moufflon is an etching realized by Jean Charles Baquoy in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du R...
Category

1770s Modern Etching Animal Prints

Materials

Etching

Le Saimiri - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Le Saimiri is an etching realized by Jean Charles Baquoy in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Ro...
Category

1770s Modern Etching Animal Prints

Materials

Etching

Le Mococo - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Le Mococo is an etching realized by Jean Charles Baquoy in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi...
Category

1770s Modern Etching Animal Prints

Materials

Etching

GAEU AWA
Located in Santa Monica, CA
MARGUERITE KIRMSE (American, 1885-1954) " GAEU AWA c. 1940 Etching, signed and titled depicting a Scottie dog on a dock, plate 6-5/8" x 9-5/8" plate. Sheet 11 ½ x 13 ½”.Generally ...
Category

1940s Modern Etching Animal Prints

Materials

Etching

The Mother Hen, 1942 (Histoire Naturelle - Textes de Buffon, B.345)
Located in Greenwich, CT
The Mother Hen is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8 inc...
Category

20th Century Modern Etching Animal Prints

Materials

Drypoint, Aquatint

"Le Bouclier, " Original Drypoint Etching signed by Claude Weisbuch
Located in Milwaukee, WI
"Le Bouclier" is an original drypoint etching by Claude Weisbuch. The artist signed the piece lower right and wrote the edition number (25/100) in the lower left. This piece depicts ...
Category

1970s Modern Etching Animal Prints

Materials

Drypoint, Etching

Carmen, The Bull s Horns - Original Etching (Cramer #52)
Located in Paris, IDF
Pablo PICASSO Carmen, The Bull's Horns, 1949 Original burin engraving (Atelier Lacourière, Paris) Unsigned On Montval wove paper 33 x 26 cm (12.9 x 10.2 in) REFERENCES : - Catalog...
Category

1940s Modern Etching Animal Prints

Materials

Etching

Enchanted Dream, Modern Mixed Media Etching by Max Papart
Located in Long Island City, NY
Max Papart, French (1911 - 1994) - Enchanted Dream, Year: 1984, Medium: Etching with Carborundum, Aquatint, and Collage, signed and numbered in pencil, Edition: XIV/XXV, Size: 22...
Category

1980s Modern Etching Animal Prints

Materials

Mixed Media, Etching

The Goldfinch, 1942 (Histoire Naturelle - Textes de Buffon, B.348 )
Located in Greenwich, CT
The Goldfinch is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 11.2 x 8.25 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category

20th Century Modern Etching Animal Prints

Materials

Drypoint, Aquatint

The Monkey, 1942 (Histoire Naturelle - Textes de Buffon, B.339)
Located in Greenwich, CT
The Monkey is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 7.9 inche...
Category

20th Century Modern Etching Animal Prints

Materials

Drypoint, Aquatint

The Lobster, 1942 (Histoire Naturelle - Textes de Buffon, B.352)
Located in Greenwich, CT
The Lobster is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 7.9 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category

20th Century Modern Etching Animal Prints

Materials

Drypoint, Aquatint

Le Paon - Etching after Jacques De seve - 1771
Located in Roma, IT
Etching realized in 1771. It belongs to the first edition of the suite "Histoire Naturelle de Buffon". Good conditions with slight foxing.
Category

1770s Modern Etching Animal Prints

Materials

Etching

Eagle Fischerman - Etching by Johann Friedrich Naumann - 1840
Located in Roma, IT
Eagle Fisherman is an etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, published by...
Category

1840s Modern Etching Animal Prints

Materials

Etching

La Mort du Chat Murr - Etching by Jean François Raffaëlli - 1875
Located in Roma, IT
Etching on laid paper Signed in plate lower left: Jean François Raffaëlli. Published by Cadart & Luquet, Éditeurs, 79 Rue Richelieu, Paris With the blindstamp of the Société des Aqua...
Category

1870s Modern Etching Animal Prints

Materials

Drypoint, Etching

Leonor Fini - Magical Cat - Original Etching
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985, Printed Signature (LF). Conditions: excellent Edition: 100 Support: Arches paper. Dimensions: Paper dimensions: 44 x 28 cm Editions: Moret, Paris. Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery. Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau. A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...
Category

1980s Modern Etching Animal Prints

Materials

Etching

Wolfman
Located in Middletown, NY
Etching with aquatint on white wove paper with a deckle edge, 23 1/2 x 17 1/2 inches (598 x 317 mm); sheet 30 x 22 1/2 inches (762 x 571 mm), full margins. Signed and numbered 4/10 i...
Category

Late 20th Century American Modern Etching Animal Prints

Materials

Handmade Paper, Etching, Aquatint

Chaplin and Red Tailed Hawk
Located in Middletown, NY
Etching with aquatint on white wove paper with a deckle edge, 23 1/2 x 17 1/2 inches (598 x 317 mm); sheet 30 x 22 1/2 inches (762 x 571 mm), full margins. Signed and numbered 23/50 ...
Category

Late 20th Century American Modern Etching Animal Prints

Materials

Handmade Paper, Etching, Aquatint

Head of a Man, Fish and Morning Glory
Located in Middletown, NY
Etching with aquatint in colors on white wove paper with a deckle edge, 18 x 15 inches (457 x 381 mm); sheet 30 x 22 1/2 inches (762 x 571 mm), full margins. Signed and numbered 123/...
Category

Late 20th Century American Modern Etching Animal Prints

Materials

Handmade Paper, Etching, Aquatint

Flora
Located in Middletown, NY
Etching with aquatint on white wove paper with a deckle edge, 23 1/2 x 17 1/2 inches (598 x 317 mm); sheet 30 x 22 1/2 inches (762 x 571 mm), full margins. Signed and numbered 38/50 ...
Category

Late 20th Century American Modern Etching Animal Prints

Materials

Handmade Paper, Etching, Aquatint

Le Renard - Etching by Jean C. Baquoy - 1771
Located in Roma, IT
Etching realized by Jean Charles Baquoy in 1771. It belongs to the first edition of the suite "Histoire Naturelle de Buffon". Good conditions with slight foxing.
Category

1770s Modern Etching Animal Prints

Materials

Etching

Horn - Etching by Jean C. Baquoy - 1771
Located in Roma, IT
Etching realized by Jean Charles Baquoy in 1771. It belongs to the first edition of the suite "Histoire Naturelle de Buffon". Good conditions with slight foxing.
Category

1770s Modern Etching Animal Prints

Materials

Etching

Le Brebis des Indes - Etching by Jean C. Baquoy - 1771
Located in Roma, IT
Etching realized by Jean Charles Baquoy in 1771. It belongs to the first edition of the suite "Histoire Naturelle de Buffon". Good conditions with slight foxing.
Category

1770s Modern Etching Animal Prints

Materials

Etching

Horses 1963 - Etching and Aquatint by Marino Marini - 1963
Located in Roma, IT
Horses 1963 is an original contemporary artwork realized by Marino Marini. Color etching and aquatint. Edition of 100 copies. On the back oh the artwork there is an inscription in ...
Category

1960s Modern Etching Animal Prints

Materials

Aquatint, Etching

Le Bouquetin - Etching by Jean C. Baquoy - 1771
Located in Roma, IT
Etching realized by Jean Charles Baquoy in 1771. It belongs to the first edition of the suite "Histoire Naturelle de Buffon". Good conditions with slight foxing.
Category

1770s Modern Etching Animal Prints

Materials

Etching

Le Brebis des Indes - Etching by Jean C. Baquoy - 1771
Located in Roma, IT
Etching realized by Jean Charles Baquoy in 1771. It belongs to the first edition of the suite "Histoire Naturelle de Buffon". Good conditions with slight foxing.
Category

1770s Modern Etching Animal Prints

Materials

Etching

Le Morse - Etching by Antoine Defehrt - 1771
Located in Roma, IT
Etching realized in 1771. It belongs to the first edition of the suite "Histoire Naturelle de Buffon". Good conditions with slight foxing.
Category

1770s Modern Etching Animal Prints

Materials

Etching

Le Tapir - Etching by Juste Chevillet - 1771
Located in Roma, IT
Le Tapir is an etching realized by Juste Chevillet in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Pa...
Category

1770s Modern Etching Animal Prints

Materials

Etching

Cudham, Kent
Located in Storrs, CT
Cudham, Kent. 1924. Etching. Tassi 15; Cooke 20. 3 1/8 x 4 (sheet 4 3/8 x 6 7/16). Edition of 42, including some artist's proofs. Published by the Twenty-One Gallery in London. Slight paper loss in the top left-hand corner. A rich impression with plate tone, printed by the artist on antique laid paper...
Category

Early 20th Century Modern Etching Animal Prints

Materials

Etching

Cudham, Kent
Cudham, Kent
$2,800 Sale Price
20% Off
Grallae - Etching by Jean Francois Turpin-1831
Located in Roma, IT
This is one of the illustrations of " Dizionario di scienze naturali " (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundred...
Category

1830s Modern Etching Animal Prints

Materials

Etching

Bulls and a Frog - Original Etching - Ref. Sorlier #106
Located in Paris, IDF
Marc Chagall Fables : Bulls and a Frog , 1952 Original etching Printed signature in the plate Numbered 61 / 85 On Montval vellum 39 x 28 cm (c. 15 x 11 in) With COA of the gallery a...
Category

1950s Modern Etching Animal Prints

Materials

Etching, Aquatint

Max Ernst etching L’Oiseau Mere , numbered and signed, German
Located in Petworth, West Sussex
Max Ernst (German, 1891 – 1976) L’Oiseau Mere (The Mother Bird) An etching and aquatint on Japan paper Numbered and signed ‘4/60 Max Ernst’ (under the plate) The plate measurements: ...
Category

20th Century Modern Etching Animal Prints

Materials

Etching, Aquatint

Death and The Lumberjack - Original Etching - Ref. Sorlier #101
Located in Paris, IDF
Marc Chagall Fables : Death and The Lumberjack, 1952 Original etching Printed signature in the plate Numbered 61 / 85 On Montval vellum 39 x 28 cm (c. 15 x 11 in) With COA of the ga...
Category

1950s Modern Etching Animal Prints

Materials

Etching, Aquatint

Le Porc - Etching by Jacques Baron - 1771
Located in Roma, IT
Le Porc is an etching realized by Jacques Baron in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good conditions wi...
Category

1770s Modern Etching Animal Prints

Materials

Etching

Oppian : Snake and Toad - Original Etching
Located in Paris, IDF
Pierre-Yves TREMOIS Oppian : Snake and Toad, 1955 Original etching Printed signature in the plate On vellum 76 x 56 cm (c.30 x 22 inch) Excellent condition
Category

1950s Modern Etching Animal Prints

Materials

Etching

From the suite "Les Fables De La Fontaine" original etching
Located in San Francisco, CA
Artist: Marc Chagall (Russian, 1887-1985) Title: From the suite "Les Fables De La Fontaine" Year: 1927 Medium: Original etching Edition: fom...
Category

Early 20th Century Modern Etching Animal Prints

Materials

Etching

Etching animal prints for sale on 1stDibs.

Find a wide variety of authentic Etching animal prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add animal prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue, yellow and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Leo Guida, Louis Legrand, TURPIN, P[ierre Jean Francois], and Salvador Dalí. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Etching animal prints, so small editions measuring 0.5 inches across are also available

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