Lithograph Animal Prints

Leo is a lithograph (2 colours, gold leaf on Fabriano 50% cotton 300 g paper) by contemporary artist Marcelo Martin Burgos, dimensions are 35 × 50 cm (13.8 × 19.7 in). The lithograp...

Elephant is a lithograph (2 colours on BFK Rives 270 g paper) by contemporary artist Marcelo Martin Burgos, dimensions are 40 × 30 cm (15.7 × 11.8 in). The lithograph is signed and ...

Cat is an Original Lithograph realized by Giselle Halff (1899-1971). Good conditions. Numbered. Edition, 9/15. Giselle Halff (1899-1971) born in Hanoi, student of R.X. Prinet, R. ...

The Rabbit in Vase is an original artwork realized by the french artist Jean Lurçat (1892 Bruyeres - 1966 St.-Paul-de-Vence) Lithograph print, mid-20th century. Very good condit...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Derrière le miroir, N° 155, 1965. Published by Aimé Maeght, Éditeu...

Karel Appel, Dutch (1921 - 2006) - Cats Portfolio Cover (Walking Cat), Portfolio: Cats, Year: 1978, Medium: Lithograph on Paper, mounted to board, Size: 22 x 29.25 in. (55.88 x 7...

Egyptian slit-faced Bat is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and...

Beati pauperes...beati mites...beati is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 and 1969. Color lithog...

Lithograph in colors on paper. Hand signed and numbered in pencil. From the edition of 100. Artwork is in excellent condition. Certificate of Authenticity included. All reasonabl...

Green shell lithograph of a cone shell. Print is edition 33 of 34. Signed and dated by the artist along with titled. Print is framed in a golden frame...

Roosters Amos Yaskil Israeli (1935) Date: circa 1970 Lithograph, signed and numbered in pencil Edition of 375 Image Size: 18.5 x 14 inches Size: 26.5 x 20 in. (67.31 x 50.8 cm)

Ostrich is an original lithograph artwork on paper realized by Georges Bastia (1904-1980)in the 1950s. Signed on the lower right. Good Conditions.

Coral 7 is an original hand drawn lithograph by the NY woman artist, Joan Melnick. Inspired by the fragile beauty of ocean reefs with their exotic aquatic a...

Announcement of Monkey Painter and Mr.Dog, His Assistant is an original lithograph on ivory-colored paper realized by J.J. Grandville from Scènes de la vie privée et publique des ani...

Deer is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from the series of "Les Trois Règnes de la Nature", and was published in 1...

Warming Up is an original lithographs by J.J. Grandville from "Scènes de la vie privée et publique des animaux, 1852. Published by Manesq & Harvard, Paris. Good Conditions. The ar...

Chris Forrest, American (1946 - ) - Luna (Racoon), Year: circa 1979, Medium: Lithograph, Signed and numbered in pencil, Edition: 300, AP 40, Image Size: 18 x 22 inches, Size: 22...

The First Meeting, Jerome Park, N. Y. is an original proof before letters of a hand colored lithograph published in 1873 by the prolific German American artist and publisher Henry Schile...

An original hand-signed limited edition lithograph by famed sculptor Emile Gilioli. Edition of only 75. Émile Gilioli (b. Paris, 10 June 1911, d. Paris,...

Artist: John James Audubon (American, 1785-1851) Title: "Booby Gannet" (Plate 426, No. 86) Portfolio: The Birds of America, First Royal Octavo Edition Year: 1840-1844 Medium: Original Hand-Colored Lithograph on wove paper Limited edition: approx. 1,200 Printer: John T. Bowen, Philadelphia, PA Publisher: John James Audubon and J.B. Chevalier, New York, NY and Philadelphia, PA Sheet size: 10.38" x 6.75" Image size: 5.94" x 5.5" Condition: Two small tears at top edge. In otherwise excellent condition with strong colors Notes: Provenance: private collection - Seattle, WA. Lithography and hand-coloring by American artist John T. Bowen (1801-c.1856). Comes from Audubon's famous seven volume portfolio "The Birds of America", First Royal Octavo Edition (1840-1844), which consists of 500 hand-colored lithographs. Based on a composition painted May 14, 1832. Audubon wrote: "I am unable to find a good reason for those who have chosen to call these birds 'boobies'. Authors, it is true, generally represent them as extremely stupid; but to me the word is utterly inapplicable to any bird with which I am acquainted". The view of the Florida Keys is based on a drawing by George Lehman. The bird family Sulidae comprises the gannets and boobies. Collectively called sulids, they are medium-large coastal seabirds that plunge-dive for fish and similar prey. The 10 species in this family are often considered congeneric in older sources, placing all in the genus Sula. To make 'The Birds of America' more affordable and widely available, in 1839 John James Audubon began the first octavo edition, a smaller version of the folio which was printed and hand-colored by J. T. Bowen in Philadelphia. Employing a new invention, the camera lucida, the images were reduced in size, rendered in intermediate drawings by John James Audubon and his son John Woodhouse, and then drawn onto lithographic stones. These miniatures exhibit a remarkable amount of attention to quality and detail, as well as a meticulous fidelity to the larger works. Some compositional changes were made in order to accommodate the smaller format. Like the Havell edition, John James Audubon’s first...

John James Audubon was born in Haiti in 1785. Most of his childhood was spent in France, where he first took interest in birds and drawing. He came to the U.S. at age 18, and made ma...

NIGHT CAT is an original limited edition lithograph by the Dutch artist Karel Appel printed using hand lithography techniques on Arches paper, 100% acid free. NIGHT CAT is a lively, ...

Mel Hunter, American (1927 - 2004) - Standardbred, Year: 1974, Medium: Lithograph, signed and numbered in pencil, Edition: 500, Size: 22 in. x 29.5 in. (55.88 cm x 74.93 cm)

Wisdom is an original lithographs by J.J. Grandville from "Scènes de la vie privée et publique des animaux, 1852. Published by Manesq & Harvard, Paris. Good Conditions but aged. T...

SELVAGGIA is an original hand drawn limited edition lithograph by the Argentine woman artist Norma Bessouet printed using hand lithography techniques on Arches paper, 10% acid free. SELVAGGIA is unframed, in mint condition, full bleed image, hand torn edges, signed in pencil by Ms. Bessouet. Print size - 28.5 x 20.5 inches, unframed, excellent condition, pencil signed by Norma Bessouet Edition size - 150, plus proofs Year printed - 1986 Printer - J K Fine Art Editions Co. NYC Bessouet, born in Argentina, schooled in Argentina, London and in Italy, where she was able to look to the works of the Old Masters for inspiration. She refers to the artists of the Italian quattrocento along with Velazquez and El Greco as her muses, and traces of these historic artists shine through in her paintings. Her work is in numerous private and public collections throughout the world. Bessouet's art focused primarily around portraits, domesticity and the female nude. In the original print, SELVAGGIA, Norma Bessouet merges certain Latin American strands of literary magic realism with Surrealism and presents a portrait of an androgynous seated figure, with bald head, serene facial expression, wearing a full length ombre shaded robe, cradling a large, long-beak bird. Ms. Bessouet's sensitive, masterly drawing expresses a fantasy doll...

Vintage signed print. Image size, 24H x 29L.

LEONOR FINI Tip-Toe Cat 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

Dentol is a rare colored lithograph, printed by G. Ricordi and C. Milano, Milan in 1906 in occasion of the "La Figlia di Iorio" theatrical spectacle, text by Gabriele D'Annunzio and music by Alberto Franchetti. A very beautiful vintage and advertising poster, in excellent condition except for a minor rip on the right margin at the bottom. This defect does not affect the image. This original poster representing a woman red dressed in a golden wheat field, has the dignity of an object of art, carries the signature on plate on the lower right margin of Adolfo de Karolis...

LE VOYAGE de L'OISEAU is an original hand drawn limited edition lithograph by the Dutch artist known as CORNEILLE(Guillaume van Beverloo) an abstract expressionist who co-founded the 20th Century experimental art movement CoBrA recognized for their spontaneous, rebellious style of painting that was heavily inspired by the art of children and the mentally ill. Corneille devises his colorful fantastic imagery with exotic plant forms, sensuous female bodies, animals and lively pattern design. LE VOYAGE de L'OISEAU depicts a reclining female nude whose yellow ochre body outlined with vibrant green, rests on deep burgundy colored background looking upward as a brightly colored exotic orange bird...

A "Homelovers" print By permission of the Southampton Corporation, owners of the original painting Published by Frost & Reed London Print Sz: 20 1/4"H x 25 3/4"W Frame Sz: 27 1/2"...

Red Grooms Rover, 1996 Color lithograph on wove paper Color lithograph on wove paper Boldly signed and numbered 42/75 in red marker on the front this work is held in its original fra...

Visit to a Prisoner is an original lithograph by J.J. Grandville from "Scènes de la vie privée et publique des animaux, 1852. Published by Manesq & Harvard, Paris. Good Conditions....

Flamingo is a lithograph realized by Alberto Mastroianni in the 1970s. Hand Signed on the lower right margin. Numbered on the lower in pencil. The artwork represents an interesting...

Flamingo is a lithograph realized by Alberto Mastroianni in the 1970s. Hand Signed on the lower right margin. Numbered on the lower in pencil. The artwork represents an interestin...

Owl is an original artwork realized by the french artist Jean Lurçat (1892 Bruyeres - 1966 St.-Paul-de-Vence). Lithograph print, belongs to the suite "Géographie Animale", publis...

Marc Chagall "Le Christ a l'Horloge, Paris" (Christ in the Clock) 1957 (M. 196) Color Lithograph on Arches Wove Paper Signed in Pencil "Marc Chagall" Lower Right Initialed "H.C." (Hors Commerce) Lower Left, aside from numbered edition of 90 *Floated in Gold Frame with Linen Matting, UV Plexiglass Sheet Size: 18 3/4 x 14 3/4 inches (47.5 cm x 38 cm) Image Size: 9 3/4 x 8 1/2 inches Framed Size: 28.5 x 24.25 inches Marc Chagall was a man of keen intelligence, a shrewd observer of the contemporary scene, with a great sympathy for human suffering. He was born on July 7, 1887 in Vitebsk, Russia; his original name was Moishe Shagal (Segal), but when he became a foremost member of the Ecole de Paris, he adopted French citizenship and the French spelling of his name. Vitebsk was a good-sized Russian town of over 60,000, not a shtetl. His father supported a wife and eight children as a worker in a herring-pickling plant. Sheltered by the Jewish commandment against graven images, the young Chagall never saw so much as a drawing until, one day, he watched a schoolmate copying a magazine illustration. He was ridiculed for his astonishment, but he began copying and improvising from magazines. Both Chagall's parents reluctantly agreed to let him study with Yehuda Pen, a Jewish artist in Vitebsk. Later, in 1906, they allowed their son to study in St. Petersburg, where he was exposed to Russian Iconography and folk art. At that time, Jews could leave the Pale only for business and employment and were required to carry a permit. Chagall, who was in St. Petersburg without a permit, was imprisoned briefly. His first wife, Bella Rosenfeld, was a product of a rich cultivated and intellectual group of Jews in Vitebsk. Chagall was made commissar for the arts for the area, charged with directing its cultural life and establishing an art school. Russian folklore, peasant life and landscapes persisted in his work all his life. In 1910 a rich patron, a lawyer named Vinaver, staked him to a crucial trip to Paris, where young artists were revolutionizing art. He also sent him a handsome allowance of 125 francs (in those days about $24) each month. Chagall rejected cubism, fauvism and futurism, but remained in Paris. He found a studio near Montparnasse in a famous twelve-sided wooden structure divided into wedge-shaped rooms. Chaim Soutine, a fellow Russian Jew, and Modigliani lived on the same floor. To Chagall's astonishment, he found himself heralded as one of the fathers of surrealism. In 1923, a delegation of Max Ernst, Paul Eluard and Gala (later Salvador Dali's wife) actually knelt before Chagall, begging him to join their ranks. He refused. To understand Chagall's work, it is necessary to know that he was born a Hasidic Jew, heir to mysticism and a world of the spirit, steeped in Jewish lore and reared in the Yiddish language. The Hasidim had a special feeling for animals, which they tried not to overburden. In the mysterious world of Kabbala and fantastic ancient legends of Chagall's youth, the imaginary was as important as the real. His extraordinary use of color also grew out of his dream world; he did not use color realistically, but for emotional effect and to serve the needs of his design. Most of his favorite themes, though superficially light and trivial, mask dark and somber thoughts. The circus he views as a mirror of life; the crucifixion as a tragic theme, used as a parallel to the historic Jewish condition, but he is perhaps best known for the rapturous lovers he painted all his life. His love of music is a theme that runs through his paintings. After a brief period in Berlin, Chagall, Bella and their young daughter, Ida, moved to Paris and in 1937 they assumed French citizenship. When France fell, Chagall accepted an invitation from the Museum of Modern Art to immigrate to the United States. He was arrested and imprisoned in Marseilles for a short time, but was still able to immigrate with his family. The Nazi onslaught caught Chagall in Vichy, France, preoccupied with his work. He was loath to leave; his friend Varian Fry rescued him from a police roundup of Jews in Marseille, and packed him, his family and 3500 lbs. of his art works on board a transatlantic ship. The day before he arrived in New York City, June 23, 1941, the Nazis attacked Russia. The United States provided a wartime haven and a climate of liberty for Chagall. In America he spent the war years designing large backdrops for the Ballet. Bella died suddenly in the United States of a viral infection in September 1944 while summering in upstate New York. He rushed her to a hospital in the Adirondacks, where, hampered by his fragmentary English, they were turned away with the excuse that the hour was too late. The next day she died. He waited for three years after the war before returning to France. With him went a slender married English girl, Virginia Haggard MacNeil; Chagall fell in love with her and they had a son, David. After seven years she ran off with an indigent photographer. It was an immense blow to Chagall's ego, but soon after, he met Valentine Brodsky, a Russian divorcee designing millinery in London (he called her Fava). She cared for him during the days of his immense fame and glory. They returned to France, to a home and studio in rustic Vence. Chagall loved the country and every day walked through the orchards, terraces, etc. before he went to work. Chagall died on March 28, 1985 in the south of France. His heirs negotiated an arrangement with the French state allowing them to pay most of their inheritance taxes in works of art. The heirs owed about $30 million to the French government; roughly $23 million of that amount was deemed payable in artworks. Chagall's daughter, Ida and his widow approved the arrangement. Written and submitted by Jean Ershler Schatz, artist and researcher from Laguna Woods, California. Sources: Hannah Grad Goodman in Homage to Chagall in Hadassah Magazine, June 1985 Jack Kroll in Newsweek, April 8, 1985 Andrea Jolles in National Jewish Monthly Magazine, May 1985 Michael Gibson...

BIG HEAD RED LAVENDER is an original limited edition lithograph by the Dutch artist Karel Appel on printed using traditional hand lithography techniques on archival printmaking paper...

Cat is an Original Lithograph realized by Giselle Halff (1899-1971). Good conditions. Hand-Signed. Numbered. Edition, 2/15. Giselle Halff (1899-1971) born in Hanoi, student of R....

Original Kenny Scharf off-set illustrated exhibition poster published by Tony Shafrazi Gallery, New York, 1984 Medium: Off Set Lithograph printed in colors Dimensions: 29 x 23 inch...

Pangolin De L'Inde is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was ...

The Skull is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was published...

Dalí's Ouroboros is more naturalistic than his other prints in Alchimie des Philosophes, and its features are similar to an eel or sea serpent. It is cut into many pieces, though the...

The Bat is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was published i...

To see our other hunting pictures, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. Lionel Ed...

Image dimensions: 20,5 x 15,5 cm A Little Duckling is an adorable lithograph printed on poussins rigid paper. Signed on plate: G. Süs. Original Title: Das Erste Sturihad. Good con...

Donald Sultan (American, b. 1951) "Fish (From Fruit and Flowers Portfolio)" 1990 Screenprint in colors on Arches 88 paper Pencil initialed, titled, and dated left of image Edition 61...

Small Rodents is a color lithograph realized by an anonymous artist in the late19th century. Good conditions, except for usual signs of aging. The artwork shows four small rodents,...

Brazilian Guinea Pig is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Rè...

The Bat is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was published i...

Artist: Juan Garcia Ripolles, Spanish (1932 - ) Title: Paloma Year: 1969 Medium: Lithograph, signed and numbered in pencil Edition: PA XXVII/XXX Image Size: 17 x 22 inches Frame Size...

LEONOR FINI Cat Creature 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

The Skull is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la N...

North Atlantic Right Whale is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les T...

The Skull is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was published...

NEGRO ES BELLO II is an original limited edition lithograph created by the African-American woman printmaker and sculptor, Elizabeth Catlett using hand printmaking techniques on arch...

"Magic Circus" lithograph by Michel Delacroix. Hand-signed MIchel Delacroix. Hand-numbered XX/C. Depicts a circus, complete with elephant and horses, traveling through a French city...

LEONOR FINI Performing Cats 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

Artist: Pablo Picasso Title: Les Banderilles (IV) Portfolio: A Los Toros Avec Picasso Medium: Transfer lithograph Date: 1961 Edition: Unnumbered Frame ...

This exquisite lithograph after Georges Braque (1882–1963), titled L’Oiseau Noir sur Fond Brun (The Black Bird on Brown Background), from the folio Les Peintres mes amis (The Painter...

LEONOR FINI Cats Dot and Swirl 1973 Color lithograph Ed. 157/230 12.5 x 9 inches