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Original 1972 Salon du Cheval French Poster – Vintage Equestrian Art. Archival linen backed in Grade A condition, ready to frame Step into the golden age of French equestrian culture...

Original Loterie Nationale vintage French poster. Mercredi prochain forte chute de millions. Loterie Nationale. (Next Wednesday, a big drop ...

The Original Coppertone Italian suntan lotion vintage poster is in small format. It is backed with archival linen and is in Grade A condition. It is ready to frame. Step Back in Time, One Tan at a Time! Elevate your space with a piece of pop culture history! This original Coppertone vintage...

Original Stan Galli "Pacific Northwest" United Air Lines Vintage Poster – Stunning Mid-Century Travel Art. Archival linen backed in excellent condition, ready to frame. Grade A. ...

Edition 5 A Crocodile with the Basquiat crown. JAY-C – the pseudonym of this innovative young artist known for his subversive use of familiar figures and symbols. Using a distinct and fine British sense of humour,
he addresses stereotypes of modern society and his work, both playful and profound, stimulates us to question conventional social conceptions. JAY-C is a barometer responding to the world around us. Having had his first solo exhibition in 2018, in the same year he did a collaboration with BoConcept on their iconic Imola chair...

Original “Coppertone” Colore di Rame vintage Italian poster. Colore de Rame translates into the color of copper. Abbronzatevi! (suntan) Non bruciatevi! (don’t burn) Archival linen-backed in fine condition, ready to frame. This original Coppertone poster is in A condition. The background in the poster is a brighter yellow; after all, it is a sunny day, and you need suntan lotion! Coppertone is an American suntan cream. Interestingly, the American poster of this famous little girl and dog...

NEGRO ES BELLO II is an original limited edition lithograph created by the African-American woman printmaker and sculptor, Elizabeth Catlett using hand printmaking techniques on arch...

14-colour screenprint with a varnish overlay
 75 x 56 cm
 Edition of 72 of 125 + 12 AP Signed and numbered by the artist published by Nicolai Wallner

Mid-century French transatlantic liner menu with printed illustration by French artist Jean Adrien Mercier. Signed in the print, top left and dated 1956 inside centre. This highly c...

David Shrigley, Wine, 2021 Hand-signed and dated on the reverse Edition 29 of 125 75 x 56 cm Screenprint in colours Private Collection UK

Original Poster promoting Rolex' Submariner, reference 1680, created by Celestino Piatti, a very productive Swiss Graphic Designer (1922-2007) known for his charm and subtle humor, p...

This original limited edition graphic art lithographic poster entitled "Carousel Animals" was created by David Lance Goines in 1984 in his Berkeley ...

Original travel poster: San Diego (Home Federal), artist: Robert Kinyon, 24.25" x 38", 1974; original Southern California poster. Excellent condi...

Professionally archival linen-backed vintage French poster: pour L'An II COMPAGONS Tous Unis Celebrons, Notre Pain, Notre Sang, Notre Terre. This full lithograph antique poster fe...

David Shrigley I'm So Excited, 2022 17 colour screen print with a two varnish overlay on Somerset Satin Tub sized 410 gsm 29 1/2 × 22 in 75 × 56 cm Edition of 125 Numbered and signe...

Keith Haring record art 1983 & 1988: A set of 2 rare 1980s Japanese vinyl records featuring original artwork by Keith Haring: David BOWIE "Without You" & Hiroshima All Stars. Truly vibrant colors that make for stand-out wall art and unique vintage Keith Haring collectibles. *1st Pressings 1983 & 1988 (not re-issues). Medium: Off-Set Lithograph on vinyl record covers. Dimensions: 7 x 7 inches. Printed signatures on lower right & left dated - 1983 & 1988 respectively. Light signs of handling; otherwise good to very overall vintage condition. Includes the original records (very good condition). Literature/References: Taschen: Art Record Covers. _ Keith Haring Album Art: a brief history:  Whether collaborating with Grace Jones, Andy Warhol, and Jean-Michel Basquiat, regularly frequenting clubs like Paradise Garage alongside close friend Larry Levan, or sketching DJ robots, New York artist and activist Keith Haring’s work was deeply entwined with the music world lending his vision to sounds by everyone from David Bowie to Run DMC. Looking for something cool to complement this work? Please feel free to browse additional items like this from Jean Michel Basquiat, Andy Warhol, Damien Hirst, Keith Haring & more on our 1stDibs gallery page.  Related Categories Keith Haring prints. Keith Haring figurative. East Village art...

ANONYMOUS (20th century) Café Collas, Pearls of the Indies, 1927 Original lithograph poster (La Semeuse workshop) On paper, 113 x 74 cm (c. 45 x 30 in) INFORMATION: Beautiful vinta...

Original Agricoltori Tafanoide Italian vintage poster. Linen-backed and in good condition with edge wear. Colors are still bright and vibrant. Museum linen backed. This is a good pi...

Original antique French lithograph travel poster: Metropole Messageries Maritimes Union Francaise. Artist: Poulain. This unicorn-s...

Original WW1 US propaganda poster designed by Charles Livingston Bull (1874-1932) and entitled “Keep Him Free Buy War Savings Stamps”. This poster was issued to promote the US Treasu...

Original PARIS linen-backed 1946 vintage travel poster, preservation linen-backed and ready to frame. Very good condition, Grade A- Original 1946 Paul Colin Paris Vintage Poster ...

Original small format poster Affiches Paul Mohr, 1932. Archival linen backed in excellent condition, ready to frame. The rare Paul Mohr posters are incredibly elusive; many have had only one remaining known copy survive. Printing method: Helio-Typo or Typelo. Before television, beautiful lithographs adorn the streets and walls of Paris and other European cities. Art for the street, art for the public. Weather and rain would destroy these works of art by renowned artists, only to be replaced. The artist: Paul Gustave Mohr, a French Avant-garde poster designer from the Art Deco period was born Sept. 4, 1890 in Ham, France and died on April 13, 1959 in Paris. He lived most of his life in Paris, and then settled in the small town of Asnieres, France, just outside of Paris. He attended the Sorbonne University, as well as several art schools. During World War I, he was a pilot in the French Army from 1914-1917. Paul Mohr married Jeanne Levy in 1917 and they had three daughters: Helene, Genevieve, and Jacqueline. As an artist, he designed advertising posters from 1920 to 1940. His posters advertised Wonder cycles, Dainty cycles, Lustucru pasta, Banania sugar, Bremsit brakes, Champigneulles beer, L'Union beer, Dubonnet wine, as well as shoes and ham. This information was provided to me by my mother, Helene Mohr Breitenbucher, who was his eldest daughter. Carol Schuler (granddaughter) Advertising posters, the affiches of Paul Mohr. This is an original advertising poster for the affiches (posters) created by the master artist Paul Mohr (1890-1959). Archival linen backed in very good condition. No stains, no tears, no paper loss. Grade A condition. Ready to frame. Compagnie Nationale des Papier, Paris. The crowd on the street looks up in amazement at the art deco-style images that the artist created. Images on the wall feature incredible image that this artist created such as Lustucru, Amer...

Original London Jet B.O.A.C. British Overseas Airline Corporation vintage poster. Mid-century design from c. 1953. Archival linen backed in ex...

Original 1950 “France, Paese dei Castelli” Vintage Poster Artist Jean Picart Le Doux Linen-Backed French Castles Travel Art Rare Mid-Century Collectible Add a touch of French el...

"Original Vintage Aquariums Mosans Poster – Art Deco Design by A. de Loof, 1930s European Travel Advertising" Discover the Captivating "Moselle Aquariums" - A Vintage Poster by A. d...

Original “Speedy Travel, German Federal Railroad” vintage travel poster. The DB stands for the Deutsche Bundesbahn. Archivally linen-backed in very good condition and ready to fra...

BRIAN DAVIS (American, b.1946) Galerie Michael, Century City/Los Angeles, December 1, 1981- January 1, 1982: “Parrot III”, 1980 Event Poster 33.125 x 22 in...

Original vintage travel poster: Chicago - Fly TWA. UP UP and Away Trans World Airline. Artist: David Klein. Size 25" x 40" Dated 1960's. ...

Original: THE SHIPS ARE COMING vintage poster. Artist: James H. Daugherty (1889-1974) Publisher: U.S. Shipping Board, Emergency Fleet Corporation, Publication Section, Philadelphia, 1917. Poster showing a giant eagle...

Original " Are You 100% American? Prove it! Buy US government bonds. Third Liberty Loan" vintage poster. This poster from World War I questions whether the viewer is genuinely A...

Unknown Artist Nixon + Spiro - Zero, 1968 Extremely rare vintage 1960s Offset lithograph poster 28 × 22 inches Publisher Published by Joe A. Kennedy; printed by Provo Press Unframed,...

Original vintage poster: Lavocat aliments irradies. Force, Energie par les produits. This is a classic French late Art Deco period poster featuring a buff rugby player almost outpacing a steed - due no doubt to Lavocat, an 'irradiated' food. Even today, the American FDA believes that irradiating food can burn off harmful bacteria, airborne germs, and other microbes which can adversely affect food. We love this poster's depth of color, texture, and oomph - powerful and very, very Art Deco. This poster is an original Art Deco lithograph. This poster is related more to sports and running than food, but food provides energy. Note that the red is cherry red since different monitors produce the red color of this poster in different qualities. Excellent condition, undated on the poster. Behind the rugby runner is a black horse that appears to be neck and neck...

Karel Appel, Dutch (1921 - 2006) - Cats Portfolio Cover (Walking Cat), Portfolio: Cats, Year: 1978, Medium: Lithograph on Paper, mounted to board, Size: 22 x 29.25 in. (55.88 x 7...

Raoul Dufy, French (1877 - 1953) - Le Serpent, Year: circa 1911, Medium: Woodblock, Image Size: 8 x 7.5 inches, Size: 13 x 10 in. (33.02 x 25.4 cm), Descr...

David Shrigley, My Rampage is Over, 2019 21 Colour Screenprint with Varnish Overlay on Somerset Satin Tub Sized 410gsm Paper 29 1/2 × 22 in (76 × 56 cm) Edition of 125 / This bein...

Raoul Dufy, French (1877 - 1953) - La Chevre Du Thibet, Year: circa 1911, Medium: Woodblock, Image Size: 8 x 7.5 inches, Size: 13 x 10 in. (33.02 x 25.4 cm), Description: From the ...

Vintage signed print. Image size, 24H x 29L.

Artist: George Rodrigue Title: Union Station (Blue Dog for President) Medium: Silkscreen Year: 1996 Edition: 36/150 Framed Size: 31" x 42" Sheet Size: 18" x 30" Signed: Hand signed a...

The New Year graphisms & 13. 1979, paper, silk screen, 15,5x21,5 cm Maris Argalis (1954-2008) Born in Riga. 1971. - graduated the Janis Rosenthal Riga A...

"Based on the Peace Dove, a motif I’ve used in several iterations over the years, because as an icon, the dove is internationally recognized as a symbol of peace, making it ideal as ...

Before You can Entertain Others... You Must First Learn to Entertain Yourself by David Shrigley 14 colour screenprint with a varnish overlay 75 x 56 cm Edition 40 of 125 Signed, date...

Keith Haring Secret Pastures 1984: Keith Haring illustrated oversized announcement for the historic, "Secret Pastures" show at The Brookl...

In response to a massive oil spill off the coast of Southern California in 1969, Wisconsin Senator Gaylord Nelson initiated the idea of the first annual Earth Day on April 22, 1970, ...

"Be Extra Alert on Rainy Days" is a color lithograph poster drawn by Isadore Seltzer for the Wisconsin Division of the American Automobile Association. It depicts two yellow ducks on...

Raymond Pettibon Black Flag flyer 1984: A rare flyer for gig by Black Flag, September 27, 1984 at the Indian Center, Salt Lake City, UT with off-set artwork by Pettibon Flea, the R...

Original “Less Dangerous than Careless Talk” vintage World War Two poster. Archivally linen=backed in fine condition A-, ready to frame. Bright colors and excellent detail. Very clean. The images shown are the exact poster you will receive. A- "Less Dangerous than Careless Talk" is a World War II propaganda poster designed to caution against the dangers of loose lips...

Original Hog Farm & Friends Poster by Rick Griffin — Psychedelic Counterculture Classic, Limited European Edition. The European Limited Edition poster was printed on lightweight whi...

Original Amora Mustard Poster by Leon Dupin – Archival linen-backed French lithograph. Very fine to excellent condition. Undated, but it is presumed to be from the 1930s. No restoration or damage. Excellent colors on French antique (light crème) paper. A striking original vintage poster advertising Amora Mustard, designed by the renowned French artist Leon Dupin. This authentic piece features Dupin’s signature style and vibrant imagery, capturing the classic French culinary spirit that has made Amora a household name since the early 20th century. Art deco era. Consumed for thousands of years, mustard is a condiment known for its medicinal qualities. Around 1750, Jean-Baptiste Naigeon, the son of a master vinegar maker, revolutionized Dijon mustard by replacing vinegar with unripe grape juice. This new recipe made the mustard milder, more fragrant, and helped it last longer. In 1919, the Bizouard family, who had taken over the business, registered the 'Amora" brand. The name is credited to Armand Bizouard, who, upon tasting the mustard, is said to have exclaimed, "This is a wonderful mustard, it will be Amora!" Amora was the name of the rising sun god Ra Ora (Amon Ra). Enchanted by this divine connection, the new brand name was adopted. A striking vintage poster advertising Amora Mustard, designed by the renowned French artist Leon Dupin. This authentic piece showcases Dupin’s signature style and vibrant imagery, capturing the classic French culinary spirit that has made Amora a household name since the early 20th century. The poster is professionally archival, linen-backed, and ready to be framed to your exact specifications, ensuring preservation and stability. Condition is excellent, with vivid colors and crisp lines throughout—a testament to its careful conservation. Rarely available and with only a few copies found over the years, this piece is essential for collectors of vintage French ephemera...

This exquisite lithograph after Chaim Soutine (1893–1943), titled Le Coq (The Rooster), from the folio Soutine, I, Collection Pierre Levy, 1966, originates from the edition published by Fernand Mourlot, Paris, and printed by Mourlot Freres, Paris, on October 20, 1966. The work conveys the heightened emotional tension and expressive force characteristic of Soutines painterly vision, capturing in lithographic form the dynamic structure and psychological immediacy that define his mature still lifes. Executed as a lithograph on velin d'Arches paper, this work measures 26 x 20 inches. Unsigned and unnumbered as issued. The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Chaim Soutine (1893–1943) Title: Le Coq (The Rooster), from the folio Soutine, I, Collection Pierre Levy Medium: Lithograph on velin d'Arches paper Dimensions: 26 x 20 inches Inscription: Unsigned and unnumbered as issued Date: 1966 Publisher: Fernand Mourlot, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Soutine, I, Collection Pierre Levy, 1966 Notes: Excerpted from the folio (translated from French), This album, the first of a series dedicated to Mr. Pierre Levys collection, was printed in DL examples on Arches velin. Printing was finished on October 20, 1966 by Mourlot for lithographs of the canvases of Soutine, and by Fequet and Baudier for Waldemar Georges unpublished text. Fernand Mourlot, Paris 1966. About the Publication: Soutine, I, Collection Pierre Levy, published in 1966 by Fernand Mourlot, Paris, is the first album in the important series devoted to the Pierre Levy collection, one of the most significant private collections of twentieth century French painting. Conceived as a scholarly and visual record, the album was designed to present key works by Chaim Soutine in lithographic form at a time when renewed international interest in the artist was expanding. Created in collaboration with Mourlot Freres, the foremost lithographic atelier in France, the publication reflects the printers commitment to translating Soutines canvases into richly tonal lithographs that preserve the emotional intensity and structural drama of the originals. Issued in a single edition on Arches velin, the album stands as an essential document of postwar art publishing, illuminating the historical partnership between artist, collector, and master printer, and contributing to the larger historiography of modern French Expressionism and museum quality print albums of the mid twentieth century. About the Artist: Chaim Soutine (1893–1943) was a Belarus-born French Expressionist painter whose explosive brushwork, emotionally charged distortions, and uncompromising commitment to depicting the psychological intensity of human experience have secured his place as one of the most vital and transformative figures in twentieth century art, creating his legacy within the same revolutionary modernist environment defined by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray; after leaving his impoverished childhood in Smilavichy and arriving in Paris in 1913, Soutine immersed himself in the School of Paris circle at La Ruche—an incubator of international avant garde talent—where he developed formative friendships with Amedeo Modigliani, Marc Chagall, Jules Pascin, and other pioneering artists whose daring approaches inspired him to push color, gesture, and form into new emotional territories. His portraits of cooks, choirboys, servants, and village residents; his tempestuous landscapes of Cagnes, Chartres, and Ceret; and his deeply visceral still lifes—most famously his monumental depictions of slaughtered carcasses—reveal a singular ability to transform ordinary subjects into raw, pulsing, almost metaphysical dramas, building on the influence of Rembrandt, Goya, Velazquez, and El Greco while departing radically from academic restraint. His paintings vibrate with psychological tension, their twisted perspectives, molten colors, and trembling outlines capturing an inner world marked by anxiety, longing, resilience, and profound empathy. Soutines originality profoundly shaped the evolution of modern painting: Francis Bacon cited him as one of his greatest influences, Willem de Kooning and the Abstract Expressionists admired his gestural ferocity, and later artists—including Frank Auerbach, Leon Kossoff, Lucian Freud, Jenny Saville, and Adrian Ghenie...

Rare Original "Fontinebleua" Avon – artist Lulien Lacaze – Vintage PLM Railway Poster (Linen Backed). Add a touch of classic French elegance to your collection with this authentic "...

Produced on the occasion of Jonas Wood's 2022 exhibition, Plants and Animals, at David Kordansky Gallery, Los Angeles, CA. 24 x 28 inches. Signed by Jonas Wood in 2023 In Plants and ...

Original 1974 Blazing Saddles Linen-Backed Movie Poster — Mel Brooks. Archival linen backed in Grade A- condition. (Original theater-issued fold marks restored.) BLAZING SADDLES ...

Hand embellished print on paper Edition of 18 This incredible painting would make a wonderful statement piece for a feature wall. and it would also be a great investment piece, as ...

Original VOTEZ PRL: original political, antique, vintage French poster. Artist: Foro. Archival linen backed in fine condition, ready to frame. Over 75 years old lithograph. Or...

Original “The Greatest Show on Earth” vintage US 1 sheet movie poster. Cecil B DeMille’s 1951 movie. Archival linen backed in very good condition, ready to frame. Original theater-issued fold marks restored during linen backing. Over 70 years old, 1st printing. Welcome to the circus. The Greatest Show on Earth starring Betty Hutton, Cornel Wilde, Charlton Heston, James Stewart (Jimmy Stewart...

Keith Haring Stedelijk Museum 1986: Rare original, silkscreened Keith Haring Stedelijk Museum exhibition poster, 1986. Designed & illustr...

Mid-century French transatlantic liner menu with printed illustration by French artist Jean Adrien Mercier. Signed in the print, top left and dated 1956 inside centre. This highly c...

"Snoopy Come Home" is an original lithograph poster by Charles Schulz. It features the popular characters from Peanuts, Snoopy and Woodstock, on top of ...

This exquisite lithograph after Chaim Soutine (1893–1943), titled Lievre pendu (Hanging Hare), from the folio Soutine, I, Collection Pierre Levy, 1966, originates from the edition published by Fernand Mourlot, Paris, and printed by Mourlot Freres, Paris, on October 20, 1966. The work conveys the heightened emotional tension and expressive force characteristic of Soutines painterly vision, capturing in lithographic form the dynamic structure and psychological immediacy that define his mature still lifes. Executed as a lithograph on velin d'Arches paper, this work measures 26 x 20 inches. Signed in the plate and unnumbered as issued The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Chaim Soutine (1893–1943) Title: Lievre pendu (Hanging Hare), from the folio Soutine, I, Collection Pierre Levy Medium: Lithograph on velin d'Arches paper Dimensions: 26 x 20 inches Inscription: Signed in the plate and unnumbered as issued Date: 1966 Publisher: Fernand Mourlot, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Soutine, I, Collection Pierre Levy, 1966 Notes: Excerpted from the folio (translated from French), This album, the first of a series dedicated to Mr. Pierre Levys collection, was printed in DL examples on Arches velin. Printing was finished on October 20, 1966 by Mourlot for lithographs of the canvases of Soutine, and by Fequet and Baudier for Waldemar Georges unpublished text. Fernand Mourlot, Paris 1966. About the Publication: Soutine, I, Collection Pierre Levy, published in 1966 by Fernand Mourlot, Paris, is the first album in the important series devoted to the Pierre Levy collection, one of the most significant private collections of twentieth century French painting. Conceived as a scholarly and visual record, the album was designed to present key works by Chaim Soutine in lithographic form at a time when renewed international interest in the artist was expanding. Created in collaboration with Mourlot Freres, the foremost lithographic atelier in France, the publication reflects the printers commitment to translating Soutines canvases into richly tonal lithographs that preserve the emotional intensity and structural drama of the originals. Issued in a single edition on Arches velin, the album stands as an essential document of postwar art publishing, illuminating the historical partnership between artist, collector, and master printer, and contributing to the larger historiography of modern French Expressionism and museum quality print albums of the mid twentieth century. About the Artist: Chaim Soutine (1893–1943) was a Belarus-born French Expressionist painter whose explosive brushwork, emotionally charged distortions, and uncompromising commitment to depicting the psychological intensity of human experience have secured his place as one of the most vital and transformative figures in twentieth century art, creating his legacy within the same revolutionary modernist environment defined by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray; after leaving his impoverished childhood in Smilavichy and arriving in Paris in 1913, Soutine immersed himself in the School of Paris circle at La Ruche—an incubator of international avant garde talent—where he developed formative friendships with Amedeo Modigliani, Marc Chagall, Jules Pascin, and other pioneering artists whose daring approaches inspired him to push color, gesture, and form into new emotional territories. His portraits of cooks, choirboys, servants, and village residents; his tempestuous landscapes of Cagnes, Chartres, and Ceret; and his deeply visceral still lifes—most famously his monumental depictions of slaughtered carcasses—reveal a singular ability to transform ordinary subjects into raw, pulsing, almost metaphysical dramas, building on the influence of Rembrandt, Goya, Velazquez, and El Greco while departing radically from academic restraint. His paintings vibrate with psychological tension, their twisted perspectives, molten colors, and trembling outlines capturing an inner world marked by anxiety, longing, resilience, and profound empathy. Soutines originality profoundly shaped the evolution of modern painting: Francis Bacon cited him as one of his greatest influences, Willem de Kooning and the Abstract Expressionists admired his gestural ferocity, and later artists—including Frank Auerbach, Leon Kossoff, Lucian Freud, Jenny Saville, and Adrian Ghenie...

This exquisite lithograph after Chaim Soutine (1893–1943), titled Le Lievre au volet vert (The Hare at the Green Shutter), from the folio Soutine, I, Collection Pierre Levy, 1966, originates from the edition published by Fernand Mourlot, Paris, and printed by Mourlot Freres, Paris, on October 20, 1966. The work conveys the heightened emotional tension and expressive force characteristic of Soutines painterly vision, capturing in lithographic form the dynamic structure and psychological immediacy that define his mature still lifes. Executed as a lithograph on velin d'Arches paper, this work measures 26 x 20 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Chaim Soutine (1893–1943) Title: Le Lievre au volet vert (The Hare at the Green Shutter), from the folio Soutine, I, Collection Pierre Levy Medium: Lithograph on velin d'Arches paper Dimensions: 26 x 20 inches Inscription: Signed in the plate and unnumbered as issued Date: 1966 Publisher: Fernand Mourlot, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Soutine, I, Collection Pierre Levy, 1966 Notes: Excerpted from the folio (translated from French), This album, the first of a series dedicated to Mr. Pierre Levys collection, was printed in DL examples on Arches velin. Printing was finished on October 20, 1966 by Mourlot for lithographs of the canvases of Soutine, and by Fequet and Baudier for Waldemar Georges unpublished text. Fernand Mourlot, Paris 1966. About the Publication: Soutine, I, Collection Pierre Levy, published in 1966 by Fernand Mourlot, Paris, is the first album in the important series devoted to the Pierre Levy collection, one of the most significant private collections of twentieth century French painting. Conceived as a scholarly and visual record, the album was designed to present key works by Chaim Soutine in lithographic form at a time when renewed international interest in the artist was expanding. Created in collaboration with Mourlot Freres, the foremost lithographic atelier in France, the publication reflects the printers commitment to translating Soutines canvases into richly tonal lithographs that preserve the emotional intensity and structural drama of the originals. Issued in a single edition on Arches velin, the album stands as an essential document of postwar art publishing, illuminating the historical partnership between artist, collector, and master printer, and contributing to the larger historiography of modern French Expressionism and museum quality print albums of the mid twentieth century. About the Artist: Chaim Soutine (1893–1943) was a Belarus-born French Expressionist painter whose explosive brushwork, emotionally charged distortions, and uncompromising commitment to depicting the psychological intensity of human experience have secured his place as one of the most vital and transformative figures in twentieth century art, creating his legacy within the same revolutionary modernist environment defined by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray; after leaving his impoverished childhood in Smilavichy and arriving in Paris in 1913, Soutine immersed himself in the School of Paris circle at La Ruche—an incubator of international avant garde talent—where he developed formative friendships with Amedeo Modigliani, Marc Chagall, Jules Pascin, and other pioneering artists whose daring approaches inspired him to push color, gesture, and form into new emotional territories. His portraits of cooks, choirboys, servants, and village residents; his tempestuous landscapes of Cagnes, Chartres, and Ceret; and his deeply visceral still lifes—most famously his monumental depictions of slaughtered carcasses—reveal a singular ability to transform ordinary subjects into raw, pulsing, almost metaphysical dramas, building on the influence of Rembrandt, Goya, Velazquez, and El Greco while departing radically from academic restraint. His paintings vibrate with psychological tension, their twisted perspectives, molten colors, and trembling outlines capturing an inner world marked by anxiety, longing, resilience, and profound empathy. Soutines originality profoundly shaped the evolution of modern painting: Francis Bacon cited him as one of his greatest influences, Willem de Kooning and the Abstract Expressionists admired his gestural ferocity, and later artists—including Frank Auerbach, Leon Kossoff, Lucian Freud, Jenny Saville, and Adrian Ghenie...