Bird Animal Prints

The Monkey is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was publishe...

Bird is a lithograph by Aldo Turchiaro, realized in 1980. Hand-signed on the lower right. Numbered, edition XII/XXV. Good conditions except for aged margins.

One of 9 humorous portraits of birds engaged in conversation by Franco-Iranian artist Marjan Seyedin. In her works, birds and animals provide an allegorical representation for mankin...

George EDWARDS Traveling animals Original engraving enhanced with watercolor Signed in the plate and dated, 1746 28.6 x 23.5 cm From Volume II of the Natural History of Birds, plat...

Bird is a lithograph by Aldo Turchiaro, realized in 1980. Hand-signed on the lower right. Numbered, edition XIV/XXV. Good conditions except for aged margins. The artwork represen...

Aditya Dicky Singh, Untitled, photograph on fine-art Hahnemuhle archival paper 39" x 26" unframed (100cm x 66cm) 2022 Edition 1/10 *Should you ...

Aditya Dicky Singh, Untitled, photograph on fine-art Hahnemuhle archival paper 60" x 36" unframed (152cm x 91cm) 2022 Edition 1/8 *Should you wish the photographs to be printed ...

Chris Forrest, American (1946 - ) - Bob White Quails , Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP XL, Image Size: 22 x 18 inches, Size:...

Shore birds foraging in the sea foam at the oceans edge is a perfect example of McMillan's work. He takes his inspiration from the natural world and spends a large part of each year ...

This artwork "Birds in the Tree" 1976 is a color offset lithograph by American wildlife artist Thomas Quinn, born 1938. It is hand signed, inscribed Arti...

Bear with Predella (from Rubber Stamp Portfolio), 1976 Rubber Stamp Print on Arches Satine with Envelope 8 × 8 inches Edition of 1000 Unframed -...

Chris Forrest, American (1946 - ) - Watcher, Year: circa 1979, Medium: Lithograph, Signed and numbered in pencil, Edition: 300, AP 40, Image Size: 23...

Chris Forrest, American (1946 - ) - Osprey, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP XL, Image Size: 24 x 17 i...

Chris Forrest, American (1946 - ) - Winter Oak, Year: Circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Image Size: 17.5 x 23 inches, Size: 21.5 in. x...

Chris Forrest, American (1946 - ) - Falcon's Vigil, Year: circa 1979, Medium: Lithograph, Signed and numbered in pencil, Edition: 300, AP XL, Image Size: 18 x 23 inches, Size: 2...

Mel Hunter, American (1927 - 2004) - Great Grey Owl (Winter), Year: 1973, Medium: Lithograph, signed in pencil, Size: 21.5 x 29 in. (54.61 x 73.66 cm), Description: Perched on ...

Chris Forrest, American (1946 - ) - Red Shouldered Hawk, Year: circa 1979, Medium: Lithograph, Signed and numbered in pencil, Edition: 300, AP XL, Image Size: 18 x 22 inches, Siz...

Hand colored copper plate engraving from “The History of Birds. Plate 117 published in 1776.. “Yellow Created Parrot” Dedicated to Daniele Farsetti, a well known art collector Veni...

John Gould: 1804-1881. British ornithologist and bird artist. He was the equivalent to the American Audabon. He produced books with lithographed prints such as The Birds of Great Bri...

The lush colors and rich textures of mezzotint are often combined with some sly wit in Mitchell's prints. This proud portrait of a chicken is combined with the ingredients for a reci...

Shadow of Camels is an etching realized by Tullio Diamanti in 1980.  Hand signed. In very good condition.

This artwork titled "Bird Form" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches paper by renown British artist Graham Vivian Sutherl...

Portrait the head of an owl against a black background. Image is printed to the edge of the sheet. by Franco-Iranian artist Marjan Seyedin. In her works, birds and animals provide an...

When Pigs Fly is a lithograph on paper, 9.5 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 59/275 (there were also 100 Roman and 20 AP). Fra...

One of 9 humorous portraits of birds engaged in conversation by Franco-Iranian artist Marjan Seyedin. In her works, birds and animals provide an allegorical representation for mankin...

Storks And Flamingos is an impressive original black and white xylograph on paper realized by Anonymous artist in the XX Century. Including white cardboard passepartout, cm 49 x 69...

Macarena and Penguin is an Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, publish...

"Collection Of The Most Rare Birds" - Hand Colored Engraving Collection of the Most Rare Birds Drawn and Engraved From Life, A Natural and Rational Histor...

The Bird is an original Etching, realized by an anonymous artist in 1945. The status of preservation Good. The artwork is depicted skillfully through confident and strong lines wit...

Hooper is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 1870. Name o...

Buonaparte's Gull is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 18...

This artwork titled "A Tire d'Aile" 1986 is an original color etching with aquatint on Arches paper by French artist Jean Solombre, 1948-2005. It is hand...

Lithograph measures 38 x 26 inches. Good/Fair, slight creasing at bottom of lithograph.

Albatross is an Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, published by Stutt...

Aaron Horkey – The Snare (and matching COA Print) Gilded Age Collection 2015 Thinkspace Gallery Debut Signed & Numbered Edition of 665 Includes Certificate of Authenticity Original...

Martin Barooshian, American (1929 - 2022) - Albatross II, Year: circa 1979, Medium: Etching, Aquatint and Intaglio, signed in pencil, Image Size: 14.5 x 14 inches, Size: 22 x 1...

Sabine's Snipe is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print on ivory-colored paper. Hand-colored, published by L...

This exquisite lithograph after Georges Braque (1882–1963), titled Oiseaux sur fond bleu (Birds on a Blue Background), from Carnets intimes (Private Sketchbooks), Verve, Vol. VIII, No. 31–32, originates from the 1955 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1955. This serene and evocative composition reflects Braque’s lifelong fascination with the motif of birds—symbols of freedom, transcendence, and spiritual equilibrium. Oiseaux sur fond bleu captures the artist’s delicate synthesis of abstraction and nature, where the silhouettes of birds emerge in lyrical harmony against a radiant blue field. The image embodies Braque’s mature artistic vision: a perfect balance between movement and stillness, light and shadow, emotion and intellect. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches (35.56 x 26.67 cm). Unsigned and unnumbered as issued. The edition exemplifies the superior craftsmanship of the Mourlot Freres atelier, renowned for its collaborations with the foremost modern artists of the 20th century. Artwork Details: Artist: After Georges Braque (1882–1963) Title: Oiseaux sur fond bleu (Birds on a Blue Background), from Carnets intimes (Private Sketchbooks), Verve, Vol. VIII, No. 31–32, 1955 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches (35.56 x 26.67 cm) Inscription: Unsigned and unnumbered as issued Date: 1955 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From Carnets intimes (Private Sketchbooks), Verve, Vol. VIII, No. 31–32, published by Editions de la revue Verve, Paris, 1955 Notes: Excerpted from the album (translated from French), The illustrations in this album are printed from the sketch-books—carnets de travail—which Georges Braque has been keeping up for thirty years and more, and which constitute a daily record of fragments of the visible world that have caught his attention and ideas for paintings that have occurred to him. In fact the only difference between these sketch-books and the diaries kept by so many writers is that here the entries are not written but take the form of gouache or watercolor sketches. Hitherto Braque has always refused to make public these albums, which he takes with him wherever he goes and which comprise the bulk of his work as a draftsman. Now at long last he has authorized the printing of a number of pages of these albums, selected by himself with our co-operation. About the Publication: Carnets intimes (Private Sketchbooks), Verve, Vol. VIII, No. 31–32, published in 1955, represents one of the most intimate and revealing projects in Georges Braque’s career and one of the final great achievements of the legendary Verve periodical. Under the direction of Teriade, Verve became a beacon of artistic collaboration, uniting the finest artists and writers of the modern age. This special issue departs from the grand thematic volumes of previous years to offer a rare glimpse into Braque’s personal creative process. The lithographs—printed by Mourlot Freres—faithfully reproduce pages from Braque’s private sketchbooks, which span three decades of his artistic evolution. Each image captures the immediacy of his thought, the fluidity of his brush, and the disciplined spontaneity that defined his practice. The 1955 issue of Carnets intimes stands as both an artistic document and a deeply human record of the artist’s inner vision, exemplifying Verve’s enduring mission to unite art, poetry, and philosophy in perfect harmony. About the Artist: Georges Braque (1882–1963) was a French painter, printmaker, sculptor, and collagist whose visionary innovations and lifelong pursuit of balance, structure, and poetic form made him one of the most influential figures in 20th-century art. Born in Argenteuil-sur-Seine and raised in Le Havre, Braque began as a decorative painter before studying at the Ecole des Beaux-Arts and the Academie Humbert in Paris, where he absorbed the vibrant colorism of the Fauves and the structural logic of Paul Cezanne. His encounter with Pablo Picasso in 1907 led to one of the most groundbreaking collaborations in art history—the invention of Cubism—a movement that redefined visual perception by fragmenting form, rejecting single-point perspective, and reconstructing reality into a multidimensional experience. Between 1908 and 1914, Braque and Picasso revolutionized painting through Analytical Cubism, a style characterized by muted palettes, overlapping planes, and a focus on underlying structure rather than surface appearance. In 1912, Braque pioneered papier colle, the first use of collage in fine art, incorporating wallpaper and printed paper into his compositions and forever changing the relationship between art and the material world. After World War I, he returned to painting with renewed sensitivity, developing a lyrical and introspective form of Synthetic Cubism distinguished by harmony, rhythm, and a meditative sense of stillness. His still lifes, musical instruments, and interior scenes became metaphors for balance and contemplation, uniting intellect and emotion in perfect equilibrium. Immersed in the Parisian avant-garde, Braque worked alongside and exchanged ideas with Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom shared his passion for redefining the boundaries of modern art. His innovations in form, collage, and spatial construction deeply influenced later artists, including Jean Dubuffet, Nicolas de Stael, Henry Laurens, Ellsworth Kelly, Richard Diebenkorn, and Jasper Johns, shaping the course of postwar abstraction and modern design. In 1961, Braque became the first living artist to have a solo exhibition at the Louvre, a recognition of his monumental impact on modern aesthetics. His works are now housed in major museums worldwide, including the Museum of Modern Art in New York, the Tate Modern in London, and the Centre Pompidou in Paris, and remain sought after for their intellectual depth and timeless serenity. His highest auction record was achieved by Paysage a la Ciotat, which sold for $15.8 million at Sotheby’s, New York, in 2013, reaffirming Georges Braque’s legacy as one of the founding architects of Cubism and a master whose art continues to define the modern age. Georges Braque Oiseaux...

Edition of 80. Signed and numbered in pencil. Really, no one could draw on a lithographic stone like Stow Wengenroth. He drew many animals and birds...

Heron and Stork is an Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, published by...

Exotic Animals is a color lithograph realized by the German atist E. Hochdanz in 1866. Image dimensions: 19.9 x 15.3 cm. Under the plate: Art Anst.v E....

L'Ecorcheur is an etching realized by R. De Launay in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Pa...

Le Cocquar is an etching realized in 1771 by Louis Legrand (1723-1807). Titled and Signed on the plate. The artwork Belongs to the suite "Histoire naturelle, générale et particuliè...

Duck in Snow 雪中芦に鴨 [Reproduction] Woodblock Print Size: 39 * 18 cm Edition: 20th Century Reproduction Condition: Very good color, impression, and state, embellished with embossing. ...

John James Audubon was born in Haiti in 1785. Most of his childhood was spent in France, where he first took interest in birds and drawing. He came to the U.S. at age 18, and made ma...

Green Finch is an Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, published by Stu...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Edward Bawden (1903 - 1989) Aesop's Fables: Peacock and Magpie (1970) Linocut ...

Bluebreast is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 1870. Na...

Le Faucon Sort is an etching realized by N. De Launnay in 1771. The Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Paris:...

A bemused elephant performs for an audience of birds and monkeys who seem unimpressed in this slightly surreeal image. The animal presence is in Seyedin's work provides an allegorical representation for mankind. Marjan has a contemporary and poetic reinterpretation of classical engraving techniques, mostly etching, aquatint and drypoint. Medium: Etching, aquatint and roulette with gouache Year: 2024 Edition: unique Image Size:  12 x 15.75 inches Marjan's work was awarded the 2007 Grav'x prize in Paris, as well as the 2010 Pierre Cardin prize of the Academy of Fine Arts. She has also taken part in several solo and group exhibitions in France, Iran and the United States. After a solo exhibition in 2017 at the Shirin Gallery, Tehran (Iran), Marjan Seyedin...

Kate Heiss Over the Lighthouse Linocut Edition of 50 Image Size 30 x 30cm Mounted size 40x 40cm Oil based inks on 300GSM Soft white Somerset Velve...

Composition is an original lithograph, realized by Pietro Carabellese in the 1970s. Hand-signed on the bottom right. Numbered on the bottom left. Edition of 100 plus 20 Artist's P...

Beautiful proof on vergé crème, signed by the artist in pencil. Full margins. Ex-coll. H.H. Benedict (Lugt 1298). Ref. Cat. Harrington 221; Schneiderman 208.

Wonderful mid century modern wood cut of wild Penguins by Israeli artist Hannah Yakin Hiyze (Dutch/Israeli, b. 1933), 1967. 13/33. Signed, number, dated and titled lower left edge. Condition: some waviness to paper. Presented under glass with vintage painted wood frame. Image size: 14"H x 37"W. Born Hannah van Hulst in Amsterdam, during World War II, Hannah developed her artistic talents, experiencing "happy times in which necessity bore creativity." After the war she went to high school and studied art at Academia Artibus, Utrecht, the Netherlands and in Paris with famous poster designer and graphic artist Paul Colin. In 1956 she emigrated to Israel where she met and married the artist Abraham Yakin...

One of 9 humorous portraits of birds engaged in conversation by Franco-Iranian artist Marjan Seyedin. In her works, birds and animals provide an allegor...

One of 9 humorous portraits of birds engaged in conversation by Franco-Iranian artist Marjan Seyedin. In her works, birds and animals provide an allegor...

Philippine-Islands Thickhead - John Gould lithograph with hand-coloured size 54 cm X 37 cm excellent Condition FREE SHIPPING Accompanied by the information page from 'The Birds of A...

Dalmatian Regulus is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 18...

Jack Hofflander, American (1920 - 2003) - Noah's Ark, Year: 1979, Medium: Screenprint, signed and numbered in pencil, Edition: 250, AP 30, Image Size: 22 x 30 inches, Size: 26 i...

Red-Breasted Goose is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, ...