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Tim SouthallTim Southall, Bear Hugs (blue), Limited Edition Prints, Affordable Art2018
2018
$402.24
£295
€342.30
CA$553.80
A$606.06
CHF 320.25
MX$7,233.76
NOK 4,086.80
SEK 3,737.71
DKK 2,556.78
About the Item
Bear Hugs
Tim Southall
Silkscreen Print
Size : H 70 cm x W 50 cm
Please note that in situ images are purely an indication of how a piece may look.
‘Bear Hugs’ is a large silkscreen print in a variable edition by renowned printmaker Tim Southall. This print is concerned with love, and in particular, the universal loving bond between a mother a child. This relationship has been, and continues to be explored through art. ‘Bear Hugs’ is in a variable edition. This means that there are a number of variation within the edition, and specifically with this print, that it is available in a number of different colour ways. At the moment the edition is only in the proof stages with Tim producing just three versions, and we are lucky enough to have an artists proof of all three.
- Creator:
- Creation Year:2018
- Dimensions:Height: 27.56 in (70 cm)Diameter: 19.69 in (50 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Deddington, GB
- Reference Number:Seller: WYCHWOOD ART GALLERY1stDibs: LU632313804362
Tim Southall
Tim Southall was born in Staffordshire in 1961. He studied Fine Art at Northumbria University and then printmaking Royal College of Art and École des beaux art, Paris. Based in London for 20 years, Southall now splits his time between London and his house and studio in Cadiz Province, southern Spain. The base upon which he builds his work is metaphysics, existence, objects and their properties, space and time, cause and effect and possibility. Using these guides, he expresses how he sees and experiences the world. This he does mostly through the use of narrative within a landscape using either the human or animal form to create a narrative. Southall strives to make work that is delicate and shows a lightness of touch along with an eye for detail. Southall also uses the language of drawing and mark-making in an attempt to describe emotional depth and atmosphere.
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Please note that insitu images are purely an indication of how a piece may look
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