Medium Prints and Multiples

David Shrigley Everything is Good, 2023 Screenprint on 300gsm BFK Rives paper 76 x 56 cm Edition of 125 Hand-signed and numbered by the artist published by NGV David Shrigley is a B...

Michael Challenger C2 - 1979 Screen Print Paper Size 18'' x 25'' Edition: Signed in pencil, titled, dated and marked 299/300 Michael Challenger's work is a powerful interplay of o...

Maite Diaz Gonzalez (Cuba, 1963) Untitled from Cuban Portfolio, ca.2010 silkscreen on canvas 25.6 x 19.7 in. (65 x 50 cm.) Edition of 100 Unframed ID: DIA1205-001-100_3 Hand-signed ...

This artwork titled "Festive Occasion" 1989 is a color offset lithograph by noted British artist Alan Maley, 1931-1995. It is hand signed, titled and numbered 21/750 in pencil by the...

Leonard Tsuguharu FOUJITA La jeunesse, les trois graces Stone lithograph printed by MOURLOT Printed signature in the plate On paper 20 x 30...

Six color screen print hand stained and stenciled with spray paint. Hand signed by Mr. Brainwash on front, with his thumb print and dated on verso. Hand numbered 24/40 lower front....

This artwork titled "Strawberies" c.1985, published 1996 is a color off set lithograph by British/American artist Pati Bannister, 1929-2013. It is hand signed, titled and numbered 656/950 in pencil by the artist. Published by Masters Publishing INC, New York. The image size is 16.5 x 21 inches, sheet size is 22.25 x 26 inches. It is in excellent condition. About the artist: Pati Bannister was born in Highgate, England, overlooking London in 1929. Growing up, both of her parents were artists. Her mother painted watercolor landscapes, while her father painted portraits. To help further her natural talents, she took art lessons as a young girl and ultimately went to work for J. Arthur Rank, the movie maker, as an animator.​ At 22 years old, she came to the United States as a governess for a family in Connecticut. Later she became a flight attendant in Florida where she met her future husband, Glynn. Little did she know, he would become the strongest influence in her life as he inspired her to pursue and share her artistic abilities with the public. ​In 1958, Pati and Glynn moved to New Orleans and she started painting portraits in Jackson Square. Eventually, she opened two art galleries located in the French Quarter. In the late 1960's, they moved to the Mississippi Gulf Coast...

James Jean's "The Bear" is a mesmerizing exploration of myth and nature, blending intricate detail with a narrative steeped in symbolism. The artwork depicts the celestial bear desce...

Original vintage poster: …BECAUSE SOMEBODY TALKED. Original World War II (2) linen-backed 1944 poster. Artist: Wesley Heyman. Size 20" x 28" Linen backed. Excellent condition. Antique poster ready to frame. Original issued U. S. Government fold marks touched up during linen backing. This is not considered a defect on World War II posters. Because Someone Talked portrays a cocker resting his head on his master's scarf. The gold star flag behind his head reveals that his master has been killed in action. The flag was awarded to mothers who lost sons. Published by the United States Government Printing Office Interpretation This poster, issued by the United States government during World War II, is a warning to citizens that discussing troop movements, or other military information that might be useful to the enemy, could have serious consequences. The Service Flag...

This edition is available in multiple sizes. Contact us to order your preferred size from the following additional options: 48 x 36 in. $ 1,800 40 x 30 in. $ 1,500 An artwork inspired by a love of beautiful nature with a focus on existentialism through the beauty of human feminine form. The woman is in a pose of contemplation as she explores the vibrant garden of her mind. She has the creatures of her imagination guiding her with subtle hints to her positive future. The purple flowers hang at 11:11 as the time of the universe empowers her. Golden ratio is examined throughout this creation with a balance of shadow and light to enhance the placement of subject focuses. This coconut charcoal and acrylic painting on fine art rolled canvas is an expression of life through thought, emotion with fine art realism, expressionism and abstract styles. Coconut charcoal powder provides the representational structure for the beautiful woman with a wild garden growing behind her physical and the mind, using a unique and also made up technique with paint brushes. A strong mix of acrylic colours are splashed for an expressive effect for both movement and emotion in what is referred to as a unique creation in ‘Motusrealism’. Two monarch butterflies, a bee, a blue wren...

Hugo Demarco Relation Couleur, 1973 Silkscreen on velincarton Hand signed and numbered 62/200 on lower front. Bears the publisher's blind stamp on the fro...

David Shrigley My Artwork is Terrible, 2018 Linocut on 300gr Somerset paper 29 9/10 × 22 in 76 × 56 cm Edition of 125 Hand-signed and numbered Published by schaefergrafik

Original Beat Back the Hun with Liberty Bonds vintage military poster.. Artist F. Strothmann. Original World War 1 antique vintage poster; archival linen backed and ready to fram...

Giclee on handmade cotton paper Year: 2016 Size: 19.68 x 24.01 inches (50 x 61cm) Edition: 75, not individually numbered Signed by hand COA provided Paul Indrek Kostabi (also known...

Nicolás Lara (Cuba, 1943) 'Nikoleto Von Lara' silkscreen on paper 27.2 x 19.3 in. (69 x 49 cm.) Edition of 100 ID: LAR1276-001-100 Unframed Hand-signed by author Excellent condition

Artist: Kyohei Inukai, American (1913 - 1985) Title: Flamboyant Year: 1979 Medium: Serigraph, Signed and numbered in pencil Edition: 200, AP 30 Size: 22.5 x 30 inches

This is an original framed 19th century hand-colored folio-sized lithograph entitled "Diphogena Aurora" (Bolivian Rainbow Hummingbirds) by John Gould, from his "Monograph of the Trochilidae, or Family of Hummingbirds", published in London in 1853. The print depicts two Bolivian Rainbow hummingbirds feeding on the nectar of small flowers on a branch. This striking framed Gould hand-colored lithograph is presented in a antiqued gold frame, a gold-colored fillet, and a light tan French mat, embellished with a mint-colored broad band. The frame measures 32" high, 25.5" wide and 1.25" thick. The hand-coloring is enhanced by the use of gum-arabic paint on the hummingbirds heads and necks, giving them an iridescent appearance. The descriptive text page from Gould's original publication is included. It is affixed to the back of the frame in a clear sleeve. The piece is in excellent condition. There are several other unframed Gould bird lithographs available on our 1stdibs and InCollect storefronts. Two or more of these striking lithographs would make an attractive display grouping. A discount is available for purchase of a set depending on the number. These additional Gould hummingbirds may be viewed by typing Timeless Intaglio in the 1stdibs or InCollect search field to be taken to our storefront. John Gould (1804-1881]) was an English ornithologist and artist. He, like his American contemporary John James Audubon, published a number of books on birds in the mid 19th century, illustrated by hand-colored lithographs. His wife and fellow artist, Elizabeth Gould, and several other artists including Edward Lear and Henry Constantine Richter produced lithographs for his various publications. He has been considered the father of bird study in Australia and the Gould League in Australia is named after him. Charles Darwin referenced Gould’s work in his book, "On the Origin of Species" and Gould named a bird after Darwin; "Darwin's finches". Gould began his career in London as a taxidermist, but in 1827 became the first curator and conservator at the museum of the Zoological Society of London. In this position naturalists brought him collections of birds from all over the world. He began creating drawings and eventually hand-colored lithographs with his wife and Edward Lear, which were the basis for his first publications. Darwin brought him specimens from the Galapagos Islands, including 12 species of finches which had never been described. In 1838, Gould and his wife travelled to Australia and their work led to the seven volume publication of “The Birds of Australia”. Gould had a fascination for hummingbirds and collected specimens of 320 varieties before ever seeing a live hummingbird on a trip to the United States in 1857. He eventually published “A Monograph of the Trochilidae, or Family of Humming-birds". Other large publications include: "The Birds of Europe"," A Monograph of the Ramphastidae, or Family of Toucans”, “A Synopsis of the Birds of Australia, and the Adjacent Islands”, “A Monograph of the Odontophorinae, or Partridges of America”, “The Birds of Asia”, “The Birds of Great Britain” and "The Birds of New Guinea and the Adjacent Papuan Islands, including many new species recently discovered in Australia". John Gould (1804-1881) was a British ornithologist and illustrator who is best known for his monumental work, "The Birds of Europe," published between 1832 and 1837. Gould was born in Lyme Regis, Dorset, England, and began working as a taxidermist and natural history dealer in London in the 1820s. In 1827, Gould was appointed the first curator and preserver of birds at the Zoological Society of London, where he began to build his collection of specimens and began to study the birds of the world. He published his first monograph, "A Century of Birds from the Himalaya Mountains," in 1831, which included 80 plates of Himalayan birds. Gould continued to publish numerous volumes on the birds of the world throughout his life, including "The Birds of Australia" (1840-1848) and "The Birds of Great Britain" (1862-1873). His works were highly regarded for their accuracy and detail, and he was one of the most prominent ornithologists of his time. In addition to his work as an ornithologist, Gould was also a successful businessman, and he used his profits to fund expeditions and to support the scientific community. He was elected a Fellow of the Royal Society in 1843, and he was awarded the Royal Medal...

(After) Pablo Picasso Femme Profile (Marie-Therese Walter), 1982 Portfolio: Marina Picasso Estate Lithograph Collection Lithograph on Arches Paper Hand-signed lower right by Marina ...

Lithograph in colors depicting an enchanted evening in Paris with a snowman and children playing outside the restaurant Chez Joseph on a winter day. Signed in bottom right margin "M...

This artwork titled "Pomegranates" c.1970 is an original color aquatint on Japan paper by noted Indian artist Kaiko Moti, 1921-1989. It is hand signed and numbered XXII/LXXV in White pencil by the artist. The Size is 22 x 29.25 inches. Printed to the edge. It is in excellent condition, some hanging tape remaining on the back from a previous framing. About the artist: Born (Kaikobad Motiwalla) in Bombay, India on December 15, 1921, Moti was first educated at the Bombay School of Fine Arts but his talent led him onwards to study at the University College in London (on scholarship) and at the Slade School of Fine Arts, London, where he received a Master's degree in Painting and Sculpture. While still in London he studied under MacWilliam and Reginald Butler. Eventually moving to Paris in 1950, Moti attended the Academie de la Grand Chaumiere, Atelier Zadkine, to pursue his love of sculpture but lack of space soon compelled him to turn his attention to working on copper plates and he studied engraving with William Stanley Hayter...

Joan Miro - Moon Bird, Sun Bird - Original Lithograph 1967 Deluxe fold-out from the journal XXe Siecle Unsigned, as issued Dimensions: 32 x 70 cm Publisher...

A dreamy emblem of the brand’s pop-romantic world, this poster floats two winged cherubs in a clouded sky beneath a sunburst title “Fiorucci Jeans,” with the script “i migliori” (“th...

Etching and aquatint realized by Sandro Chia in 1983. Includes a wooden frame cm. 75x61. Artist proof and signed and dedicated, out of an edition of 50. Very good condition.

Original WW1 poster: "Be Patriotic sign your country's pledge to save the food." U. S. Food Administration. Miss Liberty calls with outstretch...

Bernard Buffet (1928-1999) - La République Lithograph from 1977. The edition of 103/150. On Arches paper with watermark. Dimensions of work: 76 x 56 cm. Hand signed. The work is...

Musee National, Message Biblique, The Angel of Judgment Marc Chagall (after), Russian (1887–1985), an interpretative rendering of a lithograph executed by Charles Sorlier Date: 1974 Lithograph Poster, signed in marker Edition of 5000 Size: 30 in. x 20.5 in. (76.2 cm x 52.07 cm) Printer: Mourlot, Paris Publisher: Society of the Friends of the National Marc Chagall Biblical...

Cherry Kate - Oversize limited edition - Kate Moss Beautiful archival pigment print of the supermodel and fashion icon by the London based contemporary pop art image creator and ...

Sacha CHIMKEVITCH Jazz : Hot Swing Original lithograph Handsigned in pencil Limited /275 copies On vellum 76 x 56 cm (c. 30 x 22 in) Excellent condition

This artwork titled "Sans Titre" 1968, is an original color lithograph on Arches paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is hand signed and numbered 30/...

Abstract 2 is an original hand drawn lithograph by the German artist Jan Voss, printed using hand lithography techniques on archival Arches paper 100% acid free. Abstract 2 presents ...

Ernst Fuchs (1930 Vienna - 2015 ibid), The Lost Trace, 1972. Vernis mou and aquatint etching, 46.8 x 36.4 cm (plate), 66 x 50 cm (sheet), 69.5 x 53.5 cm (frame), WVZ Hartmann no. 185...

One Two Three (Cobalt Blue) by Robert Goodnough, 1968 Additional information: Medium: screenprint 56 x 76 cm 22 1/8 x 29 7/8 in signed, dated and numbered in pencil Robert Goodnoug...

Salvador Dali (1904-1989) - Les Songes Drôlatiques de Pantagruel, Planche IV Lithograph from 1973. Edition 6/250 on Japon paper. Dimensions of work: 76 x 56 cm Publisher: Carpent...

Self Portrait in a Flat Cap (weeds) fourth state 1974 Etching in black on Apta 501 paper plate 25.4 x 31.4 cm / 10 x 12⅜ in. paper 66.0 x 50.8 cm / 26 × 20 in. Edition 38 with 14 Artist's Proofs this copy an artist’s proof Published by Petersburg Press, New York; printed by Alan Uglow and Winston Roeth Signed, dated and annotated A/P below impression The fourth state of a series of modifications of Jim Dine’s self portrait...

Wonderful World Blossom By Damien Hirst 2021 Medium: Offset Lithograph Paper Size: 31.75 x 23.75 inches ( 81 x 60 cm ) Image Size: 22.75 x 22.5 inches ( 58 x 57 cm ) Edition Si...

Emperor's Blossom By Damien Hirst 2021 Medium: Offset Lithograph Paper Size: 31.75 x 23.75 inches ( 81 x 60 cm ) Image Size: 22.75 x 22.5 inches ( 58 x 57 cm ) Edition Size: U...

Raymond PEYNET Astrology - Zodiac : Capricorn, 1979 Original etching Handsigned in pencil Numbered /22 On Arches vellum 76x56 cm (c. 30 x 22 inches) This etching is authentified by ...

Salvador Dali (1904-1989) - Les Songes Drôlatiques de Pantagruel, Planche XVIII Lithograph from 1973. Edition 6/250 on Japon paper. Dimensions of work: 76 x 56 cm Publisher: Carp...

Joan Miró Miro, L'oeuvre Graphique, 1974 Offset lithograph poster Unsigned Unnumbered 28 1/5 × 21 1/2 inches Unframed Published by the Musee d'Art Moderne de la Ville de Paris

My fascination with birds of prey began eight years ago. There have been nesting owls on my family’s land in the United Kingdom as far as I can remember. I have heard them calling to...

Utagawa HIROSHIGE (1797-1858, after) Japan, Suijin Shrine and Masaki on the Sumida River Lithograph after a woodcut (Mourlot workshop) Printed signature in the plate Numbered / 150 ...

28" x 20" Unframed Limited Edition Giclée on Paper of 50 Hand Signed by Bernie Taupin

Abstract composition is a color etching and aquatint on paper, realized in 1990 by the Italian graphic master Piero Dorazio (Rome, 1927 - Perugia, 2005). Signed and dated in pencil ...

Michael Knigin, American (1942 - 2011) - At Your Peril, Year: 1999, Medium: Archival Pigment Print, signed, numbered, dated, and titled, Edition: AP, 90, Image Size: 17 x 25 inch...

Artist: Rafael Bogarin – Venezuelan (1946- ) Title: Jupiter 4 Year: 1980 Medium: Screen Print Sight size: 19.5 x 25.5 inches. Sheet size: 22.5 x 28.5 inches. Signature: Signed lower right Edition: 295 This one: 116/295 Condition: Excellent Unframed This exceptional geometric abstract serigraph is by the noted Venezuelan artist Rafael Bogarin (1946- ). This is Jupiter 4. I have others from the series, also for sale. The print has never been framed and is in excellent condition. It measures 22.5" x 28.5". Rafael Bogarin is an established contemporary Venezuelan artist known for his abstract serigraphs. Bogarin was born in 1946, in El Tigre, where he grew up making his own toys and learning to draw. He studied in Caracas at the Cristobal Rojas School of Fine Arts, specializing in lithography and etching. From 1970 to 1992, Bogarin, like so many artists, lived in New York. As he explored various techniques, he became an expert in serigraphs, earning himself acclaim in Latin America as a pioneer. In South America he traveled the continent giving classes and learning about native cultures. When he returned to the land of his youth, he was inspired to create the concept of the entire world in the Museo Vial in El Tigre in 1982. Later he made others along the route between Colombia and Venezuela. Recently he has been creating and realizing ideas like the Museo de Murales a Cielo Abierto (Museum of Murals to the Open Sky). Detailed biographical information (source: artist's website): Rafael Bogarín was born in El Tigre, Anzoátegui state, Venezuela, on January 20, 1946. He studied at the Cristóbal Rojas School, which he finished in 1966; Among his teachers are Luis Guevara Moreno, Pedro León Zapata, Luisa Palacios and Luis Chacón. Upon returning from school he founded the Zapato Roto group with other artists, with the aim of taking art to the streets. In 1966 he directed the outdoor exhibitions of the Venezuelan American Center, and two years later he participated in the XXVIII Official Salon, where he received the Rome Prize. During that time he ordered elements such as nuts and serrated blades in relation to discs engraved with burin and other techniques, and made the final impression in planes of one color. In 1970 he received a scholarship and traveled to New York; He studies at the Pratt Graphic Center and the Blackburn Printmaking Workshop. In 1973 he founded, together with Manuel Kohn, the Bogarín Printmaking Workshop, a workplace for Venezuelan artists living in the United States; This workshop, of which he has been master printer, allowed continuity to his artistic work. Bogarín investigates the possibilities of super eight cinema and makes films with quality similar to commercial formats; From these experiences emerge The Lonely World (1975) and New World Symphony (1976). In 1977 he deepened his study of color with The New Color, a portfolio where he produced superimposed colors through transparencies and glazes. His teaching experience includes courses at the Rafael Monasterios School of Plastic Arts in Maracay (1969-1970), Ceagraf (1979), as well as workshops in various cities around the world. In 1980 he made an exhibition of silkscreen prints in cities in Italy, El Salvador, Colombia, Mexico and the United States. That year he resumed his interest in outdoor exhibitions with a museum project with murals by 30 artists for El Tigre (Venezuela); The Rafael Bogarín Road Museum was inaugurated in 1982 and brought together 30 murals on 2 x 4 meter fences, by artists such as Mario Toral, Édgar Sánchez and Paul Davis. He carried out the project to recover the architectural spaces of El Tigre (Venezuela), through murals, sculptures, plazas and humanized spaces. In 2006 he painted the largest painted flag in the world in El Tigre, Venezuela. Bogarín has exhibited his work on all 5 continents and currently lives and works in Panama City in his private workshop and in the Articruz workshop. Individual exhibitions Ø 1966. Gallery of the Medical College. Caracas Venezuela. Ø 1966. Venezuelan American Center. Caracas Venezuela. Ø 1970. Protobello Gallery. Caracas Venezuela. Ø 1977. First National Bank of Louisville. Luosville, Kentucky, USA. Ø 1978. Venezuela Gallery. New York City, USA. Ø 1979. Julián Marchena Room, Museum of Costa Rica. San Jose Costa Rica. Ø 1979. La Otra Banda Gallery. Merida, Venezuela. Ø 1980. Galeter Center. Adro, Italy. Ø 1980. Gallery of Modern Art. Santo Domingo Dominican Republic. Ø 1980. Jewish Community Center. Monmouth, New Jersey, USA. Ø 1980. Frank Fedele Fine Arts. New York City, USA. Ø 1980. El Túnel Gallery. Guatemala, Guatemala. Ø 1981. Garcés – Velásquez Gallery. Bogota Colombia. Ø 1982. Siete Siete Gallery. Caracas Venezuela. Ø 1984. Acquavella Gallery. Caracas Venezuela. Ø 1985. Cultural Center. Santa Cruz, Bolivia. Ø 1992. Sotage Gallery, Puerto La Cruz, Venezuela. Ø 2017. Arteconsult Gallery. Panama City, Panama. Awards Ø 1969. Rome Prize. XXIX Official Salon of Venezuelan Art, Museum of Fine Arts. Caracas Venezuela. Ø 1971. Honorable mention. First Young Artists' Salon. Maracay, Venezuela. Ø 1984. First prize, Salón Aragua. Maracay, Venezuela. Murals Ø 1974. Venezuelan Consulate. New York City, USA. Ø 1982. Creator of the First Road Museum in the World. El Tigre, Venezuela. Ø 1983. Road Museum. Roldanillo, Colombia. Ø 1984. Bicentennial Road Museum. Cucuta, Colombia. Ø 2000. Ceramic mural. Dairy, Venezuela. Group exhibitions Ø 1963 to 1966. Spiral Gallery. Caracas Venezuela. Ø 1966. El Pez Dorado Gallery. Caracas Venezuela. Ø 1966. “Zapato Roto” Festival. Caracas Venezuela. Ø 1967. D´Empaire Hall. Maracaibo Venezuela. Ø 1970. Drawings and engravings room. Central University of Venezuela. Caracas Venezuela. Ø 1966 and 1971. Arturo Michelena Hall. Valencia, Venezuela. Ø 1966 to 1968. Annual Venezuelan Art Salon. Museum of Fine Arts. Caracas Venezuela. Ø 1968. Luis Ángel Arango Library. Bogota Colombia. Ø 1969. Tertulia Room. Cali, Colombia. Ø 1969. Lunn Gallery. Washington, DC, USA. Ø 1969. Gallery of Visual Arts. Maracay, Venezuela. Ø 1970. Venezuelan Cultural Week. Miami and Jamaica. Ø 1972. Two Rivers Gallery. Binghampton, New York City, USA. Ø 1972. Moos Gallery. Montreal, Canada. Ø 1973. Spoleto Festival. Italy. Ø 1974. Young Artists, Union Carbide Building. New York City, USA. Ø 1975. Government of Caracas. Caracas Venezuela. Ø 1975. Graphic VII, Mendoza Gallery. Caracas Venezuela. Ø 1976. Brooke Alexander Gallery. New York City, USA. Ø 1977. Denise Rene Gallery. New York City, USA. Ø 1978. Sam Flax...

This screenprint and collage was created by Ivan Chermayeff, a noted graphic designer who created the now-famous logos for companies and institutions such as the Smithsonian, Nationa...

This artwork "Un Vase de Fleurs II (Flowers in a Vase)" c.1980, is an original colors lithograph on watermarked Arches paper by noted French artist Frederic Menguy, 1927-2007. It is ...

BIG OLIVES, LITTLE OLIVES is a hand drawn, pencil signed limited edition lithograph by the well known and loved British artist and humorist, Beryl Cook(1926-2008). Printed in 1986 using hand lithography techniques on archival Arches paper, 100% acid free. BIG OLIVES, LITTLE OLIVES presents a humorous piano bar scene depicting a lively group of night club patrons enjoying their cocktails as they enthusiastically sing along with the debonair piano player giving the viewer a true feeling of merriment in this quintessential Beryl Cook image. BIG OLIVES, LITTLE OLIVES is a warm, colorful interior scene printed in shades of golden brown, black, red, blue, lavender, purple, green, orange, pink, peach, gray, and beige. BIG OLIVES, LITTLE OLIVES is one of Beryl Cook's most loved images - the edition is SOLD OUT, this is a rare unsigned printers proof aside from the numbered edition from the master printers private collection, stamped legend on verso with provenance information. Print size - 27 x 27 inches, UNSIGNED Printers Proof, unframed, excellent condition Edition size - 300 plus proofs Year published - 1990, printed at JK Fine Art Editions Co. NYC Beryl Cook's unique artistic humor documented familiar social situations...

A very good impression of this early lithograph on Arches. Initialed, dated and numbered 5/100 in pen and black ink. Printed and published by Original Press, San Francisco, with the ...

ABOUT THIS PIECE: Color is the foundation of this Canadian artist's work. Her circles start as a mood or idea that eventually evolve into a colored circle. She is curious how different colors interact when they're placed next to each other. Within a digital medium she experiments with intensity of colors and the different sensations colors evoke. Why a circle? When she explores her fascination with this shape, she discovers that the circle represents all that is familiar and comforting. It is the shape of the rising sun, of a mother's nipple, of the iris of the eye, and of a full moon. ABOUT THIS ARTIST: Ruth Adler is a Canadian artist whose mediums include paintings, works on paper, animated films and textiles. She is inspired by the city of Tel Aviv, music (she plays the harmonica) and her personal memories. Jim Kempner Fine Art...

Marius Sznajderman was a painter, printmaker and scenic designer living and working in the United States. Born in Paris, France in 1926 his Jewish parents had migrated to France from Poland in 1923. In November 1942 the family fled Nazi-occupied France for Spain before settling in Caracas, Venezuela. He attended the School of Fine Arts in Caracas where his teachers included illustrator Ramon Martin Durban, scenic designer Charles Ventrillon-Horber and painter Rafael Monasterios. and immigrated to the United States in 1949, where he received a Bachelor of Fine Arts and Master of Fine Arts from Columbia University in New York. He settled in Hackensack, New Jersey, where he lived and had a studio for more than 50 years before moving to Amherst, Massachusetts in 2015. His work, which includes painting, prints and collages, as well as set designs, is in more than 45 museum and public institution collections in the United States, Latin America and Israel. He held more than 40 solo exhibitions at galleries and museums and participated in more than 75 group shows around the globe. He helped found the Taller Libre de Arte, an experimental workshop for the visual arts, sponsored by the Ministry of Education. The Taller Libre de Arte was a center for young artists to work and to meet with critics and intellectuals to discuss avant-garde ideas and artistic trends from Europe and Latin America. Among the notable artists who participated in the Taller Libre de Arte were Ramón Vásquez Brito, Carlos González Bogen, Luis Guevara Moreno, Mateo Manaure, Virgilio Trómpiz...

Mid Century Nocturnal Horses with Riders Under Moonlight Lithograph Limited Edition Compelling nocturnal lithograph of two women on horseback by ...

This is a unique proof, aside from the edition of only 6 on wood panel (there was a separate larger edition of paper - this is the rare wood panel example): Shepard Fairey God Save t...

Yayoi Kusama & Takashi Murakami Skateboard Decks (2 works): A set of two individual skateboard decks featuring Kusama's dots obsession imagery & Murakami’s iconic flowers. Makes f...

Classic Lincoln cars, parked outside the famous mid-century building, the La Concha Motel in Las Vegas. The cinematic scene of now Lost Vegas, evokes image...

Julián Grau Santos (Spain, 1911-2013) 'Figura en el jardín', 1985, Artist Proof lithograph on paper 22.1 x 30 in. (56 x 76 cm.) Unframed ID: GRA1332-001-000 Hand-signed by author Go...

Screen print & hand-finished watercolor on paper. Hand signed and numbered by the artist. Pest Control included. Banksy’s Dumbo is an extremely rare Ban...

Lloyd Lozes Goff, American (1918 - 1982) - Notre Dame, Year: 1979, Medium: Lithograph, Signed and Numbered in Pencil, Edition: 300, AP 30, Image Size: 19 x 25 inches, Size: 23 i...

This original serigraph poster was designed for an in-store advertising campaign and printed in 1982. It is part of an unnumbered edition featuring collage-style images intended for ...

Edition 5 Portrait of Sponge Bob JAY-C – the pseudonym of this innovative young artist known for his subversive use of familiar figures and symbols. Using ...