Medium Prints and Multiples

This striking original lithograph, created by André Masson in 1962 for the XVIIIe Salon de Mai, stands as a bold testament to the Surrealist master's lyrical abstraction and dreamlik...

Artist: Marcel Mouly, French (1918 - 2008) Title: At the Cafe Year: circa 1977 Medium: Lithograph, signed and numbered in pencil Edition: 147/225 Size: 29.5 in. x 21 in. (74.93 cm x ...

Edition of 90 copies, numbered and hand signed. Published in the general catalogue "G. de Chirico: Catalogo dell'Opera Grafica 1921-1969", by Alfonso Ciranna, Edizone La Medusa, Roma...

Mark Tobey, American (1890 - 1976) - Impromptu, Year: circa 1970, Medium: Poster, Size: 28.25 x 19.75 in. (71.76 x 50.17 cm)

Yves GANNE (1931-2019) Naked Woman in the Countryside Original Lithograph Signed on pencil Numbered on 150 copies On vellum Arches 54 x 75.5 cm (c. 21.25 x 29.52 in) Very good cond...

This reproduction of Agrigente by Nicolas de Staël is a beautiful tribute to the artist’s signature style, capturing the essence of his bold and evocative approach to abstraction. Ag...

Lisa Yuskavage (American, b. 1962) Night Flowers (from Exit 99: Exit Art Portfolio), 1999 Medium: Etching and aquatint on grey wove paper Dimensions: 56 × 68 cm (22 × 26⅞ in) Edition...

This original mid-century modern woodcut print on linen, titled "Shapes", is by renowned American artist Edward Marecak (1919–1993). A striking example of his abstract work, this pie...

"LAST ONE IN MINT CONDITION" Evolution of the Cowboy, 1933 Original Lithograph Excellent condition, came directly from Jo Mora Jr. Unframed!! SHIPPING CHARGES INCLUDE SHIPPING, PACKAGING & INSURANCE Original version was called Evolution of the Cowboy, 1933 or referred today as "Sweetheart of the Rodeo", Images from the poster were used for "Sweetheart of the Rodeo", the sixth album by American rock band the Byrds and was released on August 30, 1968. It was hated when released, today it is considered one of the great classics. This is an original lithograph from the Jo Mora Estate from Jo Mora Jr. Joseph Jacinto Mora (October 22, 1876 – October 10, 1947) was a Uruguayan-born American cowboy, photographer, artist, cartoonist, illustrator, painter, muralist, sculptor, and historian who wrote about his experiences in California. He has been called the "Renaissance Man of the West". Early life Mora was born on October 22, 1876, in Montevideo, Uruguay. His father was the Catalan sculptor, Domingo Mora, and his mother was Laura Gaillard Mora, an intellectual born in the Bordeaux region of France. His elder brother was F. Luis Mora, who would become an artist and the first Hispanic member of the National Academy of Design. The family entered the United States in 1880 and first settled in New York City, and then Perth Amboy, New Jersey. Jo Mora 1931 Yosemite map Jo Mora studied art at the Art Students League of New York and the Cowles Art School in Boston. He also studied with William Merritt Chase. He worked as a cartoonist for the Boston Evening Traveller, and later, the Boston Herald. In the spring of 1903, Mora arrived in Solvang, California. He stayed at the Donohue Ranch. He made plans to travel to the Southwest to paint and photograph the Hopi. He spent time at the Mission Santa Inés; those photographs are now maintained by the Smithsonian Institution. Mora visited many Spanish missions in California that summer by horseback. He followed the "Mission Trail", also called the "Kings Highway". In 1904, Mora visited Yosemite. Later, in 1904, to 1906, visited Arizona where he took photographs, painted and otherwise recorded the daily life of these Native Americans. Because the Hopi and other tribes have voiced their concerns more recently about photographs depicting religious ceremonies, the tribal nation should be contacted before they are used. He learned the Native languages and made detailed drawings of what he observed. Career In 1907, Mora wrote and illustrated the comic strip Animaldom. In 1907, Mora returned to California and married Grace Needham. Their son, Joseph Needham Mora, was born on March 8, 1908. The Moras moved to San Jose, California, where Mora continued his work. On 22 February 1911, the Native Sons of the Golden West Building, in San Francisco, with six terra cotta panels, by Domingo Mora and his son, Jo Mora, was dedicated. In 1915, he served on the International Jury of Awards at the Panama–Pacific International Exposition and displayed six sculptures.[9] In 1915-16 two of his sculptural commissions were revealed: the bronze memorial tablet with the profile of the late Archbishop Patrick W. Riordan for the Knights of Columbus and the Cervantes Monument in San Francisco's Golden Gate Park.[10][11] By 1919, he was sculpting for the Bohemian Club, including the Bret Harte Memorial plaque, completed in August 1919 and mounted on the outside of the private men's club building in San Francisco. Carmel-by-the-Sea In 1921, the Mora family relocated to Carmel-by-the-Sea, California, the largest art colony on the West Coast, making it their primary residence. He constructed a Craftsman-style home, which is located on the west side of San Carlos Street, the third house south of 1st Avenue. Mora received a commission for the bronze and travertine Cenotaph, for Father Junípero Serra in the Memorial Chapel at the west end of Mission Carmel. Mora was a director of the Carmel Art Association as early as 1934. His sculptures were exhibited between 1927 and 1934 in various galleries in Carmel. Jo Mora is a serious sculptor, a responsible amateur actor; when mixed up with pen and ink, a humorist! Comic strips was once his trade. He was famous at it. That was years ago but his art of cartooning bloomed again when in recent years he produced the well known Mora Map of the Monterey Peninsula. Most successful with bronze statue creations which decorate many gardens in East and West. If he has a specialty in figures it is cowboys. He knows his West. Jo Mora will ever be famed for his portrayal of Pancho Lopez, The Bad Man, at Carmel Playhouse. He does everything well and is handsome while doing it. He is happily married-alas! — Carmel Pine Cone During the Great Depression, Mora created the "Carmel Dollar" as part of Carmel's program, offering unemployed residents scrip for public service, exchangeable for groceries and essentials; a three-cent stamp on the certificate's back acknowledged their efforts. When full, merchants accepted the certified scrip for goods or a dollar. Architect Robert Stanton...

Giclé Print on paper new custom framed by Sargent Claude Johnson (November 7, 1888 – October 10, 1967) was one of the first African-American artists working in California to achiev...

This artwork "Trees " c.1990 in an original monotype on B.F.K Rives paper by American artist Kelly Detweiler. It is hand signed, titled and numbered 1/1 in pencil by the artist. The image size is 17.85 x 15.65 inches, sheet size is 24.25 x 22.25 inches. It is in excellent condition, the colors are fresh and bright, has never been framed. About the artist: Born in Twin Falls Idaho, his family immediately moved to Monte Vista, Colorado where he lived until age 12. Many of the idyllic memories of this childhood inform his imagination and enter into his work. Moving from a very small farming and ranching community, he was plunged into the crazed consumer culture of Southern California. He lived in La Mesa, California and watched as the entire face of America changed with Vietnam, rampant divorce, and then the summer of love. He attended Grossmont College and immersed himself in art. Seeking to escape the drug crazed beach culture, he set out for northern California. Kelly attended Cal State University at Hayward where he studied with Mel Ramos, Raymond Saunders, Harold Schlotzhauer, Misch Kohn, Kenji Nanao and Clayton Bailey...

Max Ernst, German (1891 - 1976) - Les Chiens Ont Soif VIII, Portfolio: Les Chiens Ont Soif, Year: 1964, Medium: Lithograph, Edition: 165/320, Size: 17 x 24.5 in. (43.18 x 62.23 ...

Considered a major force in the Op art movement, Anuszkiewicz is concerned with the optical changes that occur when different high-intensity colors are applied to the same geometric ...

Marko Spalatin, Croatian/American (1945 - ) - Oblik VIII, Year: circa 1982, Medium: Screenprint, signed, numbered and titled in pencil, Edition: 66/70, Image Size: 21 x 21 inches...

Very nice Iranian red and black screen print from the 50s.

Leonard Baskin (1922-2000) Untitled, Late 20th Century Woodcut Framed: 32 x 24 1/4 x 1/4 in. Edition 26/50 Signed and numbered lower right A highly respected draftsman, printmaker, ...

Silksreen, 2015 Handsigned by the artist in pencil and annotated EA Artist proof Edition : 30 ex. 74.50 cm. x 60.50 cm. 29.33 in. x 23.82 in. (paper) 57.50 cm. x 46.50 cm. 22.64 in...

Bernard BUFFET (1928-1999) Women's Games : Spring, 1970 Original lithograph Unsigned On vellum 75 x 55 cm (c. 30 x 22") References : Bernard Buffet - Lithographe / Mourlot, ref. #...

Richard Anuszkiewicz (American, 1930-2020) 6 Seritypien, 1965 Medium: Screenprint on Schoellers Hammer card Dimensions: 24 2/5 × 24 2/5 in (62 × 62 cm) Edition of 125: Each print is ...

Jonas Wood Plants and Animals Exhibition Poster (Signed), 2022 Signed Poster 24 × 28 in 61 × 71.1 cm Published by David Kordansky Gallery

Artist: Arthur Boden, American Title: T Series (Orange) Year: circa 1970 Medium: Screenprint, signed and numbered in pencil Edition: 100 Size: 29 in. x 23...

From The Window is a colored lithograph realized by  Gastone Breddo in the 1970s . Edited by La Nuova Foglio, Macerata. Hand-signed  in pencil on the lower right.  Numbered  in pen...

ARTIST: Salvador Dali TITLE: The Vision of The Angel of Cap Creus - The Thumb MEDIUM: Lithograph SIGNED: Hand Signed PUBLISHER: Levine & Levine for DALART EDITION NUMBER: 216/350 MEASUREMENTS: 21.2" x 29.9" YEAR: 1980 FRAMED: Yes, museum quality gold frame...

"Kill Spotted Horse" is an original lithograph created by Leonard Baskin. It was published by Fox Graphics. This is a proof purchased directly from the artist. Baskin signed the work in the lower right margin and labelled the work as a proof in the lower left margin, written with graphite. It depicts Kill Spotted Horse, an Assinniboine Native American, in a feather headdress against a light blue background.  Artwork Size: 15" x 13 1/2" Frame Size: 27 1/2" x 26 3/8" Artist Bio: Leonard Baskin (1922-2000) was an american artist born in New Jersey and taught art classes in Massachusetts. He has received many public commissions (including a bas relief for the FDR Memorial), honors, and his work is owned by many major museums around the world. Additionally, Baskin was a teacher at Smith College in Northampton, Massachusetts. As a champion for human rights, Baskin created many pieces celebrating those who were seldom recognized.  Baskin’s interest in nineteenth century Native Americans was roused into acute attendance from ignorant indifference, when the National Park Service asked him to provide illustrations for the handbook that described the then called “Custer National Park”, now called “Little Big...

Salvador Dali Pilgrim's Journey (TAROT The Fool) , 1978 Lithograph on Arches Hand signed in the lower right Numbered 362/400 Image size: 58 x 43 cm Sheet size: 74.5 x 54.5 cm Pub...

Signed and numbered to lower edge ‘Murakami 70/300’ Offset lithograph in colors on smooth wove paper

Beautiful poster from 1967 for an exhibition of Paul Klee at the Cantini Museum in Marseille. Paul Klee was a Swiss-born German artist. His highly individual style was influenced by ...

Signed, titled and numbered by the artist, from the serigraph edition of 40 prints completed at Self Help Graphics in Los Angele. Trouble in Paradise is based on tourism postcards and California orange crate art...

A colorful geometric screenprint by American artist Barbara Lynch Zinkel. Date: 1994 Medium: Screenprint, estate stamped verso and numbered in pe...

Artist: Allan D'Arcangelo, American (1930 - 1998) Title: Sky Bars Year: 1979 Medium: Screenprint, signed and numbered in pencil Edition: 150, T/P Image: 26.5 x 24 inches Paper Size: ...

A classic Rosenquist pop art composition with gold, turquoise, purple, pink, blue, green and yellow. Characteristically surreal and graphic, Rainbow incorporates bold geometric forms with painterly washes of color and airbrush texture. Rosenquist's signature gleaming metallic chrome texture can be seen on an inverted fork behind the glass of a golden window. Paper 25.25 x 30.25 in. / 64 x 77 cm Image 17 x 21.5 in. / 43 x 54.5 cm Lithograph with screenprint on cream-coloured Hodgkinson handmade Wookey Hole paper. Edition of 75 with 8 color trial proofs: this impression 8/8. Signed and dated 1972 lower right in pencil; titled, numbered 8/8 and labeled Color Trial Proof lower left in pencil. This graphic, colorful scene is based on Rosenquist’s 1962 oil painting of the same name, collected in the Museum Ludwig in Cologne. The artist used real glass and wood to construct windows for the original painting – here, house siding is abstracted to bold, black horizontal lines, and the window glass is printed in dark gold ink. At the top of the composition, a window with shutters pushed open is colored in turquoise, with sharp black shadows. The left-hand window pane is shattered, and to the right, the outline of an oversized...

Damien Hirst’s Dog by Mychael Barratt Limited edition art print Handmade Woodcut on paper Edition of 100 Signed and Titled Complete size of sheet: 63 ...

Marino Marini (Italian, 1901-1980) "Chevaux et Cavaliers" Artist proof pencil signed circa 1970 Fantastic 1970 lithograph by noted Italian artist Marino Marini. This is a rare Art...

Plate signed signature. Lithograph measure 26 x 28 inches. Good condition.

This Limited Edition giclee abstracted coastal landscape print by Bri Custer is an edition size of 195. It features a blue palette with warm pink and orange accents throughout. Prin...

Andre Lanskoy (French / Russian 1902-1976) Untitled from the portfolio La Genese, 1966 Color lithograph on wove paper Signed 'Lanskoy' lower right Edition 11 of 30. Numbered lower ri...

Artist: André Masson Medium: Original Lithograph, Signed & Numbered, 52/125 Dimensions: 26 x 19.3 in, 66 x 49 cm

Abstract Composition is a beautiful colored screen print realized by Mario Padovan in 1977. Hand-signed in pencil on the lower right. Numbered, on the lower left, the edition of 10...

2 colour lithograph on Somerset Tub Sized Satin White 410gsm. Signed and dated by the artist, archival label on verso.

Charles Pachter is one of the most collected and cherished Canadian artists. His iconic, uplifting and patriotic images have independently earned their place in the nation's museums. For the uninitiated, his work is accessible and beloved (notably his amazing hockey mural at Toronto's College Street subway station). While Pachter’s work shares some characteristics with Jim Dine, David Hockney and even Andy Warhol, his style is resoundingly charming, singular and uniquely Canadian. Queen Elizabeth, barns, Hudson’s Bay Company...

Ray Smith's aptitude for the surreal is apparent in this portfolio of six drypoint prints, presented in a portfolio case. Each image depicts an intriguing, fantastic landscape populated with chimeric nudes. Each one is carefully printed to appear as if doodled on lined notebook paper with ballpoint pen: Japanese letter paper chine-colle on Kizuki Hosho paper. Translated as "Letters from Japan," Cartas de Japon plays on tropes of an exotic, faraway land. The series of prints perhaps pictures Japan in the imagination of westerners, who for centuries speculated that those from other continents had wildly different bodies and customs. The title may be a reference to iconic Mexican director Carlos Velo's 1973 film Letters from Japan. Cartas del Japon, 1988-89 Portfolio of 6 drypoint prints printed on Japanese letter paper mounted on Kizuki Hosho paper Plate 6 x 7.8 in. Paper 18 x 23.4 in. Ed. 30 with three artist proofs. Printed by Hideharu Mishio, Norimasa Mizutani, and Marie Okada at Woodblock Workshop. Published by AC&T CORPORATION, Tokyo, 1989. Per the Broad: "Ray Smith’s paintings incorporate surrealistic and animistic tendencies informed by his Latin heritage as well as deep study of the history of modern art. Smith was born near the Texas/Mexico border...

Screenprint on Fabriano paper , edited in 1985 Limited edition of 125 copies signed in pencil by artist and numbered as: 46/125 paper size: 68 x 68 cm ( 26 5/8 x 26 5/8 inch ) very good conditions Published by Fausta Squatriti, Milan A regular certificate of authenticity will be included Fast and Tracked shipping with express currier DHL Bibliography: The prints on Anni Albers Ref 95 Anni Albers ( 1899 – 1994 ) – Double Weave...

Frederic MENGUY Woman with fruits, 1972 Original lithograph, (Mourlot workshop) Handsigned in pencil Numbered /120 copies On Arches vellum 76 x 54 cm (c. 29,9 x 21,2 inch) Excellen...

Very nice lithograph by Man Ray ( 1890 - 1970 ) who was an American visual artist and spent most of his career in Paris. This unique trial proof is hand signed by the artist. He was ...

The 1895 original poster by Fernand Fau for the Salon des 100 14th Exhibition is a fascinating piece of art that captures the spirit of the Belle Époque in France. The Salon des 100 ...

This rare original poster by Pierre Alechinsky is a powerful artistic and historical document from the May 1968 Paris student protests. Printed on billboard paper using a home press,...

Michael Challenger, British (1939 - ) - Heaven Forbid, Year: 1979, Medium: Screenprint, signed, titled, numbered and dated in pencil, Edition: AP, Image Size: 17 x 23 inches, Siz...

Landscape is an original lithograph realized by Alfonso Avanessian in 1970's Hand-signed on the lower right: Avanessian Artist's proof (as reported on the lower left margin) Good ...

This 1918 original poster by Suzanne Ferrand, titled "Réservez le Vin pour Nos Poilus" ("Reserve the Wine for Our Soldiers"), is a powerful piece of World War I propaganda, emphasizi...

Bernard BUFFET Science : The Microscope Stone lithograph (printed in Mourlot workshop) Printed signature in the plate On Arches vellum 30 x 22" REFERENCE : Catalog raisonne of lit...

This striking mid-century modern etching, titled Flight, is an original abstract expressionist work by renowned Colorado Springs artist Mary Chenoweth (1918–1999). Created circa 1950...

Victor Vasarely (1906-1997) - The Fifty Years 2 Silkscreen / Serigraph from 1989. Edition of 100. Dimensions of work: 70 x 57 cm The work is in Excellent condition. Fast and sec...

"Animated Formation" Abstract Aquatint Etching Abstract Aquatint Etching by Katherine "Kay" Metz (b. 1932-2018.)This dynamic print by Kay Metz straddles the line between organic and...

Lithograph on vélin papel Guarro con filigrana paper. Unsigned and unnumbered, as issued. Good condition. Notes: published in 1970 to promote the folio, Tapís De Tarragona, il·lustra...

Alexander Calder 'La Grenouille et Cie' Vintage original 1971 poster for the exhibition Pace Columbus (Ohio) featuring a printed Calder signature. Medium: Offset lithograph Dimensions: 25 x 32 inches An original 1st printing in very good vintage condition. Plate signed on the lower right from an edition of unknown. This is an original 1970s poster and not a recent reproduction of any kind. Related Categories Calder prints. Calder Mid Century Modern. 60s. Alexander Calder and Contemporary Art. Calder figurative. Vintage Calder.

New Nucleus Herbert Bayer, Austrian (1900–1985) Date: 1973 Screenprint, signed and numbered in pencil Edition of 7/50 Image Size: 29.75 x 29.75 inches Size: 32 in. x 32 in. (81.28 cm...

"Echecs (Chess)" is a Limited Edition Lithograph (107/150) by Marcel Mouly. The print is pencil-signed by the artist. It measures approximately 29.5 x 21 inches. The date of creation...

Silksreen, 2014 Handsigned by the artist in pencil and numbered 26/30 Publisher : BUYSE (Lille) 76.00 cm. x 55.50 cm. 29.92 in. x 21.85 in. (paper) Publisher stamp A screen print b...

Cynthia Nartonis, American (1943 - ) - Rowboat, Medium: Monoprint, signed in pencil, Image Size: 17.5 x 25 inches, Size: 22.5 x 30 in. (57.15 x 76.2 cm)

16 Green Circles from the Eight Variants series, 1970 This work is number 51 from the edition of 165 printed by Hans Mayer, Krefeld, Germany. screenprint 28"x28" Julian Stanczak American/Polish, 1928-2017. explores the visual, psychological, and emotional resonance of color in his Op art paintings, through which he aims to induce a “color meltdown,” as he describes: “I want to fuse many colorants and their gradations into a single color experience.” Influenced by Josef Albers and Russian...