Oversized Prints and Multiples

Powerful reproduction of a classic Chinese propaganda poster originally issued during the late Maoist / early post-Mao era, promoting national military strength and modernization. Th...

Title: "Nocturne" Artist:Erte Type: Serigraph Image Dimensions: 26 x 20 Framed: 42x32.5 inches Year Produced: 1985 Edition: 258/300 Condition: Excellent The Russian born Romain de T...

Peter Blake V is for Valentine (from the Alphabet Series), 1991 Silkscreen in colors on wove paper 40 2/5 × 30 3/5 inches Hand signed, titled and numbered 49/95 on the front Published by Waddington Graphics and Corianda Studios from the Alphabet Series Unframed An exquisite print with romantic imagery in a sweet, romantic pastel pink. 'V for Valentine' is from Blake's 1991 series of alphabet letters. This tender and sentimental piece comprises a collection of antique valentine...

Julian Schnabel Large Lincoln Center 25 Years (Hand signed and inscribed), 1984 Offset lithograph. Signed and inscribed to Kevin by Julian Schnabel 60 × 40 inches Signed and inscribe...

This is a contemporary black and white photograph of a Costal Wolf. 30x60- 1 of 3 unsigned test prints Printed on Photo Rag using only archival ink. Framing available. Inquire for r...

"Andy" is a photomosaic artwork by Destro. Destro has created large prints which are made up of many hundreds of smaller images. Archival photographic paper Signed edition of 150 ...

William Tillyer Cruise-O-matic 1972 Line Etching on zinc, Edition of 60 Paper size: 70.5 x 104.5 cms (27 3/4 x 41 ins) Image size: 50.5 x 75 cms (19 7/8 x 29 1/2 ins) This classic ...

This elegant lithograph on two sheets of wove paper, as issued, by Alphonse Mucha (1860–1939) and published by The Strobridge Lith, Co., Cincinnati, and New York was created to promo...

Original 1947 “This Time For Keeps” vintage American movie poster. NSS: 47/486. Archival linen backed in very good condition, ready to frame. The original theater issued fold ...

This charming design by Leonetto Cappiello (1875–1942) was created to promote Le Petit Coquin, advertised as a “Dessert Exquis.” The poster features a young girl in a bright red dres...

Joana Vasconcelos, Filament I Filament I, Contemporary, 21st Century, Pigment Print, Limited Edition, Edition Pigment Print Edition of 25 111.8 x 85.3 cm (44 x 33.5 in) Signed and nu...

Salvador Dali, Spanish (1904 - 1989) - King David, Portfolio: Our Historical Heritage, Year: 1975, Medium: Intaglio Etching and Color Pochoir on Arches Paper, signed and numbered ...

**STORE CLOSURE - UP TO 80% OFF - TAKE ADVANTAGE OF IT** ***EVERYTHING MUST GO BY DECEMBER 31ST!*** >>The artist is moving to a new full time venture in 2026<< _________...

National Florida's West Coast Original Vintage Poster, linen-backed and ready to frame. Grade A condition. No restoration, no damage, no tears. Generally, posters for National Airlin...

Grand Canyon Susan Shatter, American (1943–2011) Date: 1981 Lithograph, signed and numbered in pencil Edition of 80 Size: 31.5 x 44 in. (80.01 x 111.76 cm)

Hand embellished print on paper (AP) This piece comes with full provenance. This incredible limited edition would make a wonderful statement piece for a feature wall. and it would ...

Patrick Heron 1920-1999 Shapes of Colour 9, 1978 screenprint 50 x 35 cm 19 3/4 x 13 3/4 in signed in pencil printed by Kelpra Studio, published by Kelpra Editions and Waddington & T...

Bold and impactful, this original circa 1920 poster for Chambéry Dolin proclaims with authority the legacy of a brand that revolutionized French aperitifs. Declaring “Inventeur du Ve...

This screen print was created to celebrate the Mostly Mozart Festival in 1982. A pattern of shapes in pale pinks, greens and silver tones creates an image resembling a tapestry. The total edition size is 144 plus 18 artist proofs. It is hand signed and numbered in pencil by the artist with the blindstamp of the printer, Fine Creations, Inc., New York. This print comes directly from Lincoln Center, the publisher of the edition. Joyce Kozloff was a founder of the 1970s Pattern...

This striking 1992 original poster by French artist Robert Combas was created for the Floralies Internationales de Bordeaux, a grand celebration of horticulture held at Bordeaux-Lac....

This powerful original lithograph by Bernard Venet exemplifies the artist’s signature exploration of line, gesture, and abstraction. Renowned for his conceptual rigor and minimalist ...

Mysterious, poetic, and visually arresting, this original lithograph from 1957 titled Sofa is Blind presents a haunting meditation on presence and absence. Executed in muted greys, b...

Wolf Kahn Bay with Boats, 1987 Color monotype on Somerset white wove paper Hand signed and dated by Wolf Kahn on the lower right front, bears labels on the back Frame Included: matte...

This charming 1964 Swissair travel poster by Swiss artist J. Bersier captures the serene elegance and timeless appeal of Geneva, Switzerland. Dominated by a vibrant image of Geneva’s...

This original 1998 poster, created by the celebrated French graphic artist Gérard Courbouleix–Dénériaz, known by his pseudonym Razzia, was produced for the prestigious Concours Autom...

This stunning original 2000 poster designed by renowned French artist Razzia was created for the Louis Vuitton Classic, held on the 9th and 10th of September at the prestigious Parc ...

A woman climbing over a wall, almost there. Edition of 10 American, b. 1958 Jim Rennert was born in 1958, and grew up in Las Vegas, Nevada, and Salt Lake City, Utah. After ten tryi...

This vibrant original poster from circa 1945, designed by the talented duo Pierre & Jacques Bellenger, radiates the effervescence and optimism of post-war France. Advertising the ref...

Bursting with charm and playful sophistication, this vibrant original 1950s poster by Paul Igert captures the essence of French liqueur advertising at its most whimsical. Created for...

School Fun, photograph from Richard Heeps' series, In The Treasure Trove, featuring the multicolour spines of the iconic children's Annuals, captured in a vintage bookshop in Burnham...

This is a signature color-field composition with multiple thin colored stripes created by Gene Davis. Gene Davis (American, 1920-1985) Screenprint Black Watch I, II and III, 1974 ...

This lively Belle Époque poster by Leonetto Cappiello (1875–1942) was created to advertise Absinthe Gempp Pernod of Lunel. A radiant red-haired woman in a flowing blue dress lifts a ...

This charming and mischievous circa 1910 original lithography by Francisque Poulbot captures a moment of youthful rebellion and streetwise spirit in the heart of working-class Paris....

Sergio Hernández (Mexico, 1957) 'Untitled', 2011 woodcut on paper Velin Arches 300 g. 29.6 x 41.4 in. (75 x 105 cm.) Edition of 15 ID: HER-284 Unframed

Serigraph on clayboard panel. Hand signed and numbered by the artist. Edition PA of 15. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offer...

Jack Youngerman, American (1926 - 2020) - Blue Flower, Year: 1978, Medium: Screenprint, signed, numbered and dated in pencil, Edition: 95/100, Image Size: 50 x 35.5 inches, Size:...

7-color woodcut on Somerset white 500 gsm

This contemporary limited edition print by Teodora Guererra features a colorful palette with white, muted orange, green, and varying blue tones layered in light, vertical strokes tog...

Giant silos seem to twist to the heavens. Salvador Brazil – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with c...

THis artwork "Pink Lady" 1989, is an acrylograph on hand made paper by noted Mexican artist Byron Galves, 1941-2009. It is hand signed, dated and numbered 64/150 in white pencil by the artist.The artwork size is 28.5 x 15.5 inches, paper sheet size is 32 x 23.85 inches, framed size is 44 x 36 inches. Beautifully custom framed in a wooden silver frame, with dark purple backing and bevel. It is in excellent condition, the frame have some small minor restorations, barely visible. About the artist: Byron Gálvez (October 28, 1941 – October 27, 2009) was a Mexican artist who was primarily known for his painting but also created sculpture, including monumental works. He was born in rural Hidalgo state, to a father who played jazz music and read literature, a rarity in 1930s rural Mexico. However, it exposed Gálvez to culture, even though this led to an interest in visual art rather than musing or writing. He went to Mexico City to study art at both the undergraduate and graduate level, but never completed his degrees, opting instead to begin career after his coursework. Before his first individual exhibition, his work was criticized by Justino Fernández, but all of the paintings were sold in advance to foreign buyers including American actor Vincent Price, who called Gálvez a “Mexican Picasso.” Gálvez then managed to replace the forty five paintings for the exhibition in a week. Since then he had individual and collective exhibitions in Mexico, the United States and other parts of the world. He concentrated on painting, which he is better known for, in the 1970s and 1980s, but moved on to sculpture, including monumental works later in his career. Recognitions for Gálvez's work include membership in the Salón de la Plástica Mexicana, a retrospective at the Palacio de Bellas Artes and two books published about his life. Gálvez was born in Mixquiahuala, Hidalgo and described his childhood as happy, and would not have changed it. His father, Roberto Gálvez, was a farmer and merchant, who was a music and literature enthusiast, a rarity is 1930s rural Mexico. His father played the violin in the town's jazz band, which had almost all classical instruments, making it similar to bands in New Orleans. They even composed new pieces. The artist was named after Lord Byron, and his brothers, Eliot, Aníbal and Dante, after his father's reading preferences This meant that Gálvez grew up in an environment that encouraged the enjoyment of the arts. However, instead of music or literature, Gálvez stated that his earliest memories related to his attraction to art and that he always wanted to be a painter. The difficulties of farm life convinced him that he needed an education and would have to move to Mexico City in order to go to school. At age sixteen he left home for the capital to study painting at the Escuela Nacional de Artes Plásticas, not knowing what the study would entail. It was far more rigorous than he expected, with thirteen-hour school days leaving only weekends to earn money to live on.[3] He did his undergraduate studies from 1958 to 1962, then continued with the graduate courses from 1962 to 1964, specializing in painting. He did much of his studies under teachers such as Luis Nishizawa, Fernando Castro Pacheco, Francisco Moreno Capdevila, Santos Balmori, Antonio Rodríguez Luna and Antonio Ramírez. The last teacher taught him to love his studies above all else and he submitted himself to the academic rigor. This led him to become attracted to the Cubism of Picasso, and felt that the artist has opened roads which could be taken and widened. Although he specialized in painting, his interest in sculpture was also evident at this time as he was a founding member of a metal sculpture workshop at the institution along with Armando Ortega and Baltazar Martinez.[2][5] Although he completed his coursework, he did not finish the other requirements needed for the degree, instead opting to start his career. Gálvez married once to art dealer Eva Beloglovsky.The couple first met in 1973, but did not meet again until two years later, when Beloglovsky bought one of his paintings and sold two more through her art gallery. At first it was a working relationship, and then evolved into a romantic one. During their marriage, they worked on a number of projects together such as multi-media presentations and charity benefits. The couple remained together until Galvez's death. Although he began and developed much of his career in Mexico City, in his later life, the artist moved back to his rural hometown. Gálvez constructed a house and studio on the edge of a ravine in which flows the Moctezuma River. The structure has glass walls positioned for maximum light and a privileged view of a local landmark, a hill called El Elefante. Gálvez's work included painting, sculpture, etching, lithography, and drawing.[4] For Galvez, art was spiritual and disconnected with physical logic, when only aesthetics mattered. Female figures are common, and often are sensual. He work has been influenced by the Cubism of Picasso and Georges Braque, by African and Oceanic folk art and by pre-Columbian sculpture. He preferred large scale works often bigger than seven by seven feet. He painted while listening to classical, jazz and occasionally, rock music. Galvez's work experienced periods in which different artistic currents dominated including expressionism, abstract art and mixtures of the two. In his work, he tried to achieve a balance between figurative and abstract expression. The first stage of his painting was figurative expressionism, then abstract expressionism, under strong influence of Carlos Mérida, Rufino Tamaho, Santos Balmori, Kandinsky, Wifredo Lam and Picasso, along with some from classical painters such as Rembrandt and Caravaggio. Then for some time, he practiced abstract art, but then felt the need to draw human bodies again, especially female ones because he felt it allowed him better expression. Around 1980, he moved on to geometric figurativism, marked by the “Woman” exhibit at the Museum of Modern Art. This has also been describes as “pure chromatic constructivism. He considered himself primarily a sculptor and painted in that fashion. The work of Byron Galves is held in numerous corporate and private collections Galvez died at age 67 at Inglés Observatorio Hospital from a heart attack. His ashes were deposited a year after his death to the side of one of the sculptures at his home in Mixquiahuala. During his career, he exhibited individually and collectively in over sixty venues in Mexico, various cities in the United States, Europe and Latin America. In 1964, he had his first individual exhibition at the ENAP Gallery, after showing in collective exhibitions at the Palacio de Bellas Artes and private galleries along with more prominent painters such as José Chávez Morado, Alfredo Zalce, José Clemente Orozco, Diego Rivera, Carlos Orozco Romero and David Alfaro Siqueiros. Before the opening of this exhibit, his work was severely criticized by art historian Justino Fernández. Despite this, the paintings for the exhibit were bought in advance, most by American actor Vincent Price, who called Gálvez a “Mexican Picasso.” The paintings were taken out of the country one week before the exhibit, but Gálvez was not concerned about not having paintings for the show, rather he was satisfied about his work being recognized and supported.He managed to create forty five more paintings in the remaining time in order to have the exhibit. After this individual exhibit, Gálvez had over 55 more over he career, along with participated in other 75 collective exhibits. Important exhibits include the Solar 68 collective exhibition at the Palacio de Bellas Artes (1968), the Sterenberg Galleries, Chicago (1972), Eye Corporation in various US cities (1973), Polyforum Cultural Siqueiros (1978), Museo de Arte Moderno in Mexico City (1982), Harcourts Contemporary Gallery in San Francisco (1983, 1990), Art-Forum Gallery in Mexico City (1984), Bishop Gallery in Phoenix (1989), Merryl Chase Gallery in Washington, DC (1991, 1992), Suhan Galleries in San Diego (1992), Misrachi Gallery (1994) and San Francisco Theater in Pachuca (1995) .[4][2] After his death, the Secretaría de Relaciones Exteriores sponsored an exhibition of his work in Tainan, Taiwan in 2011. His works can be found in major collections in both Mexico and the United States. The strongest demand has been for his figurative work especially that produced later in his life. Gálvez also created murals and sculptures, both small and monumental. His first mural was sculpted done in 1968 in Los Angeles. However, most of his monumental work was produced later in his career as he concentrated on painting in the 1970s and 1980s. These include a mural at the National Conservatory of Music in Mexico City (1970), a thirty-foot high sculpture in Unidad Morelos in Mexico City (1971), a hand hammered copper triptych for a private residence in Mexico City (1984), a sculpted door for a private residence (1985), a sculpture for a private home in New York (1986), Reclined Torso at the Hotel Nikko Mexico (1998), Torso I a five-foot high sculpture for the city of Pachuca (1999), Torso II a nineteen foot high sculpture at the Altiva Building, Mexico City (1999), Millenium, a bronze sculpture/fountain at the highway entrance to Pachuca (2000), a sculpture garden for Mixquiahuala, Hidalgo (2005) and the master plan and central mosaic for the David Ben Gurion Cultural Park in Pachuca (2007). The park project, the last before his death, included not only the creation of the central mosaic, the largest pedestrian mural in the world at 345,000f, but also the design of the 65-acre park itself. His other activities included the teaching of drawing at his alma mater, the creation of a program for the radio ministry of Mexico in 1973, participation in a documentary about lithography in Mexico in 1980 and the creation of several special programs for the office Radio...

Lucky Lady is a pigment print on paper by the renowned photorealist Charles Bell. The image is 27 x 46" and the framed dimensions are 32.5 x 50.75. Framed in a contemporary, black mo...

Ball Park Ralph Fasanella American (1914–1997) Date: 1974 Screenprint, signed and numbered in pencil Edition of 122/250 Image Size: 25 x 37 inches Size: 31 in. x 43 in. (78.74 cm x...

Paper Size: 45 x 29.5 inches ( 114.3 x 74.93 cm ) Image Size: 45 x 29.5 inches ( 114.3 x 74.93 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Deta...

Robert Rauschenberg Autobiography, 1968 Three panel offset lithograph on three sheets of paper 66 1/4 x 48 3/4 inches each Ed. 2000, unsigned Unframed Can be displayed horizontally o...

Spanish contemporary artist Cesar Delgado (b. Madrid, Spain) is known for his meticulous and imaginative approach to abstraction, often described as a scientific exploration of form ...

This is a contemporary black and white photograph of North American Wild Horses Photography by Shane Russeck Printed on archival photographic paper Edition of 10 Signed and numbere...

"Dos Personajes Atacado Per Perros" by Rufino Tamayo is a Figurative Abstraction Mixographia on amate paper measuring 61x98 in. The piece is sandwiched between two pieces of plexigla...

The large advertisement poster created by Mobil for the promotion of Francis Durbridge's Melissa likely dates to 1982, corresponding with its U.S. broadcast on PBS's Mystery! series....

Warren Rosser Hinged Reflection Year: 2003 8 Color Lithograph Edition: 30 Paper: Rives BFK Paper Size: 30.25 x 82.5 inches (two sheets joined) Image Size: Same Signed and numbered by...

Heidler & Heeps B Side Vinyl Collection Sixteen Piece Multicolor Square Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to mak...

Original British vintage poster: Historic Carlisle - Gateway to Scotland. Artist: Maurice Greiffenhagen. Horizontal size 39" x 48.75". Archival linen-backed original stone lithograph; ready to frame. In very good to excellent condition. Original, 1925 horizontal travel by train stone lithograph. Historic Carlisle ~ 800 years of Civic Independence. See Britain by train. British Railways. Published by British Railways (London Midland Region) LM 16657. Probably the most famous British railway poster of the 1920s. The LMS commissioned designs from 16 leading Royal Academicians in 1924, of which this was by far the most popular. A British Royal seal...

Limited edition (18 signed and numbered prints + two artist proofs). This image is from Marvin Berk’s “Heatwave” series. Flawless original signed and numbe...

Artist: Chaz Guest, American (1961 - ) Title: Billie's Trio Year: Circa 1980 Medium: Serigraph, signed and numbered in pencil Edition: 350, AP 35, PP 8 Size: 29 in. x 42.5 in. (73.66...

Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style painting made with traditional practices, techniques and materials. She moved to Barcelona (Spain) i...

This coastal seascape limited edition print captures a scene from the porch of a beachfront property along the coast. A setting sun casts sharp light and cool blue-grey shadows across the porch, where two sets of shoes and two boat paddles...

From a series of conceptual motivational roadside signs in iconic California landscapes, captured with a large format camera to allow epic scale print sizes with incredible image det...

Richard Haas View of the Mall From a Castle Tower, 1983 Seven-Color Lithograph: Hand Drawn on English Somerset Satin 100% rag paper 14 1/4 × 43 3/4 inches Edition of 7 (Hors Commerce...

This is a contemporary black and white photograph of wild horses. "They represent the ultimate expression of American freedom" 36x48 Edition of 12 Printed on archival paper using a...

"Sunrise 1", a cool, zoomed portrait in the characteristic style of Alex Katz. Wonderful colors and a the feeling of a hot summer day. Signed "Alex Katz" bottom right and numbered "3...

Paper Size: 60 x 24 inches ( 152.4 x 60.96 cm ) Image Size: 60 x 24 inches ( 152.4 x 60.96 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Details:...