Oversized Prints and Multiples

Richard Lindner, German/American (1901 - 1978) - Fun City NYC, Year: 1969, Medium: Lithograph, signed and numbered in pencil, Edition: HC 3/3, Image Size: 26.75 x 39.5 inches, Si...

Hand embellished print on paper Edition of 18 This incredible painting would make a wonderful statement piece for a feature wall. and it would also be a great investment piece, as ...

This Limited-Edition abstract print, "Blueberry Hill," by Sofie Swann is an edition of 95. Printed on canvas, this giclee ships framed in a white floater frame wired and ready to han...

This abstract limited edition print by Sofie Swann features a square pattern composition in a deep red color, with abstracted, thin black line drawings of roses within each square. T...

This artwork titled "Left Bank Cafe, Paris" 1987 is an original color serigraph by noted American artist LeRoy Neiman, 1921-2012. It is hand signed and numbered H.C 166/175 in pencil by the artist. The image size is 26 x 38 inches, sheet size is 32.25 x 44 inches. With the blind stamp of the printer Styria Studio at the lower left corner margin. It is in excellent condition, two small pieces of hanging tape remain on the back. About the artist: Mr. Neiman's kinetic, quickly executed paintings and drawings, many of them published in Playboy, offered his fans gaudily colored visual reports on heavyweight boxing matches, Super Bowl games and Olympic contests, as well as social panoramas like the horse races at Deauville, France, and the Cannes Film Festival. Quite consciously, he cast himself in the mold of French Impressionists like Toulouse-Lautrec, Renoir and Degas, chroniclers of public life who found rich social material at racetracks, dance halls and cafes. Mr. Neiman often painted or sketched on live television. With the camera recording his progress at the sketchpad or easel, he interpreted the drama of Olympic Games and Super Bowls for an audience of millions. When Bobby Fischer and Boris Spassky faced off in Reykjavik, Iceland, to decide the world chess championship, Mr. Neiman was there, sketching. He was on hand to capture Federico Fellini directing "8 ½" and the Kirov Ballet performing in the Soviet Union. In popularity, Mr. Neiman rivaled American favorites like Norman Rockwell, Grandma Moses and Andrew Wyeth. A prolific one-man industry, he generated hundreds of paintings, drawings, watercolors, limited-edition serigraph prints and coffee-table books yearly, earning gross annual revenue in the tens of millions of dollars. Although he exhibited constantly and his work was included in the collections of dozens of museums around the world, critical respect eluded him. Mainstream art critics either ignored him completely or, if forced to consider his work, dismissed it with contempt as garish and superficial — magazine illustration with pretensions. Mr. Neiman professed not to care. Maybe the critics are right," he told American Artist magazine in 1995. "But what am I supposed to do about it — stop painting, change my work completely? I go back into the studio, and there I am at the easel again. I enjoy what I'm doing and feel good working. Other thoughts are just crowded out." His image suggested an artist well beyond the reach of criticism. A dandy and bon vivant, he cut an arresting figure with his luxuriant ear-to-ear mustache, white suits, flashy hats and Cuban cigars. "He quite intentionally invented himself as a flamboyant artist not unlike Salvador Dalí, in much the same way that I became Mr. Playboy in the late '50s," Hugh Hefner told Cigar Aficionado magazine in 1995. LeRoy Runquist was born on June 8, 1921, in St. Paul. His father, a railroad worker, deserted the family when LeRoy was quite young, and the boy took the surname of his stepfather. He showed a flair for art at an early age. While attending a local Roman Catholic school, he impressed schoolmates by drawing ink tattoos on their arms during recess. As a teenager, he earned money doing illustrations for local grocery stores. "I'd sketch a turkey, a cow, a fish, with the prices," he told Cigar Aficionado. "And then I had the good sense to draw the guy who owned the store. This gave me tremendous power as a kid." After being drafted into the Army in 1942, he served as a cook in the European theater but in his spare time painted risqué murals on the walls of kitchens and mess halls. The Army's Special Services Division, recognizing his talent, put him to work painting stage sets for Red Cross shows when he was stationed in Germany after the war. On leaving the military, he studied briefly at the St. Paul School of Art (now the Minnesota Museum of American Art) before enrolling in the School of the Art Institute of Chicago, where, after four years of study, he taught figure drawing and fashion illustration throughout the 1950s. When the janitor of the apartment building next door to his threw out half-empty cans of enamel house paint, Mr. Neiman found his métier. Experimenting with the new medium, he embraced a rapid style of applying paint to canvas imposed by the free-flowing quality of the house paint. While doing freelance fashion illustration for the Carson Pirie Scott department store in Chicago in the early 1950s, he became friendly with Mr. Hefner, a copywriter there who was on the verge of publishing the first issue of a men's magazine. In 1954, after five issues of Playboy had appeared, Mr. Neiman ran into Mr. Hefner and invited him to his apartment to see his paintings of boxers, strip clubs and restaurants. Mr. Hefner, impressed, showed the work to Playboy's art director, Art Paul, who commissioned an illustration for "Black Country," a story by Charles Beaumont about a jazz musician. Thus began a relationship that endured for more than half a century and established Mr. Neiman's reputation. In 1955, when Mr. Hefner decided that the party-jokes page needed visual interest, Mr. Neiman came up with the Femlin, a curvaceous brunette who cavorted across the page in thigh-high stockings, high-heeled shoes, opera gloves and nothing else. She appeared in every issue of the magazine thereafter. Three years later, Mr. Neiman devised a running feature, "Man at His Leisure." For the next 15 years, he went on assignment to glamour spots around the world, sending back visual reports on subjects as varied as the races at Royal Ascot, the dining room of the Tour d'Argent in Paris, the nude beaches of the Dalmatian coast, the running of the bulls at Pamplona and Carnaby Street in swinging London. He later produced more than 100 paintings and 2 murals for 18 of the Playboy clubs that opened around the world. "Playboy made the good life a reality for me and made it the subject matter of my paintings — not affluence and luxury as such, but joie de vivre itself," Mr. Neiman told V.I.P. magazine in 1962. Working in the same copywriting department at Carson Pirie Scott as Mr. Hefner was Janet Byrne, a student at the Art Institute. She and Mr. Neiman married in 1957. She survives him. A prolific artist, he generated dozens of paintings each year that routinely commanded five-figure prices. When Christie's auctioned off the Playboy archives in 2003, his 1969 painting Man at His Leisure: Le Mans sold for $107,550. Sales of the signed, limited-edition print versions of his paintings, published in editions of 250 to 500, became a lucrative business in itself after Knoedler Publishing, a wholesale operation, was created in 1975 to publish and distribute his serigraphs, etchings, books and posters. Mr. Neiman's most famous images came from the world of sports. His long association with the Olympics began with the Winter Games in Squaw Valley in 1960, and he went on to cover the games, on live television, in Munich in 1972, Montreal in 1976, Lake Placid in 1980, and Sarajevo and Los Angeles in 1984, using watercolor, ink or felt-tip marker to produce images with the dispatch of a courtroom sketch artist. At the 1978 and 1979 Super Bowls, he used a computerized electronic pen to portray the action for CBS. Although he was best known for scenes filled with people and incident, he also painted many portraits. Athletes predominated, with Muhammad Ali and Joe Namath among his more famous subjects, but he also painted Leonard Bernstein, the ballet dancer Suzanne Farrell...

large scale photograph of iconic Italian architecture by architect Adalberto Libera for writer Curzio Malaparte on the Mediterranean island of Capri, Italy, famous film location of Jean-Luc Godard's movie 'Contempt' starring Brigitte Bardot, Michel Piccoli, Fritz Lang and Jack Palance Casa Malaparte...

large format Panorama photograph of sun reflections on pool water surface, mesmerizing light reflections of glistening sunlight on turquoise aquamarine water surface, an homage to th...

TIE Fighter Beatles by B A T I K Pop art work featuring the Fab Four Paul McCartney , George Harrison, Ringo Starr and John Lennon running away from Star Wars TIE fighters chasing...

This vibrant original 1989 French poster by celebrated graphic artist Bernard Villemot was created to promote the French National Lottery’s summer jackpot: “Super Cagnotte des Vacanc...

This glamorous original vintage poster, designed circa 1980 by Thierry Flamand, advertises Un Spectacle de Nuit—a dazzling cabaret performance at the legendary Alcazar de Paris, envi...

This striking original exhibition poster was created for the Bernard Buffet show Kabuki, held at the Galerie Maurice Garnier in Paris from February 4 to March 26, 1988. A rare and at...

Complete title: El Origen del Deseo - Estoy Dentro de Alegría (The Origin of Desire - I am Inside of Happiness) Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, ...

Artist: Man Ray (American, 1890-1976) Title: Les Nuits De aint Jean De Luz Year: 1968 Medium: Color Lithograph Edition: Numbered 87/120 in pen...

Albert Brenet (1903-2005) stands as a distinguished figure known for his mastery of capturing the grandeur and strength of the sea. His 1971 original poster for the "Marine Nationale Française - Guepratte et Porte-Avion" is a splendid creation, showcasing his deep appreciation for France's naval prowess and the powerful synergy between art and the sea. Albert Brenet's illustrious career was marked by his extraordinary ability to bring the maritime world to life on canvas and in posters. As a naval painter, he was celebrated for his meticulous attention to detail and his reverence for the maritime experience. Brenet's art was not merely a portrayal; it was a vivid immersion into the world of the sea. The 1971 poster...

'Red Demon and Blue Demon with 48 Arthats' is a large-format offset lithograph by Takashi Murakami, image size 28 x 46.5 inches and framed size 37.5 x 56 inches. From the edition of 300, signed lower right and numbered 191/300. Framed in a contemporary, white frame. In the 2017 monograph, ‘The Octopus Eats its Own Legs’, Michael Dylan Foster writes, “Akiko Miki has noted that in his more recent work Murakami has made a ‘shift not only to being concerned with the notion of religion – a main component, along with capitalism, behind the creation of art – but also towards a more serious engagement with the traditions of Japanese art.’ These concerns, manifested in his explicit invocations of folkloric imagery and creatures from both religion and art, are particularly apparent in ‘The 500 Arhats,’ his monumental twenty-four-paneled, 100-meter-long painting. The work portrays five hundred wizened and grotesque arhats, Buddhist religious figures who, as art historian Nobuo Tsuji puts it, ‘normally… stay in the mountains practicing religious austerities, only appearing after a fire, tsunami, earthquake, or some other disaster has occurred, as a kind of rescue team.’ The gargantuan painting represents Murakami’s interest in creating – in the wake of Japan’s tragedy of earthquake, tsunami, and nuclear disaster on March 11, 2011 – ‘a work of art that would be deemed indispensable to our times.’ The inspiration came directly from a series of exchanges between Murakami and Tsuji, whose critical work the artist had long admired.” Regarding the red and blue demons in the present artwork, these are allusions to Japan’s folkloric tradition of ‘oni’ – ogre or devil-like creatures who in ancient times were associated with bad fortunes and events, but in modern times are more ambiguous. “…Murakami’s invocation of the oni suggests that – unlike his arhats, or his baku and hakutaku – these beings have not come as part of the post-disaster ‘rescue team’ but may represent the very inhuman forces that cause disaster. A closer examination of the figures, however, reveals that Murakami has incorporated other cultural allusions that complicate a one-sided interpretation. …these poses are reminiscent of the so-called Niō guardian...

Helen Frankenthaler (after) Frankenthaler (autographedand inscribed), 1988 Offset lithograph poster (hand signed and inscribed to renowned collectors) Hand signed and warmly inscribed in ink on the front Frame included: Museum frame with UV plexiglass included Inscribed "to Paul and Joan, love Helen Frankenthaler" (Paul and Joan Gluck were major art collectors) Measurements: Framed 42 inches vertical by 34 inches by 1.75 inches Print 34.5 inches vertical by 27 inches Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

Joe Tilson 1928-2023 Polumnia, from The Nine Muses, 2005 aquatint 50 x 35.5 cm 19 3/4 x 14 in signed, inscribed and dated in pencil After serving in the Royal Air Force (1946–49), T...

Brightly colored shapes bounce and collide on a vibrant yellow background. This lithograph is an example of Murray's mature work. This image was used to feature Lincoln Center's cele...

"FHC" is an embossed original paper work by Spanish artist Jaquinto Moros. It is a contemporary curvilinear paper work with a sandy white appearance and relief effect. Edition 35, originally singed. Certificate. Comes framed in minimalist white wooden frame, 75 x 110 cm. Spanish artist Jaquinto Moros (born 1959) in Cetina, Zaragoza. He began to develop his career in New York where he lived for five years, before he moved to Madrid. He is known for his "post minimalism...

Double Poppies Green 2025 
Color silkscreen with enamel inks, flocking and sand on Rising 4-ply museum board 
Sheet size: 52.5 x 30 inches (133 x 76 cm)
 Image size: 48.5 x 26 inches...

Compelling set of 7 etchings from an exciting new talent, Indian Artist Sonal Varshneya Ojha. The 7 works come from a series of 25 works, Edition 4/7. The full Edition is available o...

This is a contemporary photograph of American Wild Mustangs. Printed on archival paper and using archival inks Framing available. Inquire for rates. Shane Russeck has built a repu...

large format photograph of sun reflections on a coral reef water surface, mesmerizing light reflections of glistening sunlight on turquoise aquamarine water surface, an homage to th...

Justine Smith. Money Map of Africa- archival inkjet print on 330gsm Somerset satin enhanced paper. Edition of 95 signed and numbered by the artist. This work...

The 1961 original Soviet propaganda poster by V. Volikov, titled "Gloire soviétique ! À l'homme soviétique le premier cosmonaute Yuri Gagarine - Space conquest," stands as a powerful...

Color silkscreen with enamel inks, flocking and sand on Rising 4-ply museum board

Stunning, vivid non-objective abstract screen print titled "Barnabas' Voyage State 2" by Michael Gallagher (American, b. 1945). Signed and numbered lower left corner. Ink on paper using unique bleed screening process. #10/20. Unframed. Size 49"H x 37"W. Shipped in tube. Born 1945 in Los Angeles, California. In 1965 Gallagher attended UCLA and studied painting and drawing with David Hockney, Alfred Leslie, Jan Stussy, Sam Amato & Richard Diebenkorn. Michael has studied painting with Edgar Ewing and Keith Crown...

This is an exclusive handprinted limited edition cyanotype. "Lush Palm Bushes" is a gorgeous original cyanotype diptych showing gorgeous tropical palm leaves. Details: + Title: Lu...

"Grizzly Shores" Unsigned Printed on archival paper using archival ink. Framing available. Inquire for rates. Shane Russeck has built a reputation for capturing America's lands...

Print of seated figures waiting for an interview. Edition of 10

TIE Fighter Beatles by B A T I K Pop art work featuring the Fab Four Paul McCartney , George Harrison, Ringo Starr and John Lennon running away from Star Wars TIE fighters chasing...

**STORE CLOSURE - UP TO 80% OFF - TAKE ADVANTAGE OF IT** ***EVERYTHING MUST GO BY DECEMBER 31ST!*** >>The artist is moving to a new full time venture in 2026<< _________...

The 1945 poster by Raoul Dufy for the "Le Havre Grand Gala Cinématographique," held at the Palais de Chaillot, stands as a poignant and artistic reminder of post-war solidarity and c...

large scale photograph of iconic classic motorcycle Chopper (2003) 48 x 85 inches (122 x 216cm) signed edition of 7 22.5 x 40 inches (57 x 102cm) signed edition of 25 archiva...

The Italian influence of style is clearly evident in this fine poster created circa 1910 by the artist, Nonni. He uses the influence of the Arts Nouveau of France but puts his unique...

Limited edition photo mosaic Edition of 8 Joel creates these contemporary pieces by adding lots of tiny images of the female form to make up the larger image. The "dual density" i...

This is a contemporary photograph of a Tiger by Shane Russeck. 36X48 Edition of 12 Printed on archival paper using archival inks Singed and numbered Shane Russeck is a modern day...

"Carlos Garcia de la Nuez (Cuba, 1959) 'La Isla Infinita', 2014 P/A (Artist Proof) woodcut and collagraph on paper Velin Arches 300 g. 42.2 x 70.9 in. (107 x 180 cm.) Edition of 20 I...

"Miguel Castro Leñero (Mexico, 1956) 'Fuera del Radar I', 2020 engraving on paper Intaglio 300 g. 63.6 x 39 in. (161.5 x 99 cm.) Edition of 30 ID: CAM-104"

large scale still life photograph of the original iconic droid robot from the classic Star Wars movies Star Wars (R2-D2) by Tom Schierlitz 60 x 48 inches (152 x 122cm) signed edition of 7 40 x 32 inches (102 x 81cm) signed edition of 25 archival quality fine art pigment print limited art edition published by Edition EKTAlux...

The Poulain Orange poster was created by Leonetto Cappiello to promote a chocolate with an orange flavoring that was sold by the Poulain Company of France. The is naturally attracted...

Complete title: El Origen del Deseo - La Motivación Desbordante Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style painting made with traditional prac...

A mixed media work by Russel Young. “Brando Portrait” is a black and white screenprint on linen with diamond dust by UK Pop artist Russel Young. The work ...

Juliette Jourdain Big headed series - Self Portrait mounted and framed (matt black) 60 x 48 inches 150 x 120cm edition of 8 Also available in: 4...

Juliette Jourdain Big headed series - Self Portrait mounted and framed (matt black) 60 x 48 inches 150 x 120cm edition of 8 Also available in: 40 x 32 inches 100 x 80cm edition...

monumental scale abstract b&w photograph of mesmerizing monochromatic black white water surface with "frameless" glass face mounting SEASCAPE V by Frank Schott 87.5" x 70" / 222 x 177.8cm signed edition of 7 photograph with acrylic glass mounting "Modern Gallery Frameless", a contemporary alternative to classic framing: photo print is mounted onto aluminum composite for archival support and stability, then sealed behind a protective layer of high quality acrylic glass with polished edges all around. A recessed aluminum back frame adds additional stability, allows instant hanging and provides a floating artwork appearance. Work ships from renown museum framing facility in Germany, the only production facility offering glass face mounting at this artwork scale. archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity ________________________ Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic peers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Michael Wolf, Gregory Crewdson, Ed Rusha...

This vibrant exhibition poster features the iconic image "Aloha, 1962," designed for an exhibition held in January-February 1993. Printed in Israel by Sha Ul Zayg Studio, this poster...

Serigraph in colors on paper. Hand signed lower right by LeRoy Neiman. Hand numbered 186/450 lower left. Sheet size: 35.25 x 28.125 inches. Sheet size: 36 x 35 inches. Image si...

Original BARBARELLA US 1-sheet, 1968, sexiest sci-fi art of Jane Fonda by Robert McGinnis, Roger Vadim. Paramount Pictures. Size: 27" x 41"; year: 1968. NSS: 68/274 Film...

Paper Size: 42 x 28 inches ( 106.68 x 71.12 cm ) Image Size: 42 x 28 inches ( 106.68 x 71.12 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional D...

This square woodcut print on paper is composed of an abstract pattern of clustered dark navy blue shapes over a silver background with a subtle metallic sheen. The monotype brings to...

This first edition exhibition poster, titled Teresa Russell: XVI RIP Arles, was created by David Hockney in 1984. The poster features an offset lithograph and measures 42.75 x 28.5 i...

Queen ! Oversize Signed limited edition - Pop Art - HRH The Queen Elizabeth II by the London based contemporary pop art image creator and artist, BATIK. Measures 60 x 40" inches ...

This art work titled "La Conversation" 1991 is an original color lithograph on wove paper by French artist, Jean Pierre Cassigneul, born 1935. It is h...

Dan Christensen, American (1942 - 2007) - Delta Leader, Year: circa 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 145, Size: 43 in. x 29.5 in. (109.22 cm x 7...

This piece titled "when darkness yields" is an original piece by Cassie Normandy White and is made from fabric monotypes and ink. This piece meas...

This Limited Edition giclee landscape print by Bri Custer is an edition size of 195. It features a palette of muted orange and earth tones contrasted by vibrant yellow. Printed on ca...

Sergio Hernández (Mexico, 1957) 'Untitled', 2016 woodcut on paper 46.9 x 82.7 in. (119 x 210 cm.) Edition of 30 Signed by the author in pencil, lower right. Publisher Taller LSH, Mex...

Digital pigment print onto Somerset Radiant White Velvet 330gsm Edition 85 of 123 Signed and numbered in pencil on the front Mint, as issued Published by Vienna Secession Association...

Jose Bedia (Cuban, 1959) 'Animal and mother' (Diptych), 2019 Woodcut and serigraph on Feltmark cotton paper 300 g. over streched canvas and framed Overall size: 199 x 199 cm. (78.3 ...