Ben Shahn

One must know the animals - For the Sake of A Single Verse by Rainer Maria Rilke

1968

Vincent HADDELSEY (1934-2010) Horse : The Race, 1974 Original Lithograph Handsigned in pencil Numbered / 50 On Arches vellum 53 x 38 cm (c. 23 x 15 in) Excellent condition

"Présure Guillien, Dijon Cow" is an original color lithograph poster. The artist's name is printed in the lower left, and the name of the printing company, Havas, is printed in the lower right. The poster advertises rennet, a product used to curdle milk and make cheese, featuring a milk maid with a red kerchief tied around her head in front of a white cow. She holds a golden bucket...

"Homage a Leonardo d'Vinci (Leonardo drawing, 3 Figures, Horse from De La Bataille Vol. I)" is an original color lithograph signed by Claude Weisbuch. A group of figures stand to the...

This artwork titled "Animals Board the Ark" c.1990 is a color lithograph with embossing by noted Israeli artist Amram Edgi b. 1939. It is hand signed, titled and numbered 852/950 in pencil by the artist. It is custom framed in a gold metal frame. It is in very good condition. About the artist: Amram Ebgi was born in Morocco in 1939. He has been considered a visionary whose imagination combines the warmth of sensitive feelings with light and the complexities of life with subtle structure. Devoting his life to art and spending more than 30 years in his Art Studio. Master Printmaker and Sculptor AMRAM EBGI has been creating beautiful Art for decades, bringing the deeply symbolic and beloved images of his rich Jewish Heritage. His intricately detailed masterpieces are bursting with the Colors of Life. EBGI is truly an Ambassador of the Arts, with his exquisite work commissioned by UNICEF; permanently displayed in the Museum Collections of Yale, Princeton and UCLA exhibited by museums and collected worldwide. One Man Shows 1998 (MAY) Ohev Shalom Congregation, Orlando 1998 (MAR) UJA Federation, Miami, FL 1997 (JUN) Turnberry Jewish Center, Aventura, FL 1997 (JAN) International Ketubah Expo, Museum of Florida 1996 (NOV) Schaarai Zedek, St. Petersburg, FL 1996 (FEB) Jerusalem 3000 Celebration, Jerusalem 1994 (SEPT) Fine Arts Gallery, Ardmore, PA 1994 (JUN) Carter Art Exhibition, Paris, France 1993 (JUN) Lucien Krief Gallery, Jerusalem 1992 (NOV) Nuance Art Gallery, Tampa, FL 1991 (JAN) J.C.C. of San Antonio, TX 1990 (MAR) Temple Beth Am, Miami, FL 1989 (DEC) J.C.C. of Houston, TX 1989 (DEC) Gallery Nicole, Sherman Oaks, CA 1989 (MAY) J.C.C. of Central Florida, Maitland, FL 1989 (MAY) Riverdale YM-YWHA, New York 1989 (JAN) J.C.C. of Rockville, MD 1988 (OCT) Memphis J.C.C., Memphis, TN 1988 (AUG) J.C.C. of Central Florida, Maitland, FL Museums Beit Ha-Shoah-Museum of Tolerance, Los Angeles Florida Gulf Coast Art...

Vincent HADDELSEY (1934-2010) Horse : The Heel, 1974 Original Lithograph Handsigned in pencil Numbered / 100 On Arches vellum 53 x 38 cm (c. 23 x 15 in) Excellent condition

Vincent HADDELSEY (1934-2010) Horse : Bullfighting In Camargue, 1974 Original Lithograph Handsigned in pencil Numbered / 100 On Arches vellum 53 x 38 cm (c. 23 x 15 in) Excellent c...

Vincent HADDELSEY (1934-2010) Horse : Mexican Riders, 1974 Original Lithograph Handsigned in pencil Numbered / 100 On Arches vellum 53 x 38 cm (c. 23 x 15 in) Excellent condition

Vincent HADDELSEY (1934-2010) Horse : Towpath, 1974 Original Lithograph Handsigned in pencil Numbered / 50 On Arches vellum 53 x 38 cm (c. 23 x 15 in) Excellent condition

This artwork titled "Three Chidren" 1970 is an original color lithograph on B.F.K Rives paper by noted Italian/American artist Beniamino Benevenuto Bufano, 1890-1970. It is hand signed and numbered 14/50 in pencil by the artist. Published by First Impressions, San Francisco, printed by Fikrat Al-Khouri at First Impressions Graphic Society. The image size is 8.30 x 6.5 inches, framed size is 19.85 x 17.65 inches. it is beautifully custom framed in a wooden gold frame, with gold color spacer. It is in excellent condition. About the artist: Beniamino Benvenuto Bufano was born in San-Fele, Italy on Oct. 14, 1889. At age three Bufano's family brought him to NYC where he spent his childhood and was educated by private tutors. He studied at the ASL in NYC from 1913-15, the pupil of James L. Fraser, Herbert Adams, and Paul Manship. He came to San Francisco in 1915 to work on a sculpture for the PPIE. For awhile he worked in the studio of coppersmith Dirk van Erp. He then traveled extensively for four years in France, Italy, India, and China. After returning to San Francisco in 1921, he remained there the rest of his life except for visits to the Orient and Europe. Always a radical, he lost his teaching position at San Francisco Institute of Art in 1923 because he was too modern for the conservative faculty. He later taught at UC Berkeley and the CCAC (1964-65). Henry Miller wrote of him, "He will outlive our civilization and probably be better known, better understood, both as a man and artist, five thousand years hence." His work, simple in style and monumental in scale, includes smoothly rounded animals in granite and icons sheathed in stainless steel. Only five feet tall, Bufano was a controversial, free spirit until his death in San Francisco on Aug. 16, 1970. Member: SFAA; NSS; American Artists Congress. Exh: Whitney Museum (NYC), 1917; Arden Gallery...

This artwork titled "Three Chidren" 1970 is an original color lithograph on B.F.K Rives paper by noted Italian/American artist Beniamino Benevenuto Bufano, 1890-1970. It is hand signed and inscribed "First Impressions" in pencil by the artist. Published by First Impressions, San Francisco, printed by Fikrat Al-Khouri at First Impressions Graphic Society. The image size is 8.30 x 6.5 inches, framed size is 25.25 x 23.35 inches. it is beautifully custom framed in a wooden silver frame. It is in very good condition. See picture 4 and 5 for frame detail, the red mark on the frame are not damages, they are the way the finish is made. About the artist: Beniamino Benvenuto Bufano was born in San-Fele, Italy on Oct. 14, 1889. At age three Bufano's family brought him to NYC where he spent his childhood and was educated by private tutors. He studied at the ASL in NYC from 1913-15, the pupil of James L. Fraser, Herbert Adams, and Paul Manship. He came to San Francisco in 1915 to work on a sculpture for the PPIE. For awhile he worked in the studio of coppersmith Dirk van Erp. He then traveled extensively for four years in France, Italy, India, and China. After returning to San Francisco in 1921, he remained there the rest of his life except for visits to the Orient and Europe. Always a radical, he lost his teaching position at San Francisco Institute of Art in 1923 because he was too modern for the conservative faculty. He later taught at UC Berkeley and the CCAC (1964-65). Henry Miller wrote of him, "He will outlive our civilization and probably be better known, better understood, both as a man and artist, five thousand years hence." His work, simple in style and monumental in scale, includes smoothly rounded animals in granite and icons sheathed in stainless steel. Only five feet tall, Bufano was a controversial, free spirit until his death in San Francisco on Aug. 16, 1970. Member: SFAA; NSS; American Artists Congress. Exh: Whitney Museum (NYC), 1917; Arden Gallery...