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Bram Van VeldeOriginal 1964 poster by Bram van Velde for the XXth Salon de Mai1964
1964
$933.45
£698.79
€780
CA$1,285.02
A$1,404.78
CHF 743.19
MX$16,810.39
NOK 9,456.02
SEK 8,656.03
DKK 5,942.64
About the Item
Vivid, abstract, and resolutely modern, this original 1964 poster was created by Bram Van Velde for the 20th Salon de Mai, held at the Musée d’Art Moderne de la Ville de Paris. With its expressive brushwork and bold interplay of forms, this striking design exemplifies the gestural intensity and emotional tension that defined Van Velde’s unique position in post-war European art.
The composition swirls in a palette of deep black, steel grey, powder blue, and lilac — a chromatic storm centered around a circular void, suggesting both presence and absence. Van Velde, associated with the École de Paris and often linked to Abstract Expressionism and Existentialist thought, channels a sense of inner rupture and quiet defiance in this poster. His work was never easy, never decorative — and this visual for the Salon de Mai reflects that intellectual gravity.
First established during the Nazi Occupation as a resistance to fascist cultural suppression, the Salon de Mai became one of postwar France’s most important venues for avant-garde expression. This 20th edition marked two decades of progressive, often radical, contemporary creation.
More than a simple exhibition poster, this piece stands as a declaration of modernity — a testament to both the artist’s singular vision and the Salon’s enduring legacy. Van Velde’s contribution turns what could have been mere promotional material into a collectible fragment of mid-century artistic history.
Exhibition - Abstract
Museum of Modern Art of the City of Paris
Printed by Mourlot
- Creator:Bram Van Velde (1895 - 1981, Dutch)
- Creation Year:1964
- Dimensions:Height: 25.6 in (65 cm)Width: 17.72 in (45 cm)
- Medium:
- Period:
- Condition:Very good condition.
- Gallery Location:PARIS, FR
- Reference Number:1stDibs: LU1792217160542
Bram Van Velde
Bram van Velde is a Dutch painter born October 19, 1895 in Zoeterwoude, near Leiden Netherlands). He entered in 1907 as an apprentice in a painting and interior decoration company in The Hague, he is encouraged in his art by Eduard H. Kramers and his son Wijnand, collectors and amateurs sensitive to his talent. In 1922, Kramers encouraged van Velde to travel, perhaps to improve himself and pay him a small income. The latter goes to Munich, then settles north of Bremen, Worpswede, where since the 1890s there is a colony of expressionist artists. He leaves Worpswede to settle in Paris. His career took off, and in February 1927 he went to Bremen to exhibit his works. He followed in April on the Jury-Freie Kunstschau of Berlin, and is admitted, along with his brother Geer, to the Salon des Independants in Paris. It was in 1939 that the artist created his own plastic language, with the first of three great gouaches that would establish the autonomy of his art. He stopped painting in 1941, he "no longer has the strength to continue his work," according to what he wrote around 1945, only to resume in the autumn of 1945. In 1958 Franz Meyer organized the first museum exhibition at the Kunsthalle Bern. Since 1961, the pace of exhibitions is accelerating, its standard of living suffers. Van Velde oscillates between Paris and Geneva, where he began painting before settling there in 1967. France named him Knight of the Order of Arts and Letters in 1964, Holland awarded him the Order of Orange-Nassau in 1969. In 1973, he painted in La Chapelle-sur-Carouge some great gouaches who are like a last "wild" display of color in his work. He died on December 28, 1981 in Grimaud and is buried in the cemetery of Arles.
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