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Claude Garache
Original poster to promote the 1990 French Tennis Open - Roland Garros

1990

Price:$600
$720.64List Price

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Air France Proche Orient - 1959 Original Poster Airlines - Tourism - Middle East
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1917 original poster by Abel Faivre - 3e Emprunt de la Défense Nationale
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A Londra con la Sabena travel poster, created by G. Vanden Heynde in 1951
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The A Londra con la Sabena travel poster, created by G. Vanden Heynde in 1951, serves as a captivating representation of mid-20th century air travel, promoting London as an enticing destination. This poster was part of Sabena’s marketing efforts to attract travelers to experience the convenience and excitement of flying to one of Europe’s most iconic cities. During the 1950s, international air travel was becoming more accessible, though it still retained an aura of luxury and adventure. Sabena, the national airline of Belgium, was at the forefront of this burgeoning industry, offering routes that connected major European cities. The slogan A Londra con la Sabena encapsulates the promise of a seamless and sophisticated travel experience, highlighting the airline's ability to transport passengers to the heart of the United Kingdom. London, as depicted in the promotional materials of the era, symbolized a blend of historical grandeur and modern vitality. Post-World War II, the city was undergoing significant reconstruction and revitalization, which made it an attractive destination for tourists and business travelers alike. Sabena’s campaign aimed to capture the imagination of those eager to explore London’s rich cultural heritage, iconic landmarks, and bustling urban life. Sabena’s promotional posters from this period often emphasized the comfort and efficiency of their services. By flying with Sabena, travelers were assured of a journey marked by high standards of hospitality and safety, which was an essential selling point in the early days of commercial aviation. The tagline A Londra con la Sabena directly appeals to the Italian-speaking market, indicating the airline’s effort to reach diverse audiences across Europe. The messaging of the poster aligns with Sabena’s broader branding strategy, which was to present air travel as not only a practical means of transportation but also an exciting and upscale experience. By associating the airline with a world-class city like London, Sabena positioned itself as a premium carrier that could offer both adventure and reliability. In the context of the 1950s, traveling to London would have been seen as an opportunity to engage with a city that was a global center of finance, culture, and politics. The allure of London’s theaters, museums, shopping districts, and historic sites would have been a significant draw for potential travelers. Sabena’s role was to make this journey possible, providing a bridge between the traveler’s home and the vibrant streets of London. G. Vanden Heynde’s involvement in creating the A Londra con la Sabena poster...
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1971 original travel poster by Pagès for Air France promoting travel to Canada
By Raymond Pages
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The 1971 original travel poster by Pagès for Air France promoting travel to Canada is a striking example of how mid-20th century travel advertising captured the imagination of would-be travelers. With its focus on bold design and a sense of adventure, this poster reflects the growing enthusiasm for international travel and Air France's role in making distant destinations more accessible. Pagès' work for this campaign is emblematic of the era's modernist artistic trends, skillfully blending abstract forms with cultural and geographical references to convey the vast and varied appeal of Canada. Pagès, renowned for his innovative use of abstract shapes and colors, likely employs these elements to evoke the expansive landscapes and natural beauty of Canada. Though the specific visual details are not described, his style often incorporates geometric patterns and vibrant contrasts that could symbolize Canada's iconic features, such as its towering mountains, endless forests, and dynamic urban centers. The abstract nature of the design serves to create a sense of wonder and possibility, drawing viewers into the allure of exploring the vast Canadian wilderness and cosmopolitan cities. The word "Canada" is likely presented in a clean, modern font, emphasizing the destination's name with simplicity and elegance. Below this, the Air France logo, traditionally in a bold blue, reinforces the airline's commitment to providing a sophisticated and reliable travel experience. The minimalist text ensures that the viewer's focus remains on the visual elements of the poster, which communicate the essence of Canada as a destination rich in natural beauty and cultural diversity. In the 1970s, Canada was emerging as a popular destination for travelers seeking both adventure and tranquility. From the rugged beauty of the Rocky Mountains and the serene landscapes of the Great Lakes to the vibrant cultural scenes in cities like Montreal and Toronto, Canada offered a wide range of experiences. Pagès' abstract design likely captures this diversity, conveying the country's unique charm and inviting travelers to explore its myriad attractions. The choice of an abstract and modernist design reflects Air France's branding strategy during this period, positioning the airline as a gateway to the world's most exciting and diverse destinations. By commissioning contemporary artists like Pagès, Air France not only advertised its routes but also associated itself with the cutting-edge artistic movements of the time, appealing to a global audience of sophisticated and adventurous travelers. Today, the 1971 Air France Canada poster...
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