Damien Hirst

Cinchonidine

2004

TECHNICAL INFORMATION: Damien Hirst I Get Around, from In A Spin: The Action Of The World On Things 2002 Spin etching S: 36 x 28 in. I: 11 x 10 in. Edit...

TECHNICAL INFORMATION: Damien Hirst In A Spin, from In A Spin: The Action Of The World On Things 2002 Spin etching S: 36 x 28 in. I: 6 x 4 in. Edition o...

Pyramus and Thisbe Etching, c.1906 Signed along bottom edge in pencil "Augustus E John" Edition: 25 Reference: Dodgson 91 ii/II Condition: Excellent Plate: 5 1/8 x 4" (13.02 x 10.16 ...

Tracey Emin Love is What You Want, 2015 250 gsm silk finish paper. Hand signed on the front by Tracey Emin in white grease pen/sharpie 27 1/2 × 19 7/10 inches Edition of 500 (unnumbe...

Butterfly Rainbow (large) - Damien Hirst, Contemporary Art, 21st Century, YBAs, Colorful, Giclée Print, Brush Stokes, Paint, Glossy, Limited Edition Butterfly Rainbow (H7-1), 2020 ...

Damien Hirst Forever (small) 2020 Laminated Giclée print on aluminium composite panel 39 × 39 cm (15.4 × 15.4 in) Signed and numbered Edition of 2573 In excellent condition PLEASE N...

Fruitful (small) - Damien Hirst, Contemporary Art, 21st Century, YBAs, Colorful, Giclée Print, Brush Stokes, Paint, Glossy, Limited Edition Laminated Giclée print on aluminium composite panel Edition of 3308 39 x 39 cm (15.4 x 15.4 in.) Signed and numbered on label on the verso In mint condition, as acquired from the publisher and in the original packaging With Certificate of Authenticity PLEASE NOTE: Edition numbers could vary from the one shown in the images. This edition of Forever features bright, abstract details from Damien Hirst’s new series of paintings titled Cherry Blossoms. Here, Hirst reinterprets the traditional subject of landscape painting on a monumental scale, entirely covering the surface of the works with bright colours that stretch the boundaries between figuration and abstraction. The vibrant works pay homage to the Pointillism and Impressionism art movements. With the Cherry Blossoms series Hirst bridges his explorations and examination of colour as well as its effect on the eye, where movement and dynamicity of colour have been composed freely and joyously by the British artist. “The Cherry Blossoms are about beauty and life and death. They’re garish and messy and fragile and about me moving away from Minimalism and the idea of an imaginary mechanical painter and that’s so exciting to me.” —Damien Hirst This limited fine art edition is technically created by a bright Laminated Giclée print on aluminium composite panel, comes in two sizes and was realized in collaboration with Fondazione Prada to support Save the Children Italia. Hirst has taken existing imagery from his Cherry Blossoms and transposed it into a print, depicting a close up of the densely layered impasto structure, as well as colourful dabs of paint from sections of the large-scale canvases, one can see Hirst's thick brushstrokes and trace the movement of his gestural action painting through the surface. DAMIEN HIRST The Turner prize winner and epicenter of the YBA movement. Hirst's emblematic art of our era revolutionizes the art market. Hirst is widely regarded as one of the most important artists working today, creating truly iconic artworks. A genuine star of the Young British Artists (YBA) movement, Damien Hirst has always made a point of mixing up different media. Whether as a sculptor, an installation artist, a painter, or a printmaker, Hirst has produced many of the most spectacular and widely discussed works in recent years and helped to revolutionize the art market. Damien Hirst’s, For the Love of God, the diamond-encrusted replica of the skull of a thirty-five-year-old man from the thirteenth century, broke all records to become the most expensive contemporary artwork in the world. Damien Hirst´s artworks are truly emblematic icons of our era, with their recurring motives such as dots, butterflies, cows, sharks, skulls, pills, and pharmacy cabinets. “I do believe art is more powerful than money, though. I still believe that. And if I ever find out money's more important, I'll knock it on the head.”—Damien Hirst His works, captivating and intense as they are, challenge our stereotyped concepts and beliefs. Damien Hirst’s shark...

These Feelings Were True - Tracey Emin, Contemporary, Young British Artiststs, Lithograph, Blue, Portrait, Limited Edition 2 colour lithographs on Somerset Velvet Warm White 400gsm (Poprtfolio of 8) Edition 25 of 50, the full Set is offered in matching edition numbers Signed, numbered, and dated by the artist In mint condition, as acquired from the publisher with the original cardboard portfolio Published by Counter Editions Please note: images are for illustrative purposes only, the edition number offered is 25 of 50 Tracey Emin's new set of 8 lithographs depicting herself are incredibly personal auto portraits and revelatory. Viewed almost as an intimate tiny sketchbook of herself, a visual diary. These editions are great examples of Emin's radical painting style which has been influenced by Expressionism. These works showcase universal feelings, raw and bittersweet emotions, which are Emin’s constant subject surrounded around the idea of love, loss, intimacy, and longing. In making herself the subject of her work, and concentrating intensely on figuration, Emin creates bridges with the rich art-historical tradition of the female figure and female nudes. She shows strong emotive force in these pictures, as seen for example in the work of male painters Munch and Schiele, which Emin admires and studied throughout her artistic oeuvre. Emin has said that “when I saw that these portraits did not look like me, I then realized I was actually drawing how I felt inside my head. An expression of myself in different moments, and this idea doing a few of them would be very honest and will be really free… the idea is how I am feeling.” When referencing her previous portraiture practice, Emin said “I would put my face in the work and then I would black it out, it is too much for me to have me in the work, and now it is so weird, I am thinking that it is time for me to start having an entrance to my work. Because I have a good reason to do it. I should be celebrating me as a person and things that make me, me.” TRACEY EMIN A prominent member of the Young British Artists (YBAs), Tracey Emin´s production encompasses different mediums including film, painting, neon, embroidery, drawing, writing, installation and sculpture. Her work is intensely personal, revealing intimate details of her life with honesty and humour. "There should be something revelatory about art. It should be totally creative and open doors for new thoughts and experiences."—Tracey Emin Tracey Emin uses all aspects of her life in her art, turning her autobiography into broader statements about sex, love, death, freedom, and everyday life. This audacious and confessional approach earned her a nomination for the Turner Prize in 1999. The artist received notable acclaim, among others, for her installation My Bed, featuring her unmade bed surrounded...

Tracey Emin The Stain, 2007 Mini booklet; stitched binding; digitally printed, accompanied by pencil signed envelope 4 1/2 × 3 3/5 inches Edition of 100 (unnumbered) pencil signed by...

“The Empresses” is a series of five glorious artworks named after influential female rulers. They are composed of butterfly wings placed on a flaming red background which create a ka...