Alberto Mastroianni

Flamingo - Lithograph by Alberto Mastroianni - 1970s

1970s

Flamingo is a lithograph realized by Alberto Mastroianni in the 1970s. Hand Signed on the lower right margin. Numbered on the lower in pencil. The artwork represents an interestin...

Flamingo is a lithograph realized by Alberto Mastroianni in the 1970s. Hand Signed on the lower right margin. Numbered on the lower in pencil. . The artwork represents an interesti...

Flamingo is a lithograph realized by Alberto Mastroianni in the 1970s. Hand Signed on the lower right margin. Numbered on the lower in pencil. . The artwork represents an interesti...

Flamingo is an Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, published by Stuttg...

Flamenco Flamingo [2014] limited_edition and hand signed by the artist Etching/aquatint Edition number 100 Image size: H:46cm cm x W:31cm cm Complete Size of Unframed Work: H:56cm c...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance: from...

Represented by George Billis Gallery, NY & LA -- From the artist statement, "My artwork centers on mid-century American architecture and design, once revered for its groundbreaking i...

Flamingos By William Robinson Leigh (1866-1955) Signed Lower Left Unframed: 12" x 10" Framed: 21" x 17.5" Born near Falling Waters, West Virginia on a plantation a year after the Civil War, and raised in Baltimore, William Leigh became one of the foremost painters of the American West with a career of seventy-five years. Some people referred to him as the "Sagebrush Rembrandt". He was the son of impoverished Southern aristocrats and took his first art training at age 14 from Hugh Newell (1830-1915) at the Maryland Institute where he was regarded as one of the best students in his class. From 1883 to 1895, he studied in Europe, mainly at the Royal Academy in Munich with Ludwig Loefftz. From 1891 to 1896, he painted six cycloramas or murals in the round, a giant German panorama. In 1896, he began working as a magazine illustrator in New York City for Scribner's and Collier's Weekly Magazine, and he also painted portraits, landscapes, and genre scenes. However, he was not a very successful artist in those years in New York. Trips to the Southwest began in 1906 when he made an agreement with William Simpson, Santa Fe Railway advertising manager, to paint the Grand Canyon in exchange for free transportation West. In 1907, he completed his Grand Canyon painting...