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Armand Joseph Lallemand
Piquier Allemand (German Pikeman) /// Old Masters Figurative Man Soldier Antique

1866

$150List Price

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Canal with a large Boat and Bridge – after Rembrandt van Rijn
By Charles Amand Durand
Located in Middletown, NY
Heliogravure on cream laid paper, 3 1/4 x 4 1/4 inches (80 x118 mm), thread margins. In good condition with a soft vertical crease and minor uniform toning. Printed early 19th centur...
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17th Century Old Masters Figurative Prints

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Jan Six by Pierre François Basan, after Rembrandt
By (After) Rembrandt van Rijn
Located in Middletown, NY
Etching on thin laid paper laid down to mid-weight Japon paper, 9 5/8 x 7 9/16 inches (244 x 190 mm), narrow to thread margins. Lettered below the image in the lower right margin wit...
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Early 19th Century Old Masters Landscape Prints

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Head of a Laughing Peasant
By Cornelis Bega
Located in Middletown, NY
Etching on white laid paper, 1 5/8 x 1 1/2 inches (41 x 38 mm), thread margins. In excellent condition with a light pencil inscription on the verso. [Hollstein 6]
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17th Century Old Masters Figurative Prints

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A study of whimsical architectural elements: Satyr s, Torch, Sphynx, Sea Monster
Located in Middletown, NY
Etching on handmade laid paper with a large, indiscernible heraldic watermark, , trimmed inside platemark. Several light spots of foxing along right edge, verso, one area of light th...
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Mid-17th Century Old Masters Figurative Prints

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Peasant with a Crooked Back
By Adriaen van Ostade
Located in Middletown, NY
Etching on on laid paper, adhered along left sheet edge to archival wove paper. A rich inking impression in very good condition. From the Picart Edition of 1710. - Ex-collection Fer...
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Late 17th Century Old Masters Portrait Prints

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Christ and the Woman of Samaria Among Ruins by James Bretherton after Rembrandt
By Rembrandt van Rijn
Located in Middletown, NY
Bretherton, James (After Rembrandt van Rijn). Christ and the Woman of Samaria Among Ruins. London: c 1775. Etching on light cream laid paper, 4 3/4...
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18th Century Old Masters Figurative Prints

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The Plank Bridge – Landschap met een bruggetje van planken
By Anthonie Waterloo
Located in Middletown, NY
Etching on thin cream laid paper with a partial "M" or "W" watermark, 5 x 5 15/16 inches (126 x 150 mm), thread margins. Inscribed in the plate in the upper-right: “Antoni Waterlo fe...
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The Pig Killers, by David Deuchar after Ostade
By Adriaen van Ostade
Located in Middletown, NY
Deuchar, David (after van Ostade). Les paysans tuant un porc. Edinburgh: c1800. Etching on thin cream laid paper, 4 11/16 x 4 11/16 inches (117 x 117 mm), narrow margins. Horizontal edge tear extending approximately 1-inch into the image area at the center left sheet edge. Skinning at the bottom-center sheet edge, verso, and adhesive residue at the top two corners, verso. Etched by David Deuchar after van Ostade, from A Collection of Etchings After the Most Eminent Masters of the Dutch and Flemish Schools particularly Rembrandt, Ostade, Cornelius Bega and Van Vliet, Edinburgh: 22 December, 1803. "The pig killers is one of van Ostade’s most striking, both for its circular format and unusual lighting. Pictorial representations of pig slaughtering were known in medieval book illumination where they were incorporated into depictions of activities relating to the month of November or December. In this intimate, nocturnal scene, illuminated by torchlight, van Ostade combines coarse, barnyard realism with tender observation as a peasant family gathers round to witness the slaughter of a pig, which presumably will feed the large family during the long winter months. As the eldest son kneels on the animal, the farmer’s wife collects the blood in her long handled pan...
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19th Century Old Masters Figurative Prints

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The Windmill by François Vivares, after Rembrandt
By Rembrandt van Rijn
Located in Middletown, NY
Engraving on cream laid paper, 8 x 5 7/8 inches (202 x 149 mm), trimmed at the platemark. Adhered at each corner to a small sheet of archival laid paper. Horizontal edge loss at the ...
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Mid-18th Century Old Masters Landscape Prints

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To Drink in Excess
By Cornelis Visscher
Located in Middletown, NY
Etching on cream laid paper, full margins. Trimmed at the plate mark. Scattered light caramel colored areas of discoloration in the sheet corners, light skinning on the verso at the ...
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Untitled /// French Ornaments Designs Architecture Jean Bérain Old Master Print
By Jean Bérain
Located in Saint Augustine, FL
Artist: Jean Berain (the Elder) (French, 1640-1711) Title: "Untitled" (Plate 35) Portfolio: Ornemens Inventez par J. Berain (Ornament Designs Invented by J. Berain) Circa: 1711 (Firs...
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1710s Old Masters Figurative Prints

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The New Testament /// Old Masters Biblical Religious Engraving Dutch Angel Art
By Michael Burghers
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Artist: Michael Burghers (Dutch, c.1647/1648-1727) Title: "The New Testament" Portfolio: Holy Bible *Signed by Burghers in the plate (printed signature) lower left Year: 1680 Medium...
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1680s Old Masters Figurative Prints

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Draught of a Galley /// Old Masters Ship Boat Seascape Construction Diagram Art
By William Henry Toms
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Artist: William Henry Toms (English, c.1700-1765) Title: "Draught of a Galley" (Plate 13, Vol. III, page 131) Portfolio: La Spectacle de la Nature Year: 1737 Medium: Original Hand-Co...
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1730s Old Masters Figurative Prints

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A View of the House of Commons /// George II English Parliament London England
Located in Saint Augustine, FL
Artist: Benjamin Cole (English, c. 1697-1783) Title: "A View of the House of Commons" Portfolio: The History and Survey of London from its Foundation to the Present Time Year: 1756 (...
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Meridies; Der Mittag (Noon; The Midday) /// Johann Daniel Preissler Old Master
Located in Saint Augustine, FL
Artist: (after) Johann Daniel Preissler (German, 1666-1737) Title: "Meridies; Der Mittag (Noon; The Midday)" Portfolio: Die Vier Tageszeiten (The Four Times of Day) Year: 1723 Medium: Original Etching and Engraving on laid paper Limited edition: Unknown Printer: likely Johann Balthasar Probst, Augsburg, Germany Publisher: Jeremias Wolff (Erben), Augsburg, Germany Reference: Le Blanc No. 255, 38; Nagler No. 23 Sheet size: 22.5" x 16.32" Image size: 18.13" x 14.32" Condition: Soft handling creases and folds to sheet. A few light areas of staining and scattered small areas of discoloration in margins. Two small tears skillfully repaired from verso in margins. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins Extremely rare Notes: Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German. Biography: Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...
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1720s Old Masters Figurative Prints

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Aurora sive Tempus Matutinum; Der Wohl und Übel angewandte Morgen /// Old Master
Located in Saint Augustine, FL
Artist: (after) Johann Daniel Preissler (German, 1666-1737) Title: "Aurora sive Tempus Matutinum; Der Wohl und Übel angewandte Morgen (Dawn or Morning Time; The Morning Used for Better or For Worse)" Portfolio: Die Vier Tageszeiten (The Four Times of Day) Year: 1723 Medium: Original Etching and Engraving on laid paper Limited edition: Unknown Printer: likely Johann Balthasar Probst, Augsburg, Germany Publisher: Jeremias Wolff (Erben), Augsburg, Germany Reference: Le Blanc No. 255, 38; Nagler No. 23 Sheet size: 22.57" x 16.38" Image size: 17.75" x 14" Condition: Soft handling creases, folds, and scattered faint areas of discoloration to sheet. Three tears skillfully repaired from verso. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins Extremely rare Notes: Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German. Biography: Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...
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1720s Old Masters Figurative Prints

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