Oversized Figurative Prints

Serigraph in colors on paper. Hand signed lower right by LeRoy Neiman. Hand numbered 186/450 lower left. Sheet size: 35.25 x 28.125 inches. Sheet size: 36 x 35 inches. Image si...

Complete title: El Origen del Deseo - La Motivación Desbordante Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style painting made with traditional prac...

Print of seated figures waiting for an interview. Edition of 10

Queen ! Oversize Signed limited edition - Pop Art - HRH The Queen Elizabeth II by the London based contemporary pop art image creator and artist, BATIK. Measures 60 x 40" inches ...

Sergio Hernández (Mexico, 1957) 'Untitled', 2016 woodcut on paper 46.9 x 82.7 in. (119 x 210 cm.) Edition of 30 Signed by the author in pencil, lower right. Publisher Taller LSH, Mex...

b. 1932, Visalia, CA A contemporary American realist, Don Nice integrates expressionist and abstract expressionist techniques with a realist focus and energy derived from Pop Art. H...

Jose Bedia (Cuban, 1959) 'Animal and mother' (Diptych), 2019 Woodcut and serigraph on Feltmark cotton paper 300 g. over streched canvas and framed Overall size: 199 x 199 cm. (78.3 ...

This art work titled "La Conversation" 1991 is an original color lithograph on wove paper by French artist, Jean Pierre Cassigneul, born 1935. It is h...

Sergio Hernández (Mexico, 1957) 'Corral III, 2011 silkscreen on paper Velin Arches 300 g. 29.6 x 41.4 in. (75 x 105 cm.) Edition of 10 Unframed

"Sergio Hernández (Mexico, 1957) 'Untitled', 2011 woodcut on paper 30 x 41.4 in. (76 x 105 cm.) P.A I/III (Proof of Artist) ID: HER-158-2"

Kate Night Blue by BATIK BATIK is an increasingly collectable pop artist currently living and working in London. The artist is purposely elusive with their true identity, sex and...

Audrey Atomic by BATIK Pop Artwork of the iconic Audrey Hepburn during filming of Breakfast At Tiffany's. BATIK is an increasingly collectable pop artist currently living and wor...

Artist: Red Grooms, American (1937 - ) Title: Pierpont Morgan Library Year: 1982 Medium: Lithograph, signed and numbered in pencil Edition: 300, 40 AP'...

Fine Art Digital Print by Jim Rennert Edition of 10

Sergio Hernández (Mexico, 1957) 'Observatorio I', 2016 lithography on zinc on paper Deponte 300 g. 35.4 x 47.2 in. (90 x 120 cm.) Edition of 30 ID: HER-199 Unframed ...

This artwork titled "Silvia" 1980 is an original colors lithograph on Wove paper by renown Costa Rican/Mexican artist Francisco Zuniga, 1912-1998. It is hand signed, dated and number...

TIE Fighter Beatles by B A T I K Pop art work featuring the Fab Four Paul McCartney , George Harrison, Ringo Starr and John Lennon running away from Star Wars TIE fighters chasing...

Peter Saul Politics, 1985 Color lithograph on wove paper Hand signed, numbered X/X (apart from the regular edition of 25), and dated on the front Frame Included: matted and framed in...

Original poster Italian lithograph. Tira Al Piccion - Roma. Skeet Shooting. VII World Championship “Tiro a Piccione” pre-World War II Olympic style poster. Powerful pre-world War II poster. This shows the American flag flying next to the Nazi flag for the skeet shooting championship in Italy. Note that the year 1935 corresponds with the fascist year date of XIV-XV. Museum linen backed. The USA flag is sitting right next to the German Nazi...

Original 1934 Lithograph poster for TSF radio Monopole "une vague de puissance et d'harmonie" (a wave of power and harmony) with the beautiful mermaid strumming her harp. Archival...

A silkscreen print by Allan D'Arcangelo from 1978. A pop art style montage of iconic American imagery. Unframed. Artist: Allan D'Arcangelo, American (1930 - 1998) Title: Icarus Yea...

Artist: Erté Title: Pearls and Emeralds Medium: Embossed serigraph Year: 1990 Edition: 265/300 Sheet Size: 41 3/4" x 29 1/4" Image Size: 35 1/4" x 23 1/4" Signature: Stamped signature

This artwork titled "Mujeres de Mexico" 1973 is an original colors lithograph on Wove paper by renown Costa Rican/Mexican artist Francisco Zuniga, 1912-1998. It is hand signed, dated and numbered XX/XXV in pencil by the artist. The artwork size is 22.25 x 30.75 inches, framed size is 34.5 x 42.25 inches. Published by Editions Press, San Francisco, with their blind stamp at the lower right corner. Referenced and pictured in the artist's catalogue raisonne by Brewster plate #5. Beautifully custom framed in a wooden gold frame, with fabric matting and gold color bevel. It is in excellent condition, the frame have some light discoloration at the left side, please see picture #1. About the artist: Internationally acclaimed sculptor and printmaker Francisco Zuñiga was born in Costa Rica. He studied drawing, stone sculpture, and engraving at the School of Fine Arts in San Jose. Later, in 1936, he studied stone carving at La Esmeralda in Mexico City. He was appointed to the faculty of La Esmeralda where he remained until his retirement in 1970. Zuniga's art reflects a love and respect for Central American people and traditions. In 1972, he created his first lithograph. As a complement to his emotionally powerful sculpture, Zuniga's prints articulate the sensitivity and sensuality of the human figure. He has been the recipient of numerous international prizes and awards. His work is exhibited frequently in prominent galleries throughout the world and may be found in the permanent collections of twenty-nine museums, including the Metropolitan Museum of Art in New York, the Los Angeles County Museum, the Mexican Museum in San Francisco, and the Phoenix Art Museum. In 1936, Francisco Zuniga left San Jose, Costa Rica, where he had studied drawing at the School of Fine Arts and worked as an assistant in his father's studio, a workshop which produced religious sculpture for the churches and convents in and around the city. His destination was Mexico City. It was from there that he would begin an illustrious career as a sculptor and draftsman. Zuñiga's exploration into the nuances of volume, in line and space, are demonstrated in this, the most complete exhibition of his work to be shown in more than a decade. Mexico City in 1936 was, even then, one of the major art centers of the Americas. As such it witnessed and participated in many of the frenzied and controversial art movements which reflected the political and intellectual climate of the first three decades of the twentieth century. Muralism, the graphic arts, the incorporation of in-ternational movements had produced an artistic climate, which would eventually attract to Mexico international artists and intellectuals such as Sergei Eisenstein...

Army Of Caine by B A T I K Pop art work featuring multiples of Michael Caine in Get Carter mode - possibly his most iconic movie role. Archival pigment pop art print signed & limi...

Artist: Theo Tobiasse (French/Israeli, 1927-2012) Title: Mere Biblique Year: 1984 Medium: Color lithograph, with collage Edition: Numbered 172/175 in pencil Paper: Arches Image...

Publisher GKM. Unframed. Edition of 200 ex. Paper: 300gr. Goya. Signed, dated and numbered. Free shipment worldwide. Corneille, one of the founders of the COBRA group, has passed ...

Esperanza (Hope), Eduardo Oropeza Day of the Dead, serigraph, birds, skeletons Esperanza (Hope), Day of the Dead, serigraph, blue, yellow, birds, skel...

Marcel Schellekens' works are characterised by the special incidence of light and the atmosphere that the works radiate. Marcel finds inspiration cl...

**ANNUAL SUPER SALE UNTIL APRIL 15TH ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* Celebrating the Emmys in this unique series by Maur...

Original vintage poster Philips Rasoir Electrique. Archival linen backed for preservation and framing. Large format French antique poster. ...

Bardot Blur Lavender 2022 by BATIK Signed and numbered by the artist on front limited to only 5 this size Paper size 44 inches height x 40 inches width / 112 x 101 cm Paper Type ...

Original G.M.E. Sanitaire vintage French poster. Linen backed in very good condition and ready to frame. GME Sanitaire c'est la Cuisine is a French vintage poster that has been linen backed for preservation. The poster advertises the GME tile and cladding company, which specializes in kitchen tiles...

Sergio Hernández (Mexico, 1957) 'Corral V, 2011 silkscreen on paper Velin Arches 300 g. 29.6 x 41.4 in. (75 x 105 cm.) Edition of 10 Unframed

Print on paper prized antique print "View of Naples" by Friedrich Bernhard Werner.

ETERNAL CITY JERUSALEM is a unique, rare Trial Proof from a limited edition etching by the Israeli artist Moshe Castel (1909-1991), hand printed using traditional intaglio printmaking techniques on archival Arches paper 100% acid free. ETERNAL CITY JERUSALEM presents a deep red and orange brown ochre colored stone tablet...

Artist: Sandro Chia Title: Lonely Dude from Ten Masterprints Medium: Carborundum Etching with handcoloring on handmade paper, signed and numbered in pencil Edition: 38/50 Size: 40 in...

Jose Bedia (Cuban, 1959) 'Animal and mother' (Diptych), 2019 Woodcut and serigraph on cotton paper 300 g. Limited edition of 30 Image size: 181 x 181 cm. (71.3 x 71.3 in.) Overall si...

It's an original vintage poster. A beautiful stone lithograph that has a monogram signature of the artist. GUANO de POISSON FRANCAIS. Year; 1925. A French advertisement for fish guano that is produced in 18 factory locations. (Affiche publicitaire...

Original linen-backed Bruxelles (Brussels) Foire Internationale oversize vintage travel poster. The poster features the most famous Grand Pal...

"Sergio Hernández (Mexico, 1957) 'La Mantis', 2015 woodcut on paper Velin Arches 300 g. 41 x 53.6 in. (104 x 136 cm.) Edition of 70 ID: HER-190"

Artist: Larry Rivers Title: Carnegie Hall Year: 1990 Medium: Lithograph, signed and numbered in pencil Edition: 4/60 Paper Size: 57 x 40 inches

Passion Flower by Ronald Julius Christensen, American (1923–1999) Date: 1980 Lithograph, signed and numbered in pencil Edition of 295 Size: 24 x 41.5 in. (60.96 x 105.41 cm)

Original silent movie poster: King of Caprice (translated from Russian.). Archivally linen-acked in very good condition. Images shown are of the exac...

Original Alcazar de Paris Vintage Poster - A Timeless Piece of Cabaret History. Year: 1977. Large size format 30” x 45” unbacked. Genuine 197...

Le Port de Monaco is an artwork realized by Appian. Etching, realized in 1874. Sheet 158 x 237 mm.. Curtis and Prouté 36. Meeting of a very beautiful proof on white laid paper, f...

Sergio Hernández (Mexico, 1957) 'La Maja', 2017 woodcut on paper Velin Arches 400 g. 46.9 x 82.7 in. (119 x 210 cm.) Edition of 30 Series # available:...

Sergio Hernández (Mexico, 1957) 'Alacranes Azules', 2016 woodcut on paper 46.9 x 82.7 in. (119 x 210 cm.) Edition of 30 Unframed

Melanie Taylor Kent "Boardwalk of Atlantic City" Signed Numbered Lithograph Art. Wow this is an amazing signed and numbered print 166/500 of the At...

Jose Bedia (Cuban, 1959) 'Mother of war', 2019 Woodcut and serigraph Limited edition of 30 Image size: 92 x 181 cm. (36.2 x 71.3 in.) Overall size: 118 x 199 cm. (46.5 x 78.3 in.) Su...

Color aquatint, spitbite aquatint, flatbite and softground etching with white gold leaf. Paper Size: 28” x 54” Image Size: 24” x 50” Edition of 35

Audrey Atomic by BATIK Pop Artwork of the iconic Audrey Hepburn during filming of Breakfast At Tiffany's. BATIK is an increasingly collectable pop artist currently living and wor...

This artwork titled "Mujer Con Sombrero (Woman with Hat)" 1972 is a large original colors lithograph on Arches paper by renown Mexican artist Rufino Tamayo, 1899-1991. It is hand signed and numbered 81/100. in pencil by the artist. The artwork size 36.35 x 25.85 inches, sheet size is 37.25 x 26.25 inches, framed size is 52.25 x 40.5 inches. Published by Transworld Art, New York , Printed by Bank Street Atelier, New York. Referenced and pictured in the artist's catalogue raisonne by Pereda, plate #132 page 123. Custom framed in a wooden black and silver frame, with silver bevel and fabric matting. It is in excellent condition. About the artist: A native of Oaxaca in Southern Mexico, Rufino Tamayo's father was a shoemaker, and his mother a seamstress. Some accounts state that he was descended from Zapotec Indians, but he was actually 'mestizo' - of mixed indigenous/European ancestry. (Santa Barbara Museum of Art). He began painting at age 11. Orphaned at the age of 12, Tamayo moved to Mexico City, where he was raised by his maternal aunt who owned a wholesale fruit business. In 1917, he entered the San Carlos Academy of Fine Arts, but left soon after to pursue independent study. Four years later, Tamayo was appointed the head designer of the department of ethnographic drawings at the National Museum of Archaeology in Mexico City. There he was surrounded by pre-Colombian objects, an aesthetic inspiration that would play a pivotal role in his life. In his own work, Tamayo integrated the forms and tones of pre-Columbian ceramics into his early still lives and portraits of Mexican men and women. In the early 1920s he also taught art classes in Mexico City's public schools. Despite his involvement in Mexican history, he did not subscribe to the idea of art as nationalistic propaganda. Modern Mexican art at that time was dominated by 'The Three Great Ones' : Diego Rivera, Jose Clemente Orozco, and David Alfaro Siqueros, but Tamayo began to be noted as someone 'new' and different' for his blending of the aesthetics of post Revolutionary Mexico with the vanguard artists of Europe and the United States. After the Mexican Revolution, he focused on creating his own identity in his work, expressing what he thought was the traditional Mexico, and refusing to follow the political trends of his contemporary artists. This caused some to see him as a 'traitor' to the political cause, and he felt it difficult to freely express himself in his art. As a result, he decided to leave Mexico in 1926 and move to New York, along with his friend, the composer Carlos Chavez. The first exhibition of Tamayo's work in the United States was held at the Weyhe Gallery, New York, in that same year. The show was successful, and Tamayo was praised for his 'authentic' status as a Mexican of 'indigenous heritage', and for his internationally appealing Modernist aesthetic. (Santa Barbara Museum of Art). Throughout the late thirties and early forties New York's Valentine Gallery gave him shows. For nine years, beginning in 1938, he taught at the Dalton School in New York. In 1929, some health problems led him to return to Mexico for treatment. While there he took a series of teaching jobs. During this period he became romantically involved with the artist Maria Izquierdo...

Sergio Hernández (Mexico, 1957) 'Untitled', 2011 woodcut on paper BAT(Bon A Tirer) 30 x 44.1 in. (76 x 112 cm.) ID: HER-158-1

Kcho (Alexis Leiva Machado), (Cuba, 1970) 'Fabelas', 2003 engraving, sugarlift on paper 28.8 x 41.3 in. (73 x 104.8 cm.) Ref: KCH-108

This artwork titled "Listen" 1998 is an original color lithograph on paper by noted American artist David Hollowell, b.1951. It is hand signed and num...

Original Italian poster: Fodere Bemberg. Occhio alla fodera!. Original Rene Gruau Italian fashion design. Size: 39" x 55". Original poster; r...

"Bonal" is an original lithograph poster by Adolphe Mouron Cassandre. It features an abstracted figure drinking Bonal Gentiane Quina, a cocktail or aperitif, which, consumed before a...

Artist: Salvador Dali, Spanish (1904 - 1989) Title: Le cercle visceral du Cosmos from La Conquete du Cosmos Year: 1974 Medium: Etching with Litho...

Artist: LeRoy Neiman (American, 1921-2012) Title: Paris Bourse Year: 1981 Medium: Screenprint, signed and numbered in pencil Edition: PP Image Size: 29.5 x 37 inches Frame Size: 41 ...

This sensuous and playful scene is characteristic of Oldenburg’s printmaking ouevre: a veritable heap of women displaying various expressions of ecstasy and repose. The loose sketches were drawn directly onto the plate by the artist, a master draftsman whose erotic etchings are largely unknown. The composition is based on the drawing: Clinical Study, Towards a Heroic-Erotic Monument in the Academic/Comic Style...