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Charles Amand DurandBeggar man and woman coming from behind a bank – after Rembrandt van Rijn1630
1630
$400
£305.82
€350.39
CA$564.20
A$614.27
CHF 328
MX$7,415.24
NOK 4,123.57
SEK 3,835.40
DKK 2,617.28
About the Item
Etching on cream laid paper laid down to a wove paper support, 4 x 2 5/8 inches (101 x 67 mm) (sheet). In good condition with scattered light areas of discoloration. Printed early 19th century.
[Bartsch 165].
Charles Amand Durand, (1831-1905) is recognized and praised for accomplishing the difficult task of renewing original copper plate designs made by Rembrandt. It is by Amand that many of Rembrandt's works were saved. He also restored plates by Albrecht Durer, Beham, and other various Old Masters from the 15th, 16th, and 17th centuries. The task started when the main curator of the Louvre gave Amand Durand the important mission of restoring the worn down and fragile engravings made by Rembrandt. This is a printing from the Durand plates. Published in "Eaux-Fortes et Gravures des Maîtres anciens, Tirées Des Collections Les Plus Célèbres" by Edouard Lièvre and Georges Duplessis.
- Creator:Charles Amand Durand (1831 - 1905, French)
- Creation Year:1630
- Dimensions:Height: 3.98 in (10.1 cm)Width: 2.64 in (6.7 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Middletown, NY
- Reference Number:Seller: BH9771stDibs: LU1979215130022
Charles Amand Durand
Charles Amand Durand, (1831-1905) is recognized and praised for accomplishing the difficult task of renewing original copper plate designs made by Rembrandt. It is by Amand that many of Rembrandt's works were saved. He also restored plates by Albrecht Durer, Beham, and other various Old Masters from the 15th, 16th, and 17th centuries. The task started when the main curator of the Louvre gave Amand Durand the important mission of restoring the worn down and fragile engravings made by Rembrandt. This is a printing from the Durand plates. Published in "Eaux-Fortes et Gravures des Maîtres anciens, Tirées Des Collections Les Plus Célèbres" by Edouard Lièvre and Georges Duplessis.
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