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Édouard ManetLe Gamin - Etching by Edouard Manet - 18621862
1862
$11,292.34
£8,467.31
€9,500
CA$15,756.96
A$17,060.19
CHF 9,070.12
MX$205,757.68
NOK 114,061.86
SEK 106,338.14
DKK 72,372.02
About the Item
Lithograph on chine collée on firm white paper.
Image dimension (chine collée) 28.7x22.7; Sheet size 50.4x32.6.
Not signed, as issued.
Lower inscribed and titled in typographic script "Tiré à cent exemplaires, LE GAMIN, Imp. Lemercier
Cie Paris".
Very good condition, with sheet with slight handling marks and two supported tears at the lower margin.
Ref. Harris 30/II; Guérin 71; Moreau-Nélaton 86
Prov. Collection Gustav von Rath, Krefeld, with the collector's stamp on the reverse, Lugt 2772; Personal Collection Eberhard W. Kornfeld, Bern, with the collector's stamp on the reverse , Lugt 913b.
A fine impression of one of the most celebrated works by Manet, that exemplifies his acute sensitivity to everyday subjects and his pioneering role in the development of modern printmaking. This etching depicts a young boy holding a large woven basket, his gaze a mixture of solemnity and innocence, accompanied by a dog looking up at him with loyal attention. The composition captures Manet’s ability to convey both character and atmosphere with economy of line and painterly depth.
Executed with a subtle interplay of light and shadow, the print highlights Manet’s mastery of the etching technique, translating his painterly touch into a graphic medium. The scene is infused with a sense of realism that reflects the artist’s deep engagement with contemporary life, while also revealing his sensitivity to the fleeting emotional states of his sitters.
- Creator:Édouard Manet (1832 - 1883, French)
- Creation Year:1862
- Dimensions:Height: 15.95 in (40.5 cm)Width: 12.84 in (32.6 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: T-1578311stDibs: LU650317075012
Édouard Manet
Edouard Manet (1832 – 1883) was a French painter. He was one of the first 19th-century artists to paint modern life, and a pivotal figure in the transition from Realism to Impressionism. Born into an upper-class household with strong political connections, Manet rejected the future originally envisioned for him, and became engrossed in the world of painting. His early masterworks, The Luncheon on the Grass (Le déjeuner sur l'herbe) and Olympia, both 1863, caused great controversy and served as rallying points for the young painters who would create Impressionism. Today, these are considered watershed paintings that mark the start of modern art. The last 20 years of Manet's life saw him form bonds with other great artists of the time, and develop his own style that would be heralded as innovative and serve as a major influence for future painters. Although harshly condemned by critics who decried its lack of conventional finish, Manet's work had admirers from the beginning. One was Emile Zola, who wrote in 1867: "We are not accustomed to seeing such simple and direct translations of reality. Then, as I said, there is such a surprisingly elegant awkwardness ... it is a truly charming experience to contemplate this luminous and serious painting which interprets nature with a gentle brutality."
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