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Erró
"Vermeer", signed Pop Art lithograph by Erró

2005

$850List Price

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HOMAGE TO FRANCIS BACON (STUDY FOR HEAD OF ISABEL RAWSTHORNE AND GEORGE DYER) Date of creation: 2016 Medium: Offset lithograph with cold foil stamp on paper Edition: 300 Size: 50 x 5...
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TAKASHI MURAKAMI A RETURN FROM WANDERING Pop Art, Japanese Flowers Silver Black
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TAKASHI MURAKAMI: WITH THE COMING OF... Hand signed numbered Superflat Pop Art
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WITH THE COMING OF SPRING, THE GRASS RETURNS NATURALLY Date of creation: 2013 Medium: Offset lithograph with silver on paper Edition: 300 Size: 50 x 50 cm Condition: In mint conditio...
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Large Bus by Allen Jones classic British 1960s pop art in bright primary colors
By Allen Jones
Located in New York, NY
This large Allen Jones lithograph is printed exuberantly in primary colors. A swath of bright red brushstrokes represents the side of a bus. In the upper left, small windows reveal the passengers: a woman’s face is cut off above her vampy red lips, and a blue-haired man’s face is hidden. Royal blue fills the upper right corner of the composition, giving the impression of looking up at a passing bus against the cloudless sky. One can imagine Jones was thinking of the iconic red double decker bus the AEC Routemaster, first introduced in London in 1954. In the 1960s buses were a living symbol of familiar and new technology coexisting: as David Bucken put it, “In and around London a midpoint change on a journey might involve alighting from an RT bus, of which production had started just prior to World War II, and getting on one of the sexy new Routemasters.” In the artist’s words: “The whole problem as a figurative artist was that it was going against the main march of modernism, which was towards abstraction. But here was a way of making the subject you were painting the same as the object you were painting on. By making the canvas a rhomboid, and putting little wheels on it, you have a schematic version of a vehicle, in this case a London bus.” Jones plays with the space between abstraction and figuration: windowed passengers, elaborated with just a few lines and placed adjacent to a weighty red ground of brushstrokes, easily convey the form of a bus, yet the print also conveys Jones’ visceral, painterly delight in color play. Four color lithograph on wove paper Paper 28.5 x 42.5 / 72.4 X 108 cm Wood frame 31 x 46 x 2 in. / 78.75 x 117 x 5 cm with 1 in. moulding Signed by the artist lower right in pencil, labeled Trial Proof lower left in pencil. Edition 20. Printed at Tamarind Los Angeles with Clifford Smith...
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Vintage Jim Dine tool Poster Kestner Gesellschaft 1970 (Hammers 1970) retro red
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Located in New York, NY
This vintage exhibition poster reproduces Jim Dine’s 1970 lithograph Hammers, which is in the collection of the Museum of Contemporary Art, Chicago. It w...
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The Old Professor (Oo La La) Jim Dine lithograph and Ron Padgett poetry
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Bright orange leaps up like flames, or swaying grass, over which hovers a large-eyed bee sketched in black and orange. Over the fire-red in neat handwriting Ron Padgett...
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Sybil in her Dressing Room Jim Dine The Picture of Dorian Gray Hollywood starlet
By Jim Dine
Located in New York, NY
Pictured in this Jim Dine lithograph is Sybil Vane, the innocent yet glamorous actress and object of Dorian Gray's affection and obsession in Oscar Wilde's novel The Picture of Doria...
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So I lean back (Oo La La) Jim Dine lithograph and Ron Padgett poetry pink bird
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A sparrow perches at the center of a swath of pale pink, around which wraps hand-written lines from Ron Padgett’s poem “Ode to Clemens Laurrell”: “So I lean back against the willows ...
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Tumbleweed, James Rosenquist neon blue barbed wire sculptural lithograph drawing
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This print depicts the tangle of barbed wire encircling curling and twisting neon, with lengths of wood at the center. The dark paper sets off the electric blue, and captures the ori...
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Scotland Yard (Oo La La) Jim Dine pale pink erotic hairstyles Ron Padgett poetry
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Located in New York, NY
This cheeky, pastel pink print depicts a range of intimate styles, a tongue-in-cheek recollection of the gridded haircuts displayed outside barber shops. It is from the Oo La La portfolio of 15 lithographs printed offset from zinc plates, drawn by both artists. Produced in collaboration with Ron Padgett...
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Angel More from the Mother of Us All, Pop Art Lithograph by Robert Indiana
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Un Ballo in Maschera, signed Surrealist lithograph by George Tooker
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Galerie Maeght, Pop Art Lithograph Poster by Richard Lindner
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