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Félix BracquemondLa Mort de Matamore (Capitain Fracasse)-Etching by Félix Bracquemond-1860s1860s
1860s
$416.44
£309.84
€350
CA$576.82
A$618.06
CHF 331.54
MX$7,320.96
NOK 4,182.24
SEK 3,826.10
DKK 2,666.83
About the Item
Etching on laid paper
Signed in plate lower left: Bracquemond
Published by Cadart
Luquet, Éditeurs, 79 Rue Richelieu, Paris
With the blindstamp of the Société des Aquafortistes, lower margin
In La Mort de Mazanoff (Capitaine Français), Félix Bracquemond combines dramatic intensity with profound restraint to depict the solitary death of a French officer fallen in the snow. The composition is anchored by the stark contrast between the inert figure of Mazanoff in the foreground and the dimly lit rescuers approaching through the wintry darkness. Bracquemond’s masterful control of etching tones—his dense cross-hatching, and his layering of ink to evoke velvety blacks—infuses the scene with emotional gravity and quiet heroism.
Rather than sensationalizing tragedy, Bracquemond captures a moment of silence and inevitability: the cold stillness of death within a vast, indifferent landscape. His use of chiaroscuro reflects the influence of Rembrandt, whom he deeply admired, while his treatment of nature as an expressive force anticipates Symbolist sensibilities that would emerge later in the century.
Excellent impression on laid paper, with full margins. Slight surface tone and mild foxing in outer border; image rich and well-preserved.
Félix Bracquemond was one of the most innovative and influential printmakers of 19th-century France. As a leading figure of the Société des Aquafortistes, he reinvigorated etching as a medium for original artistic expression. His circle included Manet, Corot, and Degas, and his experiments in tonal etching paved the way for modern printmaking. La Mort de Mazanoff is among Bracquemond’s most haunting works—an image of human solitude within the immensity of nature, realized with technical brilliance and profound emotional sensitivity.
- Creator:Félix Bracquemond (1883 - 1914, French)
- Creation Year:1860s
- Dimensions:Height: 14.18 in (36 cm)Width: 21.66 in (55 cm)Depth: 0.08 in (2 mm)
- Medium:
- Movement Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: T-1581531stDibs: LU650317321492
Félix Bracquemond
Fe´lix Bracquemond was born in Paris. He was trained in early youth as a trade lithographer, until Guichard, a pupil of Ingres, took him to his studio. His portrait of his grandmother, painted by him at the age of nineteen, attracted The´ophile Gautier's attention at the Salon. He applied himself to engraving and etching about 1853, and played a leading and brilliant part in the revival of the etcher's art in France. Altogether he produced over eight hundred plates, comprising portraits, landscapes, scenes of contemporary life, and bird-studies, besides numerous interpretations of other artist's paintings, especially those of Jean-Louis-Ernest Meissonier, Gustave Moreau and Jean-Baptiste-Camille Corot. After having been attached to the Se`vres porcelain factory in 1870, he accepted a post as art manager of the Paris atelier of the firm of Haviland of Limoges. He was connected by a link of firm friendship with E´douard Manet, James McNeill Whistler, and all the other fighters in the impressionist cause, and received all the honors that await the successful artist in France, including the grade of Officer of the Legion of Honor in 1889. Bracquemond was a prominent figure in artistic and literary circles in the second half of the 19th century. He was close to writers such as Edmond de Goncourt and critic Gustave Geffroy, and numbered among his friends Millet and Corot, Henri Fantin-Latour, Degas and the Impressionist circle, and Auguste Rodin. He was one of the more prolific printmakers of his time and he was awarded the grande medaille d'honneur at the Universal Exhibition of 1900. He was also a painter, ceramist, and an innovator in decorative arts. Gabriel Weisberg called him the "molder of artistic taste in his time". Indeed, it was he who recognised the beauty of the Hokusai woodcuts used as packing around a shipment of Japanese china, a discovery which helped change the look of late 19th-century art. He married French Impressionist artist Marie Bracquemond in 1869. He died in Se`vres.
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