Ferdinando Bibiena

Mirror - Etching After F. Bibiena - Late 16th Century

16th Century

Ancient Still Life from the series "Antiquities of Herculaneum", is an etching on paper realized by Vincenzo Campana and Giuseppe Azzerboni in the 18th Century. Signed on plate. Go...

Architecture is an original etching realized in the 17th Century by Jean Le Potre (1618-1682). Fair conditions with some cutaways. The artwork is depicted through soft strokes in d...

Still Life from the series "Antiquities of Herculaneum", is an etching on paper realized by Niccolo Cesarano in the 18th Century. Signed on the plate. Good conditions. The etching...

Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Filippo Morghen in the 18th Century. Signed on the plate. Good conditions with foxing, due to the time. ...

Agostino Carracci, After by Amand Durand, Italian (1557 - 1602) - Dessin pour un Eventail, Medium: Heliogravure, Size: 15.5 x 10.5 in. (39.37 x 26.67 cm), Printer: Amand Durand, D...

Rococo design for a gate, etching, by Joseph Baumann (active 1740-1760), circa 1750. Published by Martin Engelbrecht (1684–1756). Similar works ar...

This masterly frontispiece study, executed with a very sure hand, testifies to the survival of the great Baroque taste in 18th century Venice. It could be one of the very last works by Giovanni Antonio Pellegrini: the few lines that cross the papal arms evoke those of Benedict XIV, who became pope in 1740, one year before the artist's death. 1. Giovanni Antonio Pellegrini and the European influence of Venetian history painting in the 18th century Giovanni Antonio Pellegrini was born in Venice in 1675 and trained in the studio of the Milanese painter Paolo Pagani (1655 - 1716). Pagani, who had been living in Venice since 1667, took him to Moravia and Vienna from 1690 to 1696. After a stay in Rome from 1699 to 1701, Pellegrini married Angiola Carriera in 1704, the sister of the great pastelist Rosalba Carriera. From 1708 onwards, Pellegrini left Venice and began an extensive tour of Europe: he worked in England between 1708 and 1713, where he met great success, particularly at Kimbolton Castle and Castle Howard. He then worked in Germany and the Netherlands, then in Bohemia and Austria, before returning briefly to England in 1719. In 1720 he was in Paris where he decorated the ceilings of the Royal Bank for John Law...

'Plan et Elevation d'un Buffet en Niche' French copper-line engraving by Berthault after Andre Jacob Roubo (1739–1791). 18th century laid watermarked paper. From Roubo's 'L'Art du ...