Framed Figurative Prints

Artist: Sandu Liberman, Romanian/Israeli (1923 - 1977) Title: Shabbas Candles (Green) Year: circa 1970 Medium: Lithograph, signed and numbered in pencil Edition: 136/150 Image Size: ...

Interior with figure is an original print realized by the famous artist Hans Bellmer in 1971. Mixed colored etching. Good conditions, except for some foxings and little stains. Hand signed on the lower right margin. Numbered on the lower left. Edition 56/150. Includes frame: 70 x 1.5 x 53.5 cm The artwork represents a Surrealist composition typical of Bellmer's style: the artist is known for his project on mutated body forms of dolls and their unusual poses. Here, a "disarticulation" on the background of a room is represented. Bellmer believed indeed art could stimulate desire in the viewer, and he played with his objects to explore how an artificial figure of a girl could create authentic passion, desire, or fantasy. Hans Bellmer (13 March 1902 - 24 February 1975) was a German artist, well-known for the life-size pubescent female dolls...

Vintage poster by Henri Privat-Livemont created for the Exposition Universelle (the 1900 Paris Exposition) before the lettering was added on the upper portion of the image. Henri Pr...

This artwork titled "Kreuzenstein Courrtyard, Austria" c. 1960 is a color etching on wove paper by noted Austrian artist Robert Kasimir, 1914-2002. It is hand signed in pencil by the artist at the lower center. The image (plate mark) size is 15.75 x 17.35 inches, framed size is 25.25 x 26 inches. Custom framed in a wooden antique silver frame, with decorated matting. It is in excellent condition, the colors are fresh and bright, the frame has minor restorations, practically invisible. About the artist. Born in Vienna in 1914, Robert Kasimir began drawing at age 4, taught by his grandfather Alois. He made his first etching at age 5. He graduated from Vienna schools and attended the Technological College before switching to the Academy for Graphic Art, where he studied under Professor Hans Frank, a painter and graphic artist. Robert inherited the talent of his famous parents. His technique and subject matter are quite similar to those of his father. He signed his early etchings with the pseudonym "F.O. Robert" until he became established as a successful artist in his own right. Only then did he begin signing his etchings with his own name. In 1936 he came to the United States for a year of study at the Academy of Fine Arts, Philadelphia. During that year he made drawings for his American etchings, including the Capitol in Washington, Yale University, Broad Street, New York, and the University of California in Berkeley. He completed the actual etchings after his return to Vienna. In 1938 he was drafted into the army. He was sent to several fronts (Belgium, Holland, France, Russia) as a war reporter. He did many drawings during the war. In 1945 he returned to Vienna. For the next several years industrial commissions comprised most of his work, though he did several of his Viennese and Austrian scenes such as the Vienna Opera House...

Untitled is a modern artwork realized by Enotrio Pugliese Mixed colored etching Hand signed and numbered on the lower margin Edition of 43/75 Includes frame

Sailing is a contemporary artwork realized by Bruno Liberatore. Black and white lithograph. Hand signed and numbered on the lower margin. Edition of 97/100. Includes frame.

Naples, from Posillipo is a lithograph on paper realized in the 19th Century. The artwork is represented in a well-balanced composition with strong strokes. Very good condition.

This artwork titled "Winter Dream" 1989 is an original stonecut on thin tissue paper by noted Canadian/Inuit artist Pudlo Pudlat, 1916-1992. It is hand signed, titled, dated. describ...

To live long - Advertising Print is an original artwork realized in the half of 20th Century. A vintage mixed colored lithograph on which the adver...

Gulf of La Spezia is a lithograph on paper realized in the 19th Century. The artwork is represented in a well-balanced composition with strong strokes. Very good condition.

Garibaldi in the battle is an artwork realized in the 19th century by Anonymous italian artist. Lithograph with hand colored additions (oil and tempera). Includes gilded frame.

Violets is a modern artwork realzied by Luigi Bartolini in 1936 Black and white etching. Hand signed, titled and numbered on the lower margin. Includes frame Edition of 13/50 Go...

Pierre François Beaumont (ca. 1719-1777) after Philips Wouwerman (1619-1668). Inscribed in French in plate: 'Alte Flemish Painting which is in the Gallery of H. E. Mr. Count de Bruhl...

Nude is an original lithograph realized by Pierre Puvis de Chavannes in the 19th Century. Good Conditions. The artwork is depicted through soft strokes in a well-balanced composition.

Illustration from the series "Les Fleurs du Mal" is an etching print realized after Odilon Redon and published by Henri Felury in 1923. Monogrammed on the plate. Good conditions. ...

Uses and Customs - Acropolis of Athens is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of ...

Standing in a circle, the three women in this print by Jan De Ruth wear leotards with tights as they try on costumes in a dressing room. Showing the behind-the-scenes action of a dan...

Beginning of the year is a vintage offset poster realized after a drawing by Emilio Greco in 1973. Hand signed, titled and dated in plate in the lower margin. Includes frame Origi...

Union Mixer by Colleen Browning, British/American (1918–2003) Date: 1975 Offset Lithograph (unsigned as issued) Image Size: 9 x 14 inches Size: 14 x 1...

Artist: Marc Chagall Medium: Color etching on Arches wove paper Title: Meeting of Jacob and Rachel Portfolio: Signed Bible Etchings with Watercolor Year: 1958 Edition: 81/100 Signatu...

Landscape in Tuscany is a modern artwork realized by Orfeo Tamburi. Mixed colored lithograph. The artwork is from the serie "Paesaggi di Toscana" (Landscape of Tuscany) Hand signe...

Reuven Rubin, Israeli (1893 - 1974) - David said the Philistine, Portfolio: Story of David Portfolio, Year: 1971, Medium: Lithograph, signed and numbered in pencil, Edition: 166/...

Barletta is a lithograph on paper realized in the 19th Century. The artwork is represented in a well-balanced composition with strong strokes. Very good condition.

Wonderfully evocative abstracted figurative study of three nudes by an unknown artist (American, 20th Century) who used a ground etching technique for added depth and movement. Signe...

Ducal Palace in Genoa is a lithograph on paper realized in the 19th Century. The artwork is represented in a well-balanced composition with strong strokes. Very good condition.

Arco di Trajano in Ancona is a lithograph on paper realized in the 19th Century. The artwork is represented in a well-balanced composition with strong strokes. Very good condition.

Capri Island is a lithograph on paper realized in the 19th Century. The artwork is represented in a well-balanced composition with strong strokes. Very good condition. 

Savona is a lithograph on paper realized in the 19th Century. The artwork is represented in a well-balanced composition with strong strokes. Very good condition.

View of Virgil's Tomb near Naples is a lithograph on paper realized in the 19th Century. The artwork is represented in a well-balanced composition with strong strokes. Very good co...

Royal Palace in Genoa is a lithograph on paper realized in the 19th Century. The artwork is represented in a well-balanced composition with strong strokes. Very good condition.

Isola Bella on Lake Maggiore is a lithograph on paper realized in the 19th Century. The artwork is represented in a well-balanced composition with strong strokes. Very good condition.

America-La France Variations VII (B. 303; E. & Ba. 335). Lithograph on white Arches cover paper in 11 colors with black German etching paper, blue TGL handmade paper with multicolor...

Turin is a very beautifull artwork realized in the half of 19th Century Mixed colored lithograph. Title and author on plate. Realized by G. Riccio as reported on plate

"Cheyenne Woman in the Robes of a Secret Society" is an original lithograph by Leonard Baskin. It depicts a Native American woman in pale green robes. The title is written on the lef...

Palazzo Odescalchi is original black and white etching realized by Giuseppe Vasi in 1754 Beautiful etching representing Palazzo Odescalchi in Rome. Signed and titled on plate lower...

Marc Chagall "Paris de ma fenêtre" 1969-1970 Lithograph in colors on Arches paper 32.5 x 23.75 inches (image size) 39.5 x 27.5 inches (sheet size) ​​​​​​​Edition of 50 + 25 AP Signe...

Braun, Ruth Light (American, 1906-2003). UNTITLED (CLEANING CREW). Lithograph, not dated, but likely 1930s. Edition size not stated. Signed in pencil, lower left. 13 3/8 x 10 1/2 inc...

Serigraph in colors on gesso board. Hand signed and numbered lower front by Romero Britto. From the edition of 48. Frame size approx 49.5 x 49.5 inches. Artwork size 32 x 32 inche...

Artist: Salvador Dali Title: Iseult of the White Hands Portfolio: Tristan and Iseult Medium: Color engraving Year: 1970 Edition: XII/XXV Frame Size: 25 1/4" x 20 3/4" Sheet Size: 17 ...

Varujan Boghosian (American, 1926-2020), "Profile", Woodblock Print on Paper, signed in pencil and numbered edition "4/40" lower center, giltwood frame. Image: 15.5" H x 8" W; frame:...

“A voice is heard in Ramah, mourning and great weeping, Rachel weeping for her children and refusing to be comforted, because they are no more.” This verse from Jeremiah 31:15 is the subject of this woodcut print by Jacob Steinhardt, depicting Rachel, who was the mother of the tribes of Joshua and Benjamin, and who was the wife of Jacob who was Israel, weeping for her children which is to be understood as after the destruction of the First Temple in Jerusalem, the Israelites were clustered into Ramah, the home of the Benjaminites, before being taken into the Babylonian captivity; Rachel is weeping for the destruction and expulsion of her descendants. This work is exemplary of the Jewish themes of Jacob Steinhardt, a German Jew...

This artwork titled "The Klonski Twinss" c.1970 is an original etching by noted American artist Charles Bragg, 1931-2017. It is hand signed, titled and numbered 2/100 in pencil by the artist. The image (plate mark) size is 6 x 7.5 inches, framed is 15 x 19 inches. It is custom framed in red mahogany frame, with off white color matting. It is in excellent condition. About the artist. Charles Bragg was born in St. Louis, Missouri to two Vaudeville performing parents that he traveled with throughout his childhood. He attended New York’s High School of Music and Art in Harlem and ran away with his sweetheart when he turned 18. He studied at the Art Students League in New York and later resided in Los Angeles. Before he decided to truly pursue painting, Bragg was a cab driver, a truck driver, a stand-up comedian, and a factory worker. When he arrived in California, he began painting for the wealthy and even gave lessons. It was during this time that he began to develop satirical feelings for the upper-class he was painting. Considered the foremost social satire artist in America, Charles Bragg is highly acclaimed for his cryptic and humorous portraits. Bragg is a spiritual descendent of Bosch, Brueghel and Daumier His work is found in the collections of at least 20 international museums, including thePushkin Museum, Moscow, USSR - Galleria d' Arte, Moderna de Milano Stedelijk Museum, Amsterdam, Holland - Dayton Art Museum, Ohio - DowneyMuseum of Art, California - Long Beach Museum of Art, California - Wichita State University Collection - Roswell Museum Collection, New Mexico - Canton Art Institute, Ohio - Loch Haven Art Center, Orlando Florida - University of Wyoming Museum of Art - The Albrecht Museum of Art, St Joseph, Mo - St Lawrence University, Canton, NY - Gibbes Art Center, Charleston, SC - Kalamazoo Institute of Arts, Michigan ¬University of Judaism, Los Angeles, Ca - Joslyn Art Museum, Omaha, Nebraska - Tyler Museum of Art, Tyler, Texas - Joseph Hirshhorn Collection, National Gallery of Design...

Kehinde Wiley Nine of Coins, 2010 Archival inkjet print Framed Dimensions: 20.19 x 16.25 x 1 inches (51.27 x 41.27 x 2.54 cm) Edition AP 2/3, apart from the edition of 7

"Danseuse au Moulin Rouge" is an original lithograph after a early 20th Century painting by Jules Pascin. The work bears the artist's stamp signature a...

Joe Jones Fishing Village, 1949 Signed in pencil lower right margin Lithograph on wove paper Image 9 5/16 x 12 9/16 inches Sheet 12 x 15 15/16 inches From the edition of 250 The initial details of Jones' career are sparse, and this is intentional. The young artist was engaged in a process of self-reinvention, crafting a persona. When he submitted a work to the Sixteen Cities Exhibition at New York City's Museum of Modern Art in 1933, he briefly characterized himself: "Born St. Louis, 1909, self-taught. " Jones intentionally portrayed himself to the art community as an authentic working-class figure, backed by a compelling history. He was the youngest of five children in a family led by a one-armed house painter from St. Louis, a Welsh immigrant, and his German American spouse. At the age of ten, Jones found himself in a Missouri reformatory due to authorities' concerns over his graffiti activities. After completing elementary school, he traveled by freight car to California and back, even being arrested for vagrancy in Pueblo, Colorado. Returning to St. Louis, he attempted to settle down by working alongside his father. Yet, Jones felt a profound restlessness and was drawn toward a more elevated artistic pursuit in his late teenage years. He discovered a local collective of budding artists that formed St. Louis’s "Little Bohemia," sharing a studio and providing mutual support until he managed to secure his own modest workspace in a vacant garage. Jones’s initial creations comprised still lifes, landscapes, and poignant portraits of those close to him. These subjects were not only accessible but also budget-friendly, as hiring models was beyond his means. He depicted himself, his father, mother, and eventually, his wife. In December 1930, at the age of 21, Jones wed Freda Sies, a modern dancer and political activist who was four years older than him. By 1933, Jones had started gaining noteworthy local recognition through a solo exhibition at the Artists’ Guild of Saint Louis. Of the twenty-five paintings on display, one, titled River Front (private collection, previously with Hirschl and Adler Galleries), was selected to illustrate a feature article about his show in The Art Digest (February 15, 1933, p. 9). Shortly before this exhibition, a young surgeon named Dr. Robert Elman took an interest in Jones’s art, purchasing several pieces and forming a group of potential patrons committed to providing the emerging artist with a monthly stipend in exchange for art. This group was officially known as the "Co-operative Art Society," but it was informally dubbed the "Joe Jones Club. " Jones became an active participant in the St. Louis artistic scene, particularly within its bohemian segments. He embraced modernism and was a founding member of the "New Hat" movement in 1931, a playful rebellion against the conservative and traditional mainstream art establishment. The summer of 1933 marked a significant shift in Jones’s journey. Sponsored by a dedicated ally, Mrs. Elizabeth Green, Jones, along with Freda and Green, embarked on an eastward road trip. In Washington, D. C., they explored the Corcoran Gallery of Art, the Freer Gallery (part of the Smithsonian Institution), the Library of Congress, and Mount Vernon. Following this whirlwind of art and American culture, they made their way to New York, where they visited various museums and galleries, including a stop at The New School for Social Research, which featured notable contemporary murals by fellow Missourian Thomas Hart Benton and the politically active Mexican artist, José Clemente Orozco. From June through August, Jones and Freda resided in the artist colony of Provincetown, Massachusetts, later returning home via Detroit to see Diego Rivera’s Detroit Industry mural housed at the Detroit Institute of Fine Arts. While Elizabeth Green allegedly hoped that Jones would refine his artistic skills under the guidance of Charles Hawthorne or Richard Miller in Provincetown, Jones followed a different path. Rather than pursuing conservative mentors, he connected with an engaging network of leftist intellectuals, writers, and artists who dedicated their time to reading Marx and applying his theories to the American landscape. Jones's reaction to the traditional culture of New England was captured in his statement to a reporter from the St. Louis Post Dispatch: “Class consciousness . . . that’s what I got of my trip to New England. Those people [New Englanders] are like the Chinese—ancestor worshipers. They made me realize where I belong” (September 21, 1933). The stark social divisions he witnessed there prompted him to embrace his working-class identity even more fervently. Upon returning to St. Louis, he prominently identified himself as a Communist. This newfound political stance created friction with some of his local supporters. Many of his middle-class advocates withdrew their backing, likely influenced not only by Jones’s politics but also by his flamboyant and confrontational demeanor. In December 1933, Jones initiated a complimentary art class for unemployed individuals in the Old Courthouse of St. Louis, the same location where the Dred Scott case was deliberated and where slave auctions formerly took place. Concurrently, the St. Louis Art League was offering paid courses. Emphasizing the theme of social activism, with a studio adorned with Soviet artwork, Jones’s institution operated for just over a year before being removed from the courthouse by local officials. The school’s political focus and unconventional teaching practices, along with its inclusion of a significant number of African American students during a period marked by rigid racial segregation, certainly contributed to its challenges. Under Jones’s guidance, the class created a large chalk pastel mural on board, measuring 16 by 37 feet, titled Social Unrest in St. Louis. Mural painting posed no challenge for the former housepainter, who was adept at handling large wall surfaces. His first significant commission in St. Louis in late 1931 was a mural that celebrated the city’s industrial and commercial fortitude for the local radio station, KMOX. This mural, aimed at conveying optimism amid severe economic hardship, showcased St. Louis's strengths in a modernist approach. When Jones resumed mural work in late 1933, his worldview had evolved considerably. The mural produced for the school in the courthouse, conceived by Jones, featured scenes of modern St. Louis selected to highlight political messages. Jones had observed the technique of utilizing self-contained scenes to craft visual narratives in the murals he encountered in the East. More locally, this compositional strategy was commonly employed by the renowned Missouri artist...

Antony Micallef Peace Keeper, 2007 Lithograph printed in colours hand-signed and numbered by the artist 96 × 67 cm 105 x 72 cm (framed) Edition of 400 Antony Micallef is a prominent...

The Dance Robin Morris, American Date: circa 1980 Screenprint, signed and numbered in pencil Edition of AP Size: 19.5 x 28.5 in. (49.53 x 72.39 cm) Frame Siz...

Lithograph in colors on Arches wove paper from the Cats portfolio. Hand signed lower right by Karel Appel. Hand numbered 16/125 lower left. Artwork size: 24.75 x 32.25 inches. Fr...

Jongleur Georges Rouault, French (1871–1958) Portfolio: Le Cirque de l'Etoile Filante Date: 1936 Woodcut, initialed in the stone Size: 3 x 2 in. (7.62 x 5.08 cm) Frame Size: 9.5 x 8....

29 3/4 x 21 1/2 paper 34 x 25 1/4 framed Signed lower right. Claude Weisbuch was born in Thionville, France in 1927 and was a pupil at L' École des Beaux-Arts de Nancy, France. As ...

Signed in plate and signed in graphite. On paper.

The Boston Tea Party by Joseph Hirsch, American (1901–1981) Date: 1975 Offset Lithograph (unsigned as issued) Size: 17 x 14 in. (43.18 x 35.56 cm) Frame Size: 20 x 17 inches An orig...

Naomi and her daughters is an artwork from the Series "The Bible", realized by Marc Chagall in 1960. Mixed colored lithograph on brown-toned paper, no signature. Edition of 6500 un...

The Absolute Real is a lithograph realized by Man Ray in 1964. Hand-singed in pencil by the Artist. Lithograph in Red Ink, 1964. Published by Schwarz, the lithograph is part of th...

Robert Anderson, American (1945 - 2010) - Ladies in Flag, Year: circa 1980, Medium: Lithograph, signed in pencil, Edition: Trial Proof, Size: 20 in. x 28 in. (50.8 cm x 71.12 cm)...

Village is a modern artwork realized by Maurice de Vlaminck in 1950. Black and white etching. Hand signed and dated on the lower margin. Edition of 100 specimen as reported on th...

Blue and Yellow Figures is a lithograph on paper realized by Alberto Cavallari in the 1970s. Hand-signed, and numbered, edition of 100 prints. Good conditions.

The Hudson River Museum - Vintage Poster is a vintage offset print. It represents the official poster of the Zamkowe Museum in occasion of Charles...

Dog is an original oil painting on canvas realized by Sergio Vacchi in 1977. Hand-signed and dated on the top left. Including a golden frame. Frame dimensions: 76x97 cm. Very good ...

Homage to Michelangelo is an original artwork realized in 1975 by Jorge Castillo. Black and white etching. Hand signed on the lower right margin. Numbered on the lower right left....