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Frederick Mershimer
Hermes (the son of Zeus and Maia, he is the messenger of the gods)

1992

$900List Price

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Fifth Avenue Bridge.
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Fifth Avenue Bridge. 1928. Drypoint. McCarron 72. 9 7/8 x 12 (sheet 12 3/4 x 15). Edition of 108 recorded impressions. A rich impression printed on cream laid paper, with full margin...
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1920s American Modern Figurative Prints

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The Fair
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The Fair. 1895-96. Lithograph. Way 92, Levy 144, Tedeschi, Stratis and Spink 135 state ii. Image 9 1/4 x 6 1/2 (sheet 13 x 9 5/8). A fine impression printed on antique cream-laid paper. Way lists 15-lifetime impressions (Goulding printed...
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Armin Landeck, Tenement Walls
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The reference number on this work is Kraeft 88. It's from an edition of 100 and is signed, dated, and numbered, in pencil. Always an intaglio printmaker, Landeck switched from a mor...
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Samuel Chamberlain, The Public Gaol, Williamsburg (Virginia)
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Located in New York, NY
Samuel Chamberlain was a superb draftsman and his architectural images are often very complex. This image is, by contrast, quiet and understated: serene to the point of lonely. It's ...
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Werner Drewes, 125th Street at Broadway, NYC
By Werner Drewes
Located in New York, NY
Werner Drewes brought his modernist vision to this subject but created, in my opinion, a great work of the Etching Revival. The reference is Rose 183. It...
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Irving Guyer, Christmas Trees on Second Street (NYC)
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Philadelphia-born Irving Guyer attended the Art Students League and worked in New York City before moving to California. This print is signed and titled i...
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Bernard Sanders, Sledding in Central Park, NYC
Located in New York, NY
Signed in pencil. This scene is a hundred years old but if we have snow this year it can easily be recreated.
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Tugs on the Hudson
By Charles Frederick William Mielatz
Located in Middletown, NY
Drypoint etching with engraving printed in black ink on Japanese mulberry paper, 4 1/2 x 3 3/8 inches (113 x 84 mm), full margins. In superb condition. A beautiful New York City river...
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Ruff s Farm
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A nostalgic image of a bucolic farmyard and thatched cottage, hearkening to a bygone era. c 1920. Etching with drypoint on laid watercolor paper with deckle edges, and an indiscerni...
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New York Skyline
By Louis H. Ruyl
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Etching with drypoint on cream wove paper with deckle edges, 4 3/8 x 12 3/4 inches (233 x 323 mm); sheet 9 1/2 x 15 3/4 inches (240 x 338 mm), full margins. Signed and numbered 4/75 ...
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New York Skyline
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H 9.18 in W 12.72 in

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Swing (The swing of the bat from #27 a right handed hitter. Play Baseball!
By Art Werger
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Play Ball! No. 27 unleashes a mighty swing at the ball. Both umpire and catcher are in their huddled crouch. "Swing" is an exclusive publication of Stone and Press Gallery by Art We...
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7 A. M. St. Louis
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It's early morning I'm St. Louis in this 2002 mezzotint that is signed and numbered Art Werger’s lyrical suburban scenes are evocative of boyhood summer evenings while his city imag...
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A miniature image in an edition of 30 features two beach huts and magical flying fish going by. The image is surreal and serene both at the same time, A lot of quiet emotion is comm...
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Commencement
By Caroline Durieux
Located in New Orleans, LA
Caroline Durieux's image captures a lone figure in her garden in this southern plantation in Louisiana. "Plantation Garden" is a lithograph created by Durieux in 1946 in an edition of 20. It is signed in pencil. Durieux shared her feeling about this piece with these reflections. “The spectrum analysis of satire runs from the red of invective at one end to the violet of the most delicate irony at the other.” David Worcester 16, "The Art of Satire". The feeling expressed in Plantation Garden is that of a dirge with ironic overtones; it is sad, nostalgic yet satirical. The bent figure of the old lady, the ancient trees, the static moss, all seem to belong to the past; even the lady is old. For contrast, a ray of late afternoon sun lights up the only young note in the picture: perennials in the foreground. When “we are satirical and we are friendly at the same time, the consciousness of the friendship gives a regretful and tender touch to the satire, and the sting of the satire makes the friendship a trifle humble and sad.” George Santayna 255, "The Sense of Beauty". This concept of satire mixed with friendship comes closer to humor because there is less censure involved. In "Plantation Garden", the satire is tempered by a feeling of empathy. Caroline Durieux (American, 1896 – 1989) Printmaker, painter, satirist, innovator, social activist, Caroline Durieux was born in New Orleans and was already making sketches by the age of four. Her formal art training was at Newcomb College (1912-1917) and the Pennsylvania Academy of Fine Arts (1918-1920). Carl Zigrosser of the Philadelphia Museum of Art encouraged Durieux to try lithography. While living in Mexico, she learned lithography from Emilio Amero...
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Mexican Orchestra (joy of the people is captured in this celebratory festival)
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Personnes Etendues and Arbe (People seek land by tree)
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