Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

George Edwards
La Petite Venise (Provence) - Etching by Justin Gabriel - 1864 ca.

1864 ca.

$451.38
£338.37
€380
CA$624.14
A$679.31
CHF 363
MX$8,203.46
NOK 4,562
SEK 4,243.19
DKK 2,895.55

About the Item

Etching on laid paper Signed in plate lower left: Justin Gabriel Published by Cadart Luquet, Éditeurs, 79 Rue Richelieu, Paris With the blindstamp of the Société des Aquafortistes, lower margin In La Petite Venise (Provence), Justin Gabriel captures the poetic charm of a Provençal harbor, where houses with irregular façades rise directly from the water’s edge and fishermen go about their daily tasks in moored boats. The etching evokes the atmosphere of a Mediterranean fishing village — a world of light, water, and work — rendered with a precision that conveys both topographical accuracy and lyrical mood. Gabriel’s treatment of architecture and reflections demonstrates his skill in balancing detailed observation with compositional harmony. The play of shadow along the façades and the subtle gradation of tone in the sky give the scene an almost painterly depth. This etching stands as a testament to the artist’s mastery of the medium, merging the natural poetry of southern France with the technical rigor celebrated by the Société des Aquafortistes. Fine impression on laid paper, with broad margins. Slight foxing and time toning typical of age, otherwise excellent preservation. La Petite Venise was among the etchings published by Cadart Luquet as part of their mission to promote original prints by leading 19th-century artists. Justin Gabriel’s work — though relatively rare — reflects the influence of both the Barbizon landscape tradition and the southern regionalism that would later inspire the Provençal school. His interpretation of light and water here aligns him with contemporaries like Lalanne and Appian, whose works likewise elevated landscape etching to the level of fine art.
  • Creator:
    George Edwards (1694 - 1773, English)
  • Creation Year:
    1864 ca.
  • Dimensions:
    Height: 14.18 in (36 cm)Width: 21.66 in (55 cm)Depth: 0.04 in (1 mm)
  • Medium:
  • Movement Style:
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
    Insurance may be requested by customers as additional service, contact us for more information.
  • Gallery Location:
    Roma, IT
  • Reference Number:
    Seller: T-1581421stDibs: LU650317317002

More From This Seller

View All
Seascape - Etching by Alcione Gubellini - Mid-20th Century
By Alcione Gubellini
Located in Roma, IT
Etching and drypoint realized by Alcione Gubellini in the mid-20th Century. Edition of 16. Hand signed and numbered in pencil. Excellent condition.
Category

Mid-20th Century Modern Landscape Prints

Materials

Etching

Seascape - Etching by Alcione Gubellini - Mid-20th Century
By Alcione Gubellini
Located in Roma, IT
Etching and drypoint realized by Alcione Gubellini in the mid-20th Century. Edition of 16. Hand signed and numbered in pencil. Excellent condition.
Category

Mid-20th Century Modern Landscape Prints

Materials

Etching

Seascape - Etching by Alcione Gubellini - Mid-20th Century
By Alcione Gubellini
Located in Roma, IT
Etching and drypoint realized by Alcione Gubellini in the mid-20th Century. Edition of 16. Hand signed and numbered in pencil. Excellent condition.
Category

Mid-20th Century Modern Landscape Prints

Materials

Etching

Seascape - Etching by Alcione Gubellini - Mid-20th Century
By Alcione Gubellini
Located in Roma, IT
Etching and drypoint realized by Alcione Gubellini in the mid-20th Century. Edition of 16. Hand signed and numbered in pencil. Excellent condition.
Category

Mid-20th Century Modern Landscape Prints

Materials

Etching

The Ford - Etching by Adolfo Bignami - 1870
Located in Roma, IT
Signed in plate lower left. Stamped title. Published by Lovera. Good condition.
Category

1870s Modern Figurative Prints

Materials

Etching

Etretat - Etching by Lèon Gaucherel - 1860s
By Léon Gaucherel
Located in Roma, IT
Etretat is a black and White etching realized by Léon Gaucherel in the 1860s.  Titled in the lower Image Size: 23x31 Very good impression. Realized for the "Société des Aquaforti...
Category

1860s Modern Figurative Prints

Materials

Etching

You May Also Like

Julian Trevelyan, Trafalgar Square, etching and aquatint
By Julian Trevelyan
Located in London, GB
To see our other views of London and our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller". Julian Trevelyan (1910-19...
Category

1960s Modern Figurative Prints

Materials

Etching, Aquatint

Julian Trevelyan, Tower Bridge, etching and aquatint
By Julian Trevelyan
Located in London, GB
To see our other views of London and our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller". Julian Trevelyan (1910-19...
Category

1960s Modern Figurative Prints

Materials

Etching, Aquatint

Alington in Wiltshire (The First Swallow).
By Robin Tanner
Located in Storrs, CT
Alington in Wiltshire (The First Swallow). 1927. Etching. Garton 2.iv. 6 3/4 x 8 7/8 (sheet 10 1/2 x 13 1/2). Final state published by in an editon of 12 by Garton & Cooke in 1982 (Nicolson published an edition of 40 in 1927). In states iii and iv, the swallow of the title was removed. In state iv, the sky was re-etched and the cross-hatching was slightly finer. Signed in pencil. Garton writes, page 11: "The design was based on the Anglican chapel-of-ease is the farmyard of Bulisge at Allinston near Chippenham....The print was originally entitled The First Swallow, but the swallow was burnished out before the 1927 edition....Fifty years later new work was effected in the worn-out areas of the sky and distance to produce prints which, in his opinion, were better than those of the original edition." Robin Tanner was an English artist, etcher, and printmaker. He followed the visionary tradition of Samuel Palmer and English neo-romanticism. His etchings began following night-school classes at Goldsmiths College, London. He had been inspired by the major Samuel Palmer retrospective exhibition organized by Martin Hardie...
Category

1920s Modern Landscape Prints

Materials

Etching

Twixt Dawn and Day
By Sir Frank Short
Located in Storrs, CT
Twixt Day and Dawn. 1919. Aquatint. Hardie catalog 165 state ii. Image 9 7/8 x 11 1/2 (sheet 13 9/16 x 16 7/8). A masterly inked impression produces subtle lighting variations throu...
Category

Early 20th Century Modern Landscape Prints

Materials

Aquatint

San Marco [Venice].
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
William Walcot. R.E., R.I.B.A. San Marco. Etching with drypoint and aquatint. Dickins 66, Harvey-Lee 91. 3 7/8 x 5 7/8 (sheet 9 1/4 x 12 1/8). Venice set, # 2. Edition 415. A rich impression printed on cream wove paper. Fold in the margin, well outside the image; otherwise good condition. Signed in pencil. Housed in a 16 x 20-inch archival mat. Soon after Walcot's arrival in England, the Fine Art Society sponsored a trip sent to Italy. This scene is one of four small drypoints that resulted from the artist’s stay in Venice. When he was seventeen, he began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category

Early 20th Century Modern Landscape Prints

Materials

Drypoint, Etching, Aquatint

Julian Trevelyan Gravesend Etching Modern British Art London Print UK Thames
By Julian Trevelyan
Located in London, GB
We have seven of Julian Trevelyan's 'Thames Suite' of prints, plus other prints and oil paintings by him - and other Modern British Artists. To see the others, scroll down to "More f...
Category

1960s Modern Figurative Prints

Materials

Etching, Aquatint