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George Miyasaki
Etruscan Horse Figure

1964

Price:$500
$600List Price

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By Karel Appel
Located in Long Island City, NY
A lithograph print by Karel Appel from 1974. An expressionist portrait of two figures in bright contrasting colors. Artist: Karel Appel, Dutch (1921 - 2006) Title: Deux Personnage ...
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Floating Silver Passion
By Karel Appel
Located in Long Island City, NY
A mixed media silkscreen by Karel Appel from 1975. An expressionist style image of a brightly colored figure over a silver, reflective underlay. Artist: Karel Appel, Dutch (1921 - ...
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Ptoyecto para el Arc de Triomphe
By Christo and Jeanne-Claude
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Christo and Jeanne-Claude Ptoyecto para el Arc de Triomphe2 1970 Lithograph Signed and numbered 92/300 48 x 66 cm
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Untitled
By Robert Rauschenberg
Located in Missouri, MO
Robert Rauschenberg "Untitled" 1973 Medium: Screenprint and collage in colors Printed and Published by Styria Studios, New York and with their blindstamp Signed and Numbered 71/100 Images Size: approx. 28 x 20 inches Framed Size: approx. 34 x 26 inches Born with the name Milton Rauschenberg in Port Arthur, Texas, Robert Rauschenberg became one of the major artists of his generation and is credited along with Jasper Johns of breaking the stronghold of Abstract Expressionism*. Rauschenberg was known for assemblage*, conceptualist methods, printmaking, and willingness to experiment with non-artistic materials--all innovations that anticipated later movements such as Pop Art*, Conceptualism*, and Minimalism*. In May, 1999, ARTNews magazine featured him as one of the top twenty-five influential western artists, stating: "His irreverent notions of what an artwork could be gained him the status of an enfant terrible. . .Rauschenberg pushed the viewer to accept the unexpected." He has said that he believes painting should relate to both life and art and that he wants is artwork to be the intermediary between the two. He received much formal art education beginning with the Kansas City Art Institute in 1947 and 1948. He studied briefly in Paris at the Academie Julian*, and from 1948 to 1949 was at Black Mountain College* in North Carolina with Josef and Anni Albers. This period was followed by several years attendance at the Art Students League* in New York City with Morris Kantor and Vaclav Vytlacil. In 1951, he exhibited all white and black paintings incorporating viewer participation through the shadows they cast on the works. At Black Mountain College, he had met composer, John Cage, and dancer- choreographer, Merce Cunningham, for whom he worked in his company as a designer, manager, and performer. Frequently he scoured the area in which they were performing for 'unusual' objects such as tires, old radios...
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Price Upon Request
H 28 in W 20 in
Mecklenburg Autumn
By Romare Bearden
Located in Washington, DC
Title: Mecklenburg Autumn Medium: Lithograph in colors Year: 1979 Edition: AP (artist's proof, aside from the edition of 175) Signature: Stamped signature Image Size: 22 1/4" x 17 1/...
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Mecklenburg Autumn
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H 30.25 in W 25.25 in
Rainbow: Thelonious Monk, Devil at the Keyboard, Lithograph by Willem De Kooning
By Willem de Kooning
Located in Long Island City, NY
Artist: Willem de Kooning, Dutch/American (1904 - 1997) Title: Rainbow - Thelonious Monk - Devil at the Keyboard Year: 1972 Medium: Six Color Lithograph on Thin Velin, printed signat...
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Assemblee des Rabbins et Notables.. original lithograph by Theo Tobiasse
By Théo Tobiasse
Located in Paonia, CO
Assemblee des Rabbins et Notables au 16 siecle  dans un village de Lithuanie is an original artist proof ( E. A. ) lithograph by  Theo Tobiasse (b.1927 -2012) , an internationally successful French painter, engraver, illustrator, and sculptor. He grew up in Paris during the Nazi occupation. His work has great depth and originality as he seeks to express the inner world of man.  Perhaps the hardships he and his family endured helped define his artistic expression. He has had many exhibitions around the world, in Paris at the Drouant gallery, in Geneva, Montreal or Tokyo, then London, Zurich, Lauzanne, Los Angeles, Kyiv. He also had a solo exhibition in New York and many more shows world wide over the years.  A visit to Jerusalem in 1970 brought him closer to his Jewish origins. He created his first stained glass windows on the theme of “Jewish Holidays” for the Jewish Community Center in Nice and a monumental oil on canvas entitled Que tes tentes sont belles, ô Jacob (1982). He traveled and immersed himself in the cultures he encountered, the jazz of New Orleans, Mexican archaeological sites and Native American totems. In New York, he met Elie Wiesel...
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"Seder" original artists proof signed lithograph by Theo Tobiasse
By Théo Tobiasse
Located in Paonia, CO
Seder by Tobiasse shows a group of eleven men, woman and children sitting and standing around the Seder table with an orange background. This original lithograph is in good condi...
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Self-Portrait - Offset and Lithograph after Willem De Kooning - 1985
By Willem de Kooning
Located in Roma, IT
Self-portrait with Imaginary Brother is an offset and lithograph print after Willem De Kooning in 1938. The print suite was realized in 1985 in a limited edition of 2500, and curate...
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Abstract Lithograph with Animals and Figures
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Located in Soquel, CA
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Thomas Hart Benton, 'Goin' Home', lithograph, 1937, edition 250, Fath 14. Signed in pencil. Signed in the stone, lower right. A fine, richly-inked impression, on off-white, wove pape...
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Untitled (Nike) — 1920s Modernism
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Portrait of an African Woman — 1920s Modernism
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Located in Myrtle Beach, SC
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Profile of an African Woman — 1920s Modernism
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Located in Myrtle Beach, SC
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Untitled (Profile of an African Woman) — 1920s Modernism
By Boris Lovet-Lorski
Located in Myrtle Beach, SC
Boris Lovet-Lorski, 'Untitled (Profile of a Black Woman)', lithograph, edition 250, 1929. Signed and numbered 14 in pencil. Number 14 of Volume 2, a series of 10 lithographs publishe...
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Negro — California WPA Social Realism – Slavery
Located in Myrtle Beach, SC
Nicholas Panesis, 'Negro', 1934, color lithograph, edition 18. Signed, dated, titled, and numbered 8/28 in pencil. Initialed in the stone, lower right. A fine impression, with fresh colors, on buff wove paper, with margins (1 1/8 to 2 3/8 inches). Minor glue staining at the extreme sheet edges verso, where previously taped (not visible recto), otherwise in excellent condition. Very scarce. Matted to museum standards, unframed. Image size 10 5/8 x 8 1/2 inches; (270 x 216 mm); sheet size 14 13/16 x 10 15/16 inches (376 x 278 mm). Created for the California Works Progress Administration, Federal Art Project (WPA). Impressions of this work are held in the public collections of La Salle University Art Museum (Philadelphia), U.S. General Services Administration, and Weisman Art Museum (University of Minnesota). ABOUT THE ARTIST Born in Massachusetts, Nicholas Panesis (1913-1967) studied art at Syracuse University, NY, and went on to teach ceramics at Alfred University, NY. Panesis moved to San Francisco in the early 1930s shortly before settling in Los Angeles, where he worked for different animation studios...
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