Want more images or videos?
Request additional images or videos from the seller
1 of 11
Giovanni Battista PiranesiMarble relief of a trireme from the Temple of Fortuna, Praeneste, from Vasi1778-1780
1778-1780
$1,500List Price
About the Item
- Creator:Giovanni Battista Piranesi (1720-1778, Italian)
- Creation Year:1778-1780
- Dimensions:Height: 14.93 in (37.93 cm)Width: 20.5 in (52.07 cm)
- Medium:
- Movement Style:
- Period:1770-1779
- Condition:
- Gallery Location:Fairlawn, OH
- Reference Number:Seller: FA123851stDibs: LU14012064532
Giovanni Battista Piranesi
Piranesi was born in Venice in 1720 and died in Rome in 1778. He was the son of a stone mason and was trained as an architect. After a slow start he eventually achieved great success as an architect, archaeologist, artist, designer, collector, and antiquities dealer. His mission was to glorify the architecture of ancient Rome through his engravings and etchings. His highly dramatized prints often depict imaginary interiors and frequently include figures in mysterious activities, who are dwarfed by the magnitude of their monumental surroundings. Piranesi's style greatly influenced the neoclassical art movement of the late 18th century. His dramatic scenes inspired generations of set designers, as well as artists, architects and writers. His prints have continued to increase in value to institutions and collectors.
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Gold Seller
Premium sellers maintaining a 4.3+ rating and 24-hour response times
Established in 1978
1stDibs seller since 2013
832 sales on 1stDibs
Associations
International Fine Print Dealers Association
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.You May Also Like
Letter L - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter L is an Etching realized by Luigi Vanvitelli in 18th century.
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Er...
Category
Late 18th Century Old Masters Figurative Prints
Materials
Etching
$237
H 2.76 in W 2.76 in D 0.04 in
Capital letter C from the Antiquities of Herculaneum - Etching - 18th Century
Located in Roma, IT
Capital letter C for the Antiquities of Herculaneum Exposed, original etching from the end of the 18th century, made by Various Old Masters.
In very good condition, except for some ...
Category
Late 18th Century Old Masters Figurative Prints
Materials
Etching
$237
H 3.15 in W 3.15 in D 0.08 in
One Can
t Tell Why - Proof from the Disasters of War
By Francisco Goya
Located in New York, NY
Francisco José de Goya y Lucientes (1746 Fuendetodos – Bordeaux 1828), No se puede saber por qué – One can’t tell why ca. 1808–1814, etching, burnished aquatint, drypoint, an...
Category
1810s Old Masters Figurative Prints
Materials
Drypoint, Etching, Aquatint
Les Femmes Sont Cheres, Old Masters Photogravure after Édouard de Beaumont
Located in Long Island City, NY
Édouard de Beaumont, After, French (1821 -1888) - Les Femmes Sont Cheres, Medium: Photogravure, Image Size: 6 x 9.75 inches, Size: 13 x 16.25 in. (33.02 x 41.28 cm), Publisher: M...
Category
Mid-19th Century Old Masters Figurative Prints
Materials
Etching
Monastero e Chiesa dei SS. Domenico - Etching by G. Vasi - Late 18th Century
By Giuseppe Vasi
Located in Roma, IT
Monastero e Chiesa dei SS. Domenico is an original black and white etching of the Late 18th century realized by Giuseppe Vasi.
The beautiful etching represents a glimpse of Rome.
...
Category
Late 18th Century Old Masters Figurative Prints
Materials
Etching
$1,069
H 11.03 in W 16.15 in D 0.04 in
Palazzo Barberini - Etching by Giuseppe Vasi - Late 18th Century
By Giuseppe Vasi
Located in Roma, IT
Palazzo Barberini is an original black and white etching of the Late 18th century realized by Giuseppe Vasi.
The beautiful etching represents a glimpse of Rome.
Signed and titled o...
Category
Late 18th Century Old Masters Figurative Prints
Materials
Etching
$1,069
H 13.39 in W 18.9 in D 0.04 in
Fontana dell
Acqua Felice - Etching by Giuseppe Vasi - Late 18th Century
By Giuseppe Vasi
Located in Roma, IT
Fontana dell'Acqua Felice is an original black and white etching of the Late 18th century realized by Giuseppe Vasi.
The beautiful etching represents a glimpse of Rome.
Signed and...
Category
Late 18th Century Old Masters Figurative Prints
Materials
Etching
$1,069
H 11.03 in W 14.57 in D 0.04 in
Ponte Milvio - Etching by Giuseppe Vasi - Late 18th Century
By Giuseppe Vasi
Located in Roma, IT
Ponte Milvio is an original black and white etching of the Late 18th century realized by Giuseppe Vasi.
The beautiful etching represents a glimpse of Rom...
Category
Late 18th Century Old Masters Figurative Prints
Materials
Etching
$1,068
H 12.6 in W 16.15 in D 0.04 in
Giardino e Casino Pontificio - Etching by Giuseppe Vasi - Late 18th Century
By Giuseppe Vasi
Located in Roma, IT
Giardino e Casino Pontificio is an original black and white etching of the Late 18th century realized by Giuseppe Vasi.
The beautiful etching represents a glimpse of Rome.
Signed ...
Category
Late 18th Century Old Masters Figurative Prints
Materials
Etching
$802
H 11.03 in W 15.75 in D 0.04 in
Palazzo Pontificio - Etching by Giuseppe Vasi - Late 18th Century
By Giuseppe Vasi
Located in Roma, IT
Palazzo Pontificio is an original black and white etching of the Late 18th Century realized by Giuseppe Vasi.
The beautiful etching represents a glimpse of Rome.
Signed and titled ...
Category
Late 18th Century Old Masters Figurative Prints
Materials
Etching
$1,069
H 12.6 in W 16.15 in D 0.04 in
More From This Seller
View AllBacchanal
By Giovanni Andrea Podestà
Located in Fairlawn, OH
Bacchanal
Etching, 1649
Inscribed in the square left: "Magnificentis/simo Principi/Paolo lorda/no. II Bracci/ani Duci/Aud. P.DDD/1640; Inscribed on right: Rome apud Franciscsum Saluucium
Condition: Usual centerfolds from paper manufacture
Plate: 10 3/8 x 15 1/2"
Sheet: 11 1/2 x 16 1/2";
References:
Bartsch XX.4
Sopher Plate 145
An impression of this image is in the collections of the Philadelphia Museum of Art and the National Gallery of Art, Washington
An exceptionally rich impression in excellent condition.
From Wikipedia, the free encyclopedia
Putti as Allegory of Music
Giovanni Andrea Podestà or Giovanni Andrea Podesta (1608 - c. 1674) was an Italian painter and engraver who was principally active in Rome. His principal subject matter is children playing in landscapes with classical objects. His works show the influence of Poussin's Arcadian landscapes and bacchanals, which were ultimately derived from Titian's bacchanals.
Life
Giovanni Andrea Podestà was born in Genoa. He was formed in Genoa with Giovanni Andrea de Ferrari and Domenico Fiasella according to the information provided by the contemporary Genoese biographer Raffaele Soprani. He is also recorded as an apprentice of Giovanni Battista Paggi in 1627.
His presence is documented from in 1634 in Rome where he made drawings after the statues and ancient reliefs at the famous Giustiniani collection. These were subsequently engraved for publication in the 'Galleria Giustiniani'. The artist's career ran a course similar to that of the young Domenico Fiasella. In Rome his art evolved in contact with the works of Poussin, Andrea di Leone, Pietro Testa...
Category
17th Century Old Masters Figurative Prints
Materials
Etching
La Paysanne Tournee a Gauche, Les Mains Appuyees L’Une sue L’Autre
By Jacques Callot
Located in Fairlawn, OH
La Paysanne Tournee a Gauche, Les Mains Appuyees L’Une sue L’Autre (Peasant turned left holding her hands)
Etching, 1618
From: Varie Figure (16 plates)
Condition: very good, aging
Im...
Category
1610s Old Masters Figurative Prints
Materials
Etching
The Academy of Plato Plato and His Disciples
By Salvator Rosa
Located in Fairlawn, OH
The Academy of Plato
Plato and His Disciples
Etching and drypoint
c. 1662, printed c. 1710
Signed in the plate lower left
Inscribed lower left: 'In villa ab Academo attributa sua[m]...
Category
1660s Old Masters Figurative Prints
Materials
Etching
Les deux tures coifffes d’un turban avec une aigrette (The turban with crest)
By Jacques Callot
Located in Fairlawn, OH
Les deux tures coifffes d’un turban avec une aigrette
(The two headdresses of a turban with a crest)
Etching, 1618
From: Varie Figure (16 plates)
Condition: Trimmed withing the plate...
Category
1610s Old Masters Figurative Prints
Materials
Etching
Marble relief of a trireme from the Temple of Fortuna, Praeneste, from Vasi
By Giovanni Battista Piranesi
Located in Fairlawn, OH
Marble relief of a trireme from the Temple of Fortuna, Praeneste, from Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Ba...
Category
1770s Old Masters Figurative Prints
Materials
Etching
Father Stefan Fridolin, "Schatzbehalter" (Treasury of the True Riches
Located in Fairlawn, OH
Father Stefan Fridolin, "Schatzbehalter" (Treasury of the True Riches of Salvation): The 30th Figure - Astrological Diagram with Scene of the Nativity
Woodcut, 1491
Unsigned, as issued
Published by Anton Koberger
Diagram has Zodiac signs on outer ring, planets in the lower registers, and Nativity in the center.
Condition: Very good for a 15h century woodcut, with the usual slight age stains
Sheet size: 11 1/2 x 8 1/4 inches
Wogelmut was the teacher of Albrecht Durer and employed young Durer in many project of the last decade of the 15th century.
Michel Wolgemut Biography
Wolgemut trained with his father Valentin Wolgemut (who died in 1469 or 1470) and is thought to have been an assistant to Hans Pleydenwurff in Nuremberg. He worked with Gabriel Malesskircher in Munich early in 1471, leaving the city after unsuccessfully suing Malesskircher's daughter for breach of contract, claiming she had broken off their engagement. He then returned to his late father's workshop in Nuremberg, which his mother had maintained since Valentin's death.
In 1472 he married Pleydenwurff's widow and took over his workshop;[3] her son Wilhelm Pleydenwurff worked as an assistant, and from 1491 a partner, to Wolgemut. Some consider Wilhelm a finer artist than Wolgemut, however he died in January 1494, when he was probably still in his thirties. Wilhelm's oeuvre remains unclear, though works in various media have been attributed to him.
Woodcuts
Michael Wolgemut, Danse Macabre, 1493
Two large and copiously illustrated books have woodcuts supplied by Wolgemut and his stepson Wilhelm Pleydenwurff; both were printed and published by Germany's largest publisher, the Nuremberger Anton Koberger, who was also Dürer's godfather. The first is the Schatzbehalter der wahren Reichthumer des Heils (1491); the other is the Historia mundi, by Schedel (1493), usually known as the Nuremberg Chronicle...
Category
15th Century and Earlier Old Masters Figurative Prints
Materials
Woodcut
