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Heinrich UlrichHeinrich Ulrich after Paul Mair, Guard of Emperor Rudolph, Soldier, Landsknecht1598
1598
$297.17
£222.82
€250
CA$414.66
A$448.95
CHF 238.69
MX$5,414.68
NOK 3,001.63
SEK 2,798.37
DKK 1,904.53
About the Item
Heinrich Ulrich (aka Heinrich Ullrich) (fl.1567–1621)
“Soldier with Hellebarde”, 1598, out of the series, “The Guard of Emperor Rudolph” (aka “Old German Soldiers”; “Suite of Warriors”; “Retinue of Warriors"), published by Heinrich Ulrich in Nuremberg, after Paul Mair (aka Paulus Mayr) (fl. c1610).
Engraving on paper
Size: (sheet) 8.3 x 6.2 cm.
Inscribed in plate: "Piaeeo militiae fidus loca tuta ministrans"
Heinrich Ulrich: Publisher and engraver, worked in Nuremberg. Moved to Vienna in 1613, leaving numerous debts behind him.
- Creator:Heinrich Ulrich (1595 - 1620, German)
- Creation Year:1598
- Dimensions:Height: 3.55 in (9 cm)Width: 2.76 in (7 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Greven, DE
- Reference Number:1stDibs: LU1550210760462
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View AllHeinrich Ulrich after Paul Mair, Guard of Emperor Rudolph, Soldier, Landsknecht
Located in Greven, DE
Heinrich Ulrich (aka Heinrich Ullrich) (fl.1567–1621)
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Fenzoni, Painting AND preparatorial Drawing, John the Baptist, Italy Renaissance
By Ferrau Fenzoni
Located in Greven, DE
The painting and the preparatory drawing are offered together.
Provenance
Private collection, Germany, Trier, c. 1980- 2013
Saint John the Baptist
Brown ink and wash over red chalk on oatmeal paper
31 x 20.5 cm
Inscribed: „Ferrau Fenzonio da Faenza invt. esque … imp. da Fran. Villamena …“.
bears the collector's mark of Henry Scipio Reitlinger (1882-1950; Lugt 2274a) on a tiny label glued to the verso
On the reverse is a partial drawing of a Pieta, pricked for transfer.
Provenance
New York, Doyle, 14. October 2015, No. 6
The painting and the preparatory drawing resemble the composition of an engraving after Ferraù Fenzoni by Francesco Villamena. Drawing, engraving and painting are almost identical, except for minor differences. Even the measurements nearly correspond: painting (32 x 25,5 cm), drawing (30 x 20,5 cm), engraving (31,1 x 23,5 cm).
Dr. Guiseppe Scavizzi confirmed the attribution of the present panting to Fenzoni and he dates it to c. 1590.
The inscription on the drawing reads “Ferrau Fenzonio da Faenza invt. esque. . . imp. da Fran: Villamena . . .”. The engraving’s inscription also lists place and date “Ferra Fensionius inventor/F. Villamoena sculpsit Rome/Aspectu fruitur… antra puer/cum Privilegio… 1613”.
Interestingly, the engraving is not mirrored as it is in most printing processes. Painting, drawing and engraving are not reversed but the same. It is remarkable to note that there are further paintings by Fenzoni which were engraved in the same order and not reverted. They also show strong parallels regarding the compositions and the measurements (see for example “Deposition of Christ” ).
Ferraù Fenzoni was an Italian painter mainly active in Todi. He is also called Il Faenzone after his birthplace (Faenza). He apprenticed in Rome during the papacy of Gregory XIII and contributed to numerous fresco cycles under pope Sixtus V, such as the Loggia della Benedizioni in the Lateran Palace, the frescoes on the walls and vaults of the Scala Santa of the adjacent Basilica of San Giovanni in Laterano, and the decoration in the Sistine library. His expressive canvases straddle the styles of Mannerism and Baroque. In 1594, he moved to Todi. A “Last Judgement” by him is housed in the cathedral of Todi. He returned to Faenza in 1599, where he decorated chapels in the cathedral from 1612 to 1616. In 1622, he completed a “Deposition”, now in the local Pinacoteca. In 1640, Fenzoni was named “cavaliere dello speron d’oro” by Cardinal Colonna and, on 25th April 1634, he was nominated vicar and “castellano of Granarolo”.
Fenzoni‘s style is characterized by a mixture of the Mannerism of the Northern Netherlands and the Italian Baroque.
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Located in Greven, DE
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Arrest of Christ, Engraving, a. Karel van Mander, p. by Gheyn, Passion of Chris
Located in Greven, DE
The arrest of Christ; Judas embraces Christ as a group of soldiers apprehend Him; Christ places His hand on the fearful Malchus who sits on the ground holding a lamp; Peter grips his sword; one of the soldiers holds up a flaming torch; after Karel van Mander
The scene is out of a set of 13 engravings "Passion of Christ"
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