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Jacob Lawrence
The Relay Race" — Original Olympic Poster, Munich — Black American Artist

1972

$1,250
£944.08
€1,090.56
CA$1,761.07
A$1,886.11
CHF 1,013.96
MX$22,907.89
NOK 12,811.87
SEK 11,730.22
DKK 8,148.50

About the Item

Jacob Lawrence, 'The Relay Race' (Olympische Spiele München 1972), 12-color serigraph, signed in the matrix, lower right. From the 1972 limited edition silk screen edition of not more than 4000 impressions, published by Edition Olympia 1972 GmbH, printed by Dietz Offizin, Lengmoos. A superb, richly-inked and precisely registered impression, on heavy, white wove paper, in excellent condition. Unmatted, unframed. There was also an unlimited reproduction in offset lithography (commercial press printing). Image size 34 1/4 x 25 1/4 inches; sheet size (including bottom margin with type) 40 x 25.25 inches. Due to the large sheet size, this work will be shipped rolled, in a heavy duty mailing tube, carefully packed, with the image surface protected. ABOUT THE IMAGE In his 1972 Munich Olympic poster Jacob Lawrence depicts Black relay runners nearing the finish line, their faces marked by strain and near anguish. Emphasizing collective effort over individual victory, Lawrence’s flattened forms, assertive contours, and high-contrast color blocks—rooted in folk and mural traditions—press the image toward urgency. The runners’ exertion extends beyond sport, resonating with the pressures borne by Blacks worldwide in the early 1970s and transforming the scene into a forceful statement about endurance, cooperation, and struggle. ABOUT THE ARTIST Jacob Lawrence (1917–2000) was a pivotal American painter and printmaker whose work transformed African American history and modern life into a powerful visual language—marked by clarity, dynamic structure, and striking color—and informed by an underlying sense of moral integrity and human dignity. Raised in Harlem during the Great Depression, Lawrence came of age amid the cultural ferment of the Harlem Renaissance and was trained through community art centers under mentors including Charles Alston and Augusta Savage. Lawrence developed what he termed a “dynamic cubism,” reducing figures and environments to flat planes of color, sharply contoured forms, and integrating compositional rhythms. His mature style is marked by visual economy: narrative distilled into emblematic scenes that function simultaneously as specific historical moments and universal symbols. This approach reached early maturity in his narrative series—most notably The Migration Series (1940–41)—which established his national reputation while he was still in his early twenties. Throughout his career, Lawrence used serial imagery to address labor, struggle, resilience, and collective memory, extending his practice across painting, gouache, screenprint, and lithography. He was the first African American artist represented by a major New York commercial gallery and later served as a longtime professor at the University of Washington. His work is has been celebrated by critics, honored in major exhibitions, and is held by leading institutions including the Museum of Modern Art, the Metropolitan Museum of Art, the Whitney Museum of American Art, and the Phillips Collection, affirming his central position in the canon of 20th-century American art.
  • Creator:
    Jacob Lawrence (1917-2000, American)
  • Creation Year:
    1972
  • Dimensions:
    Height: 40 in (101.6 cm)Width: 25.25 in (64.14 cm)
  • Medium:
  • Movement Style:
  • Period:
  • Condition:
  • Gallery Location:
    Myrtle Beach, SC
  • Reference Number:
    1stDibs: LU532317434002

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