Jacques de Seve

Le Rhinocéros/Le Rhinocéros d’Afrique - Etching by Jacques de Sève-18th Century

18th Century

Le Rhinoceros is an etching realized by Jean Charles Baquoy in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good c...

Le Nagor is an etching realized in 1771 by Louis Legrand (1723-1807). Titled and Signed on the plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière...

Rare Antique Rhinoceros Engraving, Buffon Hand-Coloured Print Amsterdam 1769 Description: This striking 18th-century engraving of the Indian rhinoceros, titled Le Rhinoceros, comes from the Dutch edition of Buffon’s monumental natural history, published in Amsterdam by J.H. Schneider in 1769. Appearing as Plate VII in Tome XI, this is one of the most dramatic and desirable mammal plates in the entire series. The image was drawn by Jacques de Sève, the principal artist for Buffon’s Histoire Naturelle, and engraved by C.J. Fritsch, whose finely controlled linework captures the heavy folds, armour-like hide, and distinctive single horn of Rhinoceros unicornis with remarkable accuracy. Buffon’s description of the rhinoceros reflected the 18th century’s growing scientific curiosity about exotic species, and this plate reflects that fascination. The animal is shown standing solidly on a grassy bank against a pale sky and rocky cliff, a composition that emphasises both its mass and its rarity. De Sève’s rendering combines scientific observation with something of the romance and wonder that natural history imagery held for Enlightenment audiences. The armour-plated skin is depicted in sculptural relief through subtle cross-hatching, while carefully applied hand colouring enhances the deep greys, browns, and dusty pinks of the hide and landscape. As with all Schneider-edition plates, the colouring is richer, more transparent, and more refined than in many other continental versions of Buffon. This engraving is an excellent example of 18th-century copperplate technique. The plate mark is clearly visible, the impression strong, and the proportions generous, with wide margins characteristic of the Amsterdam edition. The sheet forms a beautiful standalone artwork but also pairs exceptionally well with other large-format Buffon subjects such as the elephant, camel, or buffalo plates...

Michael Canney (British : 1923-1999) Rhinoceros Etching with aquatint and plate tone 1947, Signed and dated Most likely originated from Canney’s w...