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Jane Wooster ScottThe Gulls of MaineCirca 1980
Circa 1980
Price:$575
$1,000List Price
About the Item
- Creator:Jane Wooster Scott (1933, American)
- Creation Year:Circa 1980
- Dimensions:Height: 29 in (73.66 cm)Width: 32.5 in (82.55 cm)Depth: 1.25 in (3.18 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:San Francisco, CA
- Reference Number:Seller: W.S 10011stDibs: LU66632550203
Jane Wooster Scott
In the "Guinness Book of Records" as one of the most reproduced artists in America, Jane Wooster Scott began copying work by folk artists such as Grandma Moses and gradually evolved into her own style. A turning point for her career was a joint showing at the Ankrum Gallery in Los Angeles with her comedian friend, Jonathan Winters. It was mostly a business crowd, and she sold 40 paintings in an hour. Scott grew up in the Philadelphia area and moved West following her dream to be a movie star. She quickly learned that goal was not for her, but became the host of a talk show where she interviewed movie stars. Then she married and quit that work, becoming a full-time mother. Currently (2002) she resides in homes in Los Angeles and Sun Valley, Idaho, and creates images for limited edition prints published through her own business. Her work appears on Christmas cards, calendars, puzzles, plates and more and even the state lottery printed one of her Christmas scenes on their holiday tickets. Of her life and work, she says: "I'm a very happy person, and I think it shows in my work. One thing everyone said to me without fail is that 'whenever I look at your work it makes me happy.' And that's good; we have enough stressful things in the world. We don't need it hanging on our walls." Source: "Art Business News," November 2002
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About the artist.
Jane Wooster Scott grew up in the Philadelphia area and moved West following her dream to be a movie star. She quickly learned that goal was not for her, but became the host of a talk show where she interviewed movie stars.
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In the "Guinness Book of Records" as one of the most reproduced artists in America, Jane Wooster Scott began copying work by folk artists such as Grandma Moses and gradually evolved into her own style. A turning point for her career was a joint showing at the Ankrum Gallery in Los Angeles with her comedian friend, Jonathan Winters. It was mostly a business crowd, and she sold 40 paintings in an hour.
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Alaska painter Rie Mounier Munoz was the child of Dutch parents who immigrated to California, where she was born and raised. She is known for her colorful scenes of everyday life in Alaska.
Rie (from Marie) Munoz (moo nyos), studied art at Washington and Lee University in Virginia. In 1950, she traveled up the Inside Passage by steamship, fell in love with Juneau, and gave herself until the boat left the next day to find a job and a place to live. Since then Juneau has been home to Munoz. She began painting small vignettes of Alaska soon after arriving in Juneau, and also studied art at the University of Alaska-Juneau.
Munoz painted in oils in what she describes as a "painstakingly realistic" style, which she found stiff and "somewhat boring." Her breakthrough came a few years later when an artist friend introduced her to a versatile, water-soluble paint called casein. The immediacy of this inexpensive medium prompted an entirely new style. Rie's paintings became colorful and carefree, mirroring her own optimistic attitude toward life. With her newfound technique she set about recording everyday scenes of Alaskans at work and at play.
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Her paintings reflect an interest in the day-to-day activities of village life such as fishing, berry picking, children at play, as well as her love of folklore and legends. Munoz says that what has appealed to her most were "images you might not think an artist would want to paint," such as people butchering crab, skinning a seal, or doing their laundry in a hand-cranked washing machine.
In 1972, with her hand-cut stencil and serigraph prints selling well in four locations in Alaska, she felt confident enough to leave her job at the Alaska State Museum and devote herself full time to her art. Freed from the constraints of an office job, she began to produce close to a hundred paintings a year, in addition to stone lithograph and serigraph prints.
From her earliest days as an artist, Rie had firm beliefs about selling her work. First, she insisted the edition size should be kept modest. When she decided in 1973 to reproduce Eskimo Story Teller as an offset lithography print and found the minimum print run to be 500, she destroyed 200 of the prints. She did the same with King Island, her second reproduction. Reluctantly, to meet market demand, she increased the edition size of the reproductions to 500 and then 750. The editions stayed at that level for almost ten years before climbing to 950 and 1250.
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About the artist:
Eegyvudluk Ragee was the oldest child born to Pamiaktok and Sorisolutu at the small campsite of Ikarasak, on the southern tip of Baffin Island in 1920.
When Egevadluq travelled to Cape Dorset (Kinngait) to trade for supplies, she would buy graphite pencil and paper from the West Baffin Eskimo Co-operative. Her early works filled entire sheets of paper, mythical creatures, bird-animal-human transformations, and images from reality - all randomly intermingled . By the mid-1960s, Eegyvudluk was using wax crayons, or coloured felt pens on paper.
In 1967, improved housing in Cape Dorset resulted in the Inuit abandoning most of the campsites. Eegyvudluk moved into the settlement, and by the early 1970s, explored the use of arcrylic washes, on which she drew her well-known figures and birds.
"I started drawing because I was 'tususkuk' (when I saw other people doing it, I wanted to do the same things)...When I start to make a drawing, I have a picture in my mind, but when I try to put that picture on paper, my hands won't do what my mind wants. When I have the picture in my head, I can't get it out by my hands. Sometimes I find it hard to draw when my children are in the house; I find it hard to think with so much noise around me. I make the kids go outside." Eegyvudluk, Cape Dorset Print Catalogue, 1978.
Exhibitions
Alaska Eskimo Dolls/Inuit Prints, Provincial Museum of Alberta, sponsored by the Alaska State Council on the Arts
ART ESKIMO, Galerie de France
Art Inuit, Presented by l'Iglou Art Esquimau, Douai at Galerie Akenaton
Art Inuit: Autour de la Collection de Cape Dorset 1991, Presented by l'Iglou Art Esquimau, Douai at Le Colombier
Art/Facts, McMaster Art Gallery
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Someday
Located in San Francisco, CA
This artwork titled "Someday" c.1980 is an original colors offset lithograph on Wove paper by noted American artist Sheldon C. Schoneberg, 1926-2012. It is hand signed, titled and numbered 10/425 in pencil by the artist. The image size is 20 x 25 inches, sheet size is 21.75 x 29.5 inches. It is in excellent condition, it has as a small brown ink spot in the bottom margin under the title. has never been framed.
About the artist:
Born in Oak Park, Illinois; family moves to Beverly Hills; Attends El Rodeo, Beverly Hills High then Chouinard Art Institute, Los Angeles; University of Southern California, BFA cum laude. MFA, 1951; Academia di Belle Arti, Rome, 3rd Year Certificate; Universidad Michoacana, Morelia, Mexico, 1952, Graduate School - Fresco Printings.
TEACHING:
Santa Monica College, 1947; Hollywood Art Center School 1948; Pratt University, New York, 1950; Academic Rank of Full Professor of Art - University of New York, New Paltz, 1964 and University of Southern Maine 1967; Master Drawing Classes, Paris-American Academy of Art, Paris, France 1984-1985, Drawing, Painting and Contemporary Art History- University of New England, Biddeford, Maine 1993 - 2002.
CYCLES OF WORKS IN ART:
• Biblical, American Indian, Rome 1948-62, Oil Paintings
• Drawings Wash and Ink, Wood and Ink, Sepia Conte and Ink, Pastels 1940-1968, California, New York, Maine
• Archetypal Frescos 1948-55, Mexico, California, Israel
• Goyescas, Satiric Ink and Wash Sketches, Spain and Greece 1954-1962
• Tapestries of the Zodiac 1961-1963, Spain
• Para-Mandalas, Collages, Mixed-Media, Oil Paintings 1961-1967
• Flower-Children Series and Flag Series, Charcoal Pastel Drawings, California and Maine 1965-2008
• Bas-Relief polyester Resin Sculpture, Bronze Sculpture, 1966-1968
• The Centaurs Garden Suite, Centre Genevois de Grauvure Contemporaine, Geneva, Switzerland, lithographs on stone and etchings 1971
• Oil Paintings,Landscapes, Portraits, Nudes and Still Lifes, Mykonos, Greece, Spain, California, France, Mexico, Maine, British Columbia, Switzerland 1960-2008
• Barbary Coast Drawings, Full Color and Monochromatic 1967-1994
• The Apocalypse Series, Acrylic and Oil Paintings, Drawings 1973-1983
• Charcoal Pastel Drawings, California, Maine, France, Switzerland 1946-2008
• Metamorphous Series, Charcoal Pastel Collage Drawings on Museum Board 1987-2008
• Collage Series Drawings, San Francisco, Limington, New paltz, Los Angeles 1958-2008
• Poster Series, 90+ Charcoal Pastel Drawings on Museum Board 1985-2008
• Fayum Portrait Series, Charcoal-Pastel and Fauve Drawings 1992-2008
• Formal and Informal Portraits - Oil Paintings, Drawings, Models, Commissions, Compositions, Re-Creations 1942-2008
• Murals- Commissiond, Given and Inspired Oil paintings, Drawings, Acrylic Paintings, Collage Drawings 1936-2008
• Maquettes-100+ small original Charcoal Pastel Drawings for commissions 1970-2008
• The Great Masters of Art Series 1998-2008
• Flower Oil Paintings on Canvas ( Sunflowers, Hydrangas,etc) 2000-2008
EXHIBITIONS: INTERNATIONAL: COMBINED TOTAL OF 214, INCLUDING 82 ONE_MAN EXHIBITIONS. A SELECTION FOLLOWS.
• Museum of Munich 1948
• Museum of Morelia, Michoacan, Mexico 1952
• Hellenic-American Union, Athens, Greece 1961
• Casa de Cultura, Malaga, Spain 1964
• Exposition Internationale d'Art de Mode, Val de Grace, Paris, France
• 20th Anniversaire Paris American Academy 1985
• Gallery International Inc, St Maarten, Netherlands Antilles 1990-93
• National Museum of Mexico,D.F.1970-2008 Genesis Fresco 12'x35'
• Galerie du Carlton, La Croisette, Cannes, France 1964-78
• Galerie des Champs-Elysees, Paris, France 1966-78
• Galeria "M" Copenhagan, Denmark 1967
• Galerie del Cisne, Madrid, Spain
• Upper Grosvenor Galleries, London England 1966-68
• Kunsthandel Monet, Amsterdam Holland 1960-80
• Harrison Galleries, Vancouver BC Canada 1970-2008
• Guild Gallerie Calgary, Canada 1975-98
SELECTED EXHIBITIONS: USA
• University of Southern California 1950
• Palos Verdes Community Galleries, CA 1955
• Cowie Galleries, Los Angeles, CA 1956
• Los Angeles Municipal Galleries, Barnsdall, CA " Art of the Mural" 1959
• Maxwell Galleries, San Francisco, CA 1962-63
• Raymond Burr Galleries Beverly Hills, CA 1961-64
• Gallery 235, Chicago,IL 1967
• Triton Museum of Art, Santa Clara CA (Retrospective 1969-2008)
• Lars Laine Art Galleries, Palm Springs, CA 1969-84
• Two Squares Gallery, Denver, CA 1966-70
• Fisk University Art Museum, Nashville TN 1968
• Lewis Galleries, Omaha Nebraska 1973-2008
• Talberts Galleria Tacoma, WA 1978-2008
• Lyon Art Gallery San Francisco CA 1974-1980
• Owl 57 Galleries Woodmere NY 1979-2008
• Walt Kuhn Galleries, Cape Neddick...
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